JICC Teaching Tuesday: Kendo

Total Page:16

File Type:pdf, Size:1020Kb

JICC Teaching Tuesday: Kendo KENDO Based on traditional Japanese swordsmanship, kendo (剣道, “the way of the sword”) is actually very similar to fencing. Two oppo- nents face each other wearing armor and using bamboo swords called shinai (竹刀). Kendo is a descendent of kenjutsu, which were formal sword exercises for samurai. Samurai warriors practiced the art of fencing for long periods of time, using the practice as study for morals and Zen Buddhism. Kendo took its present-day form at the end of the 18th century when the armor and safe bamboo practice swords were introduced. Today, kendo is a very popular sport both in Japan and interna- tionally. There are about 1.66 million kendo practitioners (kendo- ka) in Japan alone, and over 6 million practitioners worldwide. It is practice in schools, clubs, and even the police guard. Compared to other forms of martial arts, kendo is quite noisy. Kendo- ka use a shout called a kiai (気合い) to express their spirit when they strike, as well as making a fumikomi-ashi (踏み込み足), or stamping with their front foot. Kendoka train and fight barefoot on wooden floors, amplifying the sound. Like fencing, kendo is a combination of strikes and thrusts. Strikes can only be made on the wrists, head, or body. Thrusts are only allowed to the throat, and are often re- stricted to upper level students. A point is counted if an accurate strike makes contact with the target, and the attacker displays high spirits, correct posture, and awareness. 1150 18TH STREET NW, SUITE 100 | WASHINGTON, DC 20036-3838 TEL: 202-238-6900 | FAX: 202-822-6524 | [email protected].
Recommended publications
  • Kagami Kagami Production: the Newsletter of the Jikishin-Kai International
    Kagami Kagami Production: The Newsletter of the Jikishin-Kai International Executive Advisor: Masayuki Shimabu- Kagami - Winter 2008 Volume 2, Issue 4 kuro, Hanshi Advisor: The Logic of Iaijutsu by Masayuki Shimabukuro, Hanshi Carl E. Long, Renshi In this issue of our newsletter, I would like to focus my discussion on the meaning of the waza of Iaijutsu, as Iaijutsu represents the “backbone” of the Jikishin-Kai International. As most of Editor: our members know, Iaijutsu is a unique practice. Many Kenjutsu styles include iai as a compo- nent their training, but there is a difference between styles designated as Kenjutsu, as opposed Erik A. Johnstone to those classified as Iaijutsu, such as Muso Jikiden Eishin-ryu. Kenjutsu refers to sword meth- ods that take place once the sword has already been drawn, with oppo- Assistant Editor: nents facing each other from kamae. Iaijutsu is face to face combat; a Adrian Smith response to an attack or combative situation while the sword is still in the saya. Iaijutsu imparts methods of Inside this Issue: instantaneously defending against an attack, often from a disadvanta- From the Editor’s 2 geous position. Desk There are obviously many waza in Instructors’ Semi- 4 Iaijutsu. The waza recreate possible nar Report combative scenarios, but it is a mis- take to think of a waza as a single European Report 5 method of dealing with a specific attack. Instead, one should think of the curriculum of waza as an alpha- Dojo Spotlight 6 bet, with each technique represent- ing a letter. However, just knowing the alphabet is not enough.
    [Show full text]
  • First Encounter with Iai in Japan, the Days of Sword-Wielding Battles Are A
    PROMENADE In Japan, the days of sword-wielding battles are a thing of the past. However, one of the techniques of wielding swords is being passed on from generation to generation. It is iaido (iai for short), the art of drawing a sword in one stroke to cut down the opponent or ward off an attack. “Why use a sword in this peaceful era?” you may ask. However, iai does not train people to kill one another. Iai is being handed down because one of its purposes is to train the soul – a world of great depth. First Encounter with Iai States also participated. I was filled with anticipation because it was hard to imagine how these people, so different in statures and looks, Recently, I had a chance to see a demonstration of iai for the first would perform with a Japanese sword, dressed in traditional formal time. Even in Japan, not so many people watch iai demonstrations Japanese attire – a kimono with a family crest and a full-length, unless they are particularly interested. Even though I took some pleated and divided skirt worn over it. lessons in kendo (Japanese swordsmanship) when I was a child, I I learned that these people practice in five southwestern cities in had nothing to do with iai except that my grandfather, Osamu the United States – Phoenix (Arizona), Lancaster and Austin (both Toyoda, was a master of iai. Kendo and iai are on the same line of California), Las Vegas (Nevada), and El Paso (Texas). And there are Japanese martial arts featuring the use of swords, but a real sword is also many women practitioners.
