A Study Guide by Katy Marriner
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2018 Adelaide Biennial of Australian Art
DIVIDED ART GALLERY OF SOUTH AUSTRALIA WORLDS 2018 ADELAIDE BIENNIAL OF AUSTRALIAN ART The cat sits under the dark sky in the night, watching the mysterious trees. There are spirits afoot. She watches, alert to the breeze and soft movements of leaves. And although she doesn’t think of spirits, she does feel them. In fact, she is at one with them: possessed. She is a wild thing after all – a hunter, a killer, a ferocious lover. Our ancestors lived under that same sky, but they surely dreamed different dreams from us. Who knows what they dreamed? A curator’s dream DIVIDED WORLDS ART 2018 GALLERY ADELAIDE OF BIENNIAL SOUTH OF AUSTRALIA AUSTRALIAN ERICA GREEN ART ARTISTS LISA ADAMS JULIE GOUGH VERNON AH KEE LOUISE HEARMAN ROY ANANDA TIMOTHY HORN DANIEL BOYD KEN SISTERS KRISTIAN BURFORD LINDY LEE MARIA FERNANDA CARDOSO KHAI LIEW BARBARA CLEVELAND ANGELICA MESITI KIRSTEN COELHO PATRICIA PICCININI SEAN CORDEIRO + CLAIRE HEALY PIP + POP TAMARA DEAN PATRICK POUND TIM EDWARDS KHALED SABSABI EMILY FLOYD NIKE SAVVAS HAYDEN FOWLER CHRISTIAN THOMPSON AMOS GEBHARDT JOHN R WALKER GHOSTPATROL DAVID BOOTH DOUGLAS WATKIN pp. 2–3, still: Angelica Mesiti, born Kristian Burford, born 1974, Waikerie, 1976, Sydney Mother Tongue, 2017, South Australia, Audition, Scene 1: two-channel HD colour video, surround In Love, 2013, fibreglass reinforced sound, 17 minutes; Courtesy the artist polyurethane resin, polyurethane and Anna Schwartz Gallery Melbourne foam, oil paint, Mirrorpane glass, Commissioned by Aarhus European Steelcase cubicles, aluminium, steel, Capital of Culture 2017 in association carpet, 261 x 193 x 252 cm; with the 2018 Adelaide Biennial Courtesy the artist photo: Bonnie Elliott photo: Eric Minh Swenson DIRECTOR'S 7 FOREWORD Contemporary art offers a barometer of the nation’s Tim Edwards (SA), Emily Floyd (Vic.), Hayden Fowler (NSW), interests, anxieties and preoccupations. -
Jebel Ali Raises Curtain on New UAE Season
28 October 2016 www.aladiyat.ae ISSUE 593 Dhs 5 Jebel Ali raises curtain on new UAE season Previews Jebel Ali (Fri) Sharjah (Sat) Cards Pages 50/55 Pages 57/62 28 October 2016 3 Familiar faces with few new names to follow ITH the new season upon Contents us, owners and trainers NEWS 3-21 have clearly completed Wtheir planning ahead of five months UK RACING 22-29 of competition with retained and AUSTRALIAN RACING 31 stable jockeys firmly in place. After a stellar campaign both USA RACING 32-35 domestically and at the Meydan SH MANSOUR FESTIVAL 36-37 Carnival, Champion Trainer Doug BLOODSTOCK 38-43 Watson will again be availing of the services of Pat Dobbs and NICHOLAS GODFREY 44 Sam Hitchcott, while apprentice Adam McLean is also on his Red HOWARD WRIGHT 45 Doug Watson Tadhg O’Shea Stables’ roster. Richard Mullen JOHN BERRY 46 is long established as stable jockey Mansour’s Haajeb in the middle DEREK THOMPSON 47 for Satish Seemar and their round of the Al Maktoum Challenge formidable partnership continues and Sheikh Khalifa’s Abhaar in the MICHELE MACDONALAD 48 with Cameron Noble the latest Emirates Championship. TOM JENNINGS 49 apprentice to grace Zabeel Stables. He is replaced at Millennium PREVIEWS / CARDS Champion Jockey Tadhg O’Shea II Stables, home of Ismail settled in well at Grandstand Mohammed, by ‘The Flying JEBEL ALI (FRIDAY) 50-55 Stables with Ali Rashid Al Rayhi Dutchman’, Adrie de Vries. SHARJAH (SATURDAY) 57-62 last season and is based there again, Erwan Charpy, master of Green while enjoying the opportunity to Stables, has recruited the talents of Editorial ride the cream of Eric Lemartinel’s Antonio Fresu, an Italian whose Purebred Arabians. -
