College Voice Vol. XLI No. 7
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Some Albums to Keep Your Toes Warm This October
Some Albums To Keep Your Toes Warm This October Bittles‘ Magazine | Record Review As Autumn wraps her chilly arms around the country we look to music for the comfort that we can no longer get from happiness or the sun. Luckily, this time of year tends to be when great new bands get off their asses and go out on tour, while it also seems like there is another fantastic new album to delight us every single day. By JOHN BITTLES In fact, there are so many great new releases this month that there is absolutely no chance of squeezing them into one single article. This week alone I will be reviewing Caribou, Gui Boratto, The 2 Bears, A Winged Victory For The Sullen, and tons more. While, next week we’ll have new albums by Slam, Distal, Huxley, DJ Koze among others. So, make yourself comfy, turn off the phone, geta nice glass of wine, and let us begin. As lead single ›Can’t Do Without You‹ won both our hearts and minds this summer it is only fair to commence with ›Our Love‹, the much anticipated follow-up to ›Swim‹ by Caribou. The aforementioned ›Can’t Do Without You‹ opens proceedings in, sadly, edited form, yet that doesn’t stop it from being one of the most touchingly beautiful four minute pop song you are likely to hear all year. Next track ›Silver‹ keeps the emotional trance elements to the fore, while alternate sounds are explored with ›All I Ever Need‹ utilizing UK Garage style bass over Dan’s falsetto and the title track›‹ recalling a time when the Es were good, and hugging strangers was par for the course. -
Issue 199.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 199 February Oxford’s Music Magazine 2012 Asher Oxford’sDust maverick MC on his incredible lifetime of music making plus all your local music news, reviews and upcoming gigs. photo: Zahra Tehrani NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net TRUCK FESTIVAL is set to return this summer after founders Robin and Joe Bennett handed the event over to new management. Truck, which had been the centrepiece of Oxford’s live music calendar since 1998, surviving both floods and foot and mouth crises, succumbed to financial woes last year, going into administration in September. However, the event has been taken over by the organisers of Y-Not Festival in Derbyshire, which won Best Grassroots Festival 2011 at the UK Festival Awards. The new organisers hope to take Truck back to its roots as a local community festival. In a statement on the Truck website, Joe and Robin announced, ““We have always felt a great responsibility for the integrity and sustainability of Truck Festival, which grew so quickly and with such enthusiasm from very humble beginnings in 1998. Via Truck’s unique catering arrangements with the Rotary Club, tens of thousands of pounds have been raised for charities and good causes every year, including last year, and many great bands have taken their first steps to international prominence. BONNIE ‘PRINCE’ BILLY makes visits Oxford in May when he “However, after a notoriously difficult summer of trading for Truck teams up with alt.folk band Trembling Bells. -
Tenure Divides UR Faculty
TUESDAY, FEBRUARY 25, 2020 / VOLUME 147, ISSUE 2 Campus Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org Tenure Divides UR Faculty By AN NGUYEN biology could work in could stop my contract,” that there won’t be back- But even the possibility PUBLISHER business, in a biotech a non-tenured professor lash from administra- of security is not open to company for example, from the social sciences tion, departments, and all faculty. While many students rather than here. And told the Campus Times. colleagues. At UR, faculty can be view UR as an academ- you would make more That social sciences According to the social divided into two tracks: ic pressure-cooker, the money working in the professor and other non- sciences professor, the one for professors who pressure extends to fac- private sector. But the tenured faculty will be repercussions “can be as do research and teach, ulty as well. and one for professors But when students look who focus on teaching. to grad school admis- Only the researchers can sions, many professors get tenure. have their eyes on ten- The social sciences pro- ure: the ultimate promise fessor, who is on the non- of security and prestige tenured instructional that is a make-or-break track, views their job as moment for their careers. taking care of students in Tenure guarantees a a “holistic” way — know- faculty member perma- ing, helping, and caring nent UR employment about them. to pursue their scholar- The wall next to their ship, which can mean desk is covered with let- research, publications, ters and thank-you cards or artwork. -
Reglas De Congo: Palo Monte Mayombe) a Book by Lydia Cabrera an English Translation from the Spanish