    [Show full text]
  • Asian Traditions of Wellness
    BACKGROUND PAPER Asian Traditions of Wellness Gerard Bodeker DISCLAIMER This background paper was prepared for the report Asian Development Outlook 2020 Update: Wellness in Worrying Times. It is made available here to communicate the results of the underlying research work with the least possible delay. The manuscript of this paper therefore has not been prepared in accordance with the procedures appropriate to formally-edited texts. The findings, interpretations, and conclusions expressed in this paper do not necessarily reflect the views of the Asian Development Bank (ADB), its Board of Governors, or the governments they represent. The ADB does not guarantee the accuracy of the data included in this document and accepts no responsibility for any consequence of their use. The mention of specific companies or products of manufacturers does not imply that they are endorsed or recommended by ADB in preference to others of a similar nature that are not mentioned. Any designation of or reference to a particular territory or geographic area, or use of the term “country” in this document, is not intended to make any judgments as to the legal or other status of any territory or area. Boundaries, colors, denominations, and other information shown on any map in this document do not imply any judgment on the part of the ADB concerning the legal status of any territory or the endorsement or acceptance of such boundaries. ASIAN TRADITIONS OF WELLNESS Gerard Bodeker, PhD Contents I. INTRODUCTION ..............................................................................................................................
    [Show full text]
  • About Zen Bu Kan
    About Zen Bu Kan Zen Bu Kan is an iaido dojo of the Muso Jikiden Eishin Ryu lineage located in Salt Lake City, Utah. Zen Bu Kan was started by Jules Harris Sensei. Having studied in New York, Harris Sensei moved to Utah to study Zen at the renowned Kanzeon Zen Center in Salt Lake City. A scholar, warrior, and spiritual leader; Harris Sensei taught without thought of personal gain, only to pass on the lineage. He moved back East, to Pennsylvania, to further his spiritual studies. Zen Bu Kan is now led by his students Jason Hankins Sensei and Dick Beckstead Sensei. More recently, Zen Bu Kan has begun to teach kendo under the direction of Robert Stroud Sensei, 7th dan renshi. Stroud Sensei leads a dojo in Boise, Idaho, and serves as a kendo mentor and instructor to Zen Bu Kan’s sensei. Iaido students at Zen Bu Kan begin by learning the basic fundamentals of iaido. Having learned the fundamentals, students then begin to learn the twelve Seitei kata. The Seitei kata are the standard by which iaido practitioners (iaidoka) world-wide begin their training and upon which they are tested. Eventually, students move on to learn the Omori-Ryu and Muso Jikiden Eishin Ryu kata. Zen Bu Kan does not operate for profit and is solely supported by its students at cost. This allows the school to keep the price of tuition to a minimum, but it also means that the school is heavily dependant upon its students to remain in operation. The students form both the body and the support staff of the school.
