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A Film by Chris Hegedus and D a Pennebaker
a film by Chris Hegedus and D A Pennebaker 84 minutes, 2010 National Media Contact Julia Pacetti JMP Verdant Communications [email protected] (917) 584-7846 FIRST RUN FEATURES The Film Center Building, 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] PRAISE FOR KINGS OF PASTRY “The film builds in interest and intrigue as it goes along…You’ll be surprised by how devastating the collapse of a chocolate tower can be.” –Mike Hale, The New York Times Critic’s Pick! “Alluring, irresistible…Everything these men make…looks so mouth-watering that no one should dare watch this film on even a half-empty stomach.” – Kenneth Turan, Los Angeles Times “As the helmers observe the mental, physical and emotional toll the competition exacts on the contestants and their families, the film becomes gripping, even for non-foodies…As their calm camera glides over the chefs' almost-too-beautiful-to-eat creations, viewers share their awe.” – Alissa Simon, Variety “How sweet it is!...Call it the ultimate sugar high.” – VA Musetto, The New York Post “Gripping” – Jay Weston, The Huffington Post “Chris Hegedus and D.A. Pennebaker turn to the highest levels of professional cooking in Kings of Pastry,” a short work whose drama plays like a higher-stakes version of popular cuisine-oriented reality TV shows.” – John DeFore, The Hollywood Reporter “A delectable new documentary…spellbinding demonstrations of pastry-making brilliance, high drama and even light moments of humor.” – Monica Eng, The Chicago Tribune “More substantial than any TV food show…the antidote to Gordon Ramsay.” – Andrea Gronvall, Chicago Reader “This doc is a demonstration that the basics, when done by masters, can be very tasty.” - Hank Sartin, Time Out Chicago “Chris Hegedus and D.A. -
Een Greep Uit De Cd-Releases 2012
Een greep uit de cd-releases 2012 Artiest/groep Titel 1 Aborted Global flatline 2 Allah -las Allah -las 3 Absynthe Minded As it ever was 4 Accept Stalingrad 5 Adrenaline Mob (Russel Allen & Mike Portnoy) Omerta 6 After All Dawn of the enforcer 7 Aimee Mann Charmer 8 Air La voyage dans la lune 9 Alabama Shakes Boys & girls 10 Alanis Morissette Havoc and bright lights 11 Alberta Cross Songs of Patience 12 Alicia Keys Girl on fire 13 Alt J An AwsoME Wave 14 Amadou & Mariam Folila 15 Amenra Mass V 16 Amos Lee As the crow flies -6 track EP- 17 Amy MacDonald Life in a beautiful light 18 Anathema Weather systems 19 Andrei Lugovski Incanto 20 Andy Burrows (Razorlight) Company 21 Angus Stone Broken brights 22 Animal Collective Centipede Hz 23 Anneke Van Giersbergen Everything is changing 24 Antony & The Johnsons Cut the world 25 Architects Daybreaker 26 Ariel Pink Haunted Graffitti 27 Arjen Anthony Lucassen Lost in the new real (2cd) 28 Arno Future vintage 29 Aroma Di Amore Samizdat 30 As I Lay Dying Awakened 31 Balthazar Rats 32 Band Of Horses Mirage rock 33 Band Of Skulls Sweet sour 34 Baroness Yellow & green 35 Bat For Lashes Haunted man 36 Beach Boys That's why god made the radio 37 Beach House Bloom 38 Believo ! Hard to Find 39 Ben Harper By my side 40 Berlaen De loatste man 41 Billy Talent Dead silence 42 Biohazard Reborn in defiance 43 Black Country Communion Afterglow 44 Blaudzun Heavy Flowers 45 Bloc Party Four 46 Blood Red Shoes In time to voices 47 Bob Dylan Tempest (cd/cd deluxe+book) 48 Bob Mould Silver age 49 Bobby Womack The Bravest -
Some Thoughts On… Far from the Madding Crowd and Its Adaptations Quelques Réflexions Sur… Far from the Madding Crowd Et Ses Adaptations
