Flood Damages Dorm, Ruin Costs $150000

Total Page:16

File Type:pdf, Size:1020Kb

Flood Damages Dorm, Ruin Costs $150000 Suffolk University Digital Collections @ Suffolk Suffolk Journal Suffolk University Student Newspapers 2003 Newspaper- Suffolk Journal Vol. 62, No. 6, 1/22/2003 Suffolk Journal Follow this and additional works at: https://dc.suffolk.edu/journal Recommended Citation Suffolk Journal, "Newspaper- Suffolk Journal Vol. 62, No. 6, 1/22/2003" (2003). Suffolk Journal. 319. https://dc.suffolk.edu/journal/319 This Newspaper is brought to you for free and open access by the Suffolk University Student Newspapers at Digital Collections @ Suffolk. It has been accepted for inclusion in Suffolk Journal by an authorized administrator of Digital Collections @ Suffolk. For more information, please contact [email protected]. Suffolk University • Boston, Massachusetts Volume 62, Number 6 www.suffolkjournal.net Wednesday, January 22, 2003 Flood damages dorm, ruin costs $150,000 Gillian Reagan find a waist-high pool of brown, Journal Staif dirty water in the basement and “It was like a rapid. sub-basement of thedorm. “It was Director of Residence Life and It was crazy.” a mess. (There was) a pretty good Summer Programs Maureen layer of dirt and mud on the rec. Owen Wark stepped out of the Maureen Owen Wark room floor,” shesaid. Park Street MBTA station at 12:07 Director of Residence Life The computer lab, laundry p.m. on New Year’s Eve to find and Summer Programs room. Residence Life thousands of gallons of water bar ­ Management Information Systems reling down Tremont Street. “It office were all flooded. Due to a was like a rapid. It was crazy,” she loss of electricity, phone lines and said. on Boston Common as gallons of a fire alarm system, the Boston Minutes earlier, a 16-inch water spewed through the grates Fire Department evacuated the water pipe burst at the comer of and into an NSTAR electric trans­ building. Owen Wark, her husband Park and Tremont Streets. Torrents former vault in the residence hall and Suffolk University policeoffi ­ of water mmbled into the MBTA basement. She was unable to wade cers were the only staff members Park Street station and into city through two feet of water to cross in the building. No one was hurt. drains, one of which was right in the street. Once the water sub­ One week and $150,000 worth of Mike Ross - Journal Staff front of the 150 TremontSt. dorm. sided, Owen Wark was finally able (Left to right) Liz Kazdan, Amanda Duiski and Coilette Ricard did Owen Wark powerlessly stood to enter the building at 1:30 p.m. to see Flood, page 3 their iaundry in the 150 TremontSt. residence hall yesterday. SGA may boycott next trustee mtg. Matt Wilder to be changed,” Powers said. Journal Staff Freshman Class Representative Allan Motenko suggested getting Student Governmenta student representative on the Association President Sean board of trustees. “I think we Powers called an emergency SGA should go all the way to get a stu­ conference to discuss possibly dent (representative) on the board boycotting the upcoming boardof of trustees,” Motenko said. trustees student affairs committee SGA Treasurer Kim Duca said meeting. The conference, sched­ she has observed these meetings uled for Thursday afternoon, will more than once. “I’ve been attend­ likely be held under executiveses­ ing these for three years and they sion, which gives SGA the power are alwaysthe same,” Duca said. to hold themeeting behind closed Sophomore Class President, Mike Ross -Journal Staff doors. Langdon Walper suggested that The emergency meeting was the discussion be postponed and Associate Superior Court Justice Juiian T. Houston (left) and the first biack Suffolk County sheriff, called after SGA Vice President moved to a closed-door session, Andrea Cabrai, spoke at the opening ceremony for “The Long Road to Justice ” exhibit. Dave Rodrigues expressed con­ where the position of SGA as a cern that student leaders were not whole could be determined. given the respect they deserveat a Walper cited concerns of the dis­ Cultural court history on display Student Affairs Committee meet­ cussion being printed in the ing last semester. “I felt talked Suffolk Journal. “We look basical ­ GillianReagan tinue to help minorities or whether down to,” Rodrigues said to the ly like retards, sitting there as they Journal Staff they represent reverse discrimina­ general assembly meeting yester­ make fun of us, likelittle monkeys “It is intended for you, it tion. “We travel this long road day. Rodrigues suggested the they can play around with all day,” “The Long Road to Justice” is is intendedfor all of us to constantly under construction.” board “sit-ouf ’ of a similar meet­ Walper said. It is unclear if Walper paved with sacrifice and straggle. leam more about what it The road laid in “The Long ing on Feb. 4. Rodrigues said was referring to the committee in It claimed lives and changed was like to be a black Road to Justice” exhibit winds SGA representatives told board of question, or a similar one regard­ minds. Photographs, courtrecords person in a Massachusetts through the colonial period and trustee members things they had ing academic matters, also made and artifacts from the past 300 court room.” through to the present day. worked on this past semester, up of trustee members. “Treat us years highlight the efforts in “The Assembled by the Justice George there was no discussion, questions like students and members or the Long Road toJustice: The Afiican Julian T. Houston Lewis Ruffin Society, the exhibit or reactions. Suffolk community, not puppets,” American Experience in the Associate Superior Court focuses on how the Massachusetts The Student Affairs Committee Matenko said. Massachusetts Courts” exhibit at Justice and Project Curator courts handled the issue of slaves listens to executive Suffolk club President David J. Sargent Suffolk Law School’s Adams and slavery; how black Americans members every semester. Suffolk seemed speechless over the phone Gallery in David J. Sargent Hall. have straggled to gain equal University President David J. yesterdayafternoon. “I’ m at a loss At the opening ceremony held opportunities through the courts Sargentsaid it helps the board get for understanding,” Sargent said. Jan. 16, Associate Superior Court Cabral, a 1986 graduate of Suffolk and how black Americans’ partici­ a sense of studentlife. “The students haven’t brought Justice and Project Curator Julian Law School, was the keynote pation in the court systemas attor­ After yesterdays meeting, SGA anything to our attention that T. Houston said the exhibit high­ speaker at the openingevent. neys, judges, litigants and jurors Secretary Becky Harlow said she required a diseussion, that wasn’t lights the “overlooked” and “I wondered why is the road has evolvedover the centuries. apologized to the board because held,” he said. Responding to alle­ “ignored” contributions black still so long ... where is the on- The exhibit highlights segrega­ she was leaving themeeting early gations that smdents were disre­ Americans have made to the ramp where we are permanently tion cases, two of which are con­ for a Suffolk team tennis match spected at meetings, Sargent said, Massachusetts courts. on the main road,” Cabral said. sidered by many to be cases that she had scheduled. According to “I am not aware that any student “It is intended for you, it is She cited examples of racial issues stopped racial segreation in the Harlow, trustee member Bob has been spoken down to and I intended for all of us, to leam currently facing America, such as Boston School system. Croce commented that he wished can’t imagine anyone’s perception more about what it was like to be a the Supreme Court case in which In 1972 a group of black par­ he were playing tennis as well. of that.” Sargent said he would black person in a Massachusetts judges will have to decide whether ents from Dorchester filed a class- “I don’t think we should stop address the issue at the upcoming court room,” Houstonsaid. affirmative action programs in the meeting with the board of trustees. trustee’s meeting if he feels it nec­ Suffolk County Sheriff Andrea nation’s universities should con­ see Exhibit, page 2 The way we meet with them needs essary. The Suffolk Journal Wednesday, January 22, 2003 oo Artis-Jackson resigns Adam D. Krauss tions of a demandingoffice. ” career at Suffolk, the university Journal Staff “She considers this a blessing,” became distinctly more welcom­ Briefs said Steven Jean, president of the ing to students and employees Dr. Sharon Artis-Jackson Black Student Union. He from diverse backgrounds.” resigned from her position as expressed confusion over Suffolk He noted the grovrth of the assistant to the president and direc­ letting someone like Artis-Jackson African American, Hispanic, ‘Othello’ a finalist In theater festival tor of the Multicultural Affairs “go so easily. I think they could Asian and Native American popu­ The Suffolk Theatre department’s performance of William office in early December, effec­ have pushed something to keep lation and said “gay, lesbian, Shakespeare's "Othello,” directed by Richard McElvain, was nomi­ tively ending a Suffolk career that her to stay.” bisexual and transgender members nated as a finalist in the Kennedy Center American College Theater played a critical role in diversify­ “We certainly knew Sharon of Suffolk gained visibility and Festival production competition, the most prestigious college theater ing the student body and commu­ was looking to leave Suffolk,” said support.” competition in New England. nity. Wilma Arguiozoni, associate “Sharon is an innovator,” Jean The passionate love story of “Othello,” which was performed in Artis-Jackson said she didn’t director of the Multicultural said. “She increased the comfort the Suffolk’s studio theater at the end of November, was chosen to have time for an interview.
Recommended publications
  • Western Herald – SATURDAY: Jeremy Porter & the Tucos Bring
    Western Herald – SATURDAY: Jeremy Porter & the Tucos bring unique genre blend to Kalamazoo http://www.westernherald.com/arts-and-entertainment/saturday-jeremy-porter-the-tucos-bring-unique-genre-blend-to- kalamaz oo/ March 16, 2013 Craig Manning A&E Editor Growing up in Marquette, Mich., Jeremy Porter was probably one of those guys who spent as much time listening to the radio and spinning records on the turntable as he did hitting the books. At 16, he helped launch one of the Upper Peninsula’s first punk bands —called The Regulars—and instead of making curfew on Thursday nights, he spent them hanging out in ‘juice joints,’ cranking the amplifiers to capacity and, as his bio says, learning “what a rock bar smells like.” But while Porter’s educators probably frowned on that sort of behavior, clearly Porter is getting the last laugh. The singer/songwriter—who transplanted to the Detroit area back in the 80s—built a new trio called the Tucos in 2010, recruiting Jason Bowes (bass) and Gabriel Doman (drums) as his back-up. Almost three years later, the trio has supported nationally-recognized acts like Jesse Malin & the St. Mark’s Social and Whitey Morgan & The 78’s and brought their unique blend of 70s power pop, 80s punk rock and 90s alt-country to bars and clubs all over the midwest. On Saturday night, the Tucos will hit the stage at Louie’s Trophy House in Kalamazoo to support their excellent new full-length, Partner in Crime. Porter’s influences are rich and varied, all manifesting themselves at some point during Partner in Crime’s 46-minute runtime.
    [Show full text]
  • The History of Rock Music - the 2000S
    The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were.
    [Show full text]
  • DAVID RYAN ADAMS C/O PAX-AM Hollywood CA 90028
    DAVID RYAN ADAMS c/o PAX-AM Hollywood CA 90028 COMPETENCIES & SKILLS Design and construction of PAX-AM studios in Los Angeles to serve as home of self-owned-and-operated PAX-AM label and home base for all things PAX-AM. Securing of numerous Grammy nominations with zero wins as recently as Best Rock Album for eponymous 2014 LP and Best Rock Song for that record's "Gimme Something Good," including 2011's Ashes & Fire, and going back all the way to 2002 for Gold and "New York, New York" among others. Production of albums for Jenny Lewis, La Sera, Fall Out Boy, Willie Nelson, Jesse Malin, and collaborations with Norah Jones, America, Cowboy Junkies, Beth Orton and many others. RELEVANT EXPERIENCE October 2015 - First music guest on The Daily Show with Trevor Noah; Opened Jimmy Kimmel Live's week of shows airing from New York, playing (of course) "Welcome To New York" from 1989, the song for song interpretation of Taylor Swift's album of the same name. September 2015 - 1989 released to equal measures of confusion and acclaim: "Ryan Adams transforms Taylor Swift's 1989 into a melancholy masterpiece... decidedly free of irony or shtick" (AV Club); "There's nothing ironic or tossed off about Adams' interpretations. By stripping all 13 tracks of their pony-stomp synths and high-gloss studio sheen, he reveals the bones of what are essentially timeless, genre-less songs... brings two divergent artists together in smart, unexpected ways, and somehow manages to reveal the best of both of them" (Entertainment Weekly); "Adams's version of '1989' is more earnest and, in its way, sincere and sentimental than the original" (The New Yorker); "the universality of great songwriting shines through" (Billboard).
    [Show full text]
  • W DFHFM 90.3 Airshift Playlist Rob Nico Saturday, January 21, 2006 2
    W DFHFM 90.3 Airshift Playlist Rob Nico Saturday, January 21, 2006 2 – 6pm Song Title Artist Album (The show begins with a solo song by A.C. Newman who is the leader of New Pornographers.) Miracle Drug A.C. Newman The Slow Wonder Sing Me Spanish Techno New Pornographers Twin Cinema Boom Like That Mark Knopfler Shangri-La Stand By Me John Lennon Rock ‘N’ Roll So It Goes Nick Lowe Pure Pop For Now People (How about a Belle and Sebastion song? By the way they’re going to be in NYC in March at the Nokia Theater and New Pornographers are opening for them. ) Step Into My Office, Baby Belle & Sebastion Dear Catastrophe Waitress Married With Children Oasis Definitely Maybe Christian St. Marah Kids In Philly Riding With The King BB King & Eric Clapton Riding With The King (The movie Elizabethtown’s soundtrack includes a deep cut from Elton John’s Tumbleweed Connection, My Father’s Gun, which is on deck.) My Father’s Gun Elton John Elizabethtown: Original Soundtrack Daniel Elton John To Be Continued… Whatever Gets You Through the John Lennon & Elton John Shaved Fish Night I Saw Her Standing There Elton John & John Lennon To Be Continued… (The story goes that John Lennon asked Elton John to guest on Whatever Gets You Through the Night. Elton agreed with the stipulation that if the song went to Number 1, John would have to appear on stage at one of Elton’s shows. Well, Whatever Gets You Through the Night reached the top of the charts on November 16, 1974 and John Lennon appeared with Elton John in concert at Madison Square Garden on Thanksgiving, November 28, 1974 and together sang the new #1 hit, Lucy in The Sky with Diamonds and I Saw Her Standing There (a number by his estranged fiancé, Paul).
    [Show full text]
  • Its Worst Christmas in Years 5 Holiday Sales Strategie
    JIMMY IVINE ON U2, YOUTUBE AND WHEN TO EXPECT DRE DAY >P.16 BRANDY'S BIG COMEBACK >P.37 DR PEPPER'S GUNS N' ROSES PROMOTION GOES FLAT >P.6 COMMON'S `MIND' GAMES >P.38 WHAT THE MUSIC BIZ CAN LEARN FROM OBAMA >P.8 EXPERIENCE THE BUZZ BLACKEST FR Why Physical Retail Expects Its Worst Christmas In Years DECEMBER 6, 2008 www.billboard.com PLUS. www.billboard.biz US $6.99 CAN $8.99 UK £5.50 Fore SCII 3 -DIGIT 907 The Season's Digital i EENCTCC 000/004 120193NBB /CB /9AMAR10 001 A04 Look Next Year's Hit II1I11II111I11I1II111_111_111_1111111111111111111111 A At 0012 MONTY GRBBNLY i A 3740 ELM AVE 000880 5 Holiday Sales Strategie LONG BEACH CA 90807 -3402 www.americanradiohistory.com LOEB& LOEB LLP PPESENTS B J music& money S Y M P O S I U M March 5, 2009 St. Regis, New York City CONNECT WITH THE DEALMAKERS DRIVING THE MUSIC BUSINESS Now in its 8th year, this one -day event brings TOPICS INCLUDE: together the best minds from the music, legal, Investing in Online Music Start -Ups financial and Wall Street communities for an in -depth Working with Consumer Brands examination of the financial realities with which the Trends in Venture Capital and Private Equity music industry is contending. Mobile Music Applications Music Publishing M &A Join Billboard and today's most important entertainment Behind the Scenes: Case Studies executives for compelling keynote interviews, informative panel sessions, networking receptions and more. CONFIRMED SPEAKERS: Roger Faxon, Chairman /CEO, EMI Music Publishing Scott Sperling, Co- President, Thomas H.
    [Show full text]
  • Adam Deitch Quartet - Egyptian Secrets
    Adam Deitch Quartet - Egyptian Secrets Adam Wakefield - Gods & Ghosts Adrian Quesada - Look at My Soul: The Latin Shade of Texas Soul Ages and Ages - Me You They We Alexa Rose - Medicine for Living Alfred Serge IV - Sleepless Journey Alice Wallace - Into the Blue Allah-Las - Lahs Allison deGroot & Tatiana Hargreaves - Allison deGroot & Tatiana Hargreaves Allison Moorer - Blood Altin Gun - Gece Amanda Anne Platt & The Honeycutters - Live at the Grey Eagle Amy LaVere - Painting Blue Amy McCarley - Meco Anders Osborne - Buddha and the Blues Andrew Bird - My Finest Work Yet Andrew Combs - Ideal Man Andy Bassford - The Harder They Strum Andy Statman - Monroe Bus Andy Thorn - Frontiers Like These Angelique Kidjo - Celia Angie McMahon - Salt Arlen Roth - TeleMasters Armchair Boogie - What Does Time Care? Austin Plaine - Stratford Aubrey Eisenman and The Clydes - Bowerbird Avery R. Young - Tubman Avett Brothers - Closer Than Together Aymee Nuviola - A Journey Through Cuban Music Bad Popes - Still Running Balsam Range - Aeonic Bayonics - Resilience BB King Blues Band - The Soul of the King Beatific - The Sunshine EP Bedouine - Bird Songs of a Killjoy Ben Dickey - A Glimmer On the Outskirts Beth Bombara - Evergreen Beth Wood - The Long Road Better Oblivion Community Center - Phoebe Bridgers & Conor Oberst Big Band of Brothers - A Jazz Celebration of the Allman Brothers Band Big Thief - Two Hands Bill Noonan - Catawba City Blues Billy Strings - Home Black Belt Eagle Scout - At the Party With My Brown Friends Black Joe Lewis & The Honeybears - The Difference Between Me & You Black Keys - Let's Rock Blue Highway - Somewhere Far Away Blue Moon Rising - After All This Time Bobby Rush - Sitting On Top of the Blues Bombadil - Beautiful Country Bon Iver - I, I Bonnie Bishop - The Walk Brittany Howard - Jaime Brother Oliver - Well, Hell Bruce Cockburn - Crowing Ignites Bruce Hornsby - Absolute Zero Buddy & Julie Miller - Breakdown on 20th Ave.
    [Show full text]
  • Alt-Nation: Everything Is New
    Alt-Nation: Everything is New D Generation – Nothing Is Anywhere (Bastard Basement Records) D Generation return after 17-year hiatus since their last album, Through The Darkness, with Nothing Is Anywhere to serve up another gritty platter of rock ‘n’ roll from the bowels of Avenue A. On Thru The Darkness, D Generation dealt with the Rudy Giuliani-led Disney gentrification of New York City while the band was becoming in disarray, trapped in music business purgatory. Flash forward to 2016 where the hedge fund brigade has taken over New York City and rage is something one buys at Hot Topic. Nothing Is Anywhere kicks off with a nostalgia stomp-back reflecting back to a ’90s circus of freaks hanging out on a Tuesday night in “Queens of A.” The autobiographical anthem “Apocalypse Kids” channels hardcore sing-a-long swooping choruses in the most Cheap Trick way possible with all the “perfect imperfections” intact. Nothing Is Anywhere is no nostalgia go-cart as “20th Century Blues” has the swagger of a T-Rex chopping on The Hellacopters begging for change on the Bowery. “Militant” launches into a hardcore rage while defiantly ending with “you can’t touch my soul.” The infectious “Rich Kids” would be enough to make me actually heart radio if their DJs actually played it. “Piece of the Action” is an observation of the stark reality of looking out over the wealthy migrants who have come to New York looking for something that isn’t theirs. The reason why D Generation with their dirty Lower East Side Faces meets Dead Boys riffs and singer Jesse Malin’s clever turn of the lyrics matters is because Nothing Is Anywhere is raw and the real deal.
    [Show full text]
  • Is This Jazz?: an Interview with Leland Baker,Jazz Insights: David Wallis Reeves,Music in the Sky: Rooftop at Providence G Is Ho
    Rock ‘n’ Roll Villains: Ravi Shavi unleash Special Hazards On their third full-length release, Special Hazards, Ravi Shavi unleash a collection of 14 songs chock full of grooves, trashy surf and classic pop. Gems like “Going Going Gone” come off like a letter to an old flame with singer/guitarist Rafay Rashid asking, “How’s the city, how’s your mom, do you still have a car, have you taken your pills, have you smoken a joint?” The wistful chorus features backing vocals from Roz Raskin. One of the older songs in Ravi Shavi’s repertoire, “Is It True,” is a sunny burst of classic pop buttressed by backing vocals from Raskin as well as Kate Jones and Emily Shaw of The Sugar Honey Iced Tea. “High Hopes” has a Cramps-style guitar-from-the-gutter stomp with a guest appearance by Ian O’Neil of Deer Tick. O’Neil also appears on “Violence,” which has an early 2000s alternative rock flavor. “Absent Minded Fool” is a lament with the feel of a cool flamenco guitar gone wrong. The final track, “Casino,” is my favorite with its eerily seductive lyrics like, “Why don’t you take a gamble, I’ll be your casino,” floating like smoke through the air over a funky garage backbeat. Special Hazards is available now on Ravi Shavi’s Bandcamp page with physical copies on vinyl and CD coming later this year. I spoke with Rafay Rashid to discuss pandemic living, how he and guitarist Nick Politelli write, and the villainous undercurrent flowing through Special Hazards.
    [Show full text]
  • The History of American Punk Rock 1980 – 1986
    THE HISTORY OF AMERICAN PUNK ROCK 1980 – 1986 A documentary film by Paul Rachman Inspired by the book American Hardcore: A Tribal History by Steven Blush A SONY PICTURES CLASSICS RELEASE East Coast Publicity: West Coast Publicity: Distributor: Falo Ink. Block Korenbrot Sony Pictures Classics Shannon Treusch Melody Korenbrot Carmelo Pirrone Betsy Rudnick Lisa Danna Angela Gresham 850 7th Ave, Suite 1005 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-445-7100 tel 323-634-7001 tel 212-833-8833 tel 212-445-0623 fax 323-634-7030 fax 212-833-8844 fax Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com SYNOPSIS Generally unheralded at the time, the early 1980s hardcore punk rock scene gave birth to much of the rock music and culture that followed. There would be no Nirvana, Beastie Boys or Red Hot Chili Peppers were it not for hardcore pioneers such as Black Flag, Bad Brains and Minor Threat. Hardcore was more than music—it was a social movement created by Reagan-era misfit kids. The participants constituted a tribe unto themselves—some finding a voice, others an escape in the hard-edged music. And while some sought a better world, others were just angry and wanted to raise hell. AMERICAN HARDCORE traces this lost subculture, from its early roots in 1980 to its extinction in 1986. Page 2 ABOUT THE PRODUCTION Paul Rachman and Steven Blush met through the hardcore punk rock scene in the early 1980s. Steven promoted shows in Washington, DC, and Paul directed the first music videos for bands like Bad Brains and Gang Green.
    [Show full text]
  • “Gypsy Punks”: the Performance of Real and Imagined Cultural Identities Within a Transnational Migrant Group
    Journal of Popular Music Studies, Volume 24, Issue 1, Pages 3–24 Russian Jews and “Gypsy Punks”: The Performance of Real and Imagined Cultural Identities within a Transnational Migrant Group Rebecca Jablonsky New York University Introduction This article will discuss the implications of the construction of cultural space among Russian Jews in New York City and the narratives employed to collectively produce and claim this space, particularly the repeated notion of being without a “home” or “place.” Analysis of these narratives will address the uniqueness of Russian Jewish identity and the historical factors that contributed to the isolation of Russian Jews in their homeland and in New York.Special attention will be paid to physical Russian Jewish spaces, considering these spaces as mediating agents in constructing cultural identity, as well the role of the music scene as it relates to cultural cohesion. This focus is drawn from communications scholar David Morley’s assertion that media technologies tend to “transport the individual or small family group to destinations (physical, symbolic or imaginary) well beyond the confines of home or neighborhood, combining privacy with mobility” (149). Considering Russian Jews as a highly mobile group that centers on the exclusion of others, inclusion manifests itself through the construction of, and participation in, spaces that represent their physical and imagined communities. Using historical and theoretical research, a literature review, ethnographic techniques, interviews, analyses of songs and media, and the presentation of personally recorded media, Russian Jewish identity and alienation will be used as a means of understanding the “gypsy punk” movement that has emerged in the popular New York City nightclub, Mehanata, also known as “The Bulgarian Bar.” The rising fame of the self- proclaimed gypsy punk band Gogol Bordello will be considered, along with the textual, audio, and visual media that presents this scene to participants.
    [Show full text]
  • Close-Up with Pioneering Rock Music Photographer Bob Gruen - September 18, 2015 - Newyork.Com 11/14/16, 4:46 PM
    Close-up with Pioneering Rock Music Photographer Bob Gruen - September 18, 2015 - NewYork.com 11/14/16, 4:46 PM HOME VISITING NEW YORK LIVING IN NEW YORK Search BROADWAY ▼ HOTELS THINGS TO DO TOURS & ATTRACTIONS EVENTS RESTAURANTS JOBS HOME › JOBS › Everything Jobs › Close-up with Pioneering Rock Music Photographer B... REAL ESTATE HOT 5 COOL JOB Q&A Close-up with Pioneering Rock Music READ MORE ABOUT Photographer Bob Gruen The legendary rock music photographer talks about why he’s more active than » Broadway » Attractions ever, the high school field trip that changed his life and his relationship with » Tours » Restaurants Lennon » Hotels » Real Estate GET WEEKLY September 18, 2015, Craigh Barboza » Jobs 1 Share Like 326 Share Tweet NEWS AND EXCLUSIVE OFFERS When Bob Gruen started taking pictures of rock musicians five decades ago, there was no rock media, Enter your e-mail address SUBSCRIBE or even a nationally distributed journal dedicated to the music. “I didn’t have any role models because the job description ‘rock photographer’ didn’t exist,” Gruen says. “Now I understand you can study it in college.” It would be hard to find a better teacher than Gruen. His work, after all, is a vivid scrapbook of rock ‘n’ roll history in all its messy complexity and magnificence. Pleasant and easygoing with a large nest of curly hair, he is a natural storyteller, capable of rattling off arcane facts about bands or describing the births of various movements as well as memorable tours, performances and the scene inside CBGB. Bob Gruen with Debbie Harry and Chris Stein of Blondie at Gruen’s ‘The 40th Anniversary Of Blondie’ exhibition at Chelsea Hotel Storefront Gallery in 2014 in New York City (Photo: Dimitrios Kambouris/Getty Images) EXPLORE NEW YORK Throughout his illustrious career, Gruen has been seemingly everywhere at once, snapping thousands upon thousands of photos, many of which are encrusted in rock lore.
    [Show full text]
  • Mountain Stage Guest Artist List
    MOUNTAIN STAGE GUEST ARTIST LIST 1981 March Bob Thompson Jazz Trio, Putnam County Pickers 1983 December Larry Parson’s Chorale, Bob Thompson Jazz Trio, John Pierson 1984 January Currence Brothers, Ethel Caffie-Austin Singers, Terry Wimmer February Rhino Moon, Moloney, O’Connell & Keane, Alan Klein, Robert Shafer March Trapezoid, Charleston String Quartet, Bonnie Collins, April Stark Raven, Joe Dobbs/Friends, Alan Freeman, Joe McHugh May Hot Rize, Red Knuckles & Trailblazers, Karen McKay, Alan/Jeremy Klein June Norman Blake/Rising Fawn Ensemble, Appalachian String Quartet, Elmer Bird, Jeff and Angela Scott July Still Portrait, Everett Lilly/Appalachian Mountain, Sweet Adelines August Bill Danoff, Ann Baker/Bob Thompson Trio, Bob Shank, Alice Rice September Clan Erdverkle, Ron Sowell, Tracy Markusic, Shirley Fisher October Critton Hollow String Band, Tom Church, Marc & Cheryl Harshman November Turley Richards, Night Sky, Mountain Stage Regulars December (1 hr. Christmas special) West Virginia Brass, Bob Thompson, Devon McNamara 1985 January Turley Richards, West Virginia Brass, Bonnie Collins February Whetstone Run, Lucky Jazz Band, Alice Rice March Alex de Grassi, Nat Reese, Maggie Anderson April Guy Clark, Trapezoid, Marc Harshman May Bob Thompson, Ann Baker, Paul Skyland, Devon McNamara June 1 (Spoleto-Chas, SC) Hot Rize, Red Knuckles, John Roberts/Tony Barrand, Moving Star Singers June John McEuen, Mountain Thyme, John Rosenbohm, Bonnie Collins July Bill Danoff, Steadfast, Faith Holsaert August Buster Coles, Bing Brothers, Bob Baber
    [Show full text]