July-2014-Newsletter.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Covers for Hawke "Social Contract" Means Wage Restraint!
NUMBER THIRTEEN OCTOBER 1974 TEN CENTS A CTU Conference: "~left wing" covers for Hawke "Social contract" means wage restraint! The Special ACTU Conference held in Sydney on companies) voted for the ACTU executive motion Carmichael put up a token resistance to the 23-24 September was called to discuss the state presented by Hawke. new Cameron deal on the first day, when he claim of the economy in the light of the Budget brought ed that he "could not accept" that the workers' "current share of the cake" should remain fixed down by the Labor government the week before. As part of the effort to woo the trade unions, Though the Conference had no decision-making and called for affirming the "right" to fight for Labor Minister Clyde Cameron had produced a new a bigger slice. But Carmichael in practice re powers, it was Hawke's and Whitlam's plan to use indexation proposal, a two-tier plan in which it to give union members the impression that the fuses to use that right, as indicated by his sup ACTU was doing something about the economic wages up to the average wage would be adjusted port for the sellout $9 Metal Trades settlement. crisis and at the same time to legitimise a quarterly by a direct percentage applicatiori of And conspicuously absent from any of his remarks "so'cial cohtract" with the government, laying the the consumer price index movement, and by a flat was any mention of the CPA's "autumn offensive". amount for wages above the average. This plan groundwork for a voluntary or state-imposed wage One of Carmichael's proposals was to maintain freeze. -
Whitlam As Internationalist: a Centenary Reflection
WHITLAM AS INTERNATIONALIST: A CENTENARY REFLECTION T HE HON MICHAEL KIRBY AC CMG* Edward Gough Whitlam, the 21st Prime Minister of Australia, was born in July 1916. This year is the centenary of his birth. It follows closely on his death in October 2014 when his achievements, including in the law, were widely debated. In this article, the author reviews Whitlam’s particular interest in international law and relations. It outlines the many treaties that were ratified by the Whitlam government, following a long period of comparative disengagement by Australia from international treaty law. The range, variety and significance of the treaties are noted as is Whitlam’s attraction to treaties as a potential source of constitutional power for the enactment of federal laws by the Australian Parliament. This article also reviews Whitlam’s role in the conduct of international relations with Australia’s neighbours, notably the People’s Republic of China, Papua New Guinea, Indonesia and Indochina. The reconfiguration of geopolitical arrangements is noted as is the close engagement with the United Nations, its agencies and multilateralism. Whilst mistakes by Whitlam and his government are acknowledged, his strong emphasis on international law, and treaty law in particular, was timely. It became a signature theme of his government and life. CONTENTS I Introduction .............................................................................................................. 852 II Australia’s Ratification of International Treaties ................................................. -
SAY NO to the LIBERAL MEDIA: CONSERVATIVES and CRITICISM of the NEWS MEDIA in the 1970S William Gillis Submitted to the Faculty
SAY NO TO THE LIBERAL MEDIA: CONSERVATIVES AND CRITICISM OF THE NEWS MEDIA IN THE 1970S William Gillis Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the School of Journalism, Indiana University June 2013 ii Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee David Paul Nord, Ph.D. Mike Conway, Ph.D. Tony Fargo, Ph.D. Khalil Muhammad, Ph.D. May 10, 2013 iii Copyright © 2013 William Gillis iv Acknowledgments I would like to thank the helpful staff members at the Brigham Young University Harold B. Lee Library, the Detroit Public Library, Indiana University Libraries, the University of Kansas Kenneth Spencer Research Library, the University of Louisville Archives and Records Center, the University of Michigan Bentley Historical Library, the Wayne State University Walter P. Reuther Library, and the West Virginia State Archives and History Library. Since 2010 I have been employed as an editorial assistant at the Journal of American History, and I want to thank everyone at the Journal and the Organization of American Historians. I thank the following friends and colleagues: Jacob Groshek, Andrew J. Huebner, Michael Kapellas, Gerry Lanosga, J. Michael Lyons, Beth Marsh, Kevin Marsh, Eric Petenbrink, Sarah Rowley, and Cynthia Yaudes. I also thank the members of my dissertation committee: Mike Conway, Tony Fargo, and Khalil Muhammad. Simply put, my adviser and dissertation chair David Paul Nord has been great. Thanks, Dave. I would also like to thank my family, especially my parents, who have provided me with so much support in so many ways over the years. -
