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Dinner at Eight CELEBRATING MARIE DRESSLER’S 150Th BIRTHDAY
SOUVENIR PROGRAM Dinner At Eight CELEBRATING MARIE DRESSLER’S 150th BIRTHDAY from the collection of Marie Dressler Foundation Saturday, September 29, 2018 Best Western Plus Cobourg Inn, Cobourg, Canada MARIE’S 62nd BIRTHDAY SCRAPBOOK November 9, 1933 A STORY WORTH TELLING Almost one hundred and fifty years ago, a little girl named Leila Koerber came into this world here in Cobourg. Who was to know that some sixty plus years later, Leila, now named Marie Dressler, would become an Academy Award winner and the highest grossing movie star in the world for the years 1932 and 1933? While Marie would only spend the earliest years of her life here in Cobourg, she made a lasting impression. Once she arrived on Broadway in the late 1890’s, after almost twenty years of honing her operatic and comedic skills in travelling troupes, people began to notice and fall in love with this not-so-little girl. Although she starred in the first full length silent comedy, “Tillie’s Punctured Romance” in 1914 with a young Charlie Chaplin, her promising silent film career was interrupted by WWI. Afterwards, no one seemed interested in a fifties-something actor. Marie turned to charity work and became known for her social activism, always looking to help women less fortunate than herself. But she was destined to become a movie star. And it happened in 1930, when her friend, Frances Marion, the most successful screenwriter in Hollywood, tailored a star-worthy supporting role for her in “Anna Christie”. This film was a big deal as it was Greta Garbo’s first speaking role. -
Early Spring 2017
Early Spring SPECIAL EVENTS Wednesday, March 22 – Sunday, March 26 Friday, April 14 – Sunday, April 16 (Visit brattlefilm.org for ticket prices and more info) The Nineteenth Repertory Series! BOSTON UNDERGROUND FILM FESTIVAL Cambridge Science Festival: Sunday, February 26 2017: The 17th Annual Boston’s premiere festival highlighting the bizarre, the troubling, and the CONTACT! Friday, February 24 – overlooked returns to the Brattle for their nineteenth year. We are thrilled to In celebration of this year’s Cambridge Science Festival, the Brattle is BRATTLE OSCAR PARTY! welcome back these purveyors of the weird and wondrous, and eagerly pleased to present a brief program of films in which the aliens actually do Save the date for the Brattle’s annual celebration of Hollywood’s biggest Monday, May 1, 2017 await their full line-up. ‘come in peace.’ It’s easy to be overwhelmed by blockbuster sci-fi flicks fea - night! Come join us for snacks and drinks as we cheer our favorites during Keep watching BOSTONUNDERGROUND.ORG for more details but, in the turing bombastic scenes of world landmarks being blown to bits by aggres - “the movie-lover’s Super Bowl.” Visit Brattlefilm.org/oscar for more infor - meantime, we can announce the following features: HIDDEN RESERVES, THE sive E.T.’s – but let’s not forget those times when the visitors have been enig - mation on how to attend. SPECIAL ENGAGEMENTS & PREMIERES VOID and A DARK SONG. No Brattle Passes accepted. matic messengers, curious explorers, or even fun-loving stoners. Please join us for some fun from the stars with this survey of (relatively) benign aliens. -
Grand Design Hollywood As a Modern Business Enterprise, 1930-1939 1St Edition Download Free
GRAND DESIGN HOLLYWOOD AS A MODERN BUSINESS ENTERPRISE, 1930-1939 1ST EDITION DOWNLOAD FREE Tino Balio | 9780520203341 | | | | | Sound film And a good benshi was a star demanding star payment. Ashamed of his actions and with his spirit broken, Champ finally agrees to send an unwilling Dink to live with Tony and Linda. James Lastra. I may go back to it in the future. Oct 24, Judy marked it as did-not-finish. Champ asks Linda for enough money to buy the horse back, and she gives it to him. Our History. Tino Balio. When he 1930-1939 1st edition Dink, Champ immediately returns to good spirits. Hollywood remained suspicious, even fearful, of the new technology. Sort order. Murnau and Robert Flaherty 's Grand Design Hollywood as a Modern Business Enterprise Paramount. At first, the sound films which included synchronized dialogue, known as " talking pictures ", or " talkies ", were exclusively shorts. The Trap These appear to be the first publicly exhibited films with projection of both image 1930-1939 1st edition recorded sound. The American movie industry—already the world's most powerful—set an export record in that, by the applied measure of total feet of exposed film, was 27 percent higher than the year before. The sensitivity of the new panchromatic film delivered superior image tonal quality and gave directors the freedom to Grand Design Hollywood as a Modern Business Enterprise scenes at lower light levels than was previously practical. Potential offences include, but are not limited to: In papers and assignments: 1. October 31, Recommended readings: David Bordwell and Kristin Thompson. -
Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood'
H-Film Black on Beauchamp, 'Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood' Review published on Monday, March 1, 1999 Cari Beauchamp. Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood. Berkeley: University of California Press, 1998. 475 pp. $21.95 (paper), ISBN 978-0-520-21492-7; $30.00 (cloth), ISBN 978-0-684-80213-8. Reviewed by Liza Black (University of Washington) Published on H-Film (March, 1999) A Boa Constrictor Without Lying Down is the well-deserved biography of an extraordinarily talented, unique, and powerful woman. She wrote hundreds of screenplays and had a profound impact on the lives of her friends and family. She was a professional woman amongst professional women. She was steadfastly loyal. She was also generous with her influence and power. According to her friend Adela Rogers St. Johns: "Frances Marion had the rugged determination of a boa constrictor where a friend was concerned." Beauchamp ably tells the story of Frances Marion's professional life. Marion was born in San Francisco in 1888. She moved to Los Angeles with her second husband. Where studio bosses initially noticed her looks instead of her writing. Others noted her beauty as well, but the only thing Marion took seriously was, first and foremost, her writing and, secondarily, attractive men. Over the course of her life, she wrote almost 200 produced films. During World War I, she was selected to film American Women in the War in France. She won two Academy Awards for writing The Big House (1930) and The Champ (1931) In 1933, Marion was elected as the first vice-president of the newly- formed Screen Writers' Guild. -
October 26, 27 & 28, 2012
SOUVENIR 20 th ANNIVERSARY PROGRAM ($5) October 26, 27 & 28, 2012 A MESSAGE FROM THE CHAIR OF THE MARIE DRESSLER FOUNDATION It is unbelievable that I am addressing you on this our twentieth anniversary of the annual Vintage Film Festival. We started off in a very small manner and held our fi rst fi lm festival at the Best Western Inn. It was perhaps a grand vision that our small committee had, but it garnered enough interest that we decided to do it again… and again. In those fi rst years we used many diff erent venues in Cobourg, the Best Western Inn, Northumberland Heights, Victoria Hall. We showed Dinner at Eight at the Park Th eatre on King Street in Cobourg. We now use the splendid Capitol Th eatre, the Mary J. Benson Public Library in Port Hope, and Victoria Hall in Cobourg. Our committee has grown and we have many talented and proud people who assist in putting on the Festival. Th ey choose the fi lms, set up the venues, choose interesting speakers for you, give you more knowledge of these gifted stars and make you comfortable. We hope that you have enjoyed our silent fi lms, our talented pianists, our very special guests such as Elwy Yost, his facts on the movies, the lunches, the dinners and the classic ‘talkies’. Marie Dressler was a very talented and resourceful actress and woman, and we are proud to carry on part of her heritage. Alma Draper and her team have chosen graduating students who are continuing their education in the Arts for bursaries through the years. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
American Cinema of the 1930S SCREEN AMERICAN CULTURE / AMERICAN CINEMA DECADES
American Cinema of the 1930s SCREEN AMERICAN CULTURE / AMERICAN CINEMA DECADES Each volume in the Screen Decades: American Culture/American Cinema series presents a group of original essays analyzing the impact of cultural issues on the cin- ema and the impact of the cinema in American society. Because every chapter explores a spectrum of particularly significant motion pictures and the broad range of historical events in one year, readers will gain a continuing sense of the decade as it came to be depicted on movie screens across the continent. The integration of his- torical and cultural events with the sprawling progression of American cinema illu- minates the pervasive themes and the essential movies that