FATHOM a French e-journal of Thomas Hardy studies 3 | 2016 The Hollow Amid the Text Some Thoughts on… Far from the Madding Crowd and its Adaptations Quelques réflexions sur… Far from the Madding Crowd et ses adaptations Laurence Estanove Electronic version URL: http://journals.openedition.org/fathom/592 DOI: 10.4000/fathom.592 ISSN: 2270-6798 Publisher Association française sur les études sur Thomas Hardy Electronic reference Laurence Estanove, « Some Thoughts on… Far from the Madding Crowd and its Adaptations », FATHOM [Online], 3 | 2016, Online since 30 April 2016, connection on 20 April 2019. URL : http:// journals.openedition.org/fathom/592 ; DOI : 10.4000/fathom.592 This text was automatically generated on 20 April 2019. Some Thoughts on… Far from the Madding Crowd and its Adaptations 1 Some Thoughts on… Far from the Madding Crowd and its Adaptations Quelques réflexions sur… Far from the Madding Crowd et ses adaptations Laurence Estanove Introduction: “Bringing Shepherd Back” 1 In the whole of Hardy’s work, Far from the Madding Crowd is probably, today, the novel that has entailed the most numerous adaptations, or at least adaptations of the most various kinds. The multiplication of those in very recent years may naturally be said to testify to the modernity of Hardy’s writing. But one might also wonder what attracted a variety of artistic practices in that particular novel of Hardy’s, while others, such as Tess, have enjoyed a greater popularity yet generated a more restricted number of adaptations. To this day, four filmmakers as well as one cartoonist and one opera composer have made Hardy’s fourth novel their own. -
Label ARTIST Piece Tracks/Notes Format Quantity
Label ARTIST Piece Tracks/notes Format Quantity Sire Against Me! 2 song 7" single I Was A Teenage Anarchist (acoustic) 7" vinyl 2500 Sub-pop Album Leaf There Is a Wind Featuring 2 new tracks, 2 alternate takes 12" vinyl 1000 on songs from "A Chorus of Storytellers" LP Righteous Babe Ani DiFranco live @ Bull Moose recorded live on Record Store Day at CD Bull Moose in Maine Rough Trade Arthur Russell Calling Out of Context 12 new tracks Double 12" set 2000 Rocket Science Asteroids Galaxy Tour Fun Ltd edition vinyl of album with bonus 12" 250 track "Attack of the Ghost Riders" Hopeless Avenged Sevenfold Unholy Confessions picture disc includes tracks (Eternal 12" vinyl 2000 Rest, Eternal Rest (live), Unholy Confessions Artist First/Shangri- Band of Skulls Live at Fingerprints Live EP recorded at record store CD 2000 la 12/15/2009 Fingerprints Sub-pop Beach House Zebra 2 new tracks and 2 alternate from album 12" vinyl 1500 "Teen Dream" Beastie Boys white label 12" super surprise 12" vinyl 1000 Nonesuch Black Keys Tighten Up/Howlin' For 12" vinyl contains two new songs 45 RPM 12" Single 50000 You Vinyl Eagle Rock Black Label Society Skullage Double LP look at the history of Zakk Double LP 180 Wylde and Black Label Society Gram GREEN vinyl Graveface Black Moth Super Eating Us extremely limited foil pressed double LP double LP Rainbow Jagjaguwar Bon Iver/Peter Gabriel "Come Talk To Bon Iver and Peter Gabriel cover each 7" vinyl 2000 Me"/"Flume" other. Bon Iver track is EXCLUSIVE to this release Ninja Tune Bonobo featuring "Eyes -
Madame Bovary – Gustave Flaubert (1857)
Madame Bovary – Gustave Flaubert (1857) Titre original : Madame Bovary, Mœurs de Province ‘Madame Bovary‘ a été adapté trois fois au cinéma : Le roman graphique 1933 : Jean Renoir 1940 : Vincente Minelli 1991 : Claude Chabrol (1999) REVIEW OF THE GRAPHIC NOVEL ARTICLE in the GUARDIAN POSY SIMMONDS – BIOGRAPHY Posy Simmonds was born in 1945. She grew up in Berkshire. She studied Graphic Design at the Central School of Art in London. In 1969, she started her first daily cartoon feature 'Bear' in The Sun, and also contributed to a variety of magazines and journals, including The Times and Cosmopolitan. In Literary Life (2003), her targets share the trials and She is renowned for her light, witty satire, and