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Milton and the Discursive Practice of Nation Building
―Methinks I see in my mind a noble and puissant nation‖ Milton, Print, and Nationhood by SANDY BUGEJA a thesis submitted to the Department of English in conformity with the requirements for the degree of Doctor of Philosophy Queen‘s University Kingston, Ontario, Canada September, 2008 Copyright © Sandy Bugeja, 2008 Abstract This study begins by examining the interconnections between print and nationalism in John Milton‘s prose works in order to demonstrate that Milton‘s interest in print—including print-related activities like reading, writing, and publishing—is not simply a byproduct of his vocation. Instead, I argue that Milton consciously registered his reliance on and use of print in writing the nation. Further, I argue that Milton‘s writing of the nation is in keeping with a modern definition of nationalism as a unifying cultural construct that wields considerable emotional poignancy despite its lack of ideological specificity. In making this argument, I am adapting a modern definition of nationalism and arguing against scholars who see nationalism as a product of modernity. I organize my dissertation into two sections: the first section, chapters 2 and 3, discusses the confluence of print and nationalism while the second section, chapters 4 and 5, examines Milton‘s poems, Paradise Lost and Samson Agonistes, as nation-building texts. As chapters 2 and 3 demonstrate, Milton had an acute awareness of the role of print in the public life of the nation, and he shaped his own identity as an author based on his contribution to England‘s print culture. In chapters 4 and 5, I look at the ways Milton‘s poems suggest a continuation of his commitment to nation-building although the poems were written during the Restoration: a period of time when Milton would have doubted the critical capabilities of his fellow countrymen. -
Milton's Inward Liberty
Università degli Studi di Milano Scuola di Dottorato Humanae Litterae Dipartimento di Scienze del Linguaggio e Letterature Straniere Comparate Dottorato di Ricerca in Lingue, Letterature e Culture Straniere Sezione di Anglistica XXIV ciclo Milton’s Inward Liberty A Study of Christian Liberty from the Prose to Paradise Lost L-Lin/10 Tutor: Prof. Marialuisa Bignami Giuliana Iannaccaro Edward Jones Coordinatore del Dottorato: Tesi di Dottorato di: Prof. Alessandro Costazza Filippo Falcone Anno Accademico 2010-2011 Milton’s Inward Liberty For Sandra, Miriam and Benjamin, My associate souls 2 Milton’s Inward Liberty Contents Introduction 5-13 1. Christian Liberty Towards Paradise Lost I. Pauline Christian Liberty 14-16 II. Freedom from the Slavery of Sin and Thus from the Rule of the Law 16-24 III. Adult Sonship 24-32 IV. Freedom from the Slavery of Sin and Thus from the Rule of Men 32-56 2. Christian Liberty and Paradise Lost 57-72 3. Inner Light and Christian Liberty 73-93 4. The Prison of Satan 94-108 5. Eschatology Realized I. Prelapsarian Liberty 109-115 II. Adam and Eve’s Perfectibility 115-122 III. The Separation Scene 122-134 IV. The Fall 134-140 V. The Slavery of Sin 140-148 VI. A Transmuted Lump of Futurity 148-167 Conclusion 168-170 Bibliography 171-208 Index 209-213 3 Milton’s Inward Liberty Abbreviations CM Frank A. Patterson et al (eds.), The Works of John Milton CPW Don M. Wolfe et al (eds.), The Complete Prose Works of John Milton De Doctrina De Doctrina Christiana ELH English Literary History ELR English Literary Renaissance -
The Politics of Post-War Consumer Culture
New Zealand Journal of History, 40, 2 (2006) The Politics of Post-War Consumer Culture THE 1940s ARE INTERESTING YEARS in the story of New Zealand’s consumer culture. The realities of working and spending, and the promulgation of ideals and moralities around consumer behaviour, were closely related to the political process. Labour had come to power in 1935 promising to alleviate the hardship of the depression years and improve the standard of living of all New Zealanders. World War II intervened, replacing the image of increasing prosperity with one of sacrifice. In the shadow of the war the economy grew strongly, but there remained a legacy of shortages at a time when many sought material advancement. Historical writing on consumer culture is burgeoning internationally, and starting to emerge in New Zealand. There is already some local discussion of consumption in the post-war period, particularly with respect to clothing, embodiment and housing.1 This is an important area for study because, as Peter Gibbons points out, the consumption of goods — along with the needs they express and the desires they engender — deeply affects individual lives and social relationships.2 A number of aspects of consumption lend themselves to historical analysis, including the economic, the symbolic, the moral and the political. By exploring the political aspects of consumption and their relationships to these other strands, we can see how intense contestation over the symbolic meaning of consumption and its relationship to production played a pivotal role in defining the differences between the Labour government and the National opposition in the 1940s. -
