DOCSLIB.ORG

7-Page PDF of Song Sheets

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
7-Page PDF of Song Sheets Anne Ku’s Three Chord Thursday First Anniversary Edition! Song sheets for ukulele Jeopardy Game Thursday, 1 st April 2021 I WILL SURVIVE Gloria Gaynor _______________________________________________________________________ Intro: count 1,2,3, … [Am~] At first I was afraid, I was [Dm~] petrified Kept thinking [G7~] I could never live without you [Cmaj7~] by my side But then I [Fmaj7~] spent so many nights thinkin’ [Dm~] how you did me wrong I grew [E7sus4~] strong, I learned [E7~] how to get along … pause … 2,3 [no chord] But now you’re [Am] back ……. from outer [Dm] space I just walked [G7] in to find you here with that sad [Cmaj7] look upon your face I should have [Fmaj7] changed that stupid lock, I should have [Dm] made you leave your key If I'd’ve [E7sus4] known for just one second you'd be [E7] back to bother me Go on now, [Am] go, … walk out the [Dm] door, Just turn a-[G7]round now, … ‘cause you're not [Cmaj7] welcome anymore [Fmaj7] Weren't you the one who tried to [Dm] break me with goodbye? Did you think I'd [E7sus4] crumble … did you think I'd [E7] lay down and die? Oh no, not [Am] I, … I will sur-[Dm]vive Oh, as [G7] long as I know how to love, I [Cmaj7] know I'll stay alive I've got [Fmaj7] all my life to live … and I've got [Dm] all my love to give And I'll sur-[E7sus4]vive … I will sur-[E7]vive, … Hey [Am] hey, [Dm] [G7] [Cmaj7], [Fmaj7] [Dm] [E7sus4] [E7] It took [Am] all the strength I had not to [Dm] fall apart Kept trying [G7] hard to mend the pieces of my [Cmaj7] broken heart And I spent [Fmaj7] oh-so many nights just feeling [Dm] sorry for myself I used [E7sus4] to cry …..but now I [E7] hold my head up high And you see [Am] me, somebody [Dm] new I'm not that [G7] chained-up little person still in [Cmaj7] love with you And so you [Fmaj7] felt like droppin’ in and just ex-[Dm]pect me to be free Well, I'm [E7sus4] savin’ all my lovin' for some-[E7]one who's lovin’ me Go on now, [Am] go, ….. walk out the [Dm] door Just turn a-[G7]round … now ‘cause you're not [Cmaj7] welcome anymore … [Fmaj7] Weren't you the one who tried to [Dm] break me with goodbye Did you think I'd [E7sus4] crumble … did you think I'd [E7] lay down and die? Oh no, not [Am] I, I will sur-[Dm]vive Oh, as [G7] long as I know how to love, I [Cmaj7] know I'll stay alive I've got [Fmaj7] all my life to live …… and I've got [Dm] all my love to give And I'll sur-[E7sus4]vive ……. I will sur-[E7]vive, … pause … 2,3 Oh! … Repeat and Final line (slowing) end on …… hey, [Am~] hey! https://www.youtube.com/watch?v=gYkACVDFmeg ChippenhamUkulelesBook5Jun19 SPACE ODDITY David Bowie [Fmaj7] [Em] [Fmaj7] [Em] [Fmaj7] [Em] [Fmaj7] [Em] [C] Ground Control to Major [Em] Tom [C] Ground Control to Major [Em] Tom [Am] Take your [Am7] protein pills and [D7] put your helmet on Ten Nine Eight Seven [C] Ground Control to Major [Em] Tom Six Five Four Three [C] Commencing countdown, engines [Em] on Two One Lift-Off! [Am] Check [Am7] ignition and may [D7] God's love be with you ...... [C9] 8 building ... [C] This is Ground Control to Major [E7] Tom You've really made the [F] grade And the [Fm] papers want to [C] know