Ein Leben Aus Musik
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A Film by Chris Hegedus and D a Pennebaker
a film by Chris Hegedus and D A Pennebaker 84 minutes, 2010 National Media Contact Julia Pacetti JMP Verdant Communications [email protected] (917) 584-7846 FIRST RUN FEATURES The Film Center Building, 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] PRAISE FOR KINGS OF PASTRY “The film builds in interest and intrigue as it goes along…You’ll be surprised by how devastating the collapse of a chocolate tower can be.” –Mike Hale, The New York Times Critic’s Pick! “Alluring, irresistible…Everything these men make…looks so mouth-watering that no one should dare watch this film on even a half-empty stomach.” – Kenneth Turan, Los Angeles Times “As the helmers observe the mental, physical and emotional toll the competition exacts on the contestants and their families, the film becomes gripping, even for non-foodies…As their calm camera glides over the chefs' almost-too-beautiful-to-eat creations, viewers share their awe.” – Alissa Simon, Variety “How sweet it is!...Call it the ultimate sugar high.” – VA Musetto, The New York Post “Gripping” – Jay Weston, The Huffington Post “Chris Hegedus and D.A. Pennebaker turn to the highest levels of professional cooking in Kings of Pastry,” a short work whose drama plays like a higher-stakes version of popular cuisine-oriented reality TV shows.” – John DeFore, The Hollywood Reporter “A delectable new documentary…spellbinding demonstrations of pastry-making brilliance, high drama and even light moments of humor.” – Monica Eng, The Chicago Tribune “More substantial than any TV food show…the antidote to Gordon Ramsay.” – Andrea Gronvall, Chicago Reader “This doc is a demonstration that the basics, when done by masters, can be very tasty.” - Hank Sartin, Time Out Chicago “Chris Hegedus and D.A. -
Sissels Jul” - Fem Exklusiva Sverigekonserter 2017!
2017-04-27 09:03 CEST Sissel Kyrkjebø på väg med ”Sissels jul” - fem exklusiva Sverigekonserter 2017! Sissel Kyrkjebø kommer till Sverige i november 2017 med ”Sissels jul”. Över 1 miljon människor har sett hennes tidigare julkonserter bara i Norden, ett mycket svårslaget rekord och konserterna har blivit en formidabel succé med utsålda konserter i Sverige och i övriga norden. Nu är hon äntligen tillbaka med fem exklusiva julkonserter i Sverige. Sverigepremiär blir det i Göteborg den 22 november, turnén gästar Linköping 23 nov, Karlstad 24 nov, Stockholm 25 nov med final i Malmö den 26 nov (Se turnéplan nedan). Julturnén besöker även Norge, Danmark och Island. Sissels stämma får änglarna att häpna. Kombinationen av den fantastiska rösten utstrålning och scennärvaron har gjort Sissel till en mycket eftertraktad artist i stora delar av världen och en artist som andra gärna vill samarbeta med; Diana Krall, Placido Domingo, Bryn Terfel och José Carreras för att nämna några. Tillsammans med Placido Domingo och José Carreras José Carreras blev Sissel inbjuden till att uppträda på den första offentliga julkonserten i Moskva efter Sovjetunionens fall. Jul har det blivit mycket av för Sissels del, både på skiva och som konsertartist. Med sig på turnén har hon musiker och kör av världsklass från USA, England och Norge. Tillsammans kommer de att bjuda på en konsert som spänner från klassiska julsånger till soul och gospel, sånger som får julstämningen att sänka sig över publiken runt om i Norden. Bandet: Sissel Kyrkjebø ”Sissels jul” US: Tim Carmon – orgel, sång, perc, mm (Eric Clapton, Paul McCartney, Stevie Wonder, Bob Dylan m.fl.) UK: Wayne Hernandez – sång (Tina Turner, Tori Amos, Madonna, Yusuf Islam m.fl.) Sam White – sång (Duran Duran, David Gray & Annie Lennox m.fl.) Phebe Edwards – sång (Rod Stewart, Westlife, Adele, Donna Summer, James Brown, Jessie J m.fl.) Norge: Steffen Isaksen – keyboards Håvard Bendiksen – gitarrer, dragspel mm. -
2 Punk – Eine Einleitung