    [Show full text]
  • Standard Guideline for Dan/Kyu Examination
    STANDARD GUIDELINE FOR DAN/KYU EXAMINATION INTERNATIONAL KENDO FEDERATION (Objective) Article 1: These regulations pertain to Kendo/Iaido/Jodo promotion examinations and the awarding of Dan grades administered by the International Kendo Federation. (General Provision) Article 2: The Dan/Kyu stipulated in this Standard Guideline shall be from 1 Kyu (Ikkyu) to 10 Dan (Jyu Dan), shall be granted by the President of Organization according to the overall ability of an applicant, and shall be mutually recognized as being equivalent among Organizations. (Applicant’s Qualifications) Article 3: 1. An applicant shall be a registered member of Organization and shall have the following periods of practice. Examination Grade Practice Periods Lowest Ages 1 Kyu (Ikkyu) - - 1 Dan (Sho Dan) 1 Kyu holder 13 years old and over 2 Dan (Ni Dan) One year or more after 1 Dan 3 Dan (San Dan) Two years or more after 2 Dan 4 Dan (Yon Dan) Three years or more after 3 Dan 5 Dan (Go Dan) Four years or more after 4 Dan 6 Dan (Roku Dan) Five years or more after 5 Dan 7 Dan (Shichi Dan) Six years or more after 6 Dan 8 Dan (Hachi Dan) Ten years or more after 7 Dan 46 years and over 9 Dan (Kyu Dan) After granting of 8 Dan 65 years and over 10 Dan (Jyu Dan) After granting of 9 Dan 2. Those who desire to apply for a 6, 7 or 8 Dan examination, 60 years old or older and have practiced for a certain years as below shall be allowed to apply.
    [Show full text]
  • Valley Aikido Member's Guide
    VALLEY AIKID MEMBERS GUIDE By: Julia Freedgood Design: Liz Greene Photography and concept: Special Thanks to Shannon Brishols, WHAT IS AIKIDO? RL Sarafon, Skip Chapman Sensei and the Greater Aikido Community Aikido is a traditional Japanese martial art practiced for self development and defense. The word Aikido means “the way of harmony with ki.” Ki is hard to translate, but can be understood as breath power, spirit or universal life force. Morihei Ueshiba, or O-Sensei (great teacher) created Aikido in the early 1940s. A master of several classical Japanese martial arts (budo) including judo, kendo and jujitsu, O-Sensei developed Aikido to respond to the modern world. According to his son, Kisshomaru Ueshiba, Aikido is orthodox because it inherits the spiritual and martial tradition of ancient Japan . But O-Sensei Copyright VA © 2007 concluded that the true spirit of budo cannot be found in a All rights reserved. No part of this publication may be reproduced, stored in retrieval system competitive atmosphere where brute force dominates and the or transmitted in any form by any process – photocopying, e-mail, electronic, mechanical, recording or otherwise – without the written permission of Valley Aikido. goal is victory at any cost. Instead, the path of Aikido leads to “victory over self” and is realized in the quest for self perfection of body, mind and spirit. Thus, unlike martial sports, Aikido avoids competition and VALLEY AIKIDO does not allow tournaments. Instead, it stresses collaborative practice allowing all students to pursue their individual Valley Aikido was founded by Paul Sylvain, shihan in 1985 to potential in an atmosphere of shared knowledge.
    [Show full text]
  • The Newsletter of the Jikishin-Kai International
    Kagami The Newsletter of the Jikishin-Kai International Kagami Production: Kagami - Summer 2009 Volume 4, Issue 2 Executive Advisor: Ken I Ittai: by Masayuki Shimabukuro, Hanshi Masayuki Shimabukuro, Hanshi Over the last few years, there has been an increasing emphasis on kenjutsu training at Advisor: Jikishin-Kai International (JKI) events and seminars. We have always included a signifi- Carl E. Long, Renshi cant amount of katachi training in the study of Muso Jikiden Eishin-ryu within the JKI. Editor: However, it has been my belief that the study of an additional kenjutsu system within the Erik A. Johnstone JKI will result in a much deeper understanding and higher expression of swordsmanship among the students in the JKI. It is for this Assistant Editor: reason that I have pursued the study of Ono-ha Itto-ryu Kenjutsu and was able to receive per- Adrian Smith mission from Sasamori Takemi, the 17th Soke of Ono-ha Itto-ryu, to establish a kenkyukai within the JKI to oversee the practice of Ono- ha Itto-ryu within our organization. Inside this Issue: One may ask why I believe that there should kenjutsu contain at least some iaijutsu or bat- be such an emphasis on kenjutsu within the tojutsu within their respective curriculums. Ken I Ittai 1 JKI. The answer is actually quite simple: the However, most practitioners of the Japanese sword arts are truly martial arts of the highest sword arts today focus only on iai, engaging in From the Editor’s 2 degree; the pinnacle of traditional Japanese little if any paired practice.
