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A Theory of Cinematic Selfhood & Practices of Neoliberal Portraiture
Cinema of the Self: A Theory of Cinematic Selfhood & Practices of Neoliberal Portraiture Milosz Paul Rosinski Trinity Hall, University of Cambridge June 2017 This dissertation is submitted for the degree of Doctor of Philosophy Declaration This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. The dissertation is formatted in accordance to the Modern Humanities Research Association (MHRA) style. This dissertation does not exceed the word limit of 80,000 words (as specified by the Modern and Medieval Languages Degree Committee). Summary This thesis examines the philosophical notion of selfhood in visual representation. I introduce the self as a modern and postmodern concept and argue that there is a loss of selfhood in contemporary culture. Via Jacques Derrida, Jean-Luc Nancy, Gerhard Richter and the method of deconstruction of language, I theorise selfhood through the figurative and literal analysis of duration, the frame, and the mirror. -
Bad Cops: a Study of Career-Ending Misconduct Among New York City Police Officers
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers Author(s): James J. Fyfe ; Robert Kane Document No.: 215795 Date Received: September 2006 Award Number: 96-IJ-CX-0053 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers James J. Fyfe John Jay College of Criminal Justice and New York City Police Department Robert Kane American University Final Version Submitted to the United States Department of Justice, National Institute of Justice February 2005 This project was supported by Grant No. 1996-IJ-CX-0053 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of views in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
ISP Liability in the Field of Copyright
Internet Service Providers’ Liability in the Field of Copyright: A Review of Asia-Pacific Copyright Law WIPO International Seminar on Copyright Jointly organized by WIPO and the Ministry of Culture of Brazil 26 November 2008 A/Prof Daniel Seng Faculty of Law, National University of Singapore 1 Internet Intermediaries • Who is an Internet “service provider”? – Infrastructure intermediaries e.g. Internet Access Service Providers, proxies, DNS – Services intermediaries e.g. search engines, archives – Software developers of networks and connectivity tools e.g. FreeNet, Kazaa, Morpheus – Operators and hosting companies e.g. content hosts, exchange platforms, forums – Diverse types of intermediaries with different roles offering different services • Are intermediaries liable for: – Direct liability e.g. reproductions, communication of works on their infrastructure? – Indirect/secondary liability e.g. authorising or facilitating the infringement of their users/subscribers? 2 Developments Worldwide • Legislative Developments to Protect Internet Service Providers – WIPO Copyright and Performances and Phonograms Treaties 1996 – US Digital Millennium Copyright Act 1998 – Australian Copyright Amendment (Digital Agenda) Act 2000 – EU Information Society and E-Commerce Directives 2001 – Singapore Copyright Amendment Act 2005 – HK Copyright (Amendment) Bill (proposed, 2007) – New Zealand Copyright (New Technologies) Amendment Act 2008 – France, “Three-Strikes” Law (4 Nov 2008); cf: U.K.’s “Graduated Response” Law 3 Litigation Worldwide • Exposure of -
The Guardian, May 5, 1969
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 5-5-1969 The Guardian, May 5, 1969 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1969). The Guardian, May 5, 1969. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. ...,. e The Guardian Volume V. May· 5, 1969 Number XI ---Election Results Announced------ Gary HuntWins!!! ;;:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::: ::::::::::::::~:::::::::~~==:::::::~ :::: After several weeks of vigorous campai~n- :::: ~ . ~ ::1: lng, votes were cast during the week of ~:~: ~l:l April 28th for student body president, next :~:~ ~~ll years senators, the intercollegiate athletic ~lll ~:l: program, and representative to the academic l:l: :::: counci1. :::: llll The election conunittee was composed of ~~~l l~l~ Patrick Donley, chaint1an, Lynne Bartholomae ~~~~ :l:l and Bruce Lyons, Director of student Activ- :::: l:~ ities. The committee constructed polling llll llll booths and coordinated voting activities'. llll :~; Ballots cast during the week of April :l:l Presidential and senatorial can Student I.D.'s were checked \l~ 28-Hay 2, were tabulated Hay 3 by the elec- ~~l~ didates provided wide pub before each student voted. :1~ tion committee.. Results of voting arc as ~l~l licity campaigns to f arniliarize ·Ballot booths were provided the students with their plat by the Election Committee forms. -
Transcript Sidney Lumet
