Module 1 Introduction & Feminism Session 2

Total Page:16

File Type:pdf, Size:1020Kb

Module 1 Introduction & Feminism Session 2 Silent No More: Survivors Building on Our Strengths Module 1 Introduction & Feminism Session 2: Feminism Part I A Training Program for Women Survivors of Gendered Violence This exciting leaning opportunity is made possible WomenatthecentrE through generous funding from Ontario Trillium 1224 King Street West, Suite 300 Toronto ON M6K 1G2 Foundation 416-964-0892 www.womenatthecentre.com COURSE CONTENT MODULE 1 FEMINISM SESSION 2: Feminism Part I Module 1: Introduction & Feminism FOCUS: The focus of this module will be on exploring the feminist movement and what it means to be a feminist. Starting with an historical overview of women’s experiences under patriarchal societies, we review 2 Session 2: Feminism Part I sex role stereotyping, misogyny and how the family within Western society is organized in a way that values men over women. What is feminism Historical overview of women’s OUTCOMES: The intended outcomes of this module will be for the experience and patriarchy The family within western society participants to gain an understanding of the root causes of gender based - roots of gendered violence Sex-role stereotyping and violence, its religious and cultural foundations and how these institutions misogyny the religious and cultural roots political and are structured to limit women’s political participation and economic economic roots of discrimination of women Organization of emancipation. family within western society and the impact on women’s roles and opportunities “I myself have never been able to find out precisely what feminism is: I only know that people call me a feminist whenever I express sentiments that differentiate me from a door mat or a prostitute.” - Rebecca West, A. Introduction “Mr. Chesterton in Hysterics: A Study in Prejudice,” The Clarion, 14 Nov. 1913http://www.marxists.org/history/international/social- B. The Personal Is Political democracy/clarion/1913/chesterton.htm) C. Overview of Women’s Place In Society Throughout History D. Cultural Support For The Continuing Oppression of Women E. Current State Of The Progress of Women F. The Role Of Media In Our Popular Culture And The Image of Women G. On A Global Level Activities Module 1 Session 2: Feminism Part I WomenatthecentrE © 2014 1 2 A. INTRODUCTION B. THE PERSONAL IS THE POLITICAL Let us start by asking ourselves a few fundamental questions, because this This phrase is one of the cornerstones of feminist thought. It embodies is an issue that seems to have people either running away or running that idea that what we actually experience should and must inform and towards it. guide our thoughts, our actions and our politics. In this phrase, “political” is used to refer to any power relationships – elected officials and formal politics is only one aspect of ‘the political.’ This statement is a validation . What do you think of when you hear the word feminist? for women that we are the experts about our own lives and experiences. Can you remember the first time you heard the It is also a rallying cry to say that our lived experience needs to guide our word? work in our communities – both in the formal political arena and in any . Was your first association with feminism a positive or other kind of personal, community or inter-personal work! negative one? . Some people say that feminism is no longer relevant The actual originator of the phrase, ‘the personal is the political,’ is not because women have achieved full equality with known. The phrase was first used in the 1960’s and is now recognized as men… what are your thoughts? Post your thoughts on the Discussion Board one that was collectively created, which gives a wonderful lesson in the strength of the collective or the group. It has often been called the To some in society, Feminism is a collective consciousness. dirty word, the other ‘F’ word that conjures up images of angry women As women who have the lived experience of gendered violence, who hate men and who want to we are the experts. We know our reality and the impact woman destroy the existing family unit. We abuse can and does have on the lives of individuals and on the simply do not agree. As Feminists, we community. We have to use our personal lived experiences to certainly do not hate men, or bring about political and social change. necessarily want to dismantle the existing structures that many cultures adopt as far as familial hierarchy One of the unique aspects of feminism is the fact that there are no goes. We believe that Feminism as a external experts. We, as women, have shared experiences as well as Movement has gotten a very bad rap differences in our experiences. Feminism is based on an understanding over the past few decades and want that it is up to