Evetversus HAYIR
EVET versus HAYIR [YES versus NO] Resistance art within the public space of Istanbul after the failed coup d’état in the night of July 15 to 16, 2016, in Turkey, until the Turkish presidential referendum of April 16, 2017. Master thesis Supervisor: dr. Marga van Mechelen Marianne de Zeeuw Second reader: dr. Jeroen Boomgaard July 8, 2017 Master Thesis Master Art History Faculty of Humanities University of Amsterdam Student: Marianne de Zeeuw Student ID: 10211241 Supervisor: dr. Marga van Mechelen Second reader: dr. Jeroen Boomgaard Amsterdam July 8, 2017 Number of words: 24.531 2 Acknowledgments -- As Claire Bishop remarks in her book Artificial Hells – Participatory Art and the Politics of Spectatorship (2012), a student or scholar who researches theatre and performance art and everything that is in between, cannot rely on books, essays and documentary photographs only. This statement is also valid for this master thesis. In this research I had the help of Turkish artists, art historians, and friends, who informed me through conversations, invited me for performances and guided me through Istanbul while translating potential political statements. On this account, I would like to thank Ismail Ata Doğruel (Performistanbul), Gülhatun Yıldırım (Performistanbul), Batu Bozoğlu (Performistanbul), Ebru Sargın (Performistanbul), Asena Günal (DEPO), Gökhan Tun (Istructor Bilgi Media), Bedri Baykam (visual artist and activist), Ferda Çağlayan (art historian – sculptures in public space) and Bulut Eydoğdu (my dear flatmate and translator). Marianne de Zeeuw Amsterdam July 8, 2017 3 4 Abstract -- Within this master thesis, a research is done on the field of art, power, and resistance, by tracing resistance art in the past turbulent decade in Turkey.
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