DIPLOMARBEIT Titel der Diplomarbeit „Die Geschichte des Punk und seiner Szenen“ >Band 1 von 1< Verfasser Armin Wilfling angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. A 316 Studienblatt: Studienrichtung lt. Musikwissenschaft Studienblatt: Betreuerin / Betreuer: Dr. Emil Lubej Die Geschichte des Punk und seiner Szenen, Armin Wilfling Seite 2 1 KURZBESCHREIBUNGEN...................................................................................................................... 7 1.1 DEUTSCHSPRACHIGE ZUSAMMENFASSUNG ........................................................................................... 7 1.2 ENGLISH ABSTRACT .............................................................................................................................. 7 2 PUNK – EINE EINLEITUNG.................................................................................................................... 9 2.1 STILDEFINIERENDE MERKMALE DES PUNKS ......................................................................................... 9 2.2 LESEANLEITUNG ................................................................................................................................. 13 3 PUNK – EINE GESCHICHTE ................................................................................................................ 15 3.1 URSPRÜNGE UND VORLÄUFER ............................................................................................................ 17 3.1.1 Garage Rock................................................................................................................................. -
FREE||| We Got Power!: Hardcore Punk Scenes From
WE GOT POWER!: HARDCORE PUNK SCENES FROM 1980S SOUTHERN CALIFORNIA FREE DOWNLOAD David Markey | 306 pages | 10 Jan 2013 | Bazillion Points | 9781935950073 | English | Brooklyn, United States We Got Power! Hardcore Punk Scenes From 1980s Southern California (David Markey) Their job as reporters covering the scene for the fanzine they started put them in many key places to document the scene from an unique prospective that gets you the straight scoop. Meanwhile, their amazing photographs captured the dilapidated houses, abandoned storefronts, and disaffected youth culture of the early Reagan era. Redd Kross plays Santa Monica Beach. We Got Power proofs. Cancel reply Your email address will not be published. Ian has a great eye, and was crucial to this project. By the time he was ready to release it, though, Ecstatic Peace! I kind of get over it and move on. I think one of the advantages to waiting was the advances made in software for home computers, which is where this project started, with a negative scanner and film We Got Power!: Hardcore Punk Scenes from 1980s Southern California towards the end of Go HERE to see all the latest record reviews. Friedman: they had great shots including all of the darkroom aspects. Essential We Got Power!: Hardcore Punk Scenes from 1980s Southern California Go to Top Back to Shop Search. We Got Power! Inhe accidentally discovered he was adopted, leading to work on the autobiography Dark Circles. One might think that maybe, when TYPB came out that might have been the perfect time to capitalize on your previous work. -
Unlocking the Cage
UNLOCKING THE CAGE A film by Chris Hegedus and D A Pennebaker Running Time: 91 minutes filmswelike CANADIAN DISTRIBUTION Films We Like Bookings and Inquries: [email protected] UNLOCKING THE CAGE A film by Chris Hegedus and D A Pennebaker LOGLINE Unlocking the Cage follows animal rights lawyer Steven Wise in his unprecedented challenge to break down the legal wall that separates animals from humans, by filing the first lawsuits that seek to transform a chimpanzee from a “thing” with no rights to a “person” with legal protections. SYNOPSIS Unlocking the Cage follows animal rights lawyer Steven Wise in his unprecedented challenge to break down the legal wall that separates animals from humans. After 30 years of struggling with ineffective animal welfare laws, Steve and his legal team, the Nonhuman