2019 AACTA AWARDS PRESENTED by FOXTEL All Nominees – by Category FEATURE FILM
2019 AACTA AWARDS PRESENTED BY FOXTEL All Nominees – by Category FEATURE FILM AACTA AWARD FOR BEST FILM PRESENTED BY FOXTEL HOTEL MUMBAI Basil Iwanyk, Gary Hamilton, Julie Ryan, Jomon Thomas – Hotel Mumbai Double Guess Productions JUDY & PUNCH Michele Bennett, Nash Edgerton, Danny Gabai – Vice Media LLC, Blue-Tongue Films, Pariah Productions THE KING Brad Pitt, Dede Gardner, Jeremy Kleiner, Liz Watts, David Michôd, Joel Edgerton – Plan B Entertainment, Porchlight Films, A Yoki Inc, Blue-Tongue Films THE NIGHTINGALE Kristina Ceyton, Bruna Papandrea, Steve Hutensky, Jennifer Kent – Causeway Films, Made Up Stories RIDE LIKE A GIRL Richard Keddie, Rachel Griffiths, Susie Montague – The Film Company, Magdalene Media TOP END WEDDING Rosemary Blight, Kylie du Fresne, Kate Croser – Goalpost Pictures AACTA AWARD FOR BEST INDIE FILM PRESENTED BY EVENT CINEMAS ACUTE MISFORTUNE Thomas M. Wright, Virginia Kay, Jamie Houge, Liz Kearney – Arenamedia, Plot Media, Blackheath Films BOOK WEEK Heath Davis, Joanne Weatherstone – Crash House Productions BUOYANCY Rodd Rathjen, Samantha Jennings, Kristina Ceyton, Rita Walsh – Causeway Films EMU RUNNER Imogen Thomas, Victor Evatt, Antonia Barnard, John Fink – Emu Runner Film SEQUIN IN A BLUE ROOM Samuel Van Grinsven, Sophie Hattch, Linus Gibson AACTA AWARD FOR BEST DIRECTION HOTEL MUMBAI Anthony Maras – Hotel Mumbai Double Guess Productions JUDY & PUNCH Mirrah Foulkes – Vice Media LLC, Blue-Tongue Films, Pariah Productions THE KING David Michôd – Plan B Entertainment, Porchlight Films, A Yoki Inc, -
Art Monthly 1 L S TR II, I I
--L/ f -~ ..... .I \ I ( I !' I ' \ I .I Denis Freney Memorial Scholarships Up to $10,000 AUSTRALIAN Applicatio ns are in vited from people currentl y engaged BOOK REVIEW in (or about to commence) a research, writing or cultural project whi ch is judged to make a contributio n to the labour and progressive moveme nts in Australi a. MAY: The SEARC H Foundation wi ll award scho larships to assist wi th the costs o f such a project. Priority will be An essay by Terry Collits g iven to pro jects which have good prospects of pu blicati on or othe r public use of th e results, but A double review of Germaine Greer's whi ch do not have access to other funding. The Whole Woman by S EA RC H is an inde pendent, non-pro fit fo undati on Jenna Mead and Peter Craven established to assist acti vities whi ch pro mote social j usti ce and the development of a more democrati c and Dorothy Hewett on Jm·die Albiston's egalitari an society. Deta il s of its aim s and objecti ves are avail able on request. The Hanging ofJean Lee Suitabl y qualified applicants should contact SEA RCH Susan Lever on David Foster's essays for deta il ed applicati o n g uidelines. Applications must be received by July 20, 1999 and his new novel, Social Education and Research In the New Country Concerning Humanity (SEARCH) Foundation Rm 610,3 Smail Street, BROADWAY NSW 2007 Andrew Riemer on Ph : (02) 921 I 4164; Fax: (02) 921 I 1407 James Bradley's The Deep Field SEARCH FOUNDATION New Subscribers $55 for ten issues plus a free book ACN 050 096 976 Ph (03) 9429 6700 or Fax (03) 9429 2288 in the footsteps of Dam Gregory Murray, Joseph Gelineau SJ and Richard Connolly MUSIC FOR SUNG MASS GREGORIAN CHANT New rhythmic edition with organ accompaniment Introduction: 'Looking towards 21st century Gregorian Chant' Short Mass (Advent, Lent), Gloria XV, Mass VIII (de Angelis), Credo III $25 WORKS FOR THE ENGLISH LITURGY (including Mass settings approved by the National Liturgical Commission) 1. -
Jill Bilcock: Dancing the Invisible