Paul Ormonde's Audio Archive About Jim Cairns Melinda Barrie
Giving voice to Melbourne’s radical past Paul Ormonde’s audio archive about Jim Cairns Melinda Barrie University of Melbourne Archives (UMA) has recently Melbourne economic historian and federal politician Jim digitised and catalogued journalist Paul Ormonde’s Cairns’.4 Greer’s respect for Cairns’ contribution to social audio archive of his interviews with ALP politician Jim and cultural life in Australia is further corroborated in her Cairns (1914–2003).1 It contains recordings with Cairns, speech at the launch of Protest!, in which she expressed and various media broadcasts that Ormonde used when her concern about not finding any trace of Cairns at the writing his biography of Cairns, A foolish passionate university, and asked about the whereabouts of his archive: man.2 It also serves as an oral account of the Australian ‘I have looked all over the place and the name brings up Labor Party’s time in office in the 1970s after 23 years in nothing … you can’t afford to forget him’.5 Fortunately, opposition.3 Paul Ormonde offered to donate his collection of taped This article describes how Ormonde’s collection was interviews with Cairns not long after Greer’s speech. acquired and the role it has played in the development During his long and notable career in journalism, of UMA’s audiovisual (AV) collection management Ormonde (b. 1931) worked in both print and broadcast procedures. It also provides an overview of the media, including the Daily Telegraph, Sun News Pictorial Miegunyah-funded AV audit project (2012–15), which and Radio Australia. A member of the Australian Labor established the foundation for the care and safeguarding Party at the time of the party split in 1955, he was directly of UMA’s AV collections. -
Explorations of Meat-Eating, Masculinity and Masquerade
Journal of International Women's Studies Volume 16 Issue 1 The 10th Anniversary of the FWSA Essay Article 3 Competition: New Directions in Feminist Studies - Emotions, Activisms, Intersectionality Nov-2014 You Are What You (M)eat: Explorations of Meat- eating, Masculinity and Masquerade Amy Calvert Follow this and additional works at: http://vc.bridgew.edu/jiws Part of the Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons Recommended Citation Calvert, Amy (2014). You Are What You (M)eat: Explorations of Meat-eating, Masculinity and Masquerade. Journal of International Women's Studies, 16(1), 18-33. Available at: http://vc.bridgew.edu/jiws/vol16/iss1/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2014 Journal of International Women’s Studies. You Are What You (M)eat: Explorations of Meat-eating, Masculinity and Masquerade By Amy Calvert1 Abstract Food consumption is frequently linked to identity and to who we are as individuals, which I explore through the analysis of the US reality television series Man V. Food. Through close readings of various scenes, I look at representations of hegemonic masculine performance2, and the sexualisation of women and meat. In light of my analysis, I argue that the show is both post-feminist and part of a wider backlash against feminist action. -
Beasts, Burgers, and Hummers: Meat and the Crisis of Masculinity in Contemporary Television Advertisements Richard A
Environmental Communication Vol. 2, No. 3, November 2008, pp. 281Á301 Beasts, Burgers, and Hummers: Meat and the Crisis of Masculinity in Contemporary Television Advertisements Richard A. Rogers This paper examines three recent television advertisements that symbolically link meat not only with masculinity, but specifically with the ‘‘crisis in masculinity.’’ Using an ecofeminist lens, I engage in an intersectional analysis of these advertisements to demonstrate how they articulate the eating of meat with primitive masculinities as a response to perceived threats to hegemonic masculinity. These advertisements demon- strate that scholars interested in the status of masculinity must pay attention to the ‘‘threats’’ to masculinity posed by environmental and animal rights movements, and that scholars interested in environmental movements must pay attention to the role of masculinity in resisting moves toward sustainability. This analysis demonstrates the utility of ecofeminism in understanding the relationship between hegemonic masculinity and environmentalism while also pointing to the need for ecofeminism to continue to explore the implications of intersectionality for ecofeminist theory and criticism. Keywords: Ecofeminism; Environmentalism; Intersectionality; Masculinity; Meat Meat, specifically red meat and beef in particular, has long been associated with masculinity in Anglo-America and western Europe (Adams, 2003; Rifkin, 1993; Sobal, 2005). From literature to everyday speech, from art to advertising, the articulation of hegemonic masculinity with the consumption of red meat is pervasive (Adams, 2003; Heinz & Lee, 1998). It comes as no surprise, therefore, that 2006 and 2007 offered television viewers a host of advertisements linking meat, beef specifically, with masculinity. Burger King, Del Taco, Hummer (GM), Jack in the Box, Quiznos, TGI Fridays, and others played on the gendering of red meat, and bloggers called Richard A. -