whose shirts you [F] wear Now it's [Fm] time to leave the [C] capsule if you [F] dare [C] This is Major Tom to Ground Con[E7]trol I'm stepping through the [F] door And I'm [Fm] floating in a [C] most peculiar [F] way And the [Fm] stars look very [C] different to[F]day For [Fmaj7] here, am I [Em7] sitting in a tin can [Fmaj7] Far above the [Em7] world [Bb] Planet Earth is [Am] blue And there's [G] nothing I can [F] do [C] [F] [G] [A] [A] [C] [F] [G] [A] [A] [Fmaj7] [Em7] [A7] [C7] [D7] [E7] [C] Though I'm past one hundred thousand [E7] miles I'm feeling very [F] still And I [Fm] think my spaceship [C] knows which way to [F] go Tell my [Fm] wife I love her [C] very much, "She [F] knows!" [G] "Ground Control to [E7] Major Tom Your [Am] circuit's dead, there's [Am7] something wrong Can you [D7] hear me, Major Tom? Can you [C] hear me, Major Tom? Can you [D7] hear me, Major Tom? Can you ... [Fmaj7] here, am I [Em7] floating round my tin can [Fmaj7] Far above the [Em7] world [Bb] Planet Earth is [Am] blue And there's [G] nothing I can [F] do [C] [F] [G] [A] [A] [C] [F] [G] [A] [A] [Fmaj7] [Em7] [A7] [C7] [D7] [E7] https://www.youtube.com/watch?v=iYYRH4apXDo Tom Jones DELILAH D DU D D DU D Fast waltz strum 3 / 4 time (sounds like: dum dummer-dum / dum dummer-dum / etc) note: the ooh ‘s, aah’s and diddle iddle er’s are singalong !!!) Intro: (Strum D DUD= down, down up down) [Am] [Am] [Am] [Am] [Am] I saw the light on the night that I passed by her [E7] window (ooh- ooh- ooh) [Am] I saw the flickering shadows of love on her [E7] blind (ooh- ooh- ooh) [A] She [A7] was my [Dm] woman [Am] As she deceived me I [E7] watched and went out of my [Am] mind [G7] [C] My, my, my, De-[G]-lilah (diddle iddle iddle iddle er) [G] Why, why, why, De-[C]-lilah (diddle iddle iddle iddle er) [C] I could [C7] see that [F] girl was no good for [Dm] me [C] But I was lost like a [G] slave, that no one could [C] free [E7] (aah) [Am] At break of day when that man drove away I was [E7] waiting (ooh-ooh-ooh) [Am] I crossed the street to her house and she opened the [E7] door (er- errr- errrr – as creaking old door sound) [A] She [A7] stood there [Dm] laughing (Ha Ha Ha Ha) [Am] I felt the knife in my [E7] hand, and she laughed no [Am]more [G7] [C] My, my, my, De-[G]-lilah (diddle iddle iddle iddle er) [G] Why, why, why, De-[C]-lilah (diddle iddle iddle iddle er) [C] So be-[C7]-fore they [F] come to break down the [Dm] door [C] Forgive me, Delilah, I [G] just couldn’t take any [C]more [E7] Instrumental [Am] x 5 [E7] (ooh- ooh- ooh) [Am] x 5 [E7] (ooh- ooh- ooh) [A] She [A7] stood there [Dm] laughing (Ha Ha Ha Ha) [Am] I felt the knife in my [E7] hand, and she laughed no [Am]more [G7] [C] My, my, my, De-[G]-lilah (diddle iddle iddle iddle er) [G] Why, why, why, De-[C]-lilah (diddle iddle iddle iddle er) [C] So be-[C7]-fore they [F] come to break down the [Dm] door [C] Forgive me, Delilah, I [G] just couldn’t take any [C] more (big finish!) For-[Am]-give me, Delilah, I [E7] just couldn’t take any [Am] ……. …mo—oo [Dm]—oo [Am]–ore [Am] [Am] [Am] [Am] (stop) https://www.youtube.com/watch?v=67BFvgOio58 ( arrangement in Am courtesy of D Jenkins and Spa Strummers) V1.Nov 15 SUNNY AFTERNOON – The Kinks Intro: [Dm] [Dm] [A] [A] [Dm] [Dm] [A] [A] The [Dm] taxman’s taken [C] all my dough And [F] left me in my [C] stately home [A] Lazin’ [A7] on a [A7+5] sunny [A7] after[Dm]noon And I can’t [C] sail my yacht He’s [F] taken every [C] thing I’ve got [A] All I’ve [A7] got’s this [A7+5] sunny [A7] after[Dm]noon [D] [D7] Save me, save me, save me from this [G7] squeeze I got a [C7] big fat mama tryin’ to break [F] me [A7] And I [Dm] love to live so [G7] pleasantly [Dm] Live this life of [G7] luxury [F] Lazin’ on a [A7] sunny after [Dm] noon In the [A] summertime, in the [Dm] summertime In the [A] summertime [A7] My [Dm] girlfriend’s run off [C] with my car And [F] gone back to her [C] ma and pa [A] Tellin’ [A7] tales of [A7+5] drunken[A7]ness and [Dm] cruelty Now I’m [C] sittin’ here, [F] sippin’ at my [C] ice-cold beer [A] All I’ve [A7] got’s this [A7+5] sunny [A7] after[Dm]noon [D] [D7] Help me, help me, help me sail a[G7] way Or give me [C7] two good reasons why I oughta [F] stay [A7] Cos I [Dm] love to live so [G7] pleasantly [Dm] Live this life of [G7] luxury [F] Lazin’ on a [A7] sunny after[Dm] noon [D7] Save me, save me, save me from this [G7] squeeze I got a [C7] big fat mama [C] tryin’ to [Caug] break [F] me [A7] And I [Dm] love to live so [G7] pleasantly [Dm] Live this life of [G7] luxury [F] Lazin’ on a [A7] sunny after [Dm] noon In the [A] summertime, in the [Dm] summertime In the [A] summertime [Dm] The Kinks: https://www.youtube.com/watch?v=pIKsHh3BFPI Jan 2017 A WHITER SHADE OF PALE Procol Harum _______________________________________________________________________ Intro: Instrumental (with humming and/or whistling – see Tutorial link below) [C] [Em] [Am] [C], [F] [Am] [Dm] [F], [G] [G7] [Em7] [G7], [C] [F] [G] [F] [G7] [C] We [Em] skipped the light fan-[Am]dango [C] [F] Turned [Am] cartwheels 'cross the [Dm] floor [F] [G] I was [G7] feeling kind of [Em7] seasick [G7] [C] But the [Em] crowd called out for [Am] more [C] [F] The [Am] room was humming [Dm] harder [F] [G] As the [G7] ceiling flew a-[Em7]way [G7] [C] When [Em] we called out for a-[Am]nother [C] drink [F] The [Am] waiter brought a [Dm] tray [G] CHORUS And so it [C] wa-[Em]as that [Am] later [C] [F] As the [Am] miller told his [Dm] tale [F] [G] That her [G7] face at first just [Em7] ghostly [G7] Turned a [C] whiter [F] shade of [C] pale [G7] [C] She [Em] said there is no [Am] reason [C] [F] And the [Am] truth is plain to [Dm] see [F] [G] But I [G7] wandered through my [Em7] playing cards [G7] [C] And [Em] would not let her [Am] be [C] [F] One of [Am] sixteen vestal [Dm] virgins [F] [G] Who were [G7] leaving for the [Em7] coast [G7] [C] And al-[Em]though my eyes were [Am] open [C] [F] They might [Am] just as well been [Dm] closed [G] CHORUS x 2 And so it [C] wa-[Em]as that [Am] later [C] [F] As the [Am] miller told his [Dm] tale [F] [G] That her [G7] face at first just [Em7] ghostly [G7] Turned a [C] whiter [F] shade of [C] pale [G7] Outro [C] [Em] [Am] [C], [F] [Am] [Dm] [F], [G] [G7] [Em7] [G7], [C] [F] [G] [F~ x4] [C~] Tutorial https://www.youtube.com/watch?v=jVT5zDBgP08 Procol Harum https://www.youtube.com/watch?v=Mb3iPP-tHdA ChippenhamUkulelesBook5Jun19 Don’t Stop Me Now Freddie Mercury, 1978 To-[F]night, I’m gonna have my-[Am]self a real [Dm]good time.
