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International Sales Autumn 2017 Tv Shows
INTERNATIONAL SALES AUTUMN 2017 TV SHOWS DOCS FEATURE FILMS THINK GLOBAL, LIVE ITALIAN KIDS&TEEN David Bogi Head of International Distribution Alessandra Sottile Margherita Zocaro Cristina Cavaliere Lucetta Lanfranchi Federica Pazzano FORMATS Marketing and Business Development [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] Mob. +39 3351332189 Mob. +39 3357557907 Mob. +39 3334481036 Mob. +39 3386910519 Mob. +39 3356049456 INDEX INDEX ... And It’s Snowing Outside! 108 As My Father 178 Of Marina Abramovic 157 100 Metres From Paradise 114 As White As Milk, As Red As Blood 94 Border 86 Adriano Olivetti And The Letter 22 46 Assault (The) 66 Borsellino, The 57 Days 68 A Case of Conscience 25 At War for Love 75 Boss In The Kitchen (A) 112 A Good Season 23 Away From Me 111 Boundary (The) 50 Alex&Co 195 Back Home 12 Boyfriend For My Wife (A) 107 Alive Or Preferably Dead 129 Balancing Act (The) 95 Bright Flight 101 All The Girls Want Him 86 Balia 126 Broken Years: The Chief Inspector (The) 47 All The Music Of The Heart 31 Bandit’s Master (The) 53 Broken Years: The Engineer (The) 48 Allonsanfan 134 Bar Sport 118 Broken Years: The Magistrate (The) 48 American Girl 42 Bastards Of Pizzofalcone (The) 15 Bruno And Gina 168 Andrea Camilleri: The Wild Maestro 157 Bawdy Houses 175 Bulletproof Heart (A) 1, 2 18 Angel of Sarajevo (The) 44 Beachcombers 30 Bullying Lesson 176 Anija 173 Beauty And The Beast (The) 54 Call For A Clue 187 Anna 82 Big Racket (The) -
7° Genova Film Festival
7° GENOVA FILM FESTIVAL - 28 giugno/ 4 luglio 2004 proiezioni: MULTISALA AMERICA - Via Colombo, 11 presentazioni editoriali: Forum FNAC – Via XX Settembre Seminario ABCinema: Centro della creatività – Palazzo Ducale – Piazza Matteotti Tavola Rotonda – Università di Genova – Aula Magna, Via Balbi, 2 l’ingresso a tutte le proiezioni e gli incontri è gratuito Lunedì 28 Giugno Sala A Ore 21:00 Campo Lungo - Omaggio a Vittorio Mezzogiorno : Il Giocattolo di Giuliano Montaldo con Nino Manfredi (Italia, 1979, 118’). Nastro d’Argento a Vittorio Mezzogiorno - migliore attore non protagonista Presenta il film Claudio G. Fava . Seguirà buffet inaugurale. Martedì 29 Giugno Sala A Ore 16:00 Oltre il Confine - il Cinema Sudafricano 1994/2004: Un drink sulla soglia di Zola Maseko ( A drink in the Passage, Sudafrica, 2002, 26’); Le ferite di Ubuntu di Sechaba Morojele ( Ubuntu's Wounds, Usa/Sudafrica, 2002, 26’) versione originale con traduzione simultanea in italiano Ore 18:00 Campo Lungo - Omaggio a Vittorio Mezzogiorno: La condanna di Marco Bellocchio (Italia, 1991, 90’) Ore 20:30 Intermezzo D.O.C.: incontro con il Direttore e i collaboratori di FILM D.O.C ., la rivista di cinema edita da Regione Liguria e AGIS ligure A seguire presentazione del libro: David Lynch di Daniele Dottorini (ed. Le Mani) in compagnia dell’autore e dell’editore Francangelo Scapolla segue proiezione del film The Elephant Man di David Lynch (Usa, 1980, 120’) Sala B Ore 14:30 Obiettivo Liguria – concorso regionale: La città dei morti di Alessio Gambaro e Luca Garagiola (18'40"); -
William A. Seiter ATTORI
A.A. Criminale cercasi Dear Brat USA 1951 REGIA: William A. Seiter ATTORI: Mona Freeman; Billy DeWolfe; Edward Arnold; Lyle Bettger A cavallo della tigre It. 1961 REGIA: Luigi Comencini ATTORI: Nino Manfredi; Mario Adorf; Gian Maria Volont*; Valeria Moriconi; Raymond Bussires L'agente speciale Mackintosh The Mackintosh Man USA 1973 REGIA: John Huston ATTORI: Paul Newman; Dominique Sanda; James Mason; Harry Andrews; Ian Bannen Le ali della libert^ The Shawshank Redemption USA 1994 REGIA: Frank Darabont ATTORI: Tim Robbins; Morgan Freeman; James Whitmore; Clancy Brown; Bob Gunton Un alibi troppo