JILL BILCOCK: DANCING THE INVISIBLE PRESS KIT Written and Directed by Axel Grigor Produced by Axel Grigor and Faramarz K-Rahber Executive Produced by Sue Maslin Distributed by Film Art Media Production Company: Distributor: Faraway Productions Pty Ltd FILM ART MEDIA PO Box 1602 PO Box 1312 Carindale QLD 4152 Collingwood VIC 3066 AUSTRALIA AUSTRALIA Email: [email protected] Phone: +61 3 9417 2155 faraway.com.au Email: [email protected] filmartmedia.com BILLING BLOCK FILM ART MEDIA, SOUNDFIRM, SCREEN QUEENSLAND and FILM VICTORIA in association with SCREEN AUSTRALIA, THE AUSTRALIAN BROADCASTING CORPORATION and GRIFFITH UNIVERSITY present JILL BILCOCK: DANCING THE INVISIBLE Featuring CATE BLANCHETT, BAZ LUHRMANN, SHEKHAR KAPUR and RACHEL GRIFFITHS in a FARAWAY PRODUCTIONS FILM FILM EDITORS SCOTT WALTON & AXEL GRIGOR DIRECTOR OF PHOTOGRAPHY FARAMARZ K-RAHBER PRODUCTION MANAGER TARA WARDROP PRODUCERS AXEL GRIGOR & FARAMARZ K-RAHBER EXECUTIVE PRODUCER SUE MASLIN © 2017 Faraway Productions Pty Ltd and Soundfirm Pty Ltd. TECHNICAL INFORMATION Format DCP, Pro Res File Genre Documentary Country of Production AUSTRALIA Year of Production 2017 Running Time 78mins Ratio 16 x 9 Language ENGLISH /2 LOGLINE The extraordinary life and artistry of internationally acclaimed film editor, Jill Bilcock. SHORT SYNOPSIS A documentary about internationally renowned film editor Jill Bilcock, that charts how an outspoken arts student in 1960s Melbourne became one of the world’s most acclaimed film artists. SYNOPSIS Jill Bilcock: Dancing The Invisible focuses on the life and work of one of the world’s leading film artists, Academy award nominated film editor Jill Bilcock. Iconic Australian films Strictly Ballroom, Muriel’s Wedding, Moulin Rouge!, Red Dog, and The Dressmaker bear the unmistakable look and sensibility of Bilcock’s visual inventiveness, but it was her brave editing choices in Baz Luhrmann’s Romeo+Juliet that changed the look of cinema the world over, inspiring one Hollywood critic to dub her editing style as that of a “Russian serial killer on crack”. -
Who's Got It, Who's Lost It, and Who's Behind the Scenes
Trump v the swamp Mike Baird Ninja Warriors Leaks flood the White House Why I quit politics TV’s hit machine brothers OCTOBER 2017 POWER 2017 Who’s got it, who’s lost it, and who’s behind the scenes 8 LEAH PURCELL Actor, playwright, director Because: She allows white audiences to see from an Aboriginal perspective. Her radical adaptation of Henry Lawson’s The Drover’s Wife broke new ground for Australian theatre. Among its string of awards was the NSW Premier’s Literary Award for best drama, whose judges described it as “a declaration of war on Australia’s wilful historical amnesia”. Purcell, a Goa-Gunggari-Wakka Wakka Murri woman, uses the full arsenal of drama to tell new stories. In 2016 she co-directed Cleverman, which screened on ABC TV and meshed Aboriginal dreamtime stories into contemporary sci-fi genre. She also co-directed The Secret Daughter, which screened on Seven Network last year and has now been signed for a second series. Starring Jessica Mauboy, it marks the first time a commercial network has put an Indigenous Australian as the lead in a drama series. Season one was the second-highest rating drama for the year. What the panel says: She’s an Indigenous woman with a very political view. The Drover’s Wife was an incredible achievement and will make for a brilliant film. She also has two mainstream TV series on air and she’s winning every single award. – Graeme Mason The Drover’s Wife told the story in a completely different way to which it has been told before. -
The Vagrant Spaces of the Malls, Enclave Estates, the Filmic and the Televisual