Load more

Recommended publications
  • Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected]
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] The Kinks At The BBC (Box – lim. Import) VÖ: 14. August 2012 CD1 10. I'm A Lover, Not A Fighter - Saturday Club - Piccadilly Studios, 1964 1. Interview: Meet The Kinks ' Saturday Club 11. Interview: Ray Talks About The USA ' -The Playhouse Theatre, 1964 Saturday Club - Piccadilly Studios, 1964 2. Cadillac ' Saturday Club - The Playhouse 12. I've Got That Feeling ' Saturday Club - Theatre, 1964 Piccadilly Studios, 1964 3. Interview: Ray Talks About 'You Really Got 13. All Day And All Of The Night ' Saturday Club Me' ' Saturday Club The Playhouse Theatre, - Piccadilly Studios, 1964 1964 14. You Shouldn't Be Sad ' Saturday Club - 4. You Really Got Me ' Saturday Club - The Maida Vale Studios, 1965 Playhouse Theatre, September 1964 15. Interview: Ray Talks About Records ' 5. Little Queenie ' Saturday Club - The Saturday Club - Maida Vale Studios, 1965 Playhouse Theatre, 1964 16. Tired Of Waiting For You - Saturday Club - 6. I'm A Lover Not A Fighter ' Top Gear - The Maida Vale Studios, 1965 Playhouse Theatre, 1964 17. Everybody's Gonna Be Happy ' Saturday 7. Interview: The Shaggy Set ' Top Gear - The Club -Maida Vale Studios, 1965 Playhouse Theatre, 1964 18. This Strange Effect ' 'You Really Got.' - 8. You Really Got Me ' Top Gear - The Aeolian Hall, 1965 Playhouse Theatre, October 1964 19. Interview: Ray Talks About "See My Friends" 9. All Day And All Of The Night ' Top Gear - The ' 'You Really Got.' Aeolian Hall, 1965 Playhouse Theatre, 1964 20. See My Friends ' 'You Really Got.' Aeolian Hall, 1965 1969 21.
    [Show full text]
  • Bob Denson Master Song List 2020
    Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve
    [Show full text]
  • Why America's Black Mothers and Babies Are in a Life-Or-Death Crisis
    FEATURE Why America’s Black Mothers and Babies Are in a Life-or-Death Crisis The answer to the disparity in death rates has everything to do with the lived experience of being a black woman in America. By Linda Villarosa April 11, 2018 hen Simone Landrum felt tired and both nauseated and ravenous at the same time in W the spring of 2016, she recognized the signs of pregnancy. Her beloved grandmother died earlier that year, and Landrum felt a sense of divine order when her doctor confirmed on Muma’s birthday that she was carrying a girl. She decided she would name her daughter Harmony. “I pictured myself teaching my daughter to sing,” says Landrum, now 23, who lives in New Orleans. “It was something I thought we could do together.” But Landrum, who was the mother of two young sons, noticed something different about this pregnancy as it progressed. The trouble began with constant headaches and sensitivity to light; Landrum described the pain as “shocking.” It would have been reasonable to guess that the crippling headaches had something to do with stress: Her relationship with her boyfriend, the baby’s father, had become increasingly contentious and eventually physically violent. Three months into her pregnancy, he became angry at her for wanting to hang out with friends and threw her to the ground outside their apartment. She scrambled to her feet, ran inside and called the police. He continued to pursue her, so she grabbed a knife. “Back up — I have a baby,” she screamed. After the police arrived, he was arrested and charged with multiple offenses, including battery.
