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The Paradise Tram
Kunapipi Volume 6 Issue 3 Article 3 1984 The paradise tram Bruce Clunies Ross Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Ross, Bruce Clunies, The paradise tram, Kunapipi, 6(3), 1984. Available at:https://ro.uow.edu.au/kunapipi/vol6/iss3/3 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The paradise tram Abstract The Paradise tram left from the Boer War monument outside the gates of Government House in Adelaide on the long route through the northeastern suburbs to the foot of Black Hill, where the River Torrens breaks out of its gorge in the Mount Lofty Ranges into the Adelaide Plain. At the terminus the maroon drop-centre trams changed tracks and waited by a stand of gum trees, through which the sun slanted across the blue-stone walls of an early settlement and the newer brick and sandstone facades of double- fronted bungalows with scalloped verandah walls, decorative renderings of stucco or pebble-dash and tapered columns inset with river stones. Among them were gaps for houses yet to be built, where smallholders continued market-gardening on the river silt. This was Paradise. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol6/iss3/3 BRUCE CLUNIES ROSS The Paradise Tram The Paradise tram left from the Boer War monument outside the gates of Government House in Adelaide on the long route through the north- eastern suburbs to the foot of Black Hill, where the River Torrens breaks out of its gorge in the Mount Lofty Ranges into the Adelaide Plain. -
30 November 2012 Volume: 22 Issue: 23 Keating's
30 November 2012 Volume: 22 Issue: 23 Keating’s Timor and Carr’s Papua Frank Brennan ...........................................1 Interfaith pioneer’s search for the sacred Peter Kirkwood ..........................................4 Family Christmas torture and triumph Tim Kroenert ............................................6 Confessional debate is a Royal Commission red herring Chris McGillion ...........................................8 East Timor’s lessons for our abuse Royal Commission Pat Walsh ............................................. 10 Peer pressure could save the military Evan Ellis ............................................. 13 Parable of the inhospitable hospital Andrew Hamilton ........................................ 16 Four Chinese poems Ouyang Yu ............................................ 19 Dysfunctional Church stares into the abuse abyss Michael Kelly ........................................... 23 Unclenching the despotic fist in Burma Duncan MacLaren ....................................... 25 Rejection of women bishops is not terminal Andrew McGowan ....................................... 27 ‘No advantage’ policy more harmful than leaky boats Michael Mullins ......................................... 29 The sinister side of African Aid Ellena Savage .......................................... 30 On breaking the seal of confession Geoffrey Robinson ....................................... 32 Talking to children about the Royal Commission Kristina Keneally ........................................ 34 Church needs to -
The Anarchivic Imperative of Peter Mather's the Wort Papers
Archive Madness: The Anarchivic imperative of Peter Mather’s The Wort Papers RON BLABER Curtin University At work Thomas (Wort) was known to his associates as a determined implementor of innovations. His colleagues new him as an implement of progress and wished to share in the future he envisaged, some from fear, others for want of alternatives. (2) Ah, the worts . St John’s Wort is indigenous to Asia and Europe. In Australia it is probably a garden escape (20) (I should have paid more heed to natural history. I would then be finding my present situation quite interesting and watch the fauna and spend less time scribbling). The people I mixed with in those days knew fascinating things about flowers and animals, earth and sky. Some were fascinated and sought to know more, and were sparing with axe, gun and plough; the others did what people have always done. (117) For those unfamiliar with Peter