Bruce Mason, James K. Baxter, Mervyn Thompson, Renée and Robert Lord, Five Playwrights
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. METAMORPHOSIS AT 'THE MARGIN': BRUCE MASON, JAMES K. BAXTER, MERVYN THOMPSON, RENtE AND ROBERT LORD, FIVE PLAYWRIGHTS WHO HAVE HELPED TO CHANGE THE FACE OF NEW ZEALAND DRAMA. A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy III English at Massey University [Palmerston North], New Zealand Susan Lillian Williams 2006 11 DEDICATION I dedicate this thesis to my grandfather and my mother, neither of whom had the privilege of gaining the education that they both so much deserved. I stand on their shoulders, just as my son, David, will stand on mine. The writing of this thesis, however, would not have been possible without the unstinting assistance of Ainslie Hewton. Finally, to my irreplaceable friend,Zeb, the puppy I wanted and never had as a child. Zeb nurtured me throughout this long project and then, in the last week of completion, was called by the black rabbit. Thank you for everything you taught me Zebedee. You and I will always be playing alongside your beloved riverbank. III ABSTRACT Drama has been the slowest of the arts to develop an authentic New Zealand 'voice.' This thesis focuses on the work of five playwrights: Bruce Mason, James K. Baxter, Mervyn Thompson, Renee and Robert Lord, all of whom have set out to identify such a 'voice' and in so doing have brought about a metamorphosis in the nature of New Zealand drama. -
A Diachronic Study of Unparliamentary Language in the New Zealand Parliament, 1890-1950
WITHDRAW AND APOLOGISE: A DIACHRONIC STUDY OF UNPARLIAMENTARY LANGUAGE IN THE NEW ZEALAND PARLIAMENT, 1890-1950 BY RUTH GRAHAM A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Applied Linguistics Victoria University of Wellington 2016 ii “Parliament, after all, is not a Sunday school; it is a talking-shop; a place of debate”. (Barnard, 1943) iii Abstract This study presents a diachronic analysis of the language ruled to be unparliamentary in the New Zealand Parliament from 1890 to 1950. While unparliamentary language is sometimes referred to as ‘parliamentary insults’ (Ilie, 2001), this study has a wider definition: the language used in a legislative chamber is unparliamentary when it is ruled or signalled by the Speaker as out of order or likely to cause disorder. The user is required to articulate a statement of withdrawal and apology or risk further censure. The analysis uses the Communities of Practice theoretical framework, developed by Wenger (1998) and enhanced with linguistic impoliteness, as defined by Mills (2005) in order to contextualise the use of unparliamentary language within a highly regulated institutional setting. The study identifies and categorises the lexis of unparliamentary language, including a focus on examples that use New Zealand English or te reo Māori. Approximately 2600 examples of unparliamentary language, along with bibliographic, lexical, descriptive and contextual information, were entered into a custom designed relational database. The examples were categorised into three: ‘core concepts’, ‘personal reflections’ and the ‘political environment’, with a number of sub-categories. This revealed a previously unknown category of ‘situation dependent’ unparliamentary language and a creative use of ‘animal reflections’. -
The Interface Between Aboriginal People and Maori/Pacific Islander Migrants to Australia
CUZZIE BROS: THE INTERFACE BETWEEN ABORIGINAL PEOPLE AND MAORI/PACIFIC ISLANDER MIGRANTS TO AUSTRALIA By James Rimumutu George BA (Hons) A thesis submitted in fulfilment of the requirements for the award of the degree of Doctor of Philosophy The University of Newcastle March 2014 i This thesis contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying subject to the provisions of the Copyright Act 1968. Signed: Date: ii ACKNOWLEDGEMENTS I would like to thank my supervisors, Professor John Maynard and Emeritus Professor John Ramsland for their input on this thesis. Professor Maynard in particular has been an inspiring source of support throughout this process. I would also like to give my thanks to the Wollotuka Institute of Indigenous Studies. It has been so important to have an Indigenous space in which to work. My special thanks to Dr Lena Rodriguez for having faith in me to finish this thesis and also for her practical support. For my daughter, Mereana Tapuni Rei – Wahine Toa – go girl. I also want to thank all my brothers and sisters (you know who you are). Without you guys life would not have been so interesting growing up. This thesis is dedicated to our Mum and Dad who always had an open door and taught us to be generous and to share whatever we have. -
Katherine Blackwell QC