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-2001 Imagineering the community: The vagrant spaces of the malls, enclave estates, the filmic and the televisual Dennis Wood Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Sociology Commons Recommended Citation Wood, D. (2001). Imagineering the community: The vagrant spaces of the malls, enclave estates, the filmic and the televisual. https://ro.ecu.edu.au/theses/1029 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1029 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
WPATH 2018 Symposium Schedule
WPATH 2018 Symposium Schedule Saturday, November 3, 2018 17:00 - 19:30 Pacifico A Opening Session Mayor of Buenos Aires - Horacio Rodriguez Larreta Deputy Mayor of Buenos Aires - Diego Santilli Argentinian Federal Minister of Health - Adolfo Rubinstein President’s Plenary 18:00 - TRANSGENDER GLOBAL HEALTH Gail Knudson 18:30 - OPPORTUNITY DENIED: EXAMINING EMPLOYMENT DISCRIMINATION AGAINST TRANS PEOPLE Sam Winter 19:00 - TRANS LEGAL HISTORY IN LATIN AMERICA Tamara Adrian Sunday, November 4, 2018 8:30 - 10:00 Atlantico B Mini-Symposia – Education 8:30 - TALKING SCIENCE WITH TRANSGENDER CLIENTS Laura Erickson-Schroth, MA, MD1; Jaimie Veale, PhD2; Rachel Levin, PhD3; E. Edmiston, PhD4 1Columbia University Medical Center, New York, NY, USA; 2University of Waikato, Hamilton, New Zealand; 3Pomona College, Claremont, CA, USA; 4University of PittsburGh, PittsburGh, PA, USA Atlantico C Oral – Medicne Adult: Effects of Cross Sex Hormone Treatment 8:30 - MORTALITY IN TRANSGENDER PEOPLE RECEIVING HORMONE TREATMENT: RESULTS OF A NATIONWIDE COHORT STUDY Christel De Blok, MD; Chantal Wiepjes, MD; Annemieke Staphorsius, MS; Martin Den Heijer, MD, PhD VU University Medical Center, Amsterdam, Netherlands Oral – Medicne Adult: Effects of Cross Sex Hormone Treatment 8:45 - SUBJECTIVE COMPLAINTS DURING HORMONE TREATMENT OF TRANSGENDER INDIVIDUALS - RESULTS FROM THE EUROPEAN NETWORK FOR THE INVESTIGATION OF GENDER INCONGRUENCE - Dennis Van Dijk, MD1; Marieke Dekker, MD, PhD1; Kasper Overbeek, MD2; Maartje Klaver, MD1; Alessandra Fisher, MD, PhD3; Guy T'Sjoen4; -
Your Name Here
“WITH PAIN THERE IS HOPE”: REPRESENTATIONS OF WORKING MOTHERS ON ABC’S BROTHERS & SISTERS by MEGAN VOGEL (Under the Direction of Peggy J. Kreshel) ABSTRACT The national conversation about working mothers and their place in society has been long, intense, and fraught with contradiction. These women are caught between the cultural ideal of nurturing domesticity on one hand, and economic reality and personal ambition on the other. Grounded in British cultural studies and feminist theory, this thesis explores this tension by examining the representations of working mothers on ABC’s Brothers & Sisters, a popular television drama. The findings suggest that these representations are messy and at times, contradictory, and that they both challenge and uphold traditional gender roles. The study’s findings are placed within contemporary social and cultural discourses to suggest the ways that the fictional characters are used to humanize the confusing position many women find themselves in today. Limitations and opportunities for future research are also discussed. INDEX WORDS: Brothers & Sisters, Cultural Studies, Feminist Theory, Patriarchy, Popular Culture, Representation, Television, Textual Analysis “WITH PAIN THERE IS HOPE”: REPRESENTATIONS OF WORKING MOTHERS ON ABC’S BROTHERS & SISTERS by MEGAN VOGEL B.A., University of Virginia, 2007 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2009 © 2009 Megan Vogel All Rights Reserved “WITH PAIN THERE IS HOPE”: REPRESENTATIONS OF WORKING MOTHERS ON ABC’S BROTHERS & SISTERS by MEGAN VOGEL Major Professor: Peggy J. Kreshel Committee: Janice Hume Carolina Acosta-Alzuru Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2009 iv DEDICATION For all the women who walk the cultural tightrope between personal and professional success. -