    [Show full text]
  • KINKOLOGY: Ray Davies' 65Th Birthday Concert
    KINKOLOGY: Ray Davies' 65th Birthday Concert Music of the Kinks performed by Metapop String Ensemble & special guest vocalists DATE: Thursday, August 27, 2009, 9:30 pm VENUE: Alix Goolden Performance Hall, 907 Pandora Ave, Victoria, British Columbia ADMISSION: By donation at the door – fundraiser for Island Biodiesel Co-op INFO: (250) 381-6502 and email [email protected] The Kinks formed in London in 1963, and are considered one of the most influential rock bands. They gained prominence in 1964 with their hard-driving single "You Really Got Me", written by Ray Davies with his 17-year-old brother Dave on lead guitar. Ray Davies' compositions over his lengthy career have been an astonishing study in contrasts, with a range of styles and lyrics often containing elements of satire and social commentary about the aspirations and frustrations of British life. The protopunk, powerchord rock of the early Kinks hits (“All Day and All of the Night”, “Tired Of Waiting For You”) was followed by more sensitive, introspective songs ("Waterloo Sunset"), wry humour (“Sunny Afternoon”), anthems championing individualistic lifestyles and personalities ("Lola", “See My Friends”), celebrations of traditional English culture and living ("Victoria"), Music Hall-style vaudeville ("She's Bought a Hat Like Princess Marina's"), and commercial rock which combined all these elements ("Come Dancing"). 1980s New Wave groups such as The Jam, The Knack, and The Pretenders covered Kinks songs, and in the 1990s Britpop acts such as Blur, Oasis and Supergrass cited them as a major influence. Many modern bands, such as The Killers, The Libertines, Franz Ferdinand, Spoon, Sonic Youth and Ron Sexsmith, acknowledge The Kinks and Ray Davies' songwriting skills.
    [Show full text]
  • Mary T. Hill Diary, 1921
    Mary T. Hill Diary 1921 January 1, Saturday A cloudy day. Snowing a little this afternoon. I went for a drive out the Ave. this forenoon. It was pleasant. Charlotte is in her room. Georgiana has gone to Echo Lake with the Egil Boeckman family for the day. Not cold. Yesterday was Egils birth-day. January 2, Sunday Mild day. 12 above at 8 a.m. A cloudy day. Not so dark as of late. One inch of snow fall yesterday afternoon. 20 above at noon. Have been out for a drive far as St. Thomase’s. [sic] Norman left for New Haven last evening. George Slade arrived from New York this early morning. Wrote to Ruth just now. January 3, Monday 20 above at 745 a.m. A beautiful forenoon. So bright and mild. 30 above at 11 a.m. I went for a drive far as the River. Mittie Porter is here just came. SocietyI have a letter from Mrs. Upham to day from Rome - Italy. I just wrote to Mrs.Papers Freeman James. January 4, Tuesday Such unusual Weather for this month. RainedHill last night. 34 above this morning 8 a.m. 40 above at 11 a.m. quite sultry atmosphere. I went for a drive - to River. Just wrote to Gertrude. Ras and Clara reached JekylT. [sic] Island yesterday mild weather there too a telegram tells me. Historical January 5, Wednesday 18 above at 730 a.m. A remarkably fine warm day. Thawing brilliantly bright. A letter from Dorothy jr. yesterday.Mary I just wrote to her.
    [Show full text]
  • Scripps Institution of Oceanography University of California, San Diego La Jolla, California 92093 Scripps Stories: DAYS to REME
    Scripps Institution of Oceanography University of California, San Diego La Jolla, California 92093 Scripps Stories: DAYS TO REMEMBER In celebration of 90 years Edited by Kittie Kerr Kuhns and Betty Shor 1 October 1993 SIO Reference Number 93-35 The cover photo is Scripps circa 1940. Cover design: Steven Cook Stories were solicited from Scripps alumni and past and present Scripps employees to honor the 90th anniversary of Scripps. To obtain copies of this publication please write to: Kittie Kuhns Technical Publications 0233B Scripps Institution of Oceanography University of California, San Diego 9500 Gilman Drive La Jolla, California 93093-0233 2 INTRODUCTION It is not easy to define Scripps Institution of Oceanography, but it has seemed through the years that its staff and students have always been like a family. To acknowledge the institution’s 90th year we asked for reminiscences and, to our gratification, a great many were sent to us. They recall people and moments as far back as the 1930s and as recent as the 1980s. There is strong support given by the Scripps community to individuals during times of adversity. When good news arrives, joy spreads, and a celebration is in order. We see from these stories that this is a long held tradition. This community feeling is what makes Scripps special. Not only is it a great center of research and learning, Scripps Institution is a family. Some start their careers here and some end them here, but it is the love and caring that make Scripps unique. As editors we have chosen to arrange this collection as close to chronology as is convenient.
