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William Randolph Hearst and His Impact on American Foreign Policy During the Interwar Period
CLASH OF TITANS: WILLIAM RANDOLPH HEARST AND HIS IMPACT ON AMERICAN FOREIGN POLICY DURING THE INTERWAR PERIOD A Thesis Presented to the Faculty of California Polytechnic State University San Luis Obispo In Partial Fulfillment Of the Requirements for the Degree Master of Arts in History By Brandon D. Roper March 2010 © 2008 Brandon D. Roper ALL RIGHTS RESERVED - 2 - Committee Membership TITLE: Clash of Titans: William Randolph Hearst and his impact on American Foreign Policy in the Interwar Period AUTHOR: Brandon D. Roper DATE SUBMITTED: March 24, 2010 COMMITTEE CHAIR: Thomas Trice, Professor of History COMMITTEE MEMBER: Robert Detweiler, Professor of History COMMITTEE MEMBER: John Snetsinger, Professor of History - 3 - ABSTRACT Clash of Titans: William Randolph Hearst and his impact on American Foreign Policy in the Interwar Period The purpose of this thesis is to analyze a prominent figure of the 20 th century, William Randolph Hearst and to analyze the influence he was able to exert over American foreign policy through his own personal connections and those of his periodicals. This also includes an analysis between Hearst and Roosevelt, and noting the varying levels of influence between the two. This thesis will demonstrate that William Randolph Hearst is a prominent figure of 20 th century history, but was overshadowed by Roosevelt. Hearst while powerful was always putting his power into ventures that would backfire politically. When his papers declined, his influence over politics plummeted instantly. Keywords: Hearst, American Foreign Policy, Isolationism, Interwar Period - 4 - TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION …………………………………………………….. 6 II. The Historiography of Hearst ..………………………………… 9 III. -
Jewish Experience on Film an American Overview
Jewish Experience on Film An American Overview by JOEL ROSENBERG ± OR ONE FAMILIAR WITH THE long history of Jewish sacred texts, it is fair to characterize film as the quintessential profane text. Being tied as it is to the life of industrial science and production, it is the first truly posttraditional art medium — a creature of gears and bolts, of lenses and transparencies, of drives and brakes and projected light, a creature whose life substance is spreadshot onto a vast ocean of screen to display another kind of life entirely: the images of human beings; stories; purported history; myth; philosophy; social conflict; politics; love; war; belief. Movies seem to take place in a domain between matter and spirit, but are, in a sense, dependent on both. Like the Golem — the artificial anthropoid of Jewish folklore, a creature always yearning to rise or reach out beyond its own materiality — film is a machine truly made in the human image: a late-born child of human culture that manifests an inherently stubborn and rebellious nature. It is a being that has suffered, as it were, all the neuroses of its mostly 20th-century rise and flourishing and has shared in all the century's treach- eries. It is in this context above all that we must consider the problematic subject of Jewish experience on film. In academic research, the field of film studies has now blossomed into a richly elaborate body of criticism and theory, although its reigning schools of thought — at present, heavily influenced by Marxism, Lacanian psycho- analysis, and various flavors of deconstruction — have often preferred the fashionable habit of reasoning by decree in place of genuine observation and analysis. -
Europe's Displaced Persons from World War to Cold War Friday, January 8, 2021 | 12:00PM - 1:30PM Will Be Held Via Zoom
