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Redalyc.Blackness and Heathenism. Color, Theology, and Race in The
Anuario Colombiano de Historia Social y de la Cultura ISSN: 0120-2456 [email protected] Universidad Nacional de Colombia Colombia MARCOCCI, GIUSEPPE Blackness and Heathenism. Color, Theology, and Race in the Portuguese World, c. 1450- 1600 Anuario Colombiano de Historia Social y de la Cultura, vol. 43, núm. 2, julio-diciembre, 2016, pp. 33-57 Universidad Nacional de Colombia Bogotá, Colombia Available in: http://www.redalyc.org/articulo.oa?id=127146460002 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Blackness and Heathenism. Color, Theology, and Race in the Portuguese World, c. 1450-1600 doi: 10.15446/achsc.v43n2.59068 Negrura y gentilidad. Color, teología y raza en el mundo portugués, c. 1450-1600 Negrura e gentilidade. Cor, teologia e raça no mundo português, c. 1450-1600 giuseppe marcocci* Università della Tuscia Viterbo, Italia * [email protected] Artículo de investigación Recepción: 25 de febrero del 2016. Aprobación: 30 de marzo del 2016. Cómo citar este artículo Giuseppe Marcocci, “Blackness and Heathenism. Color, Theology, and Race in the Portuguese World, c. 1450-1600”, Anuario Colombiano de Historia Social y de la Cultura 43.2: 33-57. achsc * Vol. 43 N.° 2, jul. - dic. 2016 * issN 0120-2456 (impreso) - 2256-5647 (eN líNea) * colombia * págs. 33-58 giuseppe marcocci [34] abstract The coexistence of a process of hierarchy and discrimination among human groups alongside dynamics of cultural and social hybridization in the Portuguese world in the early modern age has led to an intense historiographical debate. -
American Settings for François De Belleforest's Tragic Histories
Framing the Early Modern French Best Seller: American Settings for François de Belleforest’sTragicHistories HERVÉ-THOMAS CAMPANGNE, University of Maryland, College Park This article shows how François de Belleforest (1530–83) adapted a variety of historical and geo- graphical sources to meet the demands of the histoire tragique genre in composing three narratives set in the Americas. One recounts the destiny of conquistador Francisco Pizarro; another is the story of Marguerite de Roberval, who was allegedly marooned on a Canadian island; the third concerns Taino cacique Enriquillo’s heroic rebellion in 1520s Hispaniola. These narratives fostered a tragic im- age of the Americas that had a considerable influence on early modern readers, inviting them to ponder essential questions about European encounters with the American continent and its inhabitants. INTRODUCTION IN THE PRELIMINARY epistle to his famous anthology of Histoires tragiques (Tragic histories, 1559), a compilation of six narratives borrowed from Matteo Bandello’s (ca. 1485–1561) Novelle (1554), French author Pierre Boaistuau (1517–66) thanked his collaborator François de Belleforest (1530–83) for his work on a translation that “would probably not have been published without his help.”1 Boaistuau also announced the imminent publication of Belleforest’s Continuation des Histoires tragiques (1559),2 which would mark the beginning of one of the most successful literary collections in late sixteenth-century France and Europe. Between 1559 and 1582, Belleforest published five volumes of histoires tragiques,compris- ing ninety-eight stories of passion, murder, and revenge that were reissued sev- eral times by printers in Paris, Lyon, Rouen, and Torino. These early modern best I would like to thank those who helped me improve this article, especially the two anonymous read- ers at RQ, and my University of Maryland colleague Lauretta Clough. -
Medieval Portuguese Royal Chronicles. Topics in a Discourse of Identity and Power