us to make changes in our world by working together with to use this opportunity to explore other women and with male allies. why and how we came to this We have arrived at this point in feminist history thanks to the hard work of situation. http://www.pinterest.com/pin/266275396691790119/ the women who came before us. We need to encourage young women to join us in our quest for gender equity through human rights so that they will have the knowledge, skills, and passion to carry this vision forward. Module 1 Session 2: Feminism Part I WomenatthecentrE © 2014 3 4 Take a look at these great pictures of women and men explaining why they C. AN OVERVIEW OF WOMEN’S PLACE IN SOCIETY THROUGHOUT need feminism. The link below leads to a website started at Cambridge HISTORY University in the United Kingdom, on reasons why women and men say they need feminism: https://www.facebook.com/media/set/?set=a.10151452874113579.1073 . Do you remember the first time you noticed that girls were 741826.148494338578 treated differently from boys? . Was this a positive or negative experience for you? . Many of us got a clear message that as girls, our options were more limited and that we were unable to do as much as boys. If this was the case for you, what was your reaction? Did you feel angry? Disappointed? Confused? . What, if anything, did you do about the limitations/lack of options/expectations that were placed on you because you were a girl/woman? Many women experience inequality with men and are also treated as objects. This is known as objectification. Objectification of women is where men see women and our bodies as commodities available for use, with no regard to us as persons. The sexual objectification of women perpetuates gender inequality by ignoring the abilities of women and associating our worth or role in society with providing sexual pleasure for men. Objectification of females is apparent in media, advertising, art, and pornography. The depiction of the ‘perfect’ woman, has led to an increase in cosmetic surgeries including breast and buttock augmentation, along with facial surgeries. Module 1 Session 2: Feminism Part I WomenatthecentrE © 2014 5 6 Did you know? Labiaplasty is plastic surgery performed on the inner and E. THE CURRENT STATE OF THE PROGRESS OF WOMEN outer folds of skin surrounding a woman’s vulva. In 2008, the Journal of Sexual Medicine reported that 37% of the women undergoing this Think about examples in our language that perpetrate inequality procedure did so for purely cosmetic reasons because they felt that their of women and men as well as the objectification of women. genitals did not have a ‘normal’ appearance1. D. CULTURAL SUPPORT FOR THE CONTINUING OPPRESSION OF WOMEN Some common examples include: . Distinctions based on gender reach into every part of our lives. These Trophy wife . Wife-beater t-shirts differences are so much a part of Canadian culture that ordinarily they go . Bitch Slap unnoticed. Men have benefitted from, and continue to benefit from, . Whore and associated terms, such as ‘ho’ women’s subordination. MILF (Mothers I’d Like to F..k) . In 2011, the average Canadian woman earned 83% of what a man . Cougar (an older woman who is attracted to younger men) doing the same job earned. (Catalyst, August 2012, www.catalyst.org) F. THE ROLE OF MEDIA IN OUR POPULAR CULTURE AND THE . According to Statistics Canada, in 2006, 80% of lone (i.e. single) IMAGE OF WOMEN parent households in Canada were headed by women. That’s a total of 1.1 million families who are also the most financially . Often popular culture perpetuates a duality of innocent virginal challenged. ‘good girl’ as well as the idea and image of sexual women as nasty and evil . Traditionally, women have been socialized to consider men their superiors. Women are portrayed all too often as merely objects for sex . Sex-role stereotyping is rampant. Even though the vast majority . The family has been seen as “a safe haven” and family matters of women work outside of the home, most advertisements for have been considered to be private matters. The idea that what home products and health products show women as home- happens in the home should be kept private allows woman abuse makers to continue. Popular culture still portrays lawyers, scientists and engineers as men even though women are almost in equal numbers in some of these fields. Module 1 Session 2: Feminism Part I WomenatthecentrE © 2014 7 8 1 1 1Miklos JR, and Moore RD. Labiaplasty of the labia minora: Patients’ indications for pursuing surgery. J Sex Med 2008;5:1492–1495. Only 12 women were running Fortune 500 companies in 2011, ACTIVITIES down from 15 in 2010. Activity 1: TOPIC FOR GROUP DISCUSSION #1: (http://money.cnn.com/magazines/fortune/fortune500/2011/wo menceos/) Talk with two other women and find out how they felt growing up female.