perfetto Two Way Stretch GB 1960 REGIA: Robert Day ATTORI: Peter Sellers; Wilfrid Hyde-White; Lionel Jeffries All'ultimo secondo Outlaw Blues USA 1977 REGIA: Richard T. Heffron ATTORI: Peter Fonda; Susan Saint James; John Crawford A me la libert^ A nous la libert* Fr. 1931 REGIA: Ren* Clair ATTORI: Raymond Cordy; Henri Marchand; Paul Olivier; Rolla France; Andr* Michaud American History X USA 1999 REGIA: Tony Kaye ATTORI: Edward Norton; Edward Furlong; Stacy Keach; Avery Brooks; Elliott Gould Gli ammutinati di Sing Sing Within These Walls USA 1945 REGIA: Bruce H. Humberstone ATTORI: Thomas Mitchell; Mary Anderson; Edward Ryan Amore Szerelem Ung. 1970 REGIA: K‡roly Makk ATTORI: Lili Darvas; Mari T*r*csik; Iv‡n Darvas; Erzsi Orsolya Angelo bianco It. 1955 REGIA: Raffaello Matarazzo ATTORI: Amedeo Nazzari; Yvonne Sanson; Enrica Dyrell; Alberto Farnese; Philippe Hersent L'angelo della morte Brother John USA 1971 REGIA: James Goldstone ATTORI: Sidney Poitier; Will Geer; Bradford Dillman; Beverly Todd L'angolo rosso Red Corner USA 1998 REGIA: Jon Avnet ATTORI: Richard Gere; Bai Ling; Bradley Whitford; Peter Donat; Tzi Ma; Richard Venture Anni di piombo Die bleierne Zeit RFT 1981 REGIA: Margarethe von Trotta ATTORI: Jutta Lampe; Barbara Sukowa; RŸdiger Vogler Anni facili It. -
L'arte Dell'interpretazione Attraverso Il Racconto Degli Autori Della Fotografia AIC AIC
AIC L'Immagin' ae RecitazionCinematografice a L'arte dell'interpretazione attraverso il racconto degli autori della fotografia AIC AIC » Pier Paolo Pasolini e Maria Callas. J II direttore della fotografia, in un film, dà qualcosa di suo, una qualità ineffabile, che non si riesce a descrive- re a parole, ma che fa riconoscere agli occhi dell'esper- to, lo stile e la qualità della prestazione. Per esempio, Tonino Delli Colli, ha un suo modo tutto particolare di riprendere gli occhi e i lineamenti del volto umano e cer- tamente io mi servo di questa sua straordinaria abilità per ricavare, dal mio punto di vista, tutta l'espressività psicologica dei personaggi. Pier Paolo Pasolini, 1971 AIC AIC ASSOCIAZIONE ITALIANA AUTORI DELLA FOTOGRAFICINEMATOGRAFICAA AIC AIC ASSOCIAZIONE ITALIANA AUTORI DELLA FOTOGRAFIA CINEMATOGRAFICA AIC Associazione Italiana Autori della Fotografia IMAGO Membro "Federazione Europea degli Autori della Fotografia Cinematografica" IMAGO AIC costituita il 13 maggio 1950 AIC Presidente Collegio Sindacale Franco Di Giacomo Sergio Salvati Sebastiano Celeste Sergio D'Offizi Angelo Filippini Alessandro Feirachios Vicepresidenti Mario Vulpiani Paolo Ferrari Alessio Gelsini Torresi Angelo Filippini Giuseppe Lanci Soci effettivi Roberto Forges Davanzati Marcello Montarsi Cesare Accetta Giovanni Galasso Maxime Alexandre Marcello Gatti Segretario generale Manfredo Archinto Alessio Gelsini Torresi Giuseppe Berardini Adolfo Bartoli Roberto Girometti Gianlorenzo Battaglia Giuliano Giustini Consiglieri Tarek Ben Abdallah Antonio Grambone -
Magical Practice in the Latin West Religions in the Graeco-Roman World
Magical Practice in the Latin West Religions in the Graeco-Roman World Editors H.S. Versnel D. Frankfurter J. Hahn VOLUME 168 Magical Practice in the Latin West Papers from the International Conference held at the University of Zaragoza 30 Sept.–1 Oct. 2005 Edited by Richard L. Gordon and Francisco Marco Simón LEIDEN • BOSTON 2010 Th is book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Magical practice in the Latin West : papers from the international conference held at the University of Zaragoza, 30 Sept.–1 Oct. 2005 / edited by Richard L. Gordon and Francisco Marco Simon. p. cm. — (Religions in the Graeco-Roman world, ISSN 0927-7633 ; v. 168) Includes indexes. ISBN 978-90-04-17904-2 (hardback : alk. paper) 1. Magic—Europe—History— Congresses. I. Gordon, R. L. (Richard Lindsay) II. Marco Simón, Francisco. III. Title. IV. Series. BF1591.M3444 2010 133.4’3094—dc22 2009041611 ISSN 0927-7633 ISBN 978 90 04 17904 2 Copyright 2010 by Koninklijke Brill NV, Leiden, Th e Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to Th e Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