Medieval Portuguese Royal Chronicles. Topics in a Discourse of Identity and Power Bernardo Vasconcelos e Sousa Faculdade de Ciências Sociais e Humanas Universidade Nova de Lisboa [email protected] Abstract It is only in the 15th century that the Portuguese royal chronicles assume their own unequivocal form. The following text analyses them as a discourse of the identity and power of the Crown. Three topics are selected by their importance and salience. These topics are the territory object of observation, the central subject of the narrative and the question of the authors of the historiographical accounts, or rather the position in which the chroniclers place themselves and the perspective they adopt for their description of events. Key words Portugal, historiography, medieval chronicles Resumo É apenas no século XV que a cronística régia portuguesa ganha a sua forma inequívoca. No texto seguinte analisam-se as respectivas crónicas como um discurso de identidade e de poder da Coroa. Assim, são seleccionados três tópicos pela sua importância e pelo relevo que lhes é dado. São eles o território objecto de observação, o sujeito central da narrativa e a questão dos autores dos relatos historiográficos, ou seja a posição em que os cronistas se colocam e a perspectiva que adoptam na descrição que fazem dos acontecimentos. Palavras-chave Portugal, historiografia, cronística medieval The medieval royal chronicle genre constitutes an accurate type of historiography in narrative form, promoted by the Crown and in which the central protagonist is the monarchy (usually the king himself, its supreme exponent). The discourse therefore centers on the deeds of the monarch and on the history of the royal institution that the king and his respective dynasty embody. -
FROM the PORTOLAN CHART to the LATITUDE CHART the Silent Cartographic Revolution
FROM THE PORTOLAN CHART TO THE LATITUDE CHART The silent cartographic revolution by Joaquim Alves Gaspar Centro Interuniversitário de História das Ciências e da Tecnologia Pólo Universidade de Lisboa faculdade de Ciências Campo Grande 1759-016 Lisboa Portugal [email protected] This paper explains how, following the introduction of astronomical navigation, the transition between the por - tolan-type chart of the mediterranean and the latitude chart of the Atlantic was facilitated by the small values of the magnetic declination occurring in western Europe during the Renaissance. The results of two prelimi - nary cartometric studies of a sample of charts of the sixteenth century are presented, focused on the latitude accuracy in the representation of northern Europe and on the evolution of the longitudinal width of the mediterranean and Africa. Cet article explique comment, après l’apparition de la navigation astronomique, la transition entre la carte- portulan caractéristique de la méditerranée et la carte avec latitude de l’océan Atlantique a été facilitée par la faiblesse de la déclinaison magnétique en Europe occidentale, à la Renaissance. Les résultats de deux études cartographiques antérieures sont appliqués à un échantillon de cartes du XVI e siècle, en centrant le propos sur la précision des latitudes des pays de l’Europe de nord et sur l’étendue longitudinale de la méditerranée et de l’Afrique. 1 Introduction respect: that it was much easier to go than to come back, due to the action of those same elements. In 1434, after thirteen years during which there were several frustrated attempts involving various At the time Cape Bojador was first rounded by the pilots in the service of Prince Henry of Portugal, Gil Portuguese, the ships used in the voyages of explo - Eanes finally succeeded in rounding Cape Bojador. -
Arts, Propaganda and Politics in Contemporary Africa
Wageningen University - Department of Social Sciences MSc. Thesis Chair Group: Rural and Environmental History (RHI) Arts, Propaganda and Politics in Contemporary Africa: The role of Music and Musicians in Entrenching Dictatorship in The Gambia during the Jammeh’s Regime (1994-2016) October, 2020 Abdoulie Sawo 911020728020 MSc. International Development Studies Specialization: Politics and Governance of Development Supervisor: Prof. Dr. EHP Frankema Second reader: Dr. Michiel de Haas Thesis code: RHI-80436 Abstract The art of music permeates many aspects of human societies including the politics and governance arena. One of the most important aspects of music in politics is that it serves as a popular means to express societal issues and communicate political messages. Musicians use the art to produce political songs praising or opposing political authorities or political climate. A number of political songs involve propaganda geared toward propagating and entrenching political rulers thus placing music and musicians at the core of politics and governance systems of our societies. The influence of music makes numerous African politicians including dictators use the domain for their political objectives. This thesis explores how musicians help in building and entrenching dictators by using the regime of Yahya Jammeh in The Gambia (1994 to 2016) as a case. This research relies on related scholarly works and in-depth semi-structured interviews with eleven respondents (six influential musicians, two DJs (TV/radio presenters) and three top (former) government officials) as primary sources of data. Five political hit songs were also selected and analyzed to understand the discourses they propagated. The interview results and propaganda song lyrics praising Jammeh are analyzed using Maarten Hajer‟s (2006) discourse analysis. -