social observation. tribulations of the world of books, as observed in authors, publishers, In 1972, she moved to The Guardian as illustrator, where she booksellers and readers. These cartoons and strips typically show women created a popular cartoon strip about middle-class couple, George writers juggling the demands of work and family, or typing their and Wendy Weber. During this time she also produced graphic novels, including True Love (1981), and Gemma Bovery (1999), an frustrations into laptops. Male writers test their egos at readings and adult reworking of Flaubert's Madame Bovary. She was named book-signings and are forever flirting. The cover drawing, for instance, 'Cartoonist of the Year' in 1980 and 1981. shows a middle-aged man with his arm almost around a young waitress. Looking inside, we find the caption: ‘You know, you’re really beautiful … In 1987, she began to write and illustrate children's books, and Have you ever thought about being a novelist?’ And we see its context, created Lulu and the Flying Babies (1988) and the very the launch of a book titled Love Rats. -
Unlocking the Cage
UNLOCKING THE CAGE A film by Chris Hegedus and D A Pennebaker Running Time: 91 minutes filmswelike CANADIAN DISTRIBUTION Films We Like Bookings and Inquries: [email protected] UNLOCKING THE CAGE A film by Chris Hegedus and D A Pennebaker LOGLINE Unlocking the Cage follows animal rights lawyer Steven Wise in his unprecedented challenge to break down the legal wall that separates animals from humans, by filing the first lawsuits that seek to transform a chimpanzee from a “thing” with no rights to a “person” with legal protections. SYNOPSIS Unlocking the Cage follows animal rights lawyer Steven Wise in his unprecedented challenge to break down the legal wall that separates animals from humans. After 30 years of struggling with ineffective animal welfare laws, Steve and his legal team, the Nonhuman Rights Project (NhRP), are making history by filing the first lawsuits that seek to transform an animal from a “thing” with no rights to a “person” with legal protections. Supported by affidavits from primatologists around the world, Steve maintains that, based on scientific evidence, cognitively complex animals such as chimpanzees, whales, dolphins and elephants have the capacity for limited personhood rights (such as bodily liberty) that would protect them from physical abuse. Using writs of habeas corpus (historically used to free humans from unlawful imprisonment), Wise argues on behalf of four captive chimpanzees in New York State. Unlocking the Cage captures a monumental shift in our culture, as the public and judicial system show increasing receptiveness to Steve’s impassioned arguments. It is an intimate look at a lawsuit that could forever transform our legal system, and one man’s lifelong quest to protect “nonhuman” animals. -
Kings of Pastry Discussion Guide
www.influencefilmforum.com Kings of Pastry Discussion Guide Directors: Chris Hegedus, D.A. Pennebaker Year: 2009 Time: 87 min You might know this director from: Startup.com (2001) Down From the Mountain (2000) The War Room (1993) Monterey Pop (1968) Dont Look Back (1967) FILM SUMMARY In KINGS OF PASTRY, sixteen of the leading French pastry chefs compete for the Meilleurs Ouvriers de France (“Best Craftsman in France”), which is the country’s Nobel Prize for pastry. Similar to the Olympics, the 3-day competition takes place every four years and requires that the chefs not only have extraordinary skill and nerves of steel, but also passion, perseverance, and exceptional artistry. To even participate in this competition is to be recognized throughout France as one of the most accomplished artisans. We meet chef Jacques Pfeiffer who sacrifices everything—work, family, finances—to