The Last Million: Europe's Displaced Persons from World War to Cold War Friday, January 8, 2021 | 12:00PM - 1:30PM Will be held via Zoom Author: David Nasaw David Nasaw is the author of The Patriarch, selected by the New York Times as one of the 10 Best Books of the Year and a 2013 Pulitzer Prize Finalist in Biography; Andrew Carnegie, a New York Times Notable Book of the Year, the recipient of the New-York Historical Society's American History Book Prize, and a 2007 Pulitzer Prize Finalist in Biography; and The Chief, which was awarded the Bancroft Prize for History and the J. Anthony Lukas Book Prize for Nonfiction. He is a past president of the Society of American Historians, and until 2019 he served as the Arthur M. Schlesinger, Jr. Professor of History at the CUNY Graduate Center. Discussant: David FitzGerald David Scott FitzGerald is Theodore E. Gildred Chair in U.S.-Mexican Relations, Professor of Sociology, and Co-Director of the Center for Comparative Immigration Studies at the University of California San Diego. FitzGerald’s work on refugee issues includes Refuge beyond Reach: How Rich Democracies Repel Asylum Seekers (Oxford University Press 2019), winner of the ASA International Migration Section Best Book Award. In The Last Million, David Nasaw tells the gripping yet until now largely hidden story of postwar displacement and statelessness. By 1952, the Last Million were scattered around the world. As they crossed from their broken past into an unknowable future, they carried with them their wounds, their fears, their hope, and their secrets. -
A Tribute to James Atlas ( 1949–2019)
Share this: October 2019 | Volume 14 | Number 8 A Tribute to James First-time Atlas ( 1949–2019) Biographers, Apply Now for By Anne C. Heller the Rowley He could be seen among gatherings of biographers Prize! wherever we meet: at festivals and symposia, on Biographers International prize committees, at literary parties, leading panels Organization (BIO) is now of his distinguished friends in explorations of their accepting applications for the craft, gallantly introducing new biographers to Hazel Rowley Prize. The colleagues and readers with a keen and generous prize rewards a biography word of praise. His standards were old fashioned, unusually high, and deeply book proposal from a first- literary, and his praise will be remembered and cherished by the unknowable time biographer with: funding number of lucky ones who received it and found in it new resources of stimulation (a $2,000 award); a careful and perseverance. reading from an established His own perseverance was legendary. James Atlas, who died of a rare chronic lung agent; one year’s membership disease on September 4, at the age of 70, published two biographies, each the first in BIO (along with on its subject. Delmore Schwartz: The Life of an American Poet appeared in 1977, registration to the annual when Jim was 28, and was a finalist for the National Book Award. He had begun to conference); and publicity for conceive it on a winter’s afternoon six years earlier at the Bodleian Library when, the author and project as a Rhodes Scholar studying under the great James Joyce biographer Richard through the BIO website, The Ellman at Oxford, he set aside Finnegan’s Wake and asked the librarian to bring Biographer’s Craft newsletter, him Delmore’s poems and stories, and then sat “marveling at the way [Delmore] etc. -
Good Evening. I'm Tom Putnam, Director of the John F. Kennedy Presidential Library and Museum
THE LIFE OF JOSEPH P. KENNEDY DECEMBER 12, 2012 PAGE 1 TOM PUTNAM: Good evening. I'm Tom Putnam, Director of the John F. Kennedy Presidential Library and Museum. On behalf of Tom McNaught, Executive Director of the Kennedy Library Foundation, and all of my Library and Foundation colleagues, I thank you for coming and acknowledge the generous underwriters of the Kennedy Library Forums: lead sponsor Bank of America, Raytheon, Boston Capital, the Lowell Institute, the Boston Foundation, and our media partners, The Boston Globe and WBUR. During the buildup to the 1960 Democratic National Convention, JFK did all he could to lock up the nomination, including an attempt to secure the support of former President Harry Truman. Truman had expressed reservations about the potential nominee's inexperience and seemed concerned about whether the country was ready to elect a Catholic. When asked publicly, Truman offered this pithy retort, based in part on his earlier interactions with JFK's father: "It's not the Pope I'm worried about, it's the Pop." [laughter] The