    [Show full text]
  • All Japan Kendo Federation Iaido Committee June 10, 2020
    All Japan Kendo Federation Iaido Committee June 10, 2020 Guidelines for Preventing the Spread of Infections with the Resumption of Iaido Interpersonal Keiko (Taijin-teki-keiko) Introduction The All Japan Kendo Federation (AJKF) has drawn up the “Guidelines for Preventing the Spread of Infections with the Resumption of Interpersonal Keiko (Taijin-teki-keiko)” (hereafter AJKF Guidelines) to go along with the lifting on June 10 of the request for self-restraint for interpersonal training in Japan. The guidelines were created as kendo keiko falls under the “three Cs” (closed spaces, crowded places, close-contact settings) and that droplets sprayed from practitioners’ mouths can be the source of COVID-19 infection. Using the AJKF Guidelines as a base, the “Guidelines for Preventing the Spread of Infections with the Resumption of Iaido Interpersonal Keiko (Taijin-teki-keiko)” (hereafter, AJKF Iaido Guidelines) has been created. Each organization and group should do keiko following the AJKF Guidelines and the AJKF Iaido Guidelines while taking into account the circumstances in the region, member structure (age, gender, proficiency), and practice location. Taking into account that the physical condition of practitioners may have declined due to the period of self-restraint, as well as concerns about a second wave of COVID-19 infections, it is recommended to create a keiko plan based on a careful, thought-out policy. The guidelines have been prepared with the cooperation of experts. However, there is not necessarily sufficient scientific knowledge to create measures to prevent infections of COVID-19. Therefore, please understand that these guidelines have been created based on findings obtained thus far.
    [Show full text]
  • IAIDO, JODO and NITEN Manual
    CLASSICAL MARTIAL ARTS CENTRE IAIDO, JODO AND NITEN Manual Welcome to CMAC.webloc 1 TorontoToronto CentralCentral RegionRegion Hasu Dojo 2 Table of Contents Table of Contents ..................................................................... 3 Belt Tying Procedures ......................... Error! Bookmark not defined. The Care and Use o f the Kobudo Uniform .................................... 6 THE PRACTICE UNIFORM .......................................................................................... 6 PUTTING ON THE UNIFORM ...................................................................................... 6 Folding the Hakama .................................................................. 7 Tying the Obi ........................................................................... 8 Tying t he Hakama ..................................................................... 9 Introduction to Sei Tei Gata Iaido ............................................ 11 Iaido, Kendo, and the Japanese Sword ...................................................................... 11 Brief History of Modern Sword Practice ...................................................................... 11 Father of Modern Swordsmanship .............................................................................. 12 History of the Sei Tei Gata .......................................................................................... 13 Bibliography ...............................................................................................................
    [Show full text]
  • On Jujutsu and Its Modernization
    On Jujutsu and its Modernization By Kenji Tomiki Translation Copyright 1986 by Robert W. Dziubla & Fumiaki Shishida Table of Contents Preface Chapter One: The Distinctive Features of Budo and the System of Jujutsu Training Chapter Two: The Changes in Jujutsu And its Modernization Chapter Three: Techniques Learned Through Kata can be Revitalized by Randori Chapter Four: Jujutsu Requires Two Systems of Randori Training Chapter Five: A Training Course for Aiki-randori I. Fundamental movements (kihon dosa): stressing fundamental principles found in old style jujutsu II. Fundamental techniques (kihon waza): techniques derived from the old schools of jujutsu and categorized into atemi-waza and kansetsu-waza III. The method of breaking away (ridatsu ho): breaking away and practically applying the atemi-waza when grasped by an opponent IV. The method of control (seigyo ho): controlling an opponent and practically applying the kansetsu-waza when grasped V. The method of randori (randori ho): avoiding and controlling the cuts and thrusts of a distant opponent Preface There are many kinds of Budo (martial arts) in Japan. In recent history, kendo and judo have been the major ones and, as Gakko Budo--martial arts systems taught as part of the PE curricula--they have been required courses in schools, including primary schools, since the Meiji period (1868-1912). And, as is well known, both kendo and judo incorporate competition and sparring. However, the training in ancient Budo consisted only of kata practice, the practice of forms and pre-arranged movements that one masters through numerous repetitions. Kendo and judo training were not kata alone.