ΤΑΡΤΑΡΟΣ in Greco-Roman Culture, Second Temple Judaism, and Philo of Alexandria* Clint Burnett (Boston College)
Going Through Hell; ΤΑΡΤΑΡΟΣ in Greco-Roman Culture, Second Temple Judaism, and Philo of Alexandria* Clint Burnett (Boston College) Tis article questions the longstanding supposition that the eschatology of the Second Temple period was solely infuenced by Persian or Iranian eschatology, arguing instead that the litera- ture of this period refects awareness of several key Greco-Roman mythological concepts. In particular, the concepts of Tartarus and the Greek myths of Titans and Giants underlie much of the treatment of eschatology in the Jewish literature of the period. A thorough treatment of Tartarus and related concepts in literary and non-literary sources from ancient Greek and Greco-Roman culture provides a backdrop for a discussion of these themes in the Second Tem- ple period and especially in the writings of Philo of Alexandria. I. Introduction Contemporary scholarship routinely explores connections between Greco- Roman culture and Second Temple Judaism, but one aspect of this investiga- tion that has not received the attention it deserves is eschatology. Te view that the eschatology of the Second Temple period was shaped largely by Persian es- chatology remains dominant in the feld.1 As James Barr has observed, “Many of the scholars of the ‘biblical theology’ period, were very anxious to make it clear that biblical thought was entirely distinct from, and owed nothing to, Greek thought. … Iranian infuence, however, seemed … less of a threat.”2 Tis is somewhat surprising, given that many Second Temple Jewish texts, including the writings of Philo of Alexandria, mention eschatological con- cepts developed in a Greco-Roman context. Signifcant among these are the many references to the Greco-Roman subterranean prison of Tartarus and the related mythology of the Titans and Giants. -
Spring 2019 / ITAL 340: Italian Through Film
Spring 2019 / ITAL 340: Italian through Film Department of Modern and Classical Languages George Mason University Mondays and Wednesdays, 3:00 to 4:15pm, Aquia Hall 347 Prof. K. Olson, [email protected] Office: Aquia Hall 309 Office Hours: Mondays, 4:30pm to 5:30pm, and by appointment Prerequisites: ITAL 202/250; appropriate placement score; or permission of instructor. Course Description and Objectives: This course develops linguistic proficiency and historical and cultural awareness through the study of selected films from 1945 to 1972. The course is divided into a series of pre-viewing, viewing, and post-viewing activities for each film that consist of a discussion of cultural and historical backgrounds, vocabulary in context, and a grammar review. Students will be responsible for viewing the films in their entirety outside of class while guided by these assignments. Class discussion, together with regular writing assignments and presentations, are designed to foster advanced reading, writing, speaking, and listening skills, incorporating advanced-level language study in a content- based approach. At the end of this course, students are expected to communicate at the ACTFL proficiency levels for reading, speaking, listening and writing between Advanced Low and Advanced Mid-levels. Required Materials Borra, Antonello and Cristina Pausini. Italian through Film: The Classics. New Haven, CT: Yale University Press, 2007. ISBN: 0300109520 Required Films (Purchase of these films is optional. See below for online film availability via GMU library. Films also located on course reserve in the Johnson Center.) Films are listed in alphabetical order with their current distributor and Amazon listing. 1. La commare secca (The Grim Reaper). -