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
    [Show full text]
  • C I T Y O F B O U L D
    Wonderland Lake Community Input Report Attachment C EMAILED COMMENTS: November 30, 2018 to January 15, 2019 Item 6B - Wonderland Lake ISP 4 Wonderland Lake Community Input Report Attachment C Wonderland Lake Integrated Site Project (ISP) Record of Public Comments from Email and City Webforms from 11/30/2018 to 1/15/2019 Note: This document provides a record of public comments submitted to the city of Boulder’s Open Space and Mountain Parks (OSMP) Department staff between November 30, 2018, and a community meeting on January 15, 2019, concerning a proposed project at Wonderland Lake. For ease of reference, the comments have been grouped broadly by the topic primarily addressed in each comment, although there is some overlap between categories within most comments. The comments are included in their original form with occasional corrections for spelling, grammar, commenter anonymity, acronyms, and abbreviations. Access • I’m a city resident and grew up here in Boulder (I have also been working for the city these past 21 years) and I’d like to add my perspective that I’m thrilled to pieces that you all are considering adding more parking along the Broadway trailhead for this area; it’s gorgeous and should be accessible for community members who do not live nearby and who are not able to easily take transit to get there, which I believe is a pretty large number of folks. Please add my name and my family's names to the list of people who support the plans for trail access improvements in this area. • I am an 18-year-old resident of Wonderland Hills.
    [Show full text]
  • Backcover/ Title the Songs We Sang for Auntie
    backcover/ title Sessions Outtakes 1964 - 1994 The Songs We Sang For Auntie page 2/7 shows by developing his famous and somewhat Back Where We Started CD One: The Songs We Sang For Auntie egocentric stage personae. You may already know both Kinks’ concerts By moving to Columbia Records in the 90s The 1. You Really Got Me 16. Mr. Churchill Says which were broadcasted by the BBC in the 70s. Kinks hoped to get some radio airplay again. (recorded 7/9/64; Playhouse Theatre) (recorded 18/12/69; Camden Theatre) Here you will hear the parts of these At least some BBC TV shows featured them 2. Got Love If You Want It 17. The Moneygoround performances not available on the official promoting their new album “Phobia”. But (recorded 1/10/64; Beat Room) (recorded 1970) release. “Father Christmas” is the only song without Columbia giving earnest support the CD 3. Hide And Seek (Winley; Byrd) 18. Marathon which was never released on bootleg before. All failed. Nevertheless the Kinks (with a session (recorded 6/8/65; Aeolian Hall, Studio 1) (recorded March 1970) the others from the so-called “Kristmas guitarist instead of Dave Davies) entered the 4. Never Met A Girl Like You Before 19. Got To Be Free Koncert” have been re-broadcasted, but this studios again in the beginning of 1994 to record (recorded 10/8/65; Playhouse Theatre) (recorded March 1970) song had been available only on video tape another radio session. 5. Milk Cow Blues (Estes) 20. Mirror Of Love before and so our recording is from an other After the tour in 1993/4 the band played before (recorded 10/8/65; Playhouse Theatre) (recorded 6/6/74; Langham Studio 1) source than the rest.
    [Show full text]
  • Z9973 P001-019 Frontmatter.Indd 1 2/2/11 12:19:01 PM ‘’›”‹‰Š–̹ʹͳͳͳƒ˜‡Š‘’•‘