prepare for the Meilleurs Ouvriers de France (M.O.F.). Pfeiffer says that the M.O.F. is not really a competition, but rather the French government’s master exam for craftsmen. More than one candidate can obtain the first prize, and there is no cash prize for winners. Therefore, a level of camaraderie forms between the candidates who compete not against each other, but ultimately against themselves. We meet some of the other pastry chefs, some of whom are competing for the second or third time, determined to finally take home the M.O.F. distinction of excellence. For many, becoming an M.O.F. is a lifelong dream that can only be achieved with unrelenting hard work, passion, and total dedication. -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B. -
Wauseon, Ohio 1 9
COMPILED BY MISS HELEN KLINE MR. M. P. WHITENIGHT MRS. HENRY STOLL PUBLISHED BY GILSON LITHOGRAPHING COMPANY Wauseon, Ohio 1 9 6 0 Starting with only a few note, concerning the Kline family, this genealogy became so large it has been necessary to shorten the records of each family, We hope you will use the Addenda to record the exact dates of your loved ones. It will be deemed a favor if you will send me any corrections or information on relatives we have been unable to trace. Mrs. Henry Stoll 315 W. Jackson St. Fostoria, Ohio Copyright, 1960, by Mrs. Henry Stoll All rights reserved, including the right to reproduce this book or portions thereof in any form. "One generation passeth away, and another generation cometh, but the earth abideth forever." ECCLESIASTES 1-4 It has been a privilege and a pleasure to be associated with so many friendly people. Only with your cordial co-operation, your interest and encouragement could the records of so many families be given in this genealogy. We express our thanks and sincere appreciation. Many of you have copied Bible records, loaned pictures, made a trip to a neighboring cemetery, contacted relatives to secure more information and other acts of loving-kindness. It would be difficult to name all the relatives who have been of great assistance, but it would be unjust not to mention such tireless co-workers as Miss Carolyn Mosher of Hornell, N. Y., Mrs. Paul E. Rote, Millville, Pennsylvania, Mr. and Mrs. Fred Fausey, Orangeville, Pennsylvania, Mr. M. P. Whitenight, Bloomsburg, Pennsylvania and Miss Helen Kline, Wilkes-Barre, Pennsylvania who have compiled certain chapters of these records. -
Tamara Drewe Free
FREE TAMARA DREWE PDF Posy Simmonds | 136 pages | 01 Jul 2010 | Vintage Publishing | 9780224078177 | English | London, United Kingdom Tamara Drewe movie review & film summary () | Roger Ebert Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Tamara Drewe by Posy Simmonds. Tamara Drewe by Posy Simmonds. Tamara Drewe has transformed herself. Plastic surgery, a different wardrobe, a smouldering look, have given her confidence and a new and thrilling power to attract, which she uses recklessly. Often just for the fun Tamara Drewe it. People are drawn to Tamara Drewe, male and female. In the remote village where her late mother lived Tamara arrives to clear up the house. Here she become Tamara Drewe has transformed herself. Here she becomes an object of lust, of envy, the Tamara Drewe of unrequited love, a seductress. To the village teenagers she is 'plastic-fantastic', a role model. Ultimately, when her hot and indiscriminate glances lead to tragedy, she Tamara Drewe seen Tamara Drewe a man-eater, a heartless marriage wrecker, a slut. Tamara Drewe appearing as a serial in the Guardianin book form Tamara Drewe has been enlarged, embellished and lovingly improved by the author. Get A Copy. Hardcoverpages. More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. Tamara Drewe ask other readers questions about Tamara Dreweplease sign up. -
COM 321, Documentary Form in Film & Television
1 COM 321, Documentary Form in Film, Television, & Interactive Media Notes from and about Barnouw’s Documentary: A history of the non-fiction film 11. Documentarist as. Observer Definition(s): [British] Free Cinema—A series of showings at London’s National Film Theater, 1956-58 with films by such filmmakers as Lindsay Anderson (primarily known for his narrative films If. ., O Lucky Man), Karel Reisz & Tony Richardson (primarily known for his narrative films The Entertainer, Tom Jones), and Georges Franju (see below); characterized by filmmakers acting as observers, rejecting the role of promoter; made possible by new, light film equipment that allowed an intimacy of observation new to documentary (including both sound and image). [American] Direct Cinema—A term coined by filmmaker Albert Maysles, this is another type of “observer” documentary that attempts to limit the apparent involvement of the filmmaker, using little or no voiceover narration, no script, and no “setting up” subjects (stagings) or reenactments. As David Maysles has indicated, “direct” means “there’s nothing between us and the subject.” Following the British Free Cinema, the American Direct Cinema took advantage of the new, maneuverable 16mm film equipment; after a series of experiments, a wireless synchronizing sound system for this equipment was developed by the Drew Unit at Time, Inc. The main Documentarists: Robert Drew, Ricky Leacock, D. A. Pennebaker, David & Albert Maysles (and associates), Frederick Wiseman. The influence of Direct Cinema has been felt around the world (e.g., prominent films from Holland, Japan, India, Sweden, Canada). [French] Cinema Verite—According to Barnouw, this term is reserved for films following Jean Rouch’s notions of filmmaker as avowed participant, as provocateur (as what Barnouw calls catalyst), rather than the cool detachment of the Direct Cinema. -
Don Alan Pennebaker [*] Kevin Finner
Kieler Beiträge zur Filmmusikforschung, 5.2, 2010 // 203 Don Alan Pennebaker [*] Kevin Finner [*] Don Alan Pennebaker, auch nominiert als D.A., Don A. oder Donn A. Pennebaker. Geboren am 15. Juli 1925, dreht der heute vierundachtzigjährige Don Alan Pennebaker, Sohn eines Fotografen, noch immer Filme. Nach seinem Militärdienst und einem Ingenieurstudium in Yale sowie am M.I.T in Cambridge arbeitete er in verschiedenen Berufen, bevor er auf Drew und Leacock stieß. Michael Barchet zufolge verdiente Pennebaker sein Geld zunächst als Werbetexter und entwickelte u.a. ein computergestütztes Buchungssystem für Fluglinien (Barchet 1991, 154). Inspiriert durch den Filmemacher Francis Thompson drehte Pennebaker mit Ende zwanzig mit DAYBREAK EXPRESS (1953) und BABY (1954) seine ersten Filme über die New Yorker U-Bahn und einen Zoobesuch mit seiner Tochter. Letzterer war eigentlich nichts anderes als ein Amateur-Familienfilm. Jedoch wurde ihm während des Schneidens bewusst, dass er nicht seinem Material eine Story aufdrängen, sondern dass er sich Story und Rhythmus später in der Montage aus sich selbst heraus entwickeln lassen sollte (Saunders 2007, 10). Zusammen mit Richard Leacock wurde Pennebaker ein Gründungsmitglied von Drew Associates und arbeite dort für die nächsten drei Jahre. Nach den Erfolgen um PRIMARY (1960, Robert Drew), THE CHAIR (1963, ROBERT DREW) und CRISIS: BEHIND A PRESIDENTIAL COMMITMENT (1963, Robert Drew) sah sich Pennebaker nicht mehr in der Lage, die Forderungen von ABC, Time-Life und Drew zu erfüllen und strebte zusammen mit Leacock nach mehr künstlerischer Freiheit: My decision to quit wasn’t the result of any great moral conflict, I simply wasn’t able to fulfill their demands, because I realized that our process of filming could produce better films.