Mathers, he was born in England in 1931 and passed away in Melbourne in November 2004. He began his literary career as an author but later became a playwright. He attended Sydney Technical College, where he studied agriculture. His first writing appeared in the early 1960s. His first novel Trap (1966), won the Miles Franklin Prize, in somewhat controversial circumstances, Patrick White having withdrawn his nomination. Nevertheless, the novel heralded a new literary force in Australian literature. His second novel, The Wort Papers (1972), ranged across the country in rural settings from the Kimberley to dairy country in northern New South Wales, and further established his reputation as a stylistic innovator and satirist. -
The AALITRA Review a JOURNAL of LITERARY TRANSLATION
The AALITRA Review A JOURNAL OF LITERARY TRANSLATION No. 13, December 2018 Submissions, prepared according to the The AALITRA Review Guidelines for Contributors (available from our website), should be sent to: Editor: Leah Gerber (Monash University) Dr Leah Gerber [email protected] Special Editorial Adviser: Brian Nelson (Monash University) The Australian Association for Literary Editorial Assistants: Hanna Lofgren, Alice Translation (AALITRA) Whitmore, Kate Garrett is a national organization that promotes an interest in all aspects of literary translation. Editorial Board: In addition to publishing The AALITRA Esther Allen (Baruch College, City Review, AALITRA sponsors public University of New York), Harry Aveling lectures and events on literary translation (Monash University), Peter Bush and holds periodic conferences with (Barcelona), John Coetzee (University of university bodies interested in the theory Adelaide), Francis Jones (Newcastle, UK), and practice of literary translation. We also Barbara McGilvray (Sydney), John distribute news of events, conferences and Minford (Australian National University), other initiatives relevant to translators. If Alyson Waters (Yale) and Kevin Windle you have an interest in literary translation, (Australian National University). and especially world literature in The AALITRA Review translation, please consider joining the publishes high-quality material concerned Association. with literary translation, as well as translations of literary texts from other aalitra.org.au languages into English. -
The History of Australian Haiku and the Emergence of a Local Accent
The History of Australian Haiku and the Emergence of a Local Accent Author: Rob Scott, B.A. Dip Ed. College of the Arts, Writing, Communication and Culture Discipline Group, Victoria University Submitted in fulfillment of the requirements of the degree of Masters by Research March, 2014. Table of Contents The History of Australian Haiku and the Emergence of a Local Accent ....................................................... i Table of Contents ............................................................................................................................................................... ii Abstract .................................................................................................................................................................................iv Acknowledgements ........................................................................................................................................................... v Student Declaration .........................................................................................................................................................vi Prologue to Thesis ............................................................................................................................................................. 1 Australia’s First Haiku? ............................................................................................................................................... 1 Chapter 1 – Introduction to Thesis ............................................................................................................................ -
Festival Program Proudly Printed by Ofceworks