    1000 SONGS 1000 From Rock Classics to One-Hit Wonders, the Music That Lights Your Fire 1000 Songs That Rock Your World is the ultimate visual guide to the best rock music ever produced. From Abba to ZZ Top, it’s not simply the ideal playlist, it’s a one-stop catalog of a half-century of 1000 SONGS Rock ’n’ Roll. Showcasing songs by nearly 500 artists in all rock genres, that 1000 Songs That Rock Your World goes behind the scenes to uncover the fascinating story of the creation, signifi cance, and popularity of these dynamic hits. FEATURING THAT Buddy Holly • More than 500 eye-popping color photos of The Beatles concert action shots, album covers, posters, Elvis tickets, guitars, Jimi Hendrix and more. ROCK The Beach Boys The Rolling Stones • Indexed by ranking, Lou Reed artist, and year for RocKRocK The Grateful Dead easy reference. YOUR WORLD The Who The Allman Brothers YOUR WORLD Simon & Garfunkel Bob Dylan Queen Pink Floyd Led Zeppelin Neil Young Bruce Springsteen Green Day —and Hundreds More! US $19.99 Z9973 (CAN $22.99) ISBN-13: 978-1-4402-1422-6 ISBN-10: 1-4402-1422-0 51999 THOMPSON UPC EAN FnL1 04 0120 01 JUYrVyBQdWJsaWNhdGlvbnMsIEluYyAo 02 SW9sYSBkaXZpc2lvbikPR3JlZ29yeSBL 03 cnVlZ2VyAEzQJGsEMTAuNAI4MAExBVVQ Qy1BDDA3NDk2MjAxMjcxNQA= 0 74962 01271 5 9 FnL1 04 0124 01 JUYrVyBQdWJsaWNhdGlvbnMsIEluYyAo 02 SW9sYSBkaXZpc2lvbikPR3JlZ29yeSBL 03 cnVlZ2VyAE1IBUAEMTAuNAI4MAExBkVB Ti0xMw05NzgxNDQwMjE0MjI2AA== 781440 214226 DAVE THOMPSON 1000songs_approvedFULL.indd 1 2/4/11 3:18:23 PM 1000 SONGS that YOURRocKRocK WORLD DAVE THOMPSON Z9973_p001-019 frontmatter.indd 1 2/2/11 12:19:01 PM ̹ʹͲͳͳ All rights reserved.
    [Show full text]
  • The Ultimate Playlist This List Comprises More Than 3000 Songs (Song Titles), Which Have Been Released Between 1931 and 2018, Ei
    The Ultimate Playlist This list comprises more than 3000 songs (song titles), which have been released between 1931 and 2021, either as a single or as a track of an album. However, one has to keep in mind that more than 300000 songs have been listed in music charts worldwide since the beginning of the 20th century [web: http://tsort.info/music/charts.htm]. Therefore, the present selection of songs is obviously solely a small and subjective cross-section of the most successful songs in the history of modern music. Band / Musician Song Title Released A Flock of Seagulls I ran 1982 Wishing 1983 Aaliyah Are you that somebody 1998 Back and forth 1994 More than a woman 2001 One in a million 1996 Rock the boat 2001 Try again 2000 ABBA Chiquitita 1979 Dancing queen 1976 Does your mother know? 1979 Eagle 1978 Fernando 1976 Gimme! Gimme! Gimme! 1979 Honey, honey 1974 Knowing me knowing you 1977 Lay all your love on me 1980 Mamma mia 1975 Money, money, money 1976 People need love 1973 Ring ring 1973 S.O.S. 1975 Super trouper 1980 Take a chance on me 1977 Thank you for the music 1983 The winner takes it all 1980 Voulez-Vous 1979 Waterloo 1974 ABC The look of love 1980 AC/DC Baby please don’t go 1975 Back in black 1980 Down payment blues 1978 Hells bells 1980 Highway to hell 1979 It’s a long way to the top 1975 Jail break 1976 Let me put my love into you 1980 Let there be rock 1977 Live wire 1975 Love hungry man 1979 Night prowler 1979 Ride on 1976 Rock’n roll damnation 1978 Author: Thomas Jüstel -1- Rock’n roll train 2008 Rock or bust 2014 Sin city 1978 Soul stripper 1974 Squealer 1976 T.N.T.
    [Show full text]
  • Ethnic and Cultural Identity in Music and Song Lyrics
    Ethnic and Cultural Identity in Music and Song Lyrics Ethnic and Cultural Identity in Music and Song Lyrics Edited by Victor Kennedy and Michelle Gadpaille Ethnic and Cultural Identity in Music and Song Lyrics Edited by Victor Kennedy and Michelle Gadpaille This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Victor Kennedy, Michelle Gadpaille and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9566-0 ISBN (13): 978-1-4438-9566-8 TABLE OF CONTENTS Acknowledgements .................................................................................. viii Introduction ................................................................................................. 1 Victor Kennedy and Michelle Gadpaille Chapter One ............................................................................................... 10 From Mod to Punk: Establishing and Challenging Notions of Britishness Maximilian Feldner Chapter Two .............................................................................................. 31 How Pop Music Celebrates the Life and Culture of Northern England Carla Fusco Chapter Three
    [Show full text]