Recommended publications
  • SAY NO to the LIBERAL MEDIA: CONSERVATIVES and CRITICISM of the NEWS MEDIA in the 1970S William Gillis Submitted to the Faculty
    SAY NO TO THE LIBERAL MEDIA: CONSERVATIVES AND CRITICISM OF THE NEWS MEDIA IN THE 1970S William Gillis Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the School of Journalism, Indiana University June 2013 ii Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee David Paul Nord, Ph.D. Mike Conway, Ph.D. Tony Fargo, Ph.D. Khalil Muhammad, Ph.D. May 10, 2013 iii Copyright © 2013 William Gillis iv Acknowledgments I would like to thank the helpful staff members at the Brigham Young University Harold B. Lee Library, the Detroit Public Library, Indiana University Libraries, the University of Kansas Kenneth Spencer Research Library, the University of Louisville Archives and Records Center, the University of Michigan Bentley Historical Library, the Wayne State University Walter P. Reuther Library, and the West Virginia State Archives and History Library. Since 2010 I have been employed as an editorial assistant at the Journal of American History, and I want to thank everyone at the Journal and the Organization of American Historians. I thank the following friends and colleagues: Jacob Groshek, Andrew J. Huebner, Michael Kapellas, Gerry Lanosga, J. Michael Lyons, Beth Marsh, Kevin Marsh, Eric Petenbrink, Sarah Rowley, and Cynthia Yaudes. I also thank the members of my dissertation committee: Mike Conway, Tony Fargo, and Khalil Muhammad. Simply put, my adviser and dissertation chair David Paul Nord has been great. Thanks, Dave. I would also like to thank my family, especially my parents, who have provided me with so much support in so many ways over the years.
    [Show full text]
  • Explorations of Meat-Eating, Masculinity and Masquerade
    Journal of International Women's Studies Volume 16 Issue 1 The 10th Anniversary of the FWSA Essay Article 3 Competition: New Directions in Feminist Studies - Emotions, Activisms, Intersectionality Nov-2014 You Are What You (M)eat: Explorations of Meat- eating, Masculinity and Masquerade Amy Calvert Follow this and additional works at: http://vc.bridgew.edu/jiws Part of the Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons Recommended Citation Calvert, Amy (2014). You Are What You (M)eat: Explorations of Meat-eating, Masculinity and Masquerade. Journal of International Women's Studies, 16(1), 18-33. Available at: http://vc.bridgew.edu/jiws/vol16/iss1/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2014 Journal of International Women’s Studies. You Are What You (M)eat: Explorations of Meat-eating, Masculinity and Masquerade By Amy Calvert1 Abstract Food consumption is frequently linked to identity and to who we are as individuals, which I explore through the analysis of the US reality television series Man V. Food. Through close readings of various scenes, I look at representations of hegemonic masculine performance2, and the sexualisation of women and meat. In light of my analysis, I argue that the show is both post-feminist and part of a wider backlash against feminist action.