THE KONGO RULE: THE PALO MONTE MAYOMBE WISDOM SOCIETY (REGLAS DE CONGO: PALO MONTE MAYOMBE) A BOOK BY LYDIA CABRERA AN ENGLISH TRANSLATION FROM THE SPANISH Donato Fhunsu A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature (Comparative Literature). Chapel Hill 2016 Approved by: Inger S. B. Brodey Todd Ramón Ochoa Marsha S. Collins Tanya L. Shields Madeline G. Levine © 2016 Donato Fhunsu ALL RIGHTS RESERVED ii ABSTRACT Donato Fhunsu: The Kongo Rule: The Palo Monte Mayombe Wisdom Society (Reglas de Congo: Palo Monte Mayombe) A Book by Lydia Cabrera An English Translation from the Spanish (Under the direction of Inger S. B. Brodey and Todd Ramón Ochoa) This dissertation is a critical analysis and annotated translation, from Spanish into English, of the book Reglas de Congo: Palo Monte Mayombe, by the Cuban anthropologist, artist, and writer Lydia Cabrera (1899-1991). Cabrera’s text is a hybrid ethnographic book of religion, slave narratives (oral history), and folklore (songs, poetry) that she devoted to a group of Afro-Cubans known as “los Congos de Cuba,” descendants of the Africans who were brought to the Caribbean island of Cuba during the trans-Atlantic Ocean African slave trade from the former Kongo Kingdom, which occupied the present-day southwestern part of Congo-Kinshasa, Congo-Brazzaville, Cabinda, and northern Angola. The Kongo Kingdom had formal contact with Christianity through the Kingdom of Portugal as early as the 1490s. -
Evbeyi Deathless Free Download Evbeyi Deathless Free Download
evbeyi deathless free download Evbeyi deathless free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a290bdf8ed0c48 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Lyrics Deathless. What's your name? Do you know why I'm here? She was, she was Innocent Sweet sixteen Frozen with fear Whatever happens, whatever happened (oh hey) We are deathless We are deathless Whatever happens, whatever happened (oh hey) We are deathless We are deathless He said, he said You're not clean You might deal All the same with that skin She was, she was Funny looks With her books Left for dead in the streets Whatever happens, whatever happened (oh hey) We are deathless We are deathless Whatever happens, whatever happened (oh hey) We are deathless We are deathless Whatever happens, whatever happened (oh hey) We are deathless We are deathless Whatever happens, whatever happened (oh hey) We are deathless We are deathless. -
Copyright by Jessica Lyle Anaipakos 2012
Copyright by Jessica Lyle Anaipakos 2012 The Thesis Committee for Jessica Lyle Anaipakos Certifies that this is the approved version of the following thesis: Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age APPROVED BY SUPERVISING COMMITTEE: Supervisor: Shanti Kumar Janet Staiger Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age by Jessica Lyle Anaipakos, B.S. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2012 Dedication To G&C and my twin. Acknowledgements This thesis would not have been possible without the guidance, encouragement, knowledge, patience, and positive energy of Dr. Shanti Kumar and Dr. Janet Staiger. I am sincerely appreciative that they agreed to take this journey with me. I would also like to give a massive shout out to the Radio-Television-Film Department. A big thanks to my friends Branden Whitehurst and Elvis Vereançe Burrows and another thank you to Bob Dixon from Seven Artist Management for allowing me to use Harper Smith’s photograph of Skrillex from Electric Daisy Carnival. v Abstract Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age Jessica Lyle Anaipakos, M.A. The University of Texas at Austin, 2012 Supervisor: Shanti Kumar This thesis looks at electronic dance music (EDM) celebrity and fandom through the eyes of four producers on Twitter. Twitter was initially designed as a conversation platform, loosely based on the idea of instant-messaging but emerged in its current form as a micro-blog social network in 2009. -
Music Production and Cultural Entrepreneurship in Today’S Havana: Elephants in the Room
MUSIC PRODUCTION AND CULTURAL ENTREPRENEURSHIP IN TODAY’S HAVANA: ELEPHANTS IN THE ROOM by Freddy Monasterio Barsó A thesis submitted to the Department of Cultural Studies In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada (September, 2018) Copyright ©Freddy Monasterio Barsó, 2018 Abstract Cultural production and entrepreneurship are two major components of today’s global economic system as well as important drivers of social development. Recently, Cuba has introduced substantial reforms to its socialist economic model of central planning in order to face a three-decade crisis triggered by the demise of the USSR. The transition to a new model, known as the “update,” has two main objectives: to make the state sector more efficient by granting more autonomy to its organizations; and to develop alternative economic actors (small private businesses, cooperatives) and self-employment. Cultural production and entrepreneurship have been largely absent from the debates and decentralization policies driving the “update” agenda. This is mainly due to culture’s strategic role in the ideological narrative of the ruling political leadership, aided by a dysfunctional, conservative cultural bureaucracy. The goal of this study is to highlight the potential of cultural production and entrepreneurship for socioeconomic development in the context of neoliberal globalization. While Cuba is attempting to advance an alternative socialist project, its high economic dependency makes the island vulnerable to the forces of global neoliberalism. This study focuses on Havana’s music sector, particularly on the initiatives, musicians and music professionals operating in the informal economy that has emerged as a consequence of major contradictions and legal gaps stemming from an outdated cultural policy and ambiguous regulation. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