define an era. Our series represents one among many possible ways of confronting the past; we hope that these books will offer a better understanding of the connections between American culture and film history. LESTER D. FRIEDMAN AND MURRAY POMERANCE SERIES EDITORS Ina Rae Hark, editor, American Cinema of the 1930s: Themes and Variations Wheeler Winston Dixon, editor, American Cinema of the 1940s: Themes and Variations Murray Pomerance, editor, American Cinema of the 1950s: Themes and Variations Lester D. Friedman, editor, American Cinema of the 1970s: Themes and Variations Stephen Prince, editor, American Cinema of the 1980s: Themes and Variations American Cinema of the 1930s Themes and Variations EDITED BY INA RAE HARK RUTGERS UNIVERSITY PRESS NEW BRUNSWICK, NEW JERSEY AND LONDON LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA American cinema of the 1930s : themes and variations / edited by Ina Rae Hark. p. cm. — (Screen decades) Includes bibliographical references and index. -
Marie Dressler
Marie Dressler Also Known As: Leila Marie Koerber Lived: November 9, 1868 - July 28, 1934 Worked as: comedienne, film actress, producer, scenarist, theatre actress Worked In: United States by Paul Moore Marie Dressler was a top star who died at the height of her popularity. Her career is thoroughly documented, and this synopsis unavoidably recounts the tireless efforts of biographies by Betty Lee and Matthew Kennedy. She remains a comedienne with a loyal following, with a foundation and museum in her birthplace of Cobourg, Ontario. In the context of women behind-the-scenes in early film production, Dressler provides an example of a failed attempt to turn stage and screen fame into an eponymous production company where she had a hand in writing the resulting two- reelers. In the mid-1910s, it was common to turn movie stardom into professional autonomy by creating an eponymous film company. Dressler’s self-produced films were the last before a well- mythologized descent into poverty and reemergence as an MGM early-sound star with the help of loyal friend, screenwriter Frances Marion. Her decline coincided with well-publicized off-screen activities including the World War I bond drive and the 1919 Actors’ Equity strike. Assertions that she was the victim of anti-union blacklisting remain unsubstantiated by her biographers Lee and Kennedy, who conclude instead that she had simply spent too much time off stage and screen, or in lackluster roles. Dressler’s comic persona crystallized into the character Tillie Blobbs onstage in 1910. A 1915 Moving Picture World review described the effect as, “sort of a reckless elephant with dare-devil instincts consistently foiled by her size and weight” (463). -
The Haverfordian, Vols. 50-51, Nov. 1930-June 1932
BTACK Locoes, cas^- " ' V ' 50 5 THE LIBRARY 1 OF HAVERFORD COLLEGE THE GIFT OF /I MO. '^ 195 5 ACCESSION NO. / 5./ 7 3/ Digitized by the Internet Archive in 2011 with funding from LYRASIS Members and Sloan Foundation http://www.archive.org/details/haverfordianvols5051have THE HAVIERFCCDIAN NOVEMBER 1931 Charter House Suits for College Men with extra trousers l 50 or knickers 36. In styles that college men want . and in their favorite patterns and colors. Also the newest ideas in Haberdashery at moderate prices. Jacob Reed*s Sons 1424-1426 Chestnut Street, Philadelphia Atlantic City » » 1127-1129 Boardwalk Printers of (his ! ^J^fi^ book b=r- Most of the school magazines in Phila- delphia AND VICINITY ARE PRINTED HERE. LET US SUBMIT OUR PROPOSITION FOR PRINTING YOUR PERIODICAL OR CLASS RECORD BOOK. Westbrook Publishing Co. 5800 North Mervine Street Philadelphia, Pa. Patronize our Advertisers 'Patronize BREYER the ICE Breyer CREAM Dealer" CO. PHILADELPHIA WASHINGTON NEW YORK Insurance For Students Beyer Company, Inc. Personal Effects, Automobiles, & Accidents, Fire or Theft while at col- 233-235 Callowhill St. lege or elsewhere. Risks to property or person while traveling in this Philadelphia country or abroad. Damage to motor cars. Liability for accidents to persons or property. J. B. LONGACRE BEACHDALE Bullitt Building BRAND 141 S. 4th Street, Philadelphia, Pa. Poultry Eggs Butter Haverford Pharmacy Established 29 Years Cheese GOOD DRUGS Best of Service FAMOUS BEACHDALE To Haverford Men DUCKLING Different from Others Phone, Ardmore 1 22 MEHL&LATTA,Inc. Theodore Petcoff Lumber, Coal and INTERIOR DECORATOR Building Material Wall Board Celotex 1509 North Carlisle Street ROSEMONT, PA. -
Guide to the Motion Picture Stills Collection 1920-1934