Queer Performance in the Post-Millennial Scramble
QUEER PERFORMANCE IN THE POST-MILLENNIAL SCRAMBLE MOYNAN KING A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN THEATRE AND PERFORMANCE STUDIES YORK UNIVERSITY TORONTO, ONTARIO November 2019 © Moynan King, 2019 ii Abstract The subject of this dissertation is contemporary queer feminist performance in Canada. My practice-informed research takes a unique approach to studying performance through what I call the “queer performance scramble”—a term that draws on the multiple meanings of “scramble” to understand the aesthetics of queer performance and its challenges to stable conceptions of both identity and temporality. I investigate works that are happening now and that scramble the sticky elements of their own cultural constructions and queer temporalities. The temporal turn in queer theory supports my engagement with the effects of temporality, performativity, and history on queer performance, and, conversely, the effects of queer performance on time. I am equally interested in the formal and material dimensions of the work I study. I look to the content, style, material conditions, and social scenes of queer feminist performance from the perspective of both an academic and an artist to make accessible work that is often marginalized within Canadian cultural production ecology. Chapter 1 investigates queer feminist hauntings with an analysis of Allyson Mitchell and Deirdre Logue’s Killjoy’s Kastle: A Lesbian Feminist Haunted House. Chapter 2 argues that cabaret is the primary site for queer feminist performance in Canada, and when framed as a methodological problem/solution matrix, both the celebratory and limiting potential of the form can be explored. -
Earle Page and the Imagining of Australia
‘NOW IS THE PSYCHOLOGICAL MOMENT’ EARLE PAGE AND THE IMAGINING OF AUSTRALIA ‘NOW IS THE PSYCHOLOGICAL MOMENT’ EARLE PAGE AND THE IMAGINING OF AUSTRALIA STEPHEN WILKS Ah, but a man’s reach should exceed his grasp, Or what’s a heaven for? Robert Browning, ‘Andrea del Sarto’ The man who makes no mistakes does not usually make anything. Edward John Phelps Earle Page as seen by L.F. Reynolds in Table Talk, 21 October 1926. Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760463670 ISBN (online): 9781760463687 WorldCat (print): 1198529303 WorldCat (online): 1198529152 DOI: 10.22459/NPM.2020 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode This publication was awarded a College of Arts and Social Sciences PhD Publication Prize in 2018. The prize contributes to the cost of professional copyediting. Cover design and layout by ANU Press. Cover photograph: Earle Page strikes a pose in early Canberra. Mildenhall Collection, NAA, A3560, 6053, undated. This edition © 2020 ANU Press CONTENTS Illustrations . ix Acknowledgements . xi Abbreviations . xiii Prologue: ‘How Many Germans Did You Kill, Doc?’ . xv Introduction: ‘A Dreamer of Dreams’ . 1 1 . Family, Community and Methodism: The Forging of Page’s World View . .. 17 2 . ‘We Were Determined to Use Our Opportunities to the Full’: Page’s Rise to National Prominence . -
Novel Approaches to Negotiating Gender and Sexuality in the Color Purple, Nearly Roadkill, and Stone Butch Blues
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1997 Distracting the border guards: novel approaches to negotiating gender and sexuality in The olorC Purple, Nearly Roadkill, and Stone Butch Blues A. D. Selha Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Literature in English, North America Commons Recommended Citation Selha, A. D., "Distracting the border guards: novel approaches to negotiating gender and sexuality in The oC lor Purple, Nearly Roadkill, and Stone Butch Blues" (1997). Retrospective Theses and Dissertations. 9. https://lib.dr.iastate.edu/rtd/9 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. -r Distracting the border guards: Novel approaches to negotiating gender and sexuality in The Color Purple, Nearly Roadkill, and Stone Butch Blues A. D. Selha A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Interdisciplinary Graduate Studies Major Professor: Kathy Hickok Iowa State University Ames, Iowa 1997 1 ii JJ Graduate College Iowa State University This is to certify that the Master's thesis of A.D. Selha has met the thesis requirements of Iowa State University 1 1 11 iii DEDICATION For those who have come before me, I request your permission to write in your presence, to illuminate your lives, and draw connections between the communities which you may have painfully felt both a part of and apart from. -