Rights Project (NhRP), are making history by filing the first lawsuits that seek to transform an animal from a “thing” with no rights to a “person” with legal protections. Supported by affidavits from primatologists around the world, Steve maintains that, based on scientific evidence, cognitively complex animals such as chimpanzees, whales, dolphins and elephants have the capacity for limited personhood rights (such as bodily liberty) that would protect them from physical abuse. Using writs of habeas corpus (historically used to free humans from unlawful imprisonment), Wise argues on behalf of four captive chimpanzees in New York State. Unlocking the Cage captures a monumental shift in our culture, as the public and judicial system show increasing receptiveness to Steve’s impassioned arguments. It is an intimate look at a lawsuit that could forever transform our legal system, and one man’s lifelong quest to protect “nonhuman” animals. -
Kings of Pastry Discussion Guide
www.influencefilmforum.com Kings of Pastry Discussion Guide Directors: Chris Hegedus, D.A. Pennebaker Year: 2009 Time: 87 min You might know this director from: Startup.com (2001) Down From the Mountain (2000) The War Room (1993) Monterey Pop (1968) Dont Look Back (1967) FILM SUMMARY In KINGS OF PASTRY, sixteen of the leading French pastry chefs compete for the Meilleurs Ouvriers de France (“Best Craftsman in France”), which is the country’s Nobel Prize for pastry. Similar to the Olympics, the 3-day competition takes place every four years and requires that the chefs not only have extraordinary skill and nerves of steel, but also passion, perseverance, and exceptional artistry. To even participate in this competition is to be recognized throughout France as one of the most accomplished artisans. We meet chef Jacques Pfeiffer who sacrifices everything—work, family, finances—to prepare for the Meilleurs Ouvriers de France (M.O.F.). Pfeiffer says that the M.O.F. is not really a competition, but rather the French government’s master exam for craftsmen. More than one candidate can obtain the first prize, and there is no cash prize for winners. Therefore, a level of camaraderie forms between the candidates who compete not against each other, but ultimately against themselves. We meet some of the other pastry chefs, some of whom are competing for the second or third time, determined to finally take home the M.O.F. distinction of excellence. For many, becoming an M.O.F. is a lifelong dream that can only be achieved with unrelenting hard work, passion, and total dedication. -
The Punk Vault : Lovedolls Superstar Fully Realized DVD Page 1 of 13
The Punk Vault : Lovedolls Superstar Fully Realized DVD Page 1 of 13 The Punk Vault « Selections from The Punk Vault [Love Canal] Lovedolls Superstar Fully Realized DVD Lovedolls Superstar Fully Realized - DVD Music Video Distributors/We Got Power Films In 1986, punk filmmaker Dave Markey made a sequel to his underground punk classic, Desperate Teenage Lovedolls with a much larger budget and titled it Lovedolls Superstar. It was a much longer film with a much better story and featured nearly all the characters of the first film, who were played by friends from the local punk rock scene. Much like the first film, it saw a very limited release obviously (what do you expect with a budget of 2000 dollars), and I never even got to see it until this DVD was released! Now 20 years later, it finally makes its way to DVD and easy accessibility, but instead of the original version, we get the “fully realized” version or directors cut if you will. Many scenes were added, some were removed, it was cleaned up, and it ends up being shorter than the original cut! Not being able to compare to the original, I can’t tell you if the film suffered for it, but I seriously doubt that it did. The http://www.punkvinyl.com/2006/04/05/lovedolls-superstar-fully-realized-dvd/ 4/6/2006 The Punk Vault : Lovedolls Superstar Fully Realized DVD Page 2 of 13 soundtrack was left nearly intact with the exception of the omission of anything Greg Ginn had contributed, because for some reason he wanted no part of it anymore and actually filed suit to have his stuff removed from the movies (this happened on the first film and DVDs that were ready to ship had to be destroyed). -