legendary stories of Joseph P. Kennedy have over the years devolved towards easy caricature. This Library could not be a more perfect setting for tonight's conversation, unveiling a more complex and nuanced view of the man and the myth. Out of these windows we can see many of the landmarks that defined Joseph Kennedy's life and which are captured so vividly in David Nasaw's new biography, The Patriarch: The Remarkable Life and Turbulent Times of Joseph P. Kennedy. First, there's the harbor through which Joe Kennedy's grandparents, Patrick and Bridget, arrived when emigrating from New Ross; then Noddle's Island, which we now know as East Boston, where his father, PJ Kennedy, prospered as a politician and businessman. -
12 Homens Em Fúria - 1957
12 homens em fúria - 1957 Título original: 12 angry men Realizador: Sidney Lumet Argumento: Reginald Rose Actores principais: Martin Balsam; John Fiedler; Lee J. Cobb; E.G. Marshall; Jack Klugman; Edward Binns; Jack Warden; Henry Fonda; Joseph Sweeney; Ed Begley; George Voskovec; Robert Webber Música: Kenyon Hopkins Produtores: Henry Fonda; Reginald Rose; George Justin. Resumo Realizado em 1957, ou seja há 57 anos, 12 homens em fúria é um clássico dos filmes de tribunal. Toda a acção decorre no tribunal mais precisamente dentro da sala de jurados de um Tribunal de N.Y. A grande maioria dos críticos considera o filme uma brilhante dissertação sobre o conceito de “culpa para além de qualquer dúvida razoável” do direito criminal americano e um tratado sobre a arte de obter consensos. Onze jurados começam por votar a favor da condenação do jovem suposto portoriquenho mas o jurado n.° 8 (a quiet, thoughtful, gentle man. A man who sees all sides of every question ….a man of strength tempered with compassion) não está convencido e vai expondo as suas dúvidas de forma sistemática até que os outros jurados admitem rever o voto anterior. 12 homens em fúria é o primeiro filme de Sidney Lumet (antes trabalhara para séries televisivas) e baseia-se numa peça para televisão de Reginald Rose que decidiu teatralizar a sua anterior experiência precisamente como membro de um júri. O filme tem a particularidade de ser produzido por Reginald Rose e pelo actor Henry Fonda (jurado n° 8) – que então declarou nunca mais vir a produzir qualquer filme. A crítica The principle of reasonable doubt, the belief that a defendant is innocent until proven guilty, is one of the most enlightened elements of our Constitution, although many Americans have had difficulty in accepting it. -
John Cassavetes
Cassavetes on Cassavetes Ray Carney is Professor of Film and American Studies and Director of the undergraduate and graduate Film Studies programs at Boston Uni- versity. He is the author or editor of more than ten books, including the critically acclaimed John Cassavetes: The Adventure of Insecurity; The Films of Mike Leigh: Embracing the World; The Films of John Cas- savetes: Pragmatism, Modernism, and the Movies; American Vision: The Films of Frank Capra; Speaking the Language of Desire: The Films of Carl Dreyer; American Dreaming; and the BFI monograph on Cas- savetes’ Shadows. He is an acknowledged expert on William James and pragmatic philosophy, having contributed major essays on pragmatist aesthetics to Morris Dickstein’s The Revival of Pragmatism: New Essays on Social Thought, Law, and Culture and Townsend Ludington’s A Modern Mosaic: Art and Modernism in the United States. He co- curated the Beat Culture and the New America show for the Whitney Museum of American Art in New York, is General Editor of the Cam- bridge Film Classics series, and is a frequent speaker at film festivals around the world. He is regarded as one of the world’s leading authori- ties on independent film and American art and culture, and has a web site with more information at www.Cassavetes.com. in the same series woody allen on woody allen edited by Stig Björkman almodóvar on almodóvar edited by Frédéric Strauss burton on burton edited by Mark Salisbury cronenberg on cronenberg edited by Chris Rodley de toth on de toth edited by Anthony Slide fellini on -