Fall 2011 Spragins 1 Grey Shades of Blackness in Gomes Eanes De
Fall 2011 Spragins 1 Grey Shades of Blackness in Gomes Eanes de Zurara’s Crónica do descobrimento da Guiné Elizabeth Spragins Stanford University In this talk, I’ll be looking at how the fifteenth-century Portuguese historian Gomes Eanes de Zurara classifies African and European bodies. In addition, I’ll also be working to understand what it is that underlies Zurara’s somewhat obsessive with classifying them in the first place. Beyond my analysis of Zurara’s treatment of European and African bodies, I also want to attend, in a more reflexive way, to our concern as twenty-first century readers with reading race into and out from late medieval and early modern texts of exploration. Why is it that we tend to read Zurara (and other late medieval authors) as a potential point of racism in the West? In large part, it stems from our own politically inflected perspective. By seeking to understand the late medieval (or early modern, or classical) origins contemporary racism, we strive to untangle and deconstruct the undeniably damaging web of racism in which North America and Europe are still trapped. Whether or not it is realistic to expect to be able to find a historical origin for modern racism, this way of reading Zurara also points to our understanding of race as a negotiated and emergent mode of social and economic classification—one that can evolve over time and across space. Whatever the reasons, it remains more or less axiomatic that we have real trouble reading Zurara in 2011 without seeing his various Crónicas as a means to understanding how we got to where we are today with respect to race, and ow we might move forward on better footing. -
50 Michał Tymowski These Works Concern the Second Half of the Sixteenth and Seventeenth Centuries, While Here We Focus on an Earlier Period
Kwartalnik Historyczny Vol. CXXI, 2014 Special Issue, pp. 49–70 PL ISSN 0023-5903 MICHAŁ TYMOWSKI Warsaw WOMEN DURING THE EARLY PORTUGUESE EXPEDITIONS TO WEST AFRICA The role of women in the early phase of Portuguese expeditions to Afri- ca has only been discussed incidentally in works on geographical disco- veries. Avelino Teixeira de Mota briefly addressed the problem when writing about the garrison of São Jorge da Mina fortress. Joseph Bato’ora Ballong-Wen-Mewuda also made a passing reference to women in the 1 discussion of a broad range of other issues. Similar in character are 2 some passages in works by Christopher DeCorse and John Vogt. Paul Hair relegated his perspicacious remarks to the footnotes of his work on 3 the founding of the fortress at Mina (now Elmina). More extensively the issue has been dealt with in some articles discussing the role of African women in the development of domestic trade networks in West Africa 4 and exploring the networks’ links with the Portuguese trade. However, 1 Avelino Teixeira da Mota, Alguns aspectos da colonisação e do comércio marítimo dos Portugueses na África Ocidental nos séculos XV e XVI, Lisbon, 1976; idem, Some Aspects of Portuguese Colonization and Sea Trade in West Africa in the 15th and 16th Centuries, Bloom- ington, IN, 1978, p. 10; Joseph Bato’ora Ballong-Wen-Mewuda, São Jorge da Mina 1482– 1637. La vie d’un comptoir portugais en Afrique occidentale,2 vols,Lisbon and Paris,1993, vol. 2, pp.267–69. 2 John Vogt, Portuguese Rule on the Gold Coast 1469–1682, Athens, 1979, pp. -
O Império Do Quinto Afonso De Portugal (1448(1448----1481)1481)