WRCU 2/10 ROTATIONS RIYL = Recommended If You Like
WRCU 2/10 ROTATIONS RIYL = Recommended If You Like Alone, Omen 3 by King Krule RIYL: Cosmo Pyke, Ariel Pink The chameleonic singer-songwriter is gearing up for the February 21st release of his next album, Man Alive!, with single "Alone, Omen 3", which displays elements of both the stark, rough-shod post-punk of his first record, 6 Feet Beneath the Moon, and the more eclectic art pop leanings of his second, The OOZ. But "Alone, Omen 3" also hints at a new, psychedelically inclined direction for Marshall, featuring a more understated vocal performance and a woozy, meditative tone. By Colin Jones Run by Joji RIYL: James Blake, Rejjie Snow George Kusunoki Miller began his online career as Filthy Frank (a sketch comedy act), transitioned to Pink Guy (a comedy rapper), and finally realized his full musical form as Joji, the lo-fi hip hop artist inspired by Donald Glover and influenced by electronic and R&B music. On “Run,” a haunting, mysterious electric guitar snakes its way through the song supported by heartbreaking lyrics. Imagine you’re driving along a coastal highway, top-down, feeling the wind, letting the song’s words wash over you, and thinking of your last great love...all while wearing a bad-ass, black leather jacket. That’s what this song is like. By Chase Garvey-Daniels Shangri-La by EOB RIYL: Radiohead, The Postal Service Shangri-la is one of three singles released ahead of Radiohead frontman Edward O'Brien’s upcoming album, which will be called “Earth”. This is O’Brien’s debut album as a solo artist, marking the end of (or at least a break from) his 20+ years with Radiohead. -
A Real Love Story Camila Batmanghelidjh, Founder of Kids Company, Talks About Neuroplasticity
MUSE.09/10/12 A Real Love Story Camila Batmanghelidjh, founder of Kids Company, talks about neuroplasticity The Pride of the North How Gay Pride in York is changing perceptions Freshers’ Week 1964 What the crazy kids of York were up to in the Sixties M2 www.ey.com/uk/careers 09/10/12 Muse. M10 M12 M22 Features. Arts. Film. M4. Flamboyant psychotherapist Camila Bat- M18. Mary O’Connor speaks to poet and rap- M22. James Tyas interviews Sally El Hosaini, manghelidjh speaks to Sophie Rose Walker per Kate Tempest about love and we look back Director of My Brother the Devil, premiering at about the work of her charity Kids Company. at the legacy of Gustav Klimt. the BFI’s London Film Festival this October. M6. What is the frankly rather cool history of Freshers at York? Bella Foxwell investigates Fashion. Food & Drink. what’s changed and what hasn’t. M16. Ben Burns interviews fashion illustra- M23. Ward off Freshers Flu with Hana Teraie- M8. Gay Pride is out and thriving in York. tor Richard Kilroy, Miranda Larbi goes crazy for Wood’s delicous Ratatouille and Irish Coffee. Stefan Roberts and Tom Witherow looks at jacquard, and the ‘Whip-ma-Whop-ma’ shoot on Plus our review of Jamie Oliver’s new restaurant. the Northern scene’s dynamic. M12. M10. Young girls in Sri Lanka are prime Music. Image Credits. targets for terrorism training. Laura Hughes investigates why. M20. Death-blues duo Wet Nuns talk to Ally Cover: Kate Treadwell, Kids Company Swadling about facial hair, and there are stories Photoshoot: All photos credit to the marvellous from Pale Seas. -
Little Italy Artwalk Welcomes All Integrates People Who Have Struggled with Homelessness and Mental Heath Condi- Tions with Those Who Have Not
P.O. BOX 633031, San Diego, CA, 92163 • T 619 269 8001 • F 619 839 3118 www.mancecreative.com VOLUME 13 ISSUE 4 April 2012 Columbia • Core/Civic • Cortez Hill • East Village • Gaslamp/Horton Plaza • Little Italy • Marina ➤➤ EAST VILLAGE BLOCK PARTY P. 13 Cedar Gateway complex hosts CLIENT PROJECT VERSION CLIENT APPROVAL DATE SAN DIEGO Logo Design DOWNTOWN NEWS FINAL X 1/9/12 grand opening Supportive Housing Model, integrating affordable housing and supportive East Village celebrates Padres services, opens in Cortez Hill opener with block party April 5 By Ashley Mackin ➤➤ DINING P. 17 Downtown News On March 21, the Cedar Gateway Multifamily Apartments, an afford- able housing community for families and individuals, celebrated its grand opening. Cedar Gateway has 42 units of affordable housing in addition to 23 units designated for accommodating supportive services for seniors and adults with mental health disabilities. The apartment complex is located Attendees at last year’s Mission Federal Credit Union ArtWalk in Little Italy cheer on one of the musicians. at 1612 Sixth Ave., bounded by Cedar Gaslamp’s Red Light This year’s event is April 28 – 29. (Photo by Paul Nestor) street and Fifth and Sixth avenues. Gary Squier, president of Squier Prop- erties LLC, the project’s developer, said ➤➤ MUSIC P. 22 the model implemented at Cedar Gateway is called a Supportive Housing Model and Little Italy ArtWalk welcomes all integrates people who have struggled with homelessness and mental heath condi- tions with those who have not. Celebrating its 28th year, the free arts festival offers art, music and dance Squier said the Supportive Hous- ing Model has “proven to be effective wherever it’s been tried, by layering By Bart Mendoza Despite the large number of attendees, it is a tes- on community services [and] social Downtown News tament to event organizers that ArtWalk rarely feels services. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,