Generation X and the Invention of a Third Feminist Wave
GENERATION X AND THE INVENTION OF A THIRD FEMINIST WAVE by ELIZABETH ANN BLY Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Renée Sentilles Department of History CASE WESTERN RESERVE UNIVERSITY January, 2010 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of _____________________________________________________ candidate for the ______________________degree *. (signed)_______________________________________________ (chair of the committee) ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Copyright © 2009 by Elizabeth Ann Bly All rights reserved iii For Gabe, Kristin, and Xoe And in memory of Judith Northwood (1964-2009) iv TABLE OF CONTENTS LIST OF ILLUSTRATIONS viii ACKNOWLEDGEMENTS ix ABSTRACT xiii INTRODUCTION 1 White Grrrls 7 ―We Don‘t Need Another Wave‖ 11 Generation X, Feminism, and Contemporary History 19 ―The Order of Things‖ 25 CHAPTER ONE: “Generation X and the 1970s Pop Cultural Discourse on „Women‟s Lib‟” 32 ―Women‘s Lib‖: The Media‘s ―Charred Bra‖ Revolution 35 A Day in the Life: ―Women‘s Lib‖ as Spectacle 38 ―And Then There‘s Maude‖: ―Women‘s Lib‖ and Adult TV 46 Women‘s Lib -
Whistle Blower
38 REVIEWS Settling Old Scores The Cameron Diaries by Clyde government and economic manage Cameron claims that his aim in con Cameron. Allen and Unwin, 1990. ment did not help - nor did Gough stantly undermining Whitlam's Whitlam's insistence on standards far leadership - sometimes openly, often Hardback, rrp $49.95. Reviewed by more rigorous than those adopted by not - was based on a genuine convic Mungo MacCallum. any national government before or tion that Whitlam had become an ir since - but, after all, it was not the revocable liability for the party. The difficulty with Clyde government which perverted the Political rehabilitation was impossible Cameron's diaries is deciding composition of the Senate, or which and therefore amputation was the how much of them to believe. blocked Supply, or dismissed itself. only option. He glosses over the fact that, at the start of 1976, no one else - This is not because Cameron in not his favoured candidate Lionel dulges in fantasies or memory Bowen, not Bill Hayden, not even Bob lapses, as might have been the Hawke if a seat could have been found case had Sir William McMahon for him - wanted to take over the ever found a publisher for his leadership. There was simply no alter native to Whitlam. memoirs; it is because a large part of Cameron's reminiscence Cameron, however, refused to accept consists of gloating accounts of the inevitable, and spent the next two how he was able to deceive and years working against Whitlam. In mislead his colleagues. It is the this way his "genuine conviction" be- f-fulfillircame a self-fulfillingf-fulfillircame prophecy. -
*Press Release- AWMA Finalists Announced
MEDIA RELEASE For Immediate Release FINALISTS ANNOUNCED FOR INAUGURAL AUSTRALIAN WOMEN IN MUSIC AWARDS Amy Shark, Ka:e Noonan, Deborah Cheetham, Gordi, Jen Cloher, Stella Donnelly, Ngaiire, Camp Cope, Sarah Blasko, Tiddas, and the Mission Songs Project are amongst the stellar list of finalists in the inaugural Australian Women in Music Awards (AWMA), which will be presented at a star-studded ceremony and party in Brisbane on Wednesday evening 10th October. For the first Ame in Australian music history, AWMA will recognise the outstanding contribuAons of women across a range of categories including: excellence in arAstry, song- wriAng, technical and producAon skills, cross-cultural development, music educaAon, music photography, music leadership and humanitarian work. “I welcome the inaugural AMWA to Queensland’s thriving arts scene. This iniAaAve perfectly reflects our government’s vision for the future. We want to see the excepAonal talents and achievements of our many female arAsts, and women from all fields, fully recognised, keenly supported and enthusiasAcally celebrated at every opportunity,” Queensland Minister for Child Safety, Youth and Women and Minister for the PrevenAon of DomesAc and Family Violence Di Farmer said. “This will be a very special celebra0on of women in Australian music, those who have come before and those who con0nue to light the way. We are overwhelmed with support which we con0nue to receive from ar0sts, the music community and the broader crea0ve sector all of whom agree that the 0me for change has come” says AWMA Founding Director and ExecuAve Producer, Vicki Gordon. Fourteen AWMAs are up for grabs, from a public nominaAon process that aUracted hundreds of individual nominaAons, each assessed by a specially-convened Jury Council comprised of industry professionals and pracAAoners of the highest calibre.