O Império do Quinto Afonso de Portugal (1448(1448----1481)1481) La quête d’Empire d’Alphonse V, Roi du Portugal (14488----1481)1481) Mariana Osue Ide Sales Orientadores: Prof. Dr. Paulo Miceli & Prof. Dr. Denis Menjot Campinas - 2009 FICHA CATALOGRÁFICA ELABORADA PELA BIBLIOTECA DO IFCH – UNICAMP Bibliotecária: Maria Silvia Holloway – CRB 2289 Sales, Mariana Osue Ide Sa32i O Império do Quinto Afonso de Portugal (1448-1481) / Mariana Osue Ide Sales. Campinas, SP : [s. n.], 2009. Orientador: Paulo Miceli Denis Menjot Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas. 1. Zurara, Gomes Eanes de, 1410-1473 ou 4. 2. Portugal – História – Afonso V, 1448-1481. 3. Portugal – História – Sec. XV. 4. Portugal – História – Descobertas e explorações. 5. Ibérica, Península (Espanha e Portugal). 6. Aragon (Espanha). 7. Castela e Leão (Espanha). I. Miceli, Paulo. II. Menjot, Denis. III. Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas. IV. Título. Título em inglês: The quest of Empire of D. Afonso V, King of Portugal (1448- 1481) Zurara, Gomes Eanes de, 1410-1473 (or 4) Palavras chaves em inglês (keywords) : Portugal – History – Alfonso V, 1448-1481 Portugal – History – 15th cent. Portugal – H istory – Discovery and exploration Iberica, Peninsula (Spain and Portugal) Aragon (Spain) Castilla y Leon (Spain) Área de Concentração: História Titulação: Doutor em História Banca examinadora: Paulo Miceli, Denis Menjot, Ana Paula Megiani, Neri de Barros Almeida, Stéphane Boissellier Data da defesa: 02-09-2009 Programa de Pós-Graduação: História 2 Para meus pais. 5 Résumé La thèse fait l’analyse des références impériales dans la politique menée par d’Alphonse V, roi du Portugal, entre 1448 et 1481. -
Venice and the New Oikoumene: Cartography in the 15Th Century
Venice and the new Oikoumene: Cartography in the 15th century Venedig, Oct 8–09, 2013 Report by: Lena Thiel, Universität Kassel, Mittelalterliche Geschichte On October 8 and 9, 2013, an international, interdisciplinary conference funded by the Fritz Thyssen Foundation was held at the Marciana National Library (BNM) and the German study cen- ter in Venice (DSZV). The organizers, INGRID BAUMGÄRTNER (Kassel) and PIERO FALCHETTA (Venice), as well as the director of the BNM, MAURIZIO MESSINA (Venice), emphasized as the conference's central concern the transformation of geographic and cartographic paradigms that Ptolemy's work provoked in the Latin West from the early 15th century on. Venice harbored at the time most diverse cultural phenomena that came to be of great importance for Renaissance art and thought. According to Baumgärtner, the cartography of this period interlinked multiple compe- tences, proficiencies, traditions, and orientations. Only through an analysis of those factors is it possible to appreciate the impact of Ptolemy's Geographia as the actual catalyst of major changes during the 15th and early 16th centuries. The conference's first section dealt with maps as well as with text-based concepts of space. After an introduction by GHERARDO ORTALLI (Venice), LAURA FEDERZONI (Bologna) discussed manuscripts and prints of Ptolemy's Geographia from the 15th and 16th centuries. She examined the interplay between the rediscovery and translation of the text and the flourishing of geography as a humanistic science. Next ANGELO CATTANEO (Lisbon) presented his research on a little-- known, and so far unexplored geographical compilation preserved in an anonymous 15th-century-- manuscript of the BNM, MS It. -
Blackness and Heathenism. Color, Theology, and Race in the Portuguese World, C
Blackness and Heathenism. Color, Theology, and Race in the Portuguese World, c. 1450-1600 doi: 10.15446/achsc.v43n2.59068 Negrura y gentilidad. Color, teología y raza en el mundo portugués, c. 1450-1600 Negrura e gentilidade. Cor, teologia e raça no mundo português, c. 1450-1600 giuseppe marcocci* Università della Tuscia Viterbo, Italia * [email protected] Artículo de investigación Recepción: 25 de febrero del 2016. Aprobación: 30 de marzo del 2016. Cómo citar este artículo Giuseppe Marcocci, “Blackness and Heathenism. Color, Theology, and Race in the Portuguese World, c. 1450-1600”, Anuario Colombiano de Historia Social y de la Cultura 43.2: 33-57. achsc * Vol. 43 N.