University of Groningen the Sacrifice of Pregnant Animals Bremmer, Jan N
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Groningen University of Groningen The Sacrifice of Pregnant Animals Bremmer, Jan N. Published in: Greek Sacrificial Ritual: Olympian and Chthonian IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2005 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bremmer, J. N. (2005). The Sacrifice of Pregnant Animals. In B. Alroth, & R. Hägg (Eds.), Greek Sacrificial Ritual: Olympian and Chthonian (pp. 155-165). Gothenburg: Paul Astroms Forlag. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 12-11-2019 THE SACRIFICE OF PREGNANT ANIMALS by JAN N. BREMMER There has recently been renewed interest in Olympian sacrifice and its chthonian counterparts, 1 but much less attention has been paid to its more unusual variants. -
7° Genova Film Festival
7° GENOVA FILM FESTIVAL - 28 giugno/ 4 luglio 2004 proiezioni: MULTISALA AMERICA - Via Colombo, 11 presentazioni editoriali: Forum FNAC – Via XX Settembre Seminario ABCinema: Centro della creatività – Palazzo Ducale – Piazza Matteotti Tavola Rotonda – Università di Genova – Aula Magna, Via Balbi, 2 l’ingresso a tutte le proiezioni e gli incontri è gratuito Lunedì 28 Giugno Sala A Ore 21:00 Campo Lungo - Omaggio a Vittorio Mezzogiorno: Il Giocattolo di Giuliano Montaldo con Nino Manfredi (Italia, 1979, 118’). Nastro d’Argento a Vittorio Mezzogiorno - migliore attore non protagonista Presenta il film Claudio G. Fava. Seguirà buffet inaugurale. Martedì 29 Giugno Sala A Ore 16:00 Oltre il Confine - il Cinema Sudafricano 1994/2004: Un drink sulla soglia di Zola Maseko (A drink in the Passage, Sudafrica, 2002, 26’); Le ferite di Ubuntu di Sechaba Morojele (Ubuntu's Wounds, Usa/Sudafrica, 2002, 26’) versione originale con traduzione simultanea in italiano Ore 18:00 Campo Lungo - Omaggio a Vittorio Mezzogiorno: La condanna di Marco Bellocchio (Italia, 1991, 90’) Ore 20:30 Intermezzo D.O.C.: incontro con il Direttore e i collaboratori di FILM D.O.C., la rivista di cinema edita da Regione Liguria e AGIS ligure A seguire presentazione del libro: David Lynch di Daniele Dottorini (ed. Le Mani) in compagnia dell’autore e dell’editore Francangelo Scapolla segue proiezione del film The Elephant Man di David Lynch (Usa, 1980, 120’) Sala B Ore 14:30 Obiettivo Liguria – concorso regionale: La città dei morti di Alessio Gambaro e Luca Garagiola (18'40"); -
Dr. Athena Hadji Full CV
Dr. Athena Hadji, CV CURRICULUM VITAE Dr. ATHENA HADJI Academic CYA, Greek Heritage Hellenic Open University, History of Art and Architecture National School of Public Administration, Urban Anthropology ISRF Research Fellow 2018, Contemporary Graffiti and Street Art Curator of Contemporary Art Author Archaeology, Anthropology, History of Art, Ph.D., University of California Berkeley March 2018 TABLE OF CONTENTS SHORT CV 3 DETAILED PAST POSITIONS 6 UNIVERSITY TEACHING 6 RESEARCH 7 CURATORIAL WORK 8 OUTREACH 9 MANAGEMENT/ ADMINISTRATIVE POSITIONS 9 SUPPLEMENTARY EDUCATION: SEMINARS AND TRAINING COURSES 10 PUBLICATIONS LIST 10 ACADEMIC 13 TRANSLATIONS 18 WORKS OF FICTION (IN GREEK) 18 OTHER WRITING (IN GREEK) 18 AWARDS 19 MUSEUM WORK 19 FIELDWORK 19 LABORATORY TRAINING AND WORK 20 CONFERENCE PLANNING AND IMPLEMENTATION 21 DOCTORAL DISSERTATION SUPERVISING COMMITTEE 21 RESEARCH/ TEACHING INTERESTS 21 PROFESSIONAL INTERESTS 21 PROFESSIONAL AFFILIATIONS/ ASSOCIATIONS 21 2 SHORT CV Personal information Name and Title: Athena Hadji, Dr., Professor Linkedin and Athena Hadji/ Αθηνά Χατζή skype: Education 2000 – 2004: Ph.D., Interdisciplinary Graduate Group in Ancient History and Mediterranean Archaeology (AHMA), University of California, Berkeley, GPA 3.791/4.0. 