+VOF-0/(8&&,&/% UIUI+VOF Bellingen readers & writers festival 2016 Gratefully acknowledges the support of our funding bodies and sponsors Valentine Press 2 WELCOME TO THE 2016 BELLINGEN READERS & WRITERS FESTIVAL! The Bellingen Readers & Writers Festival – Tony Windsor, back in the political fray, will go Thursday 9 June to Monday 13 June – is unique head to head with festival director Irina Dunn among Australian writers festivals in being in a session titled “Death threats be damned, situated in the magnifcent natural environs of I’m going to stand!” the Bellinger River and Dorrigo World Heritage Other guests of the BRWF include a serving rainforest. member of the Australian Air Force who writes The program focuses exclusively on Australian thrillers (Graham Potts, Thursday 9 June, writers to showcase the diversity of talent in 7:00 – 9:00 pm, Cofs Harbour Library), a this country. clutch of poets and novelists, and a pilot who turned to fction to get a conservation point of IIn 2016, the BRWF welcomes Australia’s most view across to her readers (Janet Richardson popular playwright David Williamson, ABC giving the Mary White Address at the Dorrigo broadcaster, SMH columnist and author Rainforest Centre, Dorrigo National Park, Richard Glover, and Independent politician Dome Road Dorrigo, Friday 10 June, Tony Windsor. Other guests include 10:00 – 12:00 pm.) playwrights Debra Oswald and Tommy Murphy, novelists Mark Dapin, Jane Messer, Greg Barron Local historian Ross Macleay takes you on a and Jim Anderson, and publishers Alison Green walk through Bellingen’s food and drink land- (Pantera Press), Lyn Gain (Valentine Press) and scape, from gleaning and foraging to afogato, David Reiter (Interactive Press). -
Biographical Information
BIOGRAPHICAL INFORMATION ADAMS, Glenda (1940- ) b Sydney, moved to New York to write and study 1964; 2 vols short fiction, 2 novels including Hottest Night of the Century (1979) and Dancing on Coral (1986); Miles Franklin Award 1988. ADAMSON, Robert (1943- ) spent several periods of youth in gaols; 8 vols poetry; leading figure in 'New Australian Poetry' movement, editor New Poetry in early 1970s. ANDERSON, Ethel (1883-1958) b England, educated Sydney, lived in India; 2 vols poetry, 2 essay collections, 3 vols short fiction, including At Parramatta (1956). ANDERSON, Jessica (1925- ) 5 novels, including Tirra Lirra by the River (1978), 2 vols short fiction, including Stories from the Warm Zone and Sydney Stories (1987); Miles Franklin Award 1978, 1980, NSW Premier's Award 1980. AsTLEY, Thea (1925- ) teacher, novelist, writer of short fiction, editor; 10 novels, including A Kindness Cup (1974), 2 vols short fiction, including It's Raining in Mango (1987); 3 times winner Miles Franklin Award, Steele Rudd Award 1988. ATKINSON, Caroline (1834-72) first Australian-born woman novelist; 2 novels, including Gertrude the Emigrant (1857). BAIL, Murray (1941- ) 1 vol. short fiction, 2 novels, Homesickness (1980) and Holden's Performance (1987); National Book Council Award, Age Book of the Year Award 1980, Victorian Premier's Award 1988. BANDLER, Faith (1918- ) b Murwillumbah, father a Vanuatuan; 2 semi autobiographical novels, Wacvie (1977) and Welou My Brother (1984); strongly identified with struggle for Aboriginal rights. BAYNTON, Barbara (1857-1929) b Scone, NSW; 1 vol. short fiction, Bush Studies (1902), 1 novel; after 1904 alternated residence between Australia and England. -
Issue 39 the Blue
!1 The Blue Nib Magazine 39 New Poetry, Fiction & Essays September 2019 ! ISBN 978-1-9161545-1-3 !2 The Blue Nib Magazine 39 New Poetry, Fiction & Essays September 2019 First published in Ireland in 2019 by The Blue Nib Copyright © The Blue Nib The rights of the contributors to be identified as the authors of this work has been asserted by them in accordance with the Copyright, Design and Patents Act of 1988 All rights reserved Cover image from Pixabay Every effort has been made to reflect each author’s intention Regarding the format and content of their piece, however the default style, which has been applied, is Times New Roman 12, single-spaced, and the formatting