° 2, jul. - dic. 2016 * issN 0120-2456 (impreso) - 2256-5647 (eN líNea) * colombia * págs. 33-58 giuseppe marcocci [34] abstract The coexistence of a process of hierarchy and discrimination among human groups alongside dynamics of cultural and social hybridization in the Portuguese world in the early modern age has led to an intense historiographical debate. This article aims to contribute to extending our perspectives, focusing on the circulation of two global categories of classification: negro (Black) and gentio (Heathen) between the mid-fifteenth and late-sixteenth century. In particular, it explores the intersections between the perception of skin color and the reworking of theological concepts in a biologizing direction, which ran parallel to the development of an anti-Jewish theory based on blood purity. The line of enquiry leads from the coasts of West Africa, where it immediately meets the problem of slavery, to Brazil, via South Asia. The intense cross-fertilization of the categories of negro and gentio in the Portuguese world provides us with an alternative geography and institutional process of racialization to that of the Spanish Empire. -
African Art at the Portuguese Court, C. 1450-1521
African Art at the Portuguese Court, c. 1450-1521 By Mario Pereira A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History of Art and Architecture at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Mario Pereira VITA Mario Pereira was born in Boston, Massachusetts in 1973. He received a B.A. in Art History from Oberlin College in 1996 and a M.A. in Art History from the University of Chicago in 1997. His master’s thesis, “The Accademia degli Oziosi: Spanish Power and Neapolitan Culture in Southern Italy, c. 1600-50,” was written under the supervision of Ingrid D. Rowland and Thomas Cummins. Before coming to Brown, Mario worked as a free-lance editor for La Rivista dei Libri and served on the editorial staff of the New York Review of Books. He also worked on the curatorial staff of the Isabella Stewart Gardner Museum where he translated the exhibition catalogue Raphael, Cellini and a Renaissance Banker: The Patronage of Bindo Altoviti (Milan: Electa, 2003) and curated the exhibition Off the Wall: New Perspectives on Early Italian Art in the Gardner Museum (2004). While at Brown, Mario has received financial support from the Graduate School, the Department of History of Art and Architecture, and the Program in Renaissance and Early Modern Studies. From 2005-2006, he worked in the Department of Prints, Drawings and Photographs at the Museum of Art, Rhode Island School of Design. In 2007-2008, he received the J. M. Stuart Fellowship from the John Carter Brown Library and was the recipient of an Andrew W. -
Magmatic Evolution of the Cadamosto Seamount, Cape Verde: Beyond the Spatial Extent of EM1
Contrib Mineral Petrol (2012) 163:949–965 DOI 10.1007/s00410-011-0708-2 ORIGINAL PAPER Magmatic evolution of the Cadamosto Seamount, Cape Verde: beyond the spatial extent of EM1 A. K. Barker • V. R. Troll • R. M. Ellam • T. H. Hansteen • C. Harris • C. J. Stillman • A. Andersson Received: 18 April 2011 / Accepted: 5 November 2011 / Published online: 26 November 2011 Ó Springer-Verlag 2011 Abstract The Cadamosto Seamount is an unusual vol- preservation of mantle source signatures by Nd–Pb iso- canic centre from Cape Verde, characterised by dominantly topes despite extensive magmatic differentiation provides evolved volcanics, in contrast to the typically mafic vol- new insights into the spatial distribution of mantle heter- canic centres at Cape Verde that exhibit only minor vol- ogeneity in the Cape Verde archipelago. Magmatic dif- umes of evolved volcanics. The magmatic evolution of ferentiation from nephelinite to phonolite involves Cadamosto Seamount is investigated to quantify the role of fractional crystallisation of clinopyroxene, titanite, apatite, magma-crust interaction and thus provide a perspective on biotite and feldspathoids, with extensive feldspathoid evolved end-member volcanism of Cape Verde. The accumulation being recorded in some evolved samples. Clinopyroxene crystallisation pressures of 0.38–0.17 GPa for the nephelinites constrain this extensive fractional Submitted to Contributions to Mineralogy and Petrology, 16th April crystallisation to the oceanic lithosphere, where no crustal 2011. assimilants or rafts of subcontinental lithospheric mantle are available. In turn, magma-crust interaction has influ- Communicated by J. Hoefs. enced the Sr, O and S isotopes of the groundmass and late Electronic supplementary material The online version of this crystallising feldspathoids, which formed at shallow crustal article (doi:10.1007/s00410-011-0708-2) contains supplementary depths reflecting the availability of oceanic sediments and material, which is available to authorized users.