TRANSCRIPT A PINEWOOD DIALOGUE WITH SIDNEY LUMET Sidney Lumet’s critically acclaimed 2007 film Before the Devil Knows You’re Dead, a dark family comedy and crime drama, was the latest triumph in a remarkable career as a film director that began 50 years earlier with 12 Angry Men and includes such classics as Serpico, Dog Day Afternoon, and Network. This tribute evening included remarks by the three stars of Before the Devil Knows Your Dead, Ethan Hawke, Marissa Tomei, and Philip Seymour Hoffman, and a lively conversation with Lumet about his many collaborations with great actors and his approach to filmmaking. A Pinewood Dialogue with Sidney Lumet shooting, “I feel that there’s another film crew on moderated by Chief Curator David Schwartz the other side of town with the same script and a (October 25, 2007): different cast, and we’re trying to beat them.” (Laughter) “You know, trying to wrap the movie DAVID SCHWARTZ: (Applause) Thank you, and ahead of them. It’s like a race.” I remember welcome, everybody. Sidney Lumet, as I think all saying that “you know if this movie works, then of you know, has received a number of salutes I’m going to have to rethink my whole idea of and awards over the years that could be process, because I can not imagine that this will considered lifetime achievement awards—which work!” (Laughter) I’ve never seen such a might sometimes imply that they’re at the end of deliberate—I’m going to steal your words, Phil, their career. But that’s certainly far from the case, but—a focus of energy, and use of energy. -
NEO-NOIR / RETRO-NOIR FILMS (1966 Thru 2010) Page 1 of 7
NEO-NOIR / RETRO-NOIR FILMS (1966 thru 2010) Page 1 of 7 H Absolute Power (1997) H Blondes Have More Guns (1995) H Across 110th Street (1972) H Blood and Wine (1996) H Addiction, The (1995) FS H Blood Simple (1985) h Adulthood (2008) H Blood Work (2002) H Affliction (1997) H Blow Out (1981) FS H After Dark, My Sweet (1990) h Blow-up (1967).Blowup H After Hours (1985) f H Blue Desert (1992) F H Against All Odds (1984) f H Blue Steel (1990) f H Alligator Eyes (1990) SCH Blue Velvet (1986) H All the President’s Men (1976) H Bodily Harm (1995) H Along Come a Spider (2001) H Body and Soul (1981) H Ambushed (1998) f H Body Chemistry (1990) H American Gangster (2007) H Body Double (1984) H American Gigolo (1980) f H Bodyguard, The (1992) H Anderson Tapes, The (1971) FSCH Body Heat (1981) S H Angel Heart (1987) H Body of Evidence (1992) f H Another 48 Hrs. (1990) H Body Snatchers (1993) F H At Close Range (1986) H Bone Collector, The (1999) f H Atlantic City (1980) H Bonnie & Clyde (1967) f H Bad Boys (1983) F H Border, The (1982) F H Bad Influence (1990) F H Bound (1996) F H Badlands (1973) H Bourne Identity, The (2002) F H Bad Lieutenant (1992) H Bourne Supremacy, The (2004) h Bank Job, The (2008) H Bourne Ultimatum, The (2007) F H Basic Instinct (1992) H Boyz n the Hood (1991) H Basic Instinct 2 (2006) H Break (2009) H Batman Begins (2005) H Breakdown (1997) F H Bedroom Window, The (1987) F H Breathless (1983) H Before the Devil Knows You’re Dead (2007) H Bright Angel (1991) H Best Laid Plans (1999) H Bringing Out the Dead (1999) F H Best -
The Theatre of Tennessee Williams: Languages, Bodies and Ecologies
Barnett, David. "The 1930s’ Plays (1936–1940)." The Theatre of Tennessee Williams: Languages, Bodies and Ecologies. London: Bloomsbury Methuen Drama, 2014. 9–34. Bloomsbury Collections. Web. 28 Sep. 2021. <http://dx.doi.org/10.5040/9781472515452.0007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 28 September 2021, 04:57 UTC. Copyright © Brenda Murphy 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. CHAPTER 1 THE 1930s ’ PLAYS (1936 – 1940) Williams in the Thirties Much of Williams ’ s early playwriting was shaped by the social, economic, and artistic environment of the 1930s. His most important theatrical relationship at the time was with director Willard Holland and Th e Mummers of St Louis, a group dedicated to the drama of social action that was vital to American theatrical culture in the 1930s. Candles to the Sun (1937), based on a coal mining strike, and Fugitive Kind (1937), about the denizens of a seedy urban hotel, were both produced by Th e Mummers, and Not About Nightingales (1938), about brutal abuses in the American prison system, was intended for them, although they disbanded before the play was produced. Th e other major infl uence on Williams ’ s early development as a playwright was the playwriting program at the University of Iowa, which he attended in 1937 – 38. Its director, E. C. Mabie, had worked for the Federal Th eatre Project (FTP), the only federally subsidized theatre in American history, which existed briefl y from 1935 until 1939, when its funding was cut by a Congress that objected to its leftist leanings. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 01/12/2012 A A A place in the sun AAL Aaltra ABB V.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, vol.1 ABB V.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, vol.2 ABB V.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, vol.3 ABB V.4 The best of Bud Abbot and Lou Costello : the Franchise Collection, vol.4 ABE Aberdeen ABO About a boy ABO About Schmidt ABO Above the rim ACC Accepted ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam‟s Rib ADA Adaptation ADJ Adjustment Bureau, The ADV Adventure of Sherlock Holmes‟ smarter brother, The AEO Aeon Flux AFF Affair to remember, An AFR African Queen, The AFT After the sunset AFT After the wedding AGU Aguirre : the wrath of God AIR Air Force One AIR Air I breathe, The AIR Airplane! AIR Airport : Terminal Pack [Original, 1975, 1977 & 1979] ALA Alamar ALE Alexander‟s ragtime band ALI Ali ALI Alice Adams ALI Alice in Wonderland ALI Alien ALI Alien vs. Predator ALI Alien resurrection ALI3 Alien 3 ALI Alive ALL All about Eve ALL All about Steve ALL series 1 All creatures great and small : complete series 1 ALL series 2 All creatures great and small : complete series 2 ALL series 3 All creatures great and small : complete series 3 *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ALL series 4 All creatures great -