AFI PREVIEW Is Published by the Age 46
ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors. -
Sonic Youth: Celebrity DIY
Essays — Peer Reviewed ZoneModa Journal. Vol. 7 (2017) https://doi.org/10.6092/issn.2611-0563/7585 ISSN 2611-0563 Sonic Youth: celebrity DIY Alice Militello Pubblicato: 29 dicembre 2017 Abstract In New York City’s early ’80s music scene and beyond, the band Sonic Youth represents a special case of the celebrity’s concept. It cannot be reduced to the record sales or scandals, like other famous people. They don’t have the typical self-destructive streak of the stars of the show business, which is the basis of the fortune and, at the same time, the defeat of other musicians. They don’t even have the cult of personality, which has destabilized other crews of the time. However Sonic Youth, during their three decades of career, have been able to find a space in the music scene, to involve a broad segment of audience and lovers; becoming a kind of model for younger generations of musicians. Furthermore, the members of Sonic Youthcan be considered such as influencers ahead of his time, thanks to their ability to find new talents. The present study aims to analyze the concept of celebrity applied to the Sonic Youth language, from 1981 (starting year) to 1994, the year of Experimental Jet Set, Trash No Star album, which brings the group to that DIY (Do-It-Yourself) punk ethics that denotes them from the beginning; to plot the New York’s environment in which they fit; and how the entry into the mainstream world changes the aesthetics of the group. In other words, the research is a breakthrough of the band’s long career, marking the highlights that made them the Sonic Youth. -
Punk Lyrics and Their Cultural and Ideological Background: a Literary Analysis
Punk Lyrics and their Cultural and Ideological Background: A Literary Analysis Diplomarbeit zur Erlangung des akademischen Grades eines Magisters der Philosophie an der Karl-Franzens Universität Graz vorgelegt von Gerfried AMBROSCH am Institut für Anglistik Begutachter: A.o. Univ.-Prof. Mag. Dr. Hugo Keiper Graz, 2010 TABLE OF CONTENTS PREFACE 3 INTRODUCTION – What Is Punk? 5 1. ANARCHY IN THE UK 14 2. AMERICAN HARDCORE 26 2.1. STRAIGHT EDGE 44 2.2. THE NINETEEN-NINETIES AND EARLY TWOTHOUSANDS 46 3. THE IDEOLOGY OF PUNK 52 3.1. ANARCHY 53 3.2. THE DIY ETHIC 56 3.3. ANIMAL RIGHTS AND ECOLOGICAL CONCERNS 59 3.4. GENDER AND SEXUALITY 62 3.5. PUNKS AND SKINHEADS 65 4. ANALYSIS OF LYRICS 68 4.1. “PUNK IS DEAD” 70 4.2. “NO GODS, NO MASTERS” 75 4.3. “ARE THESE OUR LIVES?” 77 4.4. “NAME AND ADDRESS WITHHELD”/“SUPERBOWL PATRIOT XXXVI (ENTER THE MENDICANT)” 82 EPILOGUE 89 APPENDIX – Alphabetical Collection of Song Lyrics Mentioned or Cited 90 BIBLIOGRAPHY 117 2 PREFACE Being a punk musician and lyricist myself, I have been following the development of punk rock for a good 15 years now. You might say that punk has played a pivotal role in my life. Needless to say, I have also seen a great deal of media misrepresentation over the years. I completely agree with Craig O’Hara’s perception when he states in his fine introduction to American punk rock, self-explanatorily entitled The Philosophy of Punk: More than Noise, that “Punk has been characterized as a self-destructive, violence oriented fad [...] which had no real significance.” (1999: 43.) He quotes Larry Zbach of Maximum RockNRoll, one of the better known international punk fanzines1, who speaks of “repeated media distortion” which has lead to a situation wherein “more and more people adopt the appearance of Punk [but] have less and less of an idea of its content. -
COM 321, Documentary Form in Film & Television