Product Guide
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver -
Vow and Declare Takes out Melbourne Cup for Australia | 2 | Wednesday, November 6, 2019
Wednesday, November 6, 2019 | Dedicated to the Australasian bloodstock industry - subscribe for free: Click here INTERNATIONAL FLAVOUR OF CUP LIKELY TO CONTINUE - PAGE 17 Vow And Declare Read Tomorrow's Issue For: takes out Melbourne Latest carnival news What's on Race meetings: Grafton (NSW), Kyneton Cup for Australia (VIC), Port Lincoln (SA), Launceston (TAS), Avondale (NZ) Danny O’Brien-trained stayer holds off internationals in tight International meetings: Happy Valley (HK). Flemington finish Barrier trials / Jump-outs: Warwick Farm (NSW), Caulfield (VIC). Sales: Keeneland (USA) - November Breeding Stock Sale - Day 1 elbourne Cup (Gr 1, 3200m) winner Vow And Declare, by American-bred stallion Declaration Of War (War MFront) who twice won on turf at the highest level in Europe, has delivered for Australia with a locally bred and trained victory in the country’s biggest race. The former Coolmore stallion Declaration Of War, now domiciled in Japan, certainly left his mark during his two-year stint Down Under, not least of which allows Australia to lay claim to breeding the winner of the $8 million cup for just the second time in a decade. Cont. on page 2>> WHAT THE JOCKEY'S SAID - PAGE 9 MELBOURNE CUP STAKE RESULT Vow And Declare GETTY IMAGES AND BREEDING INFO - PAGE 22 Follow us @anz_news: click here | 1 | Brought to you by Vow And Declare takes out Melbourne Cup for Australia | 2 | Wednesday, November 6, 2019 << Continued from page 1 In a thrilling four-way finish, the Danny O’Brien-trained Vow And Declare ($11), who had raced near the speed throughout, fought back under Craig Williams on the line to score by a head. -
2019/20 Annual Report
Annual Report 2019/20 ANNUAL REPORT 2019/20 1 RESPONSIBLE BODY’S DECLARATION In accordance with the Financial Management Act 1994, I am pleased to present Film Victoria’s Annual Report for the year ending 30 June 2020. Ian Robertson AO President Film Victoria August 2020 Contents Role and Vision 4 A Message from Film Victoria’s President 6 A Message from Film Victoria’s CEO 7 Performance 9 Year in Review 11 Strategic Priority One: 13 Position the Victorian screen industry to create high quality, diverse and engaging content Fiction Features 14 Fiction Series 16 Documentary 18 Games 20 Production Attraction and Regional Assistance 22 Developing Skills and Accelerating Career Pathways 25 Fostering and Strengthening Diversity 28 Strategic Priority Two: 31 Promote screen culture Strategic Priority Three: 35 Provide effective and efficient services Governance and Report of Operations 39 Establishment and Function 40 Governance and Organisational Structure 41 Film Victoria’s Board 42 Committees and Assessment Panels 44 Overview of Financial Performance and Position 46 During 2019/20 Employment Related Disclosures 47 Other Disclosures 50 Financial Statements 55 Disclosure Index 81 ANNUAL REPORT 2019/20 3 Role Film Victoria is the State Government agency that provides strategic leadership and assistance to the film, television and digital media sectors of Victoria. Film Victoria invests in projects, businesses and people, and promotes Victoria as a world-class production destination nationally and internationally. The agency works closely with industry and government to position Victoria as a leading centre for technology and innovation through the growth and development of the Victorian screen industry.