1998 – 1999: M.A., AHMA, UC Berkeley, GPA 3.5/4.0. 1993 – 1997: B.A., National University of Athens, Department of History and Archaeology, Major: Archaeology and History of Art, 8.1/10. 1993: Entered university in rank 1 in nationwide exams, score 6227/6400. Graduated from high school, GPA 20/20. Current teaching 2018 Summer Course, The Present Past: Re-imagining Greece through heritage, College Year in Athens (CYA). 2017- Adjunct Professor, History of Art and Architecture in Greece from Prehistory to present times, Studies in Hellenic Civilization, Hellenic Open University 2016- Visiting Professor, Civil Servants’ training seminar “Urban crisis”. -
Underworld Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2018 Underworld Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .,G III. 2019. "Underworld." In Oxford Classical Dictionary. New York/Oxford: Oxford University Press. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/classics_pubs/123 For more information, please contact [email protected]. Underworld Radcliffe G. Edmonds III In Oxford Classical Dictionary, in Oxford Research Encyclopedia of Classics. (Oxford University Press. April 2019). http://dx.doi.org/10.1093/acrefore/9780199381135.013.8062 Summary Depictions of the underworld, in ancient Greek and Roman textual and visual sources, differ significantly from source to source, but they all draw on a common pool of traditional mythic motifs. These motifs, such as the realm of Hades and its denizens, the rivers of the underworld, the paradise of the blessed dead, and the places of punishment for the wicked, are developed and transformed through all their uses throughout the ages, depending upon the aims of the author or artist depicting the underworld. Some sources explore the relation of the world of the living to that of the dead through descriptions of the location of the underworld and the difficulties of entering it. By contrast, discussions of the regions within the underworld and existence therein often relate to ideas of afterlife as a continuation of or compensation for life in the world above. -
Fowler FBA, RL (2016). Ἐκθορεῖν and the Derveni Papyrus. Zeitschrift Für Papyrologie Und Epigraphik, 197(11)
Fowler FBA, R. L. (2016). ἐκθορεῖν and the Derveni Papyrus. Zeitschrift für Papyrologie und Epigraphik, 197(11), 17-27. https://www.jstor.org/stable/43909970 Peer reviewed version Link to publication record in Explore Bristol Research PDF-document This is the accepted author manuscript (AAM). The final published version (version of record) is available online via Dr. Rudolf Hablet GmbH at http://www.habelt.de/index.php?id=27&tx_shpsystem_pi1[journal]=ZPE&tx_shpsystem_pi1[mode]=1&tx_shpsyst em_pi1[autor]=Fowler,%20R.%20L. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ ἐκθορεῖν and the Derveni Papyrus In memoriam M.L. West The purpose of this article is, first, to point out additional evidence for the meaning of the verb ἐκθορεῖν in two passages of the Derveni papyrus (xiii 4 and xiv 1), and, secondly, to advance a novel hypothesis for the interpretation of columns xiii–xv, centering on the role of Kronos. 1. ἐκθορεῖν At column xiii line 4 = OF 8 Bernabé the papyrus presents the text: αἰδοῖον κατέπινεν, ὃς αἰθέρα ἔχθορε πρῶτος1 Walter Burkert first suggested the translation ‘ejaculated’ for ἔχθορε, with αἰθέρα its object.2 In support he cited Aischylos fr. 15 Radt, from Hesychios θ814 Latte: θρώσκων κνώδαλα· ἐκθορίζων καὶ σπερματίζων, γεννῶν. Αἰσχύλος Ἀμυμώνῃ. The fragment has most recently been discussed by M.A.