PROF. HELLERMAN's LIST of MUST-SEE OLD MOVIES * = Personal Favorite BOLD = Absolutely Essential
PROF. HELLERMAN'S LIST OF MUST-SEE OLD MOVIES * = Personal Favorite BOLD = Absolutely Essential 1930's Saboteur Modern Times *His Gal Friday *Petrified Forest *Lifeboat *I am a Prisoner of a Chain Gang *Key Largo *Gone With The Wind *The Treasure of Sierra Madre *The Wizard of Oz *To Have and Have Not It Happened One Night Dark Passage She Done Him Wrong Conflict *The Thin Man *Out of the Past *After The Thin Man *The Stranger The Great Ziegfield Laura My Man Godfried Murder, My Sweet Dinner at Eight The Killers Fantasia Nightmare Alley *March of the Wooden Soldiers The Lady From Shanghai *The Grapes of Wrath Gilda *You Can't Take it With You Criss Cross *Mr. Smith Goes to Washington The Postman Always Rings Twice *Mr. Deeds Goes to Town White Heat *Frankenstein Woman of the Year *Bride of Frankenstein *High Sierra Son of Frankenstein Fort Apache Dracula *The Ox Bow Incident Freaks All the King's Men Stagecoach *Double Indemnity San Francisco The Third Man *Destry Rides Again *It's a Wonderful Life The 39 Steps On the Town *The Lady Vanishes *All My Sons *Little Caesar *The Best Years of Our Lives Scarface The Roaring Twenties *Almost anything by The Marx Brothers: Ninotchka *Coconuts, *Room Service, *Night at the Opera, *Day at the Races, *Animal Crackers, *At the 1940's Circus, *Night in Casablanca, *Horse Feathers, *Citizen Kane *Duck Soup...... The Philadelphia Story Sullivan's Travels 1950's *Meet John Doe *The African Queen *The Maltese Falcon *The Caine Mutiny *Casablanca *The Harder They Fall *Sahara *In a Lonely Place Across the -
Penguin Classics
PENGUIN CLASSICS A Complete Annotated Listing www.penguinclassics.com PUBLISHER’S NOTE For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world, providing readers with a library of the best works from around the world, throughout history, and across genres and disciplines. We focus on bringing together the best of the past and the future, using cutting-edge design and production as well as embracing the digital age to create unforgettable editions of treasured literature. Penguin Classics is timeless and trend-setting. Whether you love our signature black- spine series, our Penguin Classics Deluxe Editions, or our eBooks, we bring the writer to the reader in every format available. With this catalog—which provides complete, annotated descriptions of all books currently in our Classics series, as well as those in the Pelican Shakespeare series—we celebrate our entire list and the illustrious history behind it and continue to uphold our established standards of excellence with exciting new releases. From acclaimed new translations of Herodotus and the I Ching to the existential horrors of contemporary master Thomas Ligotti, from a trove of rediscovered fairytales translated for the first time in The Turnip Princess to the ethically ambiguous military exploits of Jean Lartéguy’s The Centurions, there are classics here to educate, provoke, entertain, and enlighten readers of all interests and inclinations. We hope this catalog will inspire you to pick up that book you’ve always been meaning to read, or one you may not have heard of before. To receive more information about Penguin Classics or to sign up for a newsletter, please visit our Classics Web site at www.penguinclassics.com. -
Vox Fox Mclntire Takes D.C.Bx Storm
MEMBER PRESS e x e a t i b q r Volume 13. Number 4 ■ COLLEGE • TAKOMA PARK CAMPUS - TAKOMA PARK. MD. Friday, April 19,1974 Vox Fox Dr. Fox discusses his feelings on his recent resignation with a former M.C. student by Romaine. Blackburn Dr. Fox feels that he was denied released time as an Dr, Fox has resigned as chair “economy measure,” at the ex man of the Department of His pense of the instructional tory and Political Science. program. "It is really an ex Division chairman, William J. ploitative demand,” explains Ramsay, requests his depart Dr. Fox angrily. “Why should ment chairpeople to take a full the faculty be expected to take teaching load of fiteen hours. pay cuts while the adminis Dr. Fox feels that this is too tration remains financially much for a chairperson