Katherine Blackwell QC Call to the Bar: 1992 Silk Year: 2012 "A brilliant tactician." "She's just fantastic; she's very robust, very tenacious, and superbly charming. Has a very attractive advocacy style.” Chambers and Partners 2020 ‘A silk truly at the top of her game’ Legal 500 2020 'Barrister of the Year' – Manchester Legal Awards, 2019 CONTACT DETAILS "At the top of her game. One of the best cross-examiners on the circuit. Her trial strategy Email: is second to none." – Chambers & Partners, 2019 [email protected] “Her speeches are pure genius.” – Legal 500, 2018 Telephone: "She is a joy to instruct and is the silk you want in your corner when things get tough. 0161 832 5701 One of the best cross-examiners on circuit and pure class all round." "She is magnificent in court from start to finish; it is a pleasure to watch such skilled advocacy." – PRACTICE AREAS Chambers & Partners, 2018 Inquiries & Inquests "A Master Tactician." – Legal 500, 2017 Criminal Law 'Barrister of the Year' – Manchester Legal Awards, 2017 Business Crime & Financial Regulation "Regularly appears in complex white-collar and serious fraud cases, with noted Regulatory experience in corruption and money laundering. She is also well known for her work Professional Discipline on high-profile sexual offences, acting for both the prosecution and defence... She does high-profile work. She's very hard-working and committed to her clients." – Licensing Chambers & Partners, 2017 PROFESSIONAL APPOINTMENTS ''Possibly the best crime silk on circuit; she has exceptional judgement and is an Appointed as Crown Court Recorder outstanding trial advocate'' – Legal 500, 2016 in 2009 “This criminal law specialist receives high praise from solicitors for her strong practice Appointed as Queens Counsel in 2012 and advocacy skills. -
Richard Wormald QC
Richard Wormald QC Call: 1993 QC: 2019 ‘Standout, exceptional, strategic, superb…’ Chambers UK 2019 Contact Details: 3 Raymond Buildings "A very intellectual barrister who makes brilliant tactical choices and Gray’s Inn wins the most impossible cases." Chambers UK 2018: Crime London WC1R 5BH Tel: +44 (0)20 7400 6400 ‘Absolutely first class and a brilliant cross-examiner’. Email Address: Chambers UK 2017 richard.wormald @3rblaw.com ‘One of the silkiest advocates at the Bar.’ The Legal 500 2015 Details of practice A Queen’s Counsel practising in crime, financial crime and licensing, Richard is regarded as ‘standout, superb and a star practitioner’ at the criminal bar. As a junior he was consistently ranked as one of the very best, winning the Chambers’ Junior of Year award in 2013/4. He is currently advising senior board member of a company being investigated for bribery of public officials in Indonesia. He is leading in a high-profile insider-dealing case being prosecuted by the FCA, and is advising the Metropolitan Police in respect of ongoing terrorism investigations. He is defending in the UK’s largest ever cash seizure case and money-laundering investigation and is instructed to defend in a murder at the end of the year. Last year he acted: for two of the senior management team of Rolls Royce; as leading counsel in a high-profile Watchdog fraud; for the first defendant in one of the country’s biggest boiler-room frauds; for a solicitor in a complex, multi-handed embezzlement case. Other cases in the recent past include various corporate fraud, bribery and corruption allegations, representing the former Cabinet Minister Chris Huhne, a well-known hotelier on charges of rape, acting in a number of murder and manslaughter cases, and undertaking judicial review proceedings, inquest and inquiry work. -
Media Trial and Right to Freedom of Speech and Expression: an Analysis
MEDIA TRIAL AND RIGHT TO FREEDOM OF SPEECH AND EXPRESSION: AN ANALYSIS Dissertation submitted to National Law University, Assam in partial fulfilment for award of the degree of MASTER OF LAWS Supervised by: Submitted by: Mr. Saheb Chowdhury Arunav Talukdar Assistant Professor of Law UID: SM0217003 2017-2018 National Law University, Assam Jume, 2018 SUPERVISOR CERTIFICATE It is to certify that Mr. Arunav Talukdar is pursuing Master of Laws (LL.M.) from National Law University, Assam and has completed his dissertation titled “Media Trial and Right to Freedom of Speech and Expression: An Analysis” under my supervision. The research work is found to be original and suitable for submission. Date: Mr. Saheb Chowdhury Assistant Professor of Law National Law University, Assam DECLARATION I, Arunav Talukdar, pursuing Master of Laws (LL.M.) from National Law University, Assam, do hereby declare that the present dissertation titled “Media Trial and Right to Freedom of Speech and Expression: An Analysis” is an original research work and has not been submitted, either in part or full anywhere else for any purpose, academic or otherwise, to the best of my knowledge. Date : Arunav Talukdar UID: SM0217003 ACKNOWLEDGMENT At the very outset, I would like to express my deep sense of gratitude and indebtedness to Dr. J. S. Patil, Vice-Chancellor, National Law University, Assam for allowing me to write my dissertation entitled “Media Trial and Right to Freedom of Speech and Expression: An Analysis” and for his valued and scholarly suggestions, encouragement and guidance from time to time who is always an inspiration to us. I must express my deep gratitude to my teacher and supervisor respected Mr. -