    [Show full text]
  • Beasts, Burgers, and Hummers: Meat and the Crisis of Masculinity in Contemporary Television Advertisements Richard A
    Environmental Communication Vol. 2, No. 3, November 2008, pp. 281Á301 Beasts, Burgers, and Hummers: Meat and the Crisis of Masculinity in Contemporary Television Advertisements Richard A. Rogers This paper examines three recent television advertisements that symbolically link meat not only with masculinity, but specifically with the ‘‘crisis in masculinity.’’ Using an ecofeminist lens, I engage in an intersectional analysis of these advertisements to demonstrate how they articulate the eating of meat with primitive masculinities as a response to perceived threats to hegemonic masculinity. These advertisements demon- strate that scholars interested in the status of masculinity must pay attention to the ‘‘threats’’ to masculinity posed by environmental and animal rights movements, and that scholars interested in environmental movements must pay attention to the role of masculinity in resisting moves toward sustainability. This analysis demonstrates the utility of ecofeminism in understanding the relationship between hegemonic masculinity and environmentalism while also pointing to the need for ecofeminism to continue to explore the implications of intersectionality for ecofeminist theory and criticism. Keywords: Ecofeminism; Environmentalism; Intersectionality; Masculinity; Meat Meat, specifically red meat and beef in particular, has long been associated with masculinity in Anglo-America and western Europe (Adams, 2003; Rifkin, 1993; Sobal, 2005). From literature to everyday speech, from art to advertising, the articulation of hegemonic masculinity with the consumption of red meat is pervasive (Adams, 2003; Heinz & Lee, 1998). It comes as no surprise, therefore, that 2006 and 2007 offered television viewers a host of advertisements linking meat, beef specifically, with masculinity. Burger King, Del Taco, Hummer (GM), Jack in the Box, Quiznos, TGI Fridays, and others played on the gendering of red meat, and bloggers called Richard A.
    [Show full text]
  • Queer Performance in the Post-Millennial Scramble
    QUEER PERFORMANCE IN THE POST-MILLENNIAL SCRAMBLE MOYNAN KING A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN THEATRE AND PERFORMANCE STUDIES YORK UNIVERSITY TORONTO, ONTARIO November 2019 © Moynan King, 2019 ii Abstract The subject of this dissertation is contemporary queer feminist performance in Canada. My practice-informed research takes a unique approach to studying performance through what I call the “queer performance scramble”—a term that draws on the multiple meanings of “scramble” to understand the aesthetics of queer performance and its challenges to stable conceptions of both identity and temporality. I investigate works that are happening now and that scramble the sticky elements of their own cultural constructions and queer temporalities. The temporal turn in queer theory supports my engagement with the effects of temporality, performativity, and history on queer performance, and, conversely, the effects of queer performance on time. I am equally interested in the formal and material dimensions of the work I study. I look to the content, style, material conditions, and social scenes of queer feminist performance from the perspective of both an academic and an artist to make accessible work that is often marginalized within Canadian cultural production ecology. Chapter 1 investigates queer feminist hauntings with an analysis of Allyson Mitchell and Deirdre Logue’s Killjoy’s Kastle: A Lesbian Feminist Haunted House. Chapter 2 argues that cabaret is the primary site for queer feminist performance in Canada, and when framed as a methodological problem/solution matrix, both the celebratory and limiting potential of the form can be explored.
    [Show full text]
  • Novel Approaches to Negotiating Gender and Sexuality in the Color Purple, Nearly Roadkill, and Stone Butch Blues
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1997 Distracting the border guards: novel approaches to negotiating gender and sexuality in The olorC Purple, Nearly Roadkill, and Stone Butch Blues A. D. Selha Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Literature in English, North America Commons Recommended Citation Selha, A. D., "Distracting the border guards: novel approaches to negotiating gender and sexuality in The oC lor Purple, Nearly Roadkill, and Stone Butch Blues" (1997). Retrospective Theses and Dissertations. 9. https://lib.dr.iastate.edu/rtd/9 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. -r Distracting the border guards: Novel approaches to negotiating gender and sexuality in The Color Purple, Nearly Roadkill, and Stone Butch Blues A. D. Selha A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Interdisciplinary Graduate Studies Major Professor: Kathy Hickok Iowa State University Ames, Iowa 1997 1 ii JJ Graduate College Iowa State University This is to certify that the Master's thesis of A.D. Selha has met the thesis requirements of Iowa State University 1 1 11 iii DEDICATION For those who have come before me, I request your permission to write in your presence, to illuminate your lives, and draw connections between the communities which you may have painfully felt both a part of and apart from.