    [Show full text]
  • Kendo Beginners Guide 20120124
    Calgary Kendo Club: A Beginner’s Guide to Getting Started in Kendo Calgary Kendo Club Established 1972 A Beginner’s Guide to Getting Started in Kendo: Expectations and Obligations Version 0.5 Calgary Kendo Club January 2012 1 Calgary Kendo Club: A Beginner’s Guide to Getting Started in Kendo The Concept of Kendo The concept of Kendo is to discipline the human character through the application of the principles of the Katana (sword). The Purpose of Practicing Kendo The purpose of practicing Kendo is: To mold the mind and body, To cultivate a vigorous spirit, And through correct and rigid training, To strive for improvement in the art of Kendo, To hold in esteem human courtesy and honor, To associate with others with sincerity, And to forever pursue the cultivation of oneself. This will make one be able: To love his/her country and society, To contribute to the development of culture And to promote peace and prosperity among all peoples. (The Concept of Kendo was established by All Japan Kendo Federation in 1975.) 2 Calgary Kendo Club: A Beginner’s Guide to Getting Started in Kendo Welcome to the Calgary Kendo Club “Getting Started Guide”!! 5 1.0 What is Kendo?! 6 1.1 The Historical Origins! 6 1.2 Introduction of the Sword! 6 1.3 The Muromachi Period! 7 1.4 The Introduction of Armour and the Rise, Fall and Rise of Kenjutsu!7 1.5 Kendo the Sport! 8 1.6 Kendo the Martial Art! 8 2.0 Kendo Equipment! 10 2.1 Areas of Attack! 10 3.0 Studying the Martial Art of Kendo! 12 3.1 Why Should You Learn About Kendo?! 12 3.2 Why You Should Not Learn Kendo!
    [Show full text]
  • Endangered Species of the Physical Cultural Landscape: Globalization, Nationalism, and Safeguarding Traditional Folk Games
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 3-17-2021 9:00 AM Endangered Species of the Physical Cultural Landscape: Globalization, Nationalism, and Safeguarding Traditional Folk Games Thomas Fabian, The University of Western Ontario Supervisor: Barney, Robert K., The University of Western Ontario A thesis submitted in partial fulfillment of the equirr ements for the Doctor of Philosophy degree in Kinesiology © Thomas Fabian 2021 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other International and Area Studies Commons, Social and Cultural Anthropology Commons, and the Sports Studies Commons Recommended Citation Fabian, Thomas, "Endangered Species of the Physical Cultural Landscape: Globalization, Nationalism, and Safeguarding Traditional Folk Games" (2021). Electronic Thesis and Dissertation Repository. 7701. https://ir.lib.uwo.ca/etd/7701 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Folk sports are the countertype of modern sports: invented traditions, bolstered by tangible ritual and intangible myth, played by the common folk in order to express a romantic ethnic identity. Like other cultural forms, traditional sports and games around the world are becoming marginalized in the face of modernization and globalization. In 2003, UNESCO ratified the Convention for the Safeguarding of the Intangible Cultural Heritage of Humanity in an attempt to counter such trends of cultural homogenization. As elements of intangible cultural heritage, folk sports now fall under the auspices of UNESCO safeguarding policies.
    [Show full text]