reflects The Blue Nib’s own house style !3 Editorial: Dave Kavanagh Managing Editor Welcome to Issue 39 of The Blue Nib 7 Essays Does Poetry Matter? - by Clara Burghelea 9 Poems As Time Machines - by John D. Kelly 13 Absence Eased - by Edward Lee 21 London in July - by Gráinne Daly 24 A Critical Examination of 21st Century Poetry 26 Poetry From Ireland, England & Elsewhere Selected By Clara Burghelea Editorial 37 Featured Poet - J. Taylor Bell 40 Interview with featured poet - J. Taylor Bell 47 Featured Poet - James Finnegan 51 Featured Poet - Rona Fitzgerald 54 Patrick Green 56 Lucy Crispin 58 Brian Rihlmann 59 Sean Smith 60 Mina Moriarty 61 Bojana Stojcic 62 Anne Ballard 65 Ysella Sims 66 Anita Gracey 67 Umit Sener Ta 68 Marilyn Francis 69 Rae O’Dowd 70 Denise O’Hagan 71 Alison Ross 73 !4 Maria Pascualy 74 Margaret Pritchard Houston 75 Fiona Sinclair 76 Sue Morgan 77 Dominic Fisher - Fast Food 78 Susan Castillo Street 79 Caoimhe McKeogh 80 Reviews Curated By Emma Lee Reviews Editorial 83 out of emptied cups - Anne Casey 84 How to Wear Grunge - Ruth Stacy 89 Table Manners - Susmita Bhattacharya 92 The Perseverance - Raymond Antrobus 94 Poetry From The US & Canada Selected By Mike Griffith Editorial 97 Featured Poet -Samn Stockwell 98 Featured Poet -Liz Balize 102 Daniel Edward Moore 104 Michael Lewis Beck 105 J.P. -
SF COMMENTARY No
SSFF CCOOMMMMEENNTTAARRYY 110033 October 2020 50 pages TTRRIIBBUUTTEE TTOO JJOOHHNN BBAANNGGSSUUNNDD ((11993399––22002200)) Four articles two poems and lots of cartoons by JOHN BANGSUND Contributions by SALLY YEOLAND JULIAN WARNER STEPHANIE HOLT BRUCE GILLESPIE JOHN LITCHEN DAVID GRIGG and DICK JENSSEN, LEE HARDING, GARY MASON, GARY HOFF, ELAINE COCHRANE, CHRISTINA LAKE, HELENA BINNS Cover: Sally Yeoland’s photo of John Bangsund (2014). S F Commentary 103 October 2020 140 pages SF COMMENTARY No. 103, October 2020, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Phone: 61-3-9435 7786. Email: [email protected]. DISTRIBUTION: For ANZAPA and many other friends. Either portrait (print equivalent) or landscape .PDF file from eFanzines.com: https://efanzines.com/SFC/index.html FRONT COVER: Sally Yeoland’s photo of John Bangsund (2014). PHOTOGRAPHS: Sally Yeoland (front cover); John Litchen (pp. 5, 6, 36); Dick Jenssen (pp. 26, 27, 35); Lee Harding (pp. 27, 21); Gary Mason (p. 35); Gary Hoff (p. 35); Elaine Cochrane (p. 36); Christina Lake (p. 36); Helena Binns (p. 36). ILLUSTRATIONS: Jim Ellis (p. 15); John Bangsund (pp. 9, 29, 33, 43, 47, 48). Contents 5 SALLY YEOLAND 8 JULIAN WARNER THE FINAL UPDATE FOR JOHN BANGSUND A. BERTRAM CHANDLER AWARD 2001: JOHN BANGSUND 2 11 STEPHANIE HOLT THE CONFESSIONS OF AN SF ADDICT VALE JOHN BANGSUND 31 JOHN BANGSUND 14 BRUCE GILLESPIE 1968 AND ALL THAT FAREWELL JOHN BANGSUND (1939–2020) 37 JOHN BANGSUND 17 JOHN LITCHEN GLIMPSES OF A GOLDEN AGE; HONEYMOON WEEKEND IN CANBERRA, 1973 or, HOW I BECAME AN EDITOR 18 DAVID GRIGG 45 JOHN BANGSUND’S POETRY CORNER CANBERRA VISIT, 1973 45 COMING UP FOR BLAIR: A SONG OF J. -
Recent Australian Fiction ADRIAN MITCHELL
The Many Mansions: Recent Australian Fiction ADRIAN MITCHELL N the last two or three years most of the leading Aus• tralian novelists have published a book of some impact I and some interest. It is to be expected that they will have certain features in common; yet each of the writers — and I take Hal Porter, Thea Astley, Thomas Keneally, David Ireland and Patrick White to be among the most important of current Australian novelists — has been so insistently individual that the resemblances, especially the fortuitous ones, are a little disturbing. These authors could not in any way be thought of as forming a school, a group. They have each, with perhaps one exception, made a point of working independently, they each have a recognisably uni• que style, and the latest novel is consistent with the pre• vious publications of each. It is startling, then, to find the situation and issues of one novel meeting those of another, almost to the point of parody; though that could hardly be. Even minor images are echoed. This is not to argue that they are infuriating carbon