    [Show full text]
  • Generation X and the Invention of a Third Feminist Wave
    GENERATION X AND THE INVENTION OF A THIRD FEMINIST WAVE by ELIZABETH ANN BLY Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Renée Sentilles Department of History CASE WESTERN RESERVE UNIVERSITY January, 2010 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of _____________________________________________________ candidate for the ______________________degree *. (signed)_______________________________________________ (chair of the committee) ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Copyright © 2009 by Elizabeth Ann Bly All rights reserved iii For Gabe, Kristin, and Xoe And in memory of Judith Northwood (1964-2009) iv TABLE OF CONTENTS LIST OF ILLUSTRATIONS viii ACKNOWLEDGEMENTS ix ABSTRACT xiii INTRODUCTION 1 White Grrrls 7 ―We Don‘t Need Another Wave‖ 11 Generation X, Feminism, and Contemporary History 19 ―The Order of Things‖ 25 CHAPTER ONE: “Generation X and the 1970s Pop Cultural Discourse on „Women‟s Lib‟” 32 ―Women‘s Lib‖: The Media‘s ―Charred Bra‖ Revolution 35 A Day in the Life: ―Women‘s Lib‖ as Spectacle 38 ―And Then There‘s Maude‖: ―Women‘s Lib‖ and Adult TV 46 Women‘s Lib
    [Show full text]
  • *Press Release- AWMA Finalists Announced
    MEDIA RELEASE For Immediate Release FINALISTS ANNOUNCED FOR INAUGURAL AUSTRALIAN WOMEN IN MUSIC AWARDS Amy Shark, Ka:e Noonan, Deborah Cheetham, Gordi, Jen Cloher, Stella Donnelly, Ngaiire, Camp Cope, Sarah Blasko, Tiddas, and the Mission Songs Project are amongst the stellar list of finalists in the inaugural Australian Women in Music Awards (AWMA), which will be presented at a star-studded ceremony and party in Brisbane on Wednesday evening 10th October. For the first Ame in Australian music history, AWMA will recognise the outstanding contribuAons of women across a range of categories including: excellence in arAstry, song- wriAng, technical and producAon skills, cross-cultural development, music educaAon, music photography, music leadership and humanitarian work. “I welcome the inaugural AMWA to Queensland’s thriving arts scene. This iniAaAve perfectly reflects our government’s vision for the future. We want to see the excepAonal talents and achievements of our many female arAsts, and women from all fields, fully recognised, keenly supported and enthusiasAcally celebrated at every opportunity,” Queensland Minister for Child Safety, Youth and Women and Minister for the PrevenAon of DomesAc and Family Violence Di Farmer said. “This will be a very special celebra0on of women in Australian music, those who have come before and those who con0nue to light the way. We are overwhelmed with support which we con0nue to receive from ar0sts, the music community and the broader crea0ve sector all of whom agree that the 0me for change has come” says AWMA Founding Director and ExecuAve Producer, Vicki Gordon. Fourteen AWMAs are up for grabs, from a public nominaAon process that aUracted hundreds of individual nominaAons, each assessed by a specially-convened Jury Council comprised of industry professionals and pracAAoners of the highest calibre.
    [Show full text]
  • Grievance Feminism” Is a Threat to Serious Feminist & Humanitarian Issues Janet Albrechtsen, Dr Andrea Den Boer, Christina Hoff Sommers and Brendan O’Neill
    CIS EVENT Monday, 24 August 2015 ANNUAL BIG IDEAS FORUM Why “Grievance Feminism” is a Threat to Serious Feminist & Humanitarian Issues Janet Albrechtsen, Dr Andrea den Boer, Christina Hoff Sommers and Brendan O’Neill Over the past century the feminist movement has achieved truest sense of the term, and why “grievance feminism” remarkable advances in securing equal rights for women in trivialises and sidelines the real issues of fundamental the West, but in other regions around the world women are gender illiberalism. still treated as second class citizens – or even goods and While there are clearly still serious issues to grapple with chattels. Millions of women in developing countries live with in the West in terms of gender equality (domestic and subjugation, domestic servitude, rape, violence, honour killings, harassment, genital mutilation and restricted sexual violence in particular), modern feminism has been education as societal norms. They do not have the rights to hijacked and trivialised by un-meritocratic and bureaucratic their own bodies, their own opinions, their own lives, and quotas, obsession with politically correct language, and the often are denied rights to property as well. They are denied confusion of sexism with misogyny. So much so that many basic freedoms that are accorded to men in those same young women now spurn the label of feminist, equating it countries without question. with vitriolic male-bashing and stridency rather than the essence of female liberty. This session will explore why these issues are not a battle for women’s rights but a battle for human rights, in the In September last year, the newly appointed Goodwill Ambassador for UN Women (popular young British actress unprofessional.
    [Show full text]
  • July-2014-Newsletter.Pdf
    Vol 25, No.3 — July 2014 NEWSLETTER To keep women’s words, women’s works, alive and powerful — Ursula LeGuin SEPTEMBER HIGHLIGHTS The Library’s Annual Luncheon at Parliament House, Sydney on Monday 15 September Three days before on Friday 12 September a special forum – the Library’s contribution to NSW History Week Annual Luncheon retrospective Forum: Australian women’s peace activism The Library has proudly presented noteworthy Annual Beginning during the Boer War, gaining strength during Luncheon speakers since April 1995 when Nancy Bird World War I, and continuing on through the twentieth Walton captivated 200 people at Parliament House NSW century, small numbers of Australian women became with her aviation stories. The editors asked Lyn Eggins, involved in movements to resist war and work for peace. Annual Luncheon committee member, to share her Not least among them was Jessie Street. thoughts on this annual event. In this World War I centenary year, the Library is Lyn, what drew you to the Library’s Annual Luncheon committee? holding a forum during NSW History Week, facilitated by I began as a volunteer at JSNWL at the beginning of Bev Kingston and Jill Roe. The forum will focus on some of 2006, after a chance meeting with Christine Lees in far the organisations and individuals involved in anti-war and north-western Queensland. Christine suggested I join the peace movements — such as the Women’s Peace Army, the committee for the Library’s major fundraising event. anti-conscription movement, the World Peace Council and Looking back, which Annual Luncheons were particularly the Women’s International Peace and Freedom League.
    [Show full text]
  • The Lesbian Tide Access to Some Transportation Vehicle
    LeSBIaN THE /t lU6. 1914 T nl: 50¢ in L.A. Area • .Ii 65¢ Elsewhere A FEMINIST LESBIAN PUBLICATION, WRITTEN BY AND FOR THE RISING TIDE OF WOMEN TODAY LESBIAN NA liON INDYKES Mi. ohe THE TIDE COLLECTIVE ADVERTISING VOLUME 4, NUMBER I Jeanne Cordova CI RCU LATION Cou ntry Dakota Barbara Gehrke Susan Kuhner Kay Stevens EDITORIAL Annie Jeanne Cordova TABLE OF CONTENTS Gudrun Fonfa Barbara Gehrke Helen Hancken Peggy Kimball ARTICLES Sudi Mae FINANCE, COLLECTIONS & FUNDRAISING What to do About Ms. 3 InDYKEment Against Ms. 5 Barbara G eh rke Ms. Magazine and Accountability 7 Susan Kuhner Inter-Office Memo from the Desk of Gloria Steinem 7 PHOTOGRAPHY A Kiss Does Not a Revolution Make - part iii 12 Helen Hancken 40 Acres and a Mule 23 PRODUCTION CARTOON 21 Brin CLASSIFIED ADS 17 Helen Hanck e n Peggy Kimball DEDICATION Back Cover Jan Lydon Sudi Mae Tyler FICTION Is RoMANce Dead? 6 From My Journal 9 FROM US 4 New York Coordinator: Karla Jay LETTERS 4 NATIONAL NEWS 18 Cover Photograph: Denise Crippen POETRY Ode to the Lesbian Movement 9 Past Perfect Tense 10 Untitled by Pat Parker 10 Invocation to Sappho 19 To Make a Puerto Rican Revolutionary 20 Untitled by Pat Parker 20 Exposure 21 ADVERTISING RATES: REVIEW: The Priscilla Principle 11 Display: $4.00 per column inch, one time only Reduced "contract" rates; $3.50/inch (3-5 issues), $3.00/inch (6 mths or longer) SISTER TO SISTER 17 Camera-ready copy and check should accompany ad. SPECIAL ANNOUNCEMENTS 17 Classified: $2.50 per column inch.
    [Show full text]
  • Sexy Songs: a Study of Gender Construction in Contemporary Music Genres Lea Tessitore Union College - Schenectady, NY
    Union College Union | Digital Works Honors Theses Student Work 6-2012 Sexy Songs: A Study of Gender Construction in Contemporary Music Genres Lea Tessitore Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Feminist, Gender, and Sexuality Studies Commons, and the Musicology Commons Recommended Citation Tessitore, Lea, "Sexy Songs: A Study of Gender Construction in Contemporary Music Genres" (2012). Honors Theses. 910. https://digitalworks.union.edu/theses/910 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. i “Sexy” Songs: A Study of Gender Construction in Contemporary Music Genres By Lea M. Tessitore * * * * * * * * * * Senior Thesis Submitted to the Political Science Department in Partial Fulfillment of the Requirements for Graduation UNION COLLEGE March 2012 ii Acknowledgements I would like to extend a heartfelt Thank You To my Mom Your complete support made everything possible To all of my Professors at Union For helping me to grow intellectually and as a person To my Friends For being wonderful colleagues and for being true friends iii Table of Contents Preface……………………………………………………………………………………v Introduction………………………………………………………………………………1 Chapter I………………………………………………………………………………….5 Rap/Hip-Hop Music Chapter II….…………………………………………………………………………….33 Country Music Chapter III…………….…………………………………………………………………67 Punk Rock Music Conclusion……………………………………………………………………………...99 Bibliography…………………………………………………………………………..113 iv “One is not born, but rather becomes, a woman.” - Simone de Beauvoir “Music expresses that which cannot be said and on which it is impossible to be silent.” - Victor Hugo v Preface This study focuses on gender construction in contemporary music genres, including Rap/Hip-hop, Country, and Punk Rock.
    [Show full text]
  • Three Women Writing/Riding Feminism's Third Wave
    P1: GMX Qualitative Sociology [quso] ph203-quas-466798 May 15, 2003 19:10 Style file version Nov 28th, 2002 Qualitative Sociology, Vol. 26, No. 3, Fall 2003 (C 2003) Three Women Writing/Riding Feminism’s Third Wave Hokulani Aikau, Karla Erickson, and Wendy Leo Moore1 In this article the authors compare their own stories of developing a feminist consciousness in order to demonstrate how the distinction between feminist waves and feminist generations can be a productive one. They argue that the metaphor of waves must be delineated from the family metaphor of generation in order to maintain the fluidity that exists within a generational cohort of feminist scholars. Their narrative begins where they all meet, at the University of Minnesota in 2001, and interweaves stories of how they eventually come together in the same institution as feminist scholars. Their stories illustrate that although they each identify as feminists, and each fall into the category often referred to as “third wave,”their pursuit of a feminist agenda has followed different trajectories. Taken together, their personal narratives unpack and explore the wave metaphor for describing individuals, provide a critique of feminist generations, and illustrate the multiplicity of third wave feminism. KEY WORDS: waves; feminism; generations; intersectionality; personal narrative; intellectual training. THE POWER OF THREE: THIRD WAVE FEMINISM How long [the wave] will live, how far it will travel, to what manner of end it will come are all determined, in large measure, by the conditions it meets in its progression across the face of the sea. Rachel L. Carson 1989, p. 116 On a humid afternoon in July, the three of us met beside the glistening waters of the Mississippi to share stories about feminism, graduate training, the paths we 1Correspondence should be directed to Karla Erickson, Department of American Studies, 104 Scott Hall, 72 Pleasant St.
    [Show full text]