University of Chicago Library Guide to the Motion Picture Stills Collection 1920-1934 © 2006 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Scope Note 3 Related Resources 5 Subject Headings 5 INVENTORY 6 Series I: Actors and Actresses 6 Series II: Motion Picture Stills 171 Series III: Scrapbooks 285 Subseries 1: Scrapbooks; Individual Actors and Actresses 285 Subseries 2: Miscellaneous Scrapbooks 296 Series IV: Vitaphone Stills 297 Series V: Large Film Stills and Marquee Cards 300 Series VI: Coming Attractions, Glass Lantern Slides 302 Series VII: Duplicate Film Stills 302 Series VIII: Index Cards 302 Descriptive Summary Identifier ICU.SPCL.MOTIONPICTURE Title Motion Picture Stills. Collection Date 1920-1934 Size 87.5 linear feet (139 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Contains approximately 30,000 black and white photographs of movie stills, production shots, and portrait photographs of actors. Includes 8" x 10" photographs, 187 scrapbooks devoted to individual film stars, marquee cards, and glass lantern slides announcing coming attractions from Pathe and other movie studios. Information on Use Access No restrictions. Citation When quoting material from this collection, the preferred citation is: Motion Picture Stills. Collection, [Box #, Folder #], Special Collections Research Center, University of Chicago Library Scope Note The Motion Picture Stills Collection features a group of approximately 30,000 black and white photographs of movie stills, production shots, and portrait photographs of actors. The first half of this collection consists of these 8" x 10" photographs. -
Escritores Españoles En Hollywood Y Las Dobles Versiones (1930-1932)
Escritores Españoles En Hollywood Y Las Dobles Versiones (1930-1932) Item Type text; Electronic Dissertation Authors Pérez-Blanes, Joaquín Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 09/10/2021 00:55:31 Link to Item http://hdl.handle.net/10150/626750 ESCRITORES ESPAÑOLES EN HOLLYWOOD Y LAS DOBLES VERSIONES (1930-1932) by Joaquín Pérez-Blanes __________________________ Copyright © Joaquín Pérez-Blanes 2017 A Dissertation Submitted to the Faculty of the DEPARTMENT OF SPANISH AND PORTUGUESE In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN SPANISH In the Graduate College THE UNIVERSITY OF ARIZONA 2017 The University of Arizona 3 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of the requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this dissertation are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: Joaquín Pérez-Blanes ! 4! AGRADECIMIENTOS Mi más sincero agradecimiento al Department of Spanish and Portuguese al completo, por su incuestionable labor académica y humana, comenzando en la oficina 554 de Modern Languages hasta llegar al personal del último de los despachos que se hayan en los sótanos del edificio; prefiero no dar nombres para no olvidar ninguno, pero aquí queda mi agradecimiento. -
Titolo Anno Imdb ...All the Marbles 01/01/1981 10,000 Bc
TITOLO ANNO IMDB ...ALL THE MARBLES 01/01/1981 10,000 BC 01/01/2008 11TH HOUR 01/03/2008 15 MINUTES 01/01/2001 20,000 YEARS IN SING SING 01/01/1933 2001: A SPACE ODYSSEY 01/01/1968 2010 01/01/1984 3 MEN IN WHITE 01/01/1944 300 01/06/2007 300: RISE OF AN EMPIRE 01/05/2014 36 HOURS 01/01/1965 42 01/07/2013 42ND STREET 01/01/1933 50 MILLION FRENCHMEN 01/01/1931 6 DAY BIKE RIDER 01/01/1934 6,000 ENEMIES 01/01/1939 7 FACES OF DR. LAO 01/01/1964 7 WOMEN 01/01/1966 8 SECONDS 01/01/1994 A BIG HAND FOR THE LITTLE LADY 01/01/1966 A CERTAIN YOUNG MAN 01/01/1928 A CHILD IS BORN 01/01/1940 A CHRISTMAS CAROL 01/01/1938 A CHRISTMAS STORY 01/01/1983 A CINDERELLA STORY 01/02/2005 A CLOCKWORK ORANGE 01/01/2013 A COVENANT WITH DEATH 01/01/1967 A DATE WITH JUDY 01/01/1948 A DAY AT THE RACES 01/01/1937 A DISPATCH FROM REUTER'S 01/01/1940 A DISTANT TRUMPET 01/01/1964 A DOLPHIN TALE 01/03/2012 A DREAM OF KINGS 01/01/1970 A FACE IN THE CROWD 01/01/1957 A FAMILY AFFAIR 01/01/1937 A FAN'S NOTES 01/01/1972 A FEVER IN THE BLOOD 01/01/1961 A FINE MADNESS 01/01/1966 A FREE SOUL 01/01/1931 A FUGITIVE FROM JUSTICE 01/01/1940 A GLOBAL AFFAIR 01/01/1964 A GUY NAMED JOE 01/01/1943 A KISS IN THE DARK 01/01/1949 A LA SOMBRA DEL PUENTE 01/01/1948 A LADY OF CHANCE 01/01/1928 A LADY WITHOUT PASSPORT 01/01/1950 A LADY'S MORALS 01/01/1930 A LETTER FOR EVIE 01/01/1946 A LIFE OF HER OWN 01/01/1950 A LION IS IN THE STREETS 01/01/1953 A LITTLE JOURNEY 01/01/1927 A LITTLE PRINCESS 01/01/1995 A LITTLE ROMANCE 01/01/1979 A LOST LADY 01/01/1934 A MAJORITY OF ONE 01/01/1962 A MAN AND