Retrying the Acquitted in England, Part I: the Exception to the Rule Against Double Jeopardy for "New and Compelling Evidence"
Retrying the Acquitted in England, Part I: The Exception to the Rule Against Double Jeopardy for "New and Compelling Evidence" DAVID S. RUDSTEIN* TABLE OF CONTENTS 1. IN TRO DU C T ION .................................................................................................. 3 8 8 I1. THE CRIM INAL JUSTICE A CT 2003 ..................................................................... 392 I11. THE DOUBLE JEOPARDY PRINCIPLE .................................................................... 398 A . H istory ..................................................................................................... 3 9 8 B. Policies Underlying the Rule Prohibitinga Retrial Following an A cquittal ............................................................................ 403 1. Preservingthe Finalityof Judgments ............................................... 405 2. M inimizing PersonalStrain .............................................................. 408 3. Reducing the Risk of an Erroneous Conviction ................................. 411 4. Protectingthe Power of the Jury to Acquit Against the E vidence ......................................................................... 4 14 5. EncouragingEfficient Investigation and Prosecution ...................... 415 6. Conserving Scarce Prosecutorialand Judicial Resources................ 416 7. PreventingH arassment ..................................................................... 4 16 8. Maintainingthe Public's Respect and Confidence in the L egal System .............................................................................. -
The Crime and Society Issue
FALL 2020 THE CRIME AND SOCIETY ISSUE Can Academics Such as Paul Butler and Patrick Sharkey Point Us to Better Communities? Michael O’Hear’s Symposium on Violent Crime and Recidivism Bringing Baseless Charges— Darryl Brown’s Counterintuitive Proposal for Progress ALSO INSIDE David Papke on Law and Literature A Blog Recipe Remembering Professor Kossow Princeton’s Professor Georgetown’s Professor 1 MARQUETTE LAWYER FALL 2020 Patrick Sharkey Paul Butler FROM THE DEAN Bringing the National Academy to Milwaukee—and Sending It Back Out On occasion, we have characterized the work of Renowned experts such as Professors Butler and Sharkey Marquette University Law School as bringing the world and the others whom we bring “here” do not claim to have to Milwaukee. We have not meant this as an altogether charted an altogether-clear (let alone easy) path to a better unique claim. For more than a century, local newspapers future for our communities, but we believe that their ideas have brought the daily world here, as have, for decades, and suggestions can advance the discussion in Milwaukee broadcast services and, most recently, the internet. And and elsewhere about finding that better future. many Milwaukee-based businesses, nonprofits, and So we continue to work at bringing the world here, organizations are world-class and world-engaged. even as we pursue other missions. To reverse the phrasing Yet Marquette Law School does some things in this and thereby to state another truth, we bring Wisconsin regard especially well. For example, in 2019 (pre-COVID to the world in issues of this magazine and elsewhere, being the point), about half of our first-year students had not least in the persons of those Marquette lawyers been permanent residents of other states before coming who practice throughout the United States and in many to Milwaukee for law school. -
External Content.Pdf
i THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy is Board of Trustees Distinguished Professor of English, Emeritus at the University of Connecticut. Among her 18 books on American drama and theatre are Tennessee Williams and Elia Kazan: A Collaboration in the Theatre (1992), Understanding David Mamet (2011), Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television (1999), The Provincetown Players and the Culture of Modernity (2005), and as editor, Critical Insights: Tennessee Williams (2011) and Critical Insights: A Streetcar Named Desire (2010). In the same series from Bloomsbury Methuen Drama: THE PLAYS OF SAMUEL BECKETT by Katherine Weiss THE THEATRE OF MARTIN CRIMP (SECOND EDITION) by Aleks Sierz THE THEATRE OF BRIAN FRIEL by Christopher Murray THE THEATRE OF DAVID GREIG by Clare Wallace THE THEATRE AND FILMS OF MARTIN MCDONAGH by Patrick Lonergan MODERN ASIAN THEATRE AND PERFORMANCE 1900–2000 Kevin J. Wetmore and Siyuan Liu THE THEATRE OF SEAN O’CASEY by James Moran THE THEATRE OF HAROLD PINTER by Mark Taylor-Batty THE THEATRE OF TIMBERLAKE WERTENBAKER by Sophie Bush Forthcoming: THE THEATRE OF CARYL CHURCHILL by R. Darren Gobert THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy Series Editors: Patrick Lonergan and Erin Hurley LONDON • NEW DELHI • NEW YORK • SYDNEY Bloomsbury Methuen Drama An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury is a registered trademark of Bloomsbury Publishing Plc First published 2014 © Brenda Murphy, 2014 This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher.