Right Arm Resource Update
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 Bands Over 11 Nights, All Included with Fair Admission
FOR IMMEDIATE RELEASE Contact: Ian Cox 502-367-5186 [email protected] Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 bands over 11 nights, all included with fair admission. LOUISVILLE, Ky. (May 26, 2021) — The Kentucky State Fair announced the lineup of the Texas Roadhouse Concert Series at a press conference today. Performances range from rock, indie, country, Christian, and R&B. All performances are taking place adjacent to the Pavilion and Kentucky Kingdom. Concerts are included with fair admission. “We’re excited to welcome everyone to the Kentucky State Fair and Texas Roadhouse Concert series this August. We’ve got a great lineup with old friends like the Oak Ridge Boys and up-and-coming artists like Jameson Rodgers and White Reaper. Additionally, we have seven artists that are from Kentucky, which shows the incredible talent we have here in the Commonwealth. This year’s concert series will offer something for everyone and be the perfect celebration after a year without many of our traditional concerts and events,” said David S. Beck, President and CEO of Kentucky Venues. Held August 19-29 during the Kentucky State Fair, the Texas Roadhouse Concert Series features a wide range of musical artists with a different concert every night. All concerts are free with paid gate admission. “The lineup for this year's Kentucky State Fair Concert Series features something for everybody," says Texas Roadhouse spokesperson Travis Doster, "We look forward to being part of this event that brings people together to create memories and fun like we do in our restaurants.” The Texas Roadhouse Concert Series lineup is: Thursday, August 19 Josh Turner with special guest Alex Miller Friday, August 20 Ginuwine with special guest Color Me Badd Saturday, August 21 Colt Ford with special guest Elvie Shane Sunday, August 22 The Oak Ridge Boys with special guest T. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Western Herald – SATURDAY: Jeremy Porter & the Tucos Bring
Western Herald – SATURDAY: Jeremy Porter & the Tucos bring unique genre blend to Kalamazoo http://www.westernherald.com/arts-and-entertainment/saturday-jeremy-porter-the-tucos-bring-unique-genre-blend-to- kalamaz oo/ March 16, 2013 Craig Manning A&E Editor Growing up in Marquette, Mich., Jeremy Porter was probably one of those guys who spent as much time listening to the radio and spinning records on the turntable as he did hitting the books. At 16, he helped launch one of the Upper Peninsula’s first punk bands —called The Regulars—and instead of making curfew on Thursday nights, he spent them hanging out in ‘juice joints,’ cranking the amplifiers to capacity and, as his bio says, learning “what a rock bar smells like.” But while Porter’s educators probably frowned on that sort of behavior, clearly Porter is getting the last laugh. The singer/songwriter—who transplanted to the Detroit area back in the 80s—built a new trio called the Tucos in 2010, recruiting Jason Bowes (bass) and Gabriel Doman (drums) as his back-up. Almost three years later, the trio has supported nationally-recognized acts like Jesse Malin & the St. Mark’s Social and Whitey Morgan & The 78’s and brought their unique blend of 70s power pop, 80s punk rock and 90s alt-country to bars and clubs all over the midwest. On Saturday night, the Tucos will hit the stage at Louie’s Trophy House in Kalamazoo to support their excellent new full-length, Partner in Crime. Porter’s influences are rich and varied, all manifesting themselves at some point during Partner in Crime’s 46-minute runtime. -
Lili Añel Singer/Songwriter/Recording Artist
Lili Añel singer/songwriter/recording artist For Lili Añel, music is a calling. There is nothing else she sees herself doing. “I don't think I could be anything but a singer-songwriter- performer; I truly believe this is why God put me here,” she said. The six-foot tall singer-songwriter, who has had a lengthy career she continues to build on, grew up in New York City. She discovered her passion while singing along to albums she listened to as a child and singing in church. Her grandfather encouraged her to keep singing if it made her happy. To this day, Lili thinks that is one of the forces that put her down the path she is on right now. Her mother also encouraged her. “My Grandfather was very influential and was instrumental in my deciding to pursue music full-time later on in life. I sang in the church choir and he would sneak in to the mass without telling me. I would ask him later, after letting him know that I saw him in the back, why he came to church at all and then leave before it was over. His response was “to hear you sing; I can hear your voice above the others.” After I discovered my musical self, my Mom was also influential. When she became ill with cancer, I was going to put music on hold and dedicate all my time to caring for her. She forbid me,” recalled Lili. “She told me if I stopped performing and she died, she'd haunt me – it was her way of saying that I should keep going. -
Full Speed Ahead for DVD Sales by JILL KIPNIS Increase Another 49% in 2003
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) II.L.II..I.JJL.1I.1I.II.LJII I ILIi #BXNCCVR ******* ************** 3 -DIGIT 908 #908070EE374EM002# * BLBD 880 A06 B0105 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT APRIL 5, 2003 Patriotism Lifts Pro -War Songs; Chicks Suffer A Billboard and Airplay Moni- Last week, the Chicks' "Travelin' tor staff report Soldier," a record that many thought With the war in Iraq now more would become an anthem for the than a week old and displays of sup- troops in the event of war, instead port for the war increasing, went 1 -3 on the Billboard Linkin Park Enjoys Meteoric Opening radio responded on several Some Acts Nix Hot Country Singles & fronts. The biggest victims International Tracks chart in the wake BY LARRY FLICK Show by Eminem, which sold 1.3 million copies in of the patriotic surge have Tours In Light of singer Natalie Maims' NEW YORK -Based on first -day sales activity for its its first full week of sales for the week ending June been Dixie Chicks, whose Of War: anti -war/anti -President new album, Meteora, Linkin Park could enjoy the 2, 2002, according to Nielsen SoundScan. Seven - tracks suffered major air- See Page 7 Bush comments (Bill- first 1 million -selling week of 2003. Early estimates day sales of more than 900,000 units would score play losses at their host for- board, March 29). -
The History of Rock Music - the 2000S
The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were. -
DAVID RYAN ADAMS C/O PAX-AM Hollywood CA 90028
DAVID RYAN ADAMS c/o PAX-AM Hollywood CA 90028 COMPETENCIES & SKILLS Design and construction of PAX-AM studios in Los Angeles to serve as home of self-owned-and-operated PAX-AM label and home base for all things PAX-AM. Securing of numerous Grammy nominations with zero wins as recently as Best Rock Album for eponymous 2014 LP and Best Rock Song for that record's "Gimme Something Good," including 2011's Ashes & Fire, and going back all the way to 2002 for Gold and "New York, New York" among others. Production of albums for Jenny Lewis, La Sera, Fall Out Boy, Willie Nelson, Jesse Malin, and collaborations with Norah Jones, America, Cowboy Junkies, Beth Orton and many others. RELEVANT EXPERIENCE October 2015 - First music guest on The Daily Show with Trevor Noah; Opened Jimmy Kimmel Live's week of shows airing from New York, playing (of course) "Welcome To New York" from 1989, the song for song interpretation of Taylor Swift's album of the same name. September 2015 - 1989 released to equal measures of confusion and acclaim: "Ryan Adams transforms Taylor Swift's 1989 into a melancholy masterpiece... decidedly free of irony or shtick" (AV Club); "There's nothing ironic or tossed off about Adams' interpretations. By stripping all 13 tracks of their pony-stomp synths and high-gloss studio sheen, he reveals the bones of what are essentially timeless, genre-less songs... brings two divergent artists together in smart, unexpected ways, and somehow manages to reveal the best of both of them" (Entertainment Weekly); "Adams's version of '1989' is more earnest and, in its way, sincere and sentimental than the original" (The New Yorker); "the universality of great songwriting shines through" (Billboard). -
Piece of Ventura History Burns to the Ground
FREE Vol. 3, No. 1122 Published Published Every Every Other Other Wednesday Wednesday August 11 March - August 10 -24, 23, 2010 2010 Sandra Laby knew that she must perform well in front of her infant grandchildren 72-year-old Sandra Laby crowned Queen of Oxnard Salsa Festival Even though she knew she would not be spending her 50th wedding anniver- sary with her husband and 2-month-old Piece of Ventura history burns to the ground twin grandchildren, Ventura Music Festi- by Rebecca Wicks val (VMF) Board Member, Sandra Laby, wanted to compete in the 2010 Oxnard Earlier this month the fabled E.P. the school district about purchasing ing the Avenue School but learned it Salsa Festival’s Dancing with Our Com- Foster house was completely destroyed and obtaining rights to the house for would not be possible due to state regula- munity Stars (DWOCS) competition on by fire ending an ongoing discussion on restoration. tions limiting how close schools can be to July 25. what should be done with the historic According to Joe Richards, the school gas lines which happen to run adjacent to Laby’s top priority was to raise funds house which once belonged to one of, if district’s assistant superintendent of the property. for the VMF’s “Music in the Schools” not the most prominent, philanthropic business services, the property sits on the Richards confirmed initial discus- educational outreach programs. Laby family the city has seen. group’s surplus land list. sions had taken place between the school was one of six community members that Five fire engines and more than two “Currently, there is no plan for the district and members of the Foster fam- were paired with professional salsa dance dozen firefighters worked on the August land and it isn’t on any specific agenda,” ily but stressed that no explicit actions or instructors for the annual competition. -
W DFHFM 90.3 Airshift Playlist Rob Nico Saturday, January 21, 2006 2
W DFHFM 90.3 Airshift Playlist Rob Nico Saturday, January 21, 2006 2 – 6pm Song Title Artist Album (The show begins with a solo song by A.C. Newman who is the leader of New Pornographers.) Miracle Drug A.C. Newman The Slow Wonder Sing Me Spanish Techno New Pornographers Twin Cinema Boom Like That Mark Knopfler Shangri-La Stand By Me John Lennon Rock ‘N’ Roll So It Goes Nick Lowe Pure Pop For Now People (How about a Belle and Sebastion song? By the way they’re going to be in NYC in March at the Nokia Theater and New Pornographers are opening for them. ) Step Into My Office, Baby Belle & Sebastion Dear Catastrophe Waitress Married With Children Oasis Definitely Maybe Christian St. Marah Kids In Philly Riding With The King BB King & Eric Clapton Riding With The King (The movie Elizabethtown’s soundtrack includes a deep cut from Elton John’s Tumbleweed Connection, My Father’s Gun, which is on deck.) My Father’s Gun Elton John Elizabethtown: Original Soundtrack Daniel Elton John To Be Continued… Whatever Gets You Through the John Lennon & Elton John Shaved Fish Night I Saw Her Standing There Elton John & John Lennon To Be Continued… (The story goes that John Lennon asked Elton John to guest on Whatever Gets You Through the Night. Elton agreed with the stipulation that if the song went to Number 1, John would have to appear on stage at one of Elton’s shows. Well, Whatever Gets You Through the Night reached the top of the charts on November 16, 1974 and John Lennon appeared with Elton John in concert at Madison Square Garden on Thanksgiving, November 28, 1974 and together sang the new #1 hit, Lucy in The Sky with Diamonds and I Saw Her Standing There (a number by his estranged fiancé, Paul). -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 25, 2020 Page 1 of 28 INSIDE Coronavirus Causes Dip in • Paradigm’s Streaming, But Children’s Music, Coronavirus Layoffs Panned by Music Video on Demand & Catalog Industry: ‘This Is Really Just Greed’ Are Bright Spots • LA Clippers Owner Reaches $400M BY ED CHRISTMAN Deal to Purchase The Forum From MSG Music industry executives hoped that the coronavirus Within that, all sales formats, as summarized by • Radio Stations quarantines might buoy music streaming activity with albums plus track equivalent albums, fell a whopping Adjust to Social- so much of the population isolated indoors. So far, 25.6% last week to 1.94 million from the prior week Distancing, Work- the opposite has occurred. In the last two full weeks total of 2.61 million units. From-Home Studios as the Covid-19 pandemic was spreading across the Before Covid-19 took hold in the U.S., streaming Amid Coronavirus world, the U.S. industry has had a moderate downturn was soaring: the week ending March 5 marked 2020’s • As Dow Jones in streaming, with even bigger drops in physical. highest streaming week, with 25.55 billion plays. Scores Single-Day Two weeks ago, in the week ended March 12, the But there is a bigger cloud on the horizon: as mil- Record, Live Nation industry saw a dip in music streaming — down by 1% lions of people lose their jobs due to the vast economic & MSG Stocks Post to 25.3 billion streams from 25.55 billion streams. But shutdowns, some music executives fear that they will Big Gains it would appear that the longer people stayed out of get rid of fixed expenses —- namely, music stream- • Spotify Pledges the office, the less music they consumed. -
John Mayer, See John Mayer (Disambiguation)
For other people named John Mayer, see John Mayer (disambiguation). John Mayer Mayer at the Mile High Music Festival on July 20, 2008 Born John Clayton Mayer October 16, 1977 (age 36) Bridgeport, Connecticut, U.S. Residence Montana, U.S. Education Center for Global Studies at Brien McMahon High School Alma mater Berklee College of Music Occupation recording artist, producer Home town Fairfield, Connecticut, U.S. Parents Richard Mayer Margaret Hoffman Musical career pop Genres blues acoustic blue-eyed soul rock country folk Guitar Instruments vocals omnichord piano harmonica percussion Years active 1998—present Arista Records Labels Aware Records Columbia Records John Mayer Trio Associated acts Fall Out Boy David Ryan Harris Website johnmayer.com John Clayton Mayer (/ˈmeɪ.ər/)[1] (born October 16, 1977) is an American recording artist and producer.[2] Born inBridgeport, Connecticut, and raised in Fairfield, he attended Berklee College of Music in Boston. He moved to Atlanta in 1997, where he refined his skills and gained a following, and he now lives in Montana.[3] His first two studio albums,Room for Squares (2001) and Heavier Things (2003), did well commercially, achieving multi-platinum status.[4] In 2003, he won a Grammy Award for Best Male Pop Vocal Performance for "Your Body Is a Wonderland."[5] Mayer began his career performing mainly acoustic rock, but gradually began a transition towards the blues genre in 2005 by collaborating with renowned blues artists such as B. B. King, Buddy Guy, and Eric Clapton, and by forming theJohn Mayer Trio. The blues influence can be heard throughout his 2005 live album Try! with the John Mayer Trio and his third studio album Continuum, released in September 2006.