1 COM 321, Documentary Form in Film, Television, & Interactive Media Notes from and about Barnouw’s Documentary: A history of the non-fiction film 11. Documentarist as. Observer Definition(s): [British] Free Cinema—A series of showings at London’s National Film Theater, 1956-58 with films by such filmmakers as Lindsay Anderson (primarily known for his narrative films If. ., O Lucky Man), Karel Reisz & Tony Richardson (primarily known for his narrative films The Entertainer, Tom Jones), and Georges Franju (see below); characterized by filmmakers acting as observers, rejecting the role of promoter; made possible by new, light film equipment that allowed an intimacy of observation new to documentary (including both sound and image). [American] Direct Cinema—A term coined by filmmaker Albert Maysles, this is another type of “observer” documentary that attempts to limit the apparent involvement of the filmmaker, using little or no voiceover narration, no script, and no “setting up” subjects (stagings) or reenactments. As David Maysles has indicated, “direct” means “there’s nothing between us and the subject.” Following the British Free Cinema, the American Direct Cinema took advantage of the new, maneuverable 16mm film equipment; after a series of experiments, a wireless synchronizing sound system for this equipment was developed by the Drew Unit at Time, Inc. The main Documentarists: Robert Drew, Ricky Leacock, D. A. Pennebaker, David & Albert Maysles (and associates), Frederick Wiseman. The influence of Direct Cinema has been felt around the world (e.g., prominent films from Holland, Japan, India, Sweden, Canada). [French] Cinema Verite—According to Barnouw, this term is reserved for films following Jean Rouch’s notions of filmmaker as avowed participant, as provocateur (as what Barnouw calls catalyst), rather than the cool detachment of the Direct Cinema. -
Still on the Road 1999 Us Summer Tour with Paul Simon
STILL ON THE ROAD 1999 US SUMMER TOUR WITH PAUL SIMON JUNE 5 Denver, Colorado Fillmore Auditorium 6 Colorado Springs, Colorado World Arena 7 Denver, Colorado McNichols Arena 9 Salt Lake City, Utah Delta Center 11 Vancouver, British Columbia General Motors Place 12 Portland, Oregon Rose Garden Arena 13 George, Washington The Gorge Amphitheatre 14 Eugene, Oregon Erb Memorial Union Ballroom, University of Oregon 16 Sacramento, California Arco Arena 18 Concord, California Concord Pavillion 19 Mountain View, California Shoreline Amphitheater 20 Anaheim, California Arrowhead Pond Of Anaheim 22 Los Angeles, California Hollywood Bowl 25 Chula Vista, California Coors Amphitheatre 26 Las Vegas, Nevada Garden Arena, MGM Grand 27 Phoenix, Arizona Blockbuster Desert Sky Pavillion JULY 2 Minneapolis, Minnesota Race Track Infield, Canterbury Downs, Shakopee 3 Duluth, Minnesota Bayside Festival Park 4 Milwaukee, Wisconsin Marcus Amphitheatre 6 Detroit, Michigan Saint Andrews Hall 7 Clarkston, Michigan Pine Knob Music Theatre 9 Tinley Park, Illinois World Music Theatre 10 Maryland Heights, Missouri Riverport Amphitheatre 11 Cincinnati, Ohio Bogart's 13 Virginia Beach, Virginia GTE Virginia Beach Amphitheater 14 Raleigh, North Carolina All-Tel Pavilion At Walnut Creek 16 Bristow, Virginia Nissan Pavillion At Stoneridge 17 Camden, New Jersey Sony Music Entertainment Center 18 Burgettstown, Pennsylvania Coca Cola Star Lake Amphitheatre 20 Albany, New York Pepsi Arena 22 Mansfield, Massachusetts Tweeter Center For The Performing Arts 23 Mansfield, Massachusetts Tweeter Center For The Performing Arts 24 Hartford, Connecticut Meadows Music Theatre 26 New York City, New York Tramps 27 New York City, New York Madison Square Garden 28 Holmdel, New Jersey PNC Bank Arts Center 30 Wantagh, New York Jones Beach Amphitheatre 31 Wantagh, New York Jones Beach Amphitheatre Bob Dylan: Still On The Road – The 1999 US Summer Tour with Paul Simon Bob Dylan: Still On The Road – The 1999 US Summer Tour with Paul Simon 20460 Fillmore Auditorium Denver, Colorado 5 June 1999 1.