copies of one another, as were the formula historical romances of the thirties and forties. Each is quite distinct, in setting, manner and theme. But considered together, they explore common ground; they afford to the observant reader a fair picture of the range and achievement of current Australian fiction, as that en• gaging problem presents itself to us. These novels are not daringly innovative or experimental, nor is Australian fiction in general. Peter Mathers' The Wort Papers is the only fashionably dernier cri novel that comes to mind, and David Ireland has managed to produce an intriguing stroboscopie effect through his narrative 6 ADRIAN MITCHELL technique in The Flesheaters. -
Flyers and Complete Stocklist Visit New Releases August / September 2021 for All Price and Availability Queries Visit
CELEBRATING Wakefield Press 30 YEARS For all flyers and complete stocklist visit www.wakefieldpress.com.au New Releases August / September 2021 For all price and availability queries visit www.titlepage.com lead title Young Adult Fiction 10 September 2021 Road Tripping with Pearl Nash PoPPy NWOSU Road Tripping with Pearl Nash is a story about home and PB • 264 PP • 210 x 140 • ISBN 9781743058435 • $24.95 family, about breaking apart and fusing together, and, of course, 058435 about love. The summer is finally here, and Pearl Nash is on a mission to save her slowly disintegrating friendship with a Poppy Nwosu is an author of young adult fiction. She has whirlwind end-of-year road trip that is definitely, absolutely, published three romantic contemporary novels: Making Friends 781743 most positively going to solve all her problems. with Alice Dyson (2019), Taking Down Evelyn Tait (2020), 9 Except, instead of her best friend Daisy’s feet on her and Road Tripping with Pearl Nash (2021), and is the editor dash, suddenly Pearl ends up stuck in the middle of the of the 2021 Wakefield Press YA anthologyHometown Haunts: desert beside Obi Okocha, a boy with a mega-watt smile #LoveOzYA Horror Tales (a project supported by an Australia and an endlessly irritating attitude. Tasked with delivering Council for the Arts grant). him to the most epic end-of-year party ever, located in a beach shack in literal middle-of-nowhere woop woop, Praise and Key Selling Points Pearl Nash is certain that nothing could be worse than this. ‘I had a wonderful time reading this – the building romance She’s wrong. -
Arena Magazine Appeal • • • Arena Magazine Depends on the Volunteer Work of Jennifer Walpole and Madga Wroblewska, As Well • Many Friends and Supporters
1 08 2011–09 2011 .............. Nº 113 .................................................................................... .................. .................. EDITORIAL REGULARS Where to find us Postal address: Alison Caddick Hinkson THE COMMON TOUCH 2 FIRE ON THE WATERONTRADICTIONS Mark Furlong Arena Magazine .................. 17 ‘I WAS JUST …’ PO Box 18 North Just a digression on the interactional theatre of life Carlton 3054 LEAD GRAPHIC POSTCARD Web: 4 Bruce Petty Jorge Sotirios www.arena.org.au 4 Hil................. 45 HOLIDAY IN CAMBODIA Tel: (03) 9416 0232 AGAINST THE CURRENT Disaster tourism in Kissinger’s secret war zone Fax: (03) 9416 0684 Samuel Cossar-Gilbert COOPER’S LAST 5 POSTCARD FROM A REVOLUTION Simon Cooper Submissions Grassroots mobilisation on the streets of Spain 54 WITH FRIENDS LIKE JOHN ARMSTRONG … Arena Magazine Rohan Bastin Cultivating taste: neo-liberalism’s new role for the accepts unsolicited 7 SHRILL DENIALS humanities submissions for Sri Lanka’s killing fields and government culpability .................. each of its sections: Kendall Trudgen ARTS AND CULTURE commentaries & debate up to 1200 words; 9 YOLNGU DIPLOMACY Valerie Krips Dialogue or intervention? A history of cross-cultural essays up to 4000 41 THE HARRY POTTER FINALE exchange Old-fashioned narrative meets contemporary culture words; features up to 3000 words; reviews of Mate Kapovic´ Kevin Murray books, film, art, theatre, 11 ACADEMIC UPRISINGS 43 DIAMONDS ARE FOR EVERYONE Croatian students and staff reject the neo-liberal Jewellerymaking