to carry unaffected?” he ponders. and he resigned in protest. Cutbacks on both campuses “The Association of Ameri may lead to the formation of can Professors recommends that divisions with a gradual community college professors elimination of departments. Dr. carry a maximum of twelve Fox wonders if there is a “grand hours. But the chairpeople here scheme to liquidate all depart at M.C. are expected to carry ments” which could result in a three more than the suggested more impersonal atmosphere. fphotoby Carl Gordon norm while performing the Division chairpeople find it many other duties which a difficult to stay as well- chairperson must assume—and it informed as department heads, Faculty-Wise, Spring is Here just isn’t right,” insists Dr. -
STUDY GUIDE Prepared by DISNEY THEATRICAL GROUP EDUCATION DEPARTMENT
STUDY GUIDE Prepared by DISNEY THEATRICAL GROUP EDUCATION DEPARTMENT 1 To The Educator SEIZE THE DAY! Thank you for bringing your students to NEWSIES. at the newsboys’ expense, Jack finds a cause to We’ve prepared this Study Guide to enrich fight for and rallies NEWSIES from across the city your students’ experience at the show. It’s full to strike for what’s right. of background information, experiential lesson plans, and activity handouts for your class. NEWSIES is inspired by the real-life Newsboys’ Strike of 1899, when newsboys Kid Blink and Set in New York City at the turn of the century, David Simons led a band of orphan and runaway NEWSIES is the rousing tale of Jack Kelly, a children on a two-week-long action against charismatic newsboy and leader of a ragged band newspaper publishers Pulitzer and Hearst. of teenaged “NEWSIES,” who dreams only of a better life far from the hardship of the streets. Before you dive into the rich educational merits But when publishing titans Joseph Pulitzer and of the show, ensure you get the most out of this William Randolph Hearst raise distribution prices guide by reviewing its structure: Educator’s Edition: Variations: These sections are written just for you and present The lessons in this guide have been activities in a common lesson-plan format. You can use written with middle school students these engaging activities in any classroom, club, home in mind, but variations include school, or afterschool setting. modifications for working with younger or older students. Extra! Extra!: These reproducible handouts are the student Bolded Words: accompaniments to your lesson plans. -
O Veredicto – 1982
O Veredicto – 1982 Título original: The Verdict Realizador: Sidney Lumet Argumento: David Mamet, adapatado do livro The Verdict de Barry Reed; Actores principais: Paul Newman, Charlotte Rampling, Jack Warden, James Mason, Milo O'Shea; Produtores: David Brown e Richard D. Zanuck Resumo Frank Galvin, advogado alcoólico e em fase de depressão, aceita defender a vitima de um caso de negligência/erro médico ocorrido num conceituado hospital católico de Boston basicamente com o intuito de recuperar a auto-estima e a dignidade profissional. Apesar da generosa oferta de uma indmnização para resolver extrajudicialmente o caso, Frank, após visitar a doente no hospital, apercebe-se da gravidade da situação clinica da doente, recusa a indemnização e decide levar o caso a tribunal. Naturalmente, o Hospital e a Igreja Católica contratam a mais reputada firma de advogados da cidade que lança uma campanha sem escrúpulos destinada a desacreditar a accão e o avogado que a patrocina. A crítica (……..) But Galvin makes the mistake of going to see the young victim in a hospital, where she is alive but in a coma. And something snaps inside of him. He determines to try this case, by god, and to prove that the doctors who took her mind away from her were guilty of incompetence and dishonesty. In Galvin's mind, bringing this case to court is one and the same thing with regaining his self-respect - with emerging from his own alcoholic coma. Galvin's redemption takes place within the framework of a courtroom thriller. The screenplay by David Mamet is a wonder of good dialogue, strongly seen characters and a structure that pays off in the big courtroom scene - as the genre requires.