Life Stories of Robert Semple
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. From Coal Pit to Leather Pit: Life Stories of Robert Semple A thesis presented in partial fulfilment of the requirements for the degree of a PhD in History at Massey University Carina Hickey 2010 ii Abstract In the Dictionary of New Zealand Biography Len Richardson described Robert Semple as one of the most colourful leaders of the New Zealand labour movement in the first half of the twentieth century. Semple was a national figure in his time and, although historians had outlined some aspects of his public career, there has been no full-length biography written on him. In New Zealand history his characterisation is dominated by two public personas. Firstly, he is remembered as the radical organiser for the New Zealand Federation of Labour (colloquially known as the Red Feds), during 1910-1913. Semple’s second image is as the flamboyant Minister of Public Works in the first New Zealand Labour government from 1935-49. This thesis is not organised in a chronological structure as may be expected of a biography but is centred on a series of themes which have appeared most prominently and which reflect the patterns most prevalent in Semple’s life. The themes were based on activities which were of perceived value to Semple. Thus, the thematic selection was a complex interaction between an author’s role shaping and forming Semple’s life and perceived real patterns visible in the sources. -
Research THESES COMPLETED 2003–2004
336 New Zealand Journal of History, 38, 2 (2004) Research THESES COMPLETED 2003–2004 The University of Auckland PhD Diggelmann, Lindsay Marriage, Inheritance and the Balance of Power in Twelfth-Century England and France Reid, Nicholas A Critical Biography of James Michael Liston MA Black, Philippa History of Mining and Settlement in Northern New Caledonia Edmunds, David Censorship and Values in New Zealand Broadcasting 1961–1990 Flinn, Laurel Representations of Masculinity in Nineteenth-Century British Working-Class Autobiographies Gross, Steve ‘The Time’: Its Determination, Its Standardization and Its Uses in New Zealand Until 1890 Shen, Yu Charles de Gaulle and Chiang Kai-Shek: Nationalism in Different Countries Young, Jean British Child Evacuees 1939–1945 University of Canterbury PhD Wanhalla, Angela Transgressing Boundaries: A History of the Mixed Descent Families of Maitapapa, Taieri, 1830–1940 MA Allen, Michael The Chiefs that Ballance Met: Maori Political Authority in 1885 Boulton, Leanne The Native Reserves, Assimilation and Self- Determination: Te Atiawa, the Crown and Settlers, North Taranaki 1840–1875 Brown, Hayley ‘A woman’s right to choose’: Second Wave Feminist Advocacy of Abortion Law Reform in New Zealand and New South Wales from the 1970s Bye, Ken For the Greater Good: A Comparative Study of Southland and Wallace Counties’ Reaction to Local Government Restructuring, 1871–1989 Dowling, Sarah Female Imperialism: The Victoria League in Canterbury, New Zealand 1910–2003 Fergusson, Jack Crusades as Anti-Heresy Strategy. The -
LIBERTY AS PRO-GRESSION: a STUDY of the REVOLUTIONS IDEALIZED in AREOPAGITICA, the MARRIAGE of HEAVEN and HELL and the MATRIX B
LIBERTY AS PRO-GRESSION: A STUDY OF THE REVOLUTIONS IDEALIZED IN AREOPAGITICA, THE MARRIAGE OF HEAVEN AND HELL AND THE MATRIX by Adalberto Teixeira de Andrade Rocha A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Programa de Pós-Graduação em Letras: Estudos Literários Faculdade de Letras Universidade Federal de Minas Gerais 2007 ACKNOWLEDGEMENTS To my Professor and adviser Luiz Fernando Ferreira Sá, for bringing my attention to literature in the first place through the works of John Milton. Thank you for helping me realize what it means to read. To my mother, for the example of commitment and hard work; and for her life-long dedication to my sister and I. Special thanks for putting up with me for yet one more year as I returned home for the writing of this thesis. To my father, for all the support and for always believing in me. Thank you for helping me keep all sorts of things into perspective and my priorities straight. To my great friends Fernando Barboza, Leda Edna and Eddie Aragão, not only for your endless hospitality, but for your sincere friendship and presence during both the difficult and great moments. In my distance from home, I have found one in all three of you. To Miriam Mansur, who has helped me in more ways than one during the writing of this thesis. Abstract Impressions of truth and liberty are time and space specific. Historically, works of art stand as material manifestations of the physical conversions required by ideologies in their “hailings” of individuals and reminders of those individuals’ statuses as always-already subjects.