Rex Stout: Sherlockian Extraordinaire by Dan Andriacco
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Rex Stout: an American Wit and Propagandist
Reprinted with permission. http://www.criminalelement.com/blogs/2011/05/rex-stout-an-american-wit-and-propagandist Hall of Famers Rex Stout: An American Wit and Propagandist Robert Hughes Rex Stout was a propagandist. You might have thought he was only that author who came up with the enduring Nero Wolfe mysteries, featuring the larger-than-large, orchid-growing detective and his dashing and irreverent right-hand man, Archie Goodwin. But Stout (1886–1975) was that most remarkable—and American—of crime writers. He was a jack of all trades. He made a fortune creating a banking system, which gave him a cushion as a writer. He helped strengthen U.S. copyright law for writers. He was one of the first board members of the American Civil Liberties Union. He was a very public supporter of the United Nations. He was also targeted by the FBI (and wrote a Nero Wolfe book, The Doorbell Rang, that targets the FBI's intrusions into the lives of American citizens.) But back to the propaganda. During World War II, Stout wrote anti-Nazi propaganda for the government, as president of the Writers' War Board. He knew the power of words—and he wanted to wield them on behalf of liberty and freedom everywhere. Not your typical mystery writer. But if he hadn't created Nero Wolfe and Archie Goodwin, and written such witty and elegant mysteries featuring these distinctive characters, Stout would probably be remembered as a footnote in the American banking system. He created a school banking system, adopted by several hundred schools nationwide, which allowed children to keep track of money saved in accounts. -
Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II. -
How to Read a Person Like a Book Gerard I
How to Read a Person Like a Book Gerard I. Nierenberg and Henry H. Calero Copyright © 1971 by Gerard I. Nierenberg and Henry H. Calero Digital Imagery © Jonnie Miles / PhotoDisc / PictureQuest This edition published by Barnes & Noble Digital, by arrangement with Gerard I. Nierenberg and Henry H. Calero All rights reserved. No part of this eBook may be used or reproduced in any manner whatsoever without the written permission of the Publisher. 2001 Barnes & Noble Digital ISBN 1-4014-0192-9 To Juliet and Barbara FOREWORD THISbook is a handbook of types of nonverbal communication that will give you insights into the significance of gestures — factors of ordinary experiences that are all too often only vaguely understood, if not entirely ignored. The material has been arranged so that the parts make up a meaningful whole: the gestures making clusters of gestures that make up attitudes dealing with relationships involved in life situations. We hope we have added an important tool in the continuing search for a way to make man better understood by his fellow men and to promote understanding among all men. The process of communication, which continues to confound us, will be enhanced by the understanding and analysis of gestures. Our function as human beings is to increase our expertise and to become so human that we see ourselves in all other people. G. I. N. H. H. C. CONTENTS FOREWORD 1. ACQUIRING THE SKILLS FOR READING GESTURES Life, the True Testing Ground Gestures Come in Clusters How You Can Benefit by Understanding Gestures 2. MATERIALS FOR GESTURE-READING Facial Expressions Walking Gestures Shaking Hands 3. -
On the Case, Again and Again, with Nero Wolfe
JAMES MUSTICH ON THE CASE, AGAIN AND AGAIN, WITH NERO WOLFE “What are you reading?” my wife asked me, unable to spy a title from the nondescript e-reader I held as I was propped on pillows in bed. And, as I had responded hundreds of times before to that same question, posed in the same circumstance, I muttered, “Nero Wolfe.” “How many times have you read the one you’re reading now?” with the aforementioned Fer-de-Lance, and read my way “Three or four, at least, I imagine,” I replied. The fact of through the Wolfe bibliography in order of publication date, the matter is I had taken to downloading the e-books of with the goal of bidding these nearly constant companions Rex Stout’s chronicles of his famous sedentary sleuth and a fond farewell. I’d been reading these books since the late his more active partner, and the narrator of the tales, Archie 1970s, when I had been intrigued by the devotion a mother Goodwin, because all of the old paperbacks in which I’d of a friend exhibited toward them: There was always one in first encountered the pair had fallen apart after repeated view whenever I visited their house. Borrowing one, I found engagements: spines broken, pages loosened, the paper that Wolfe’s eccentricities and Archie’s insouciance caught having aged along with me into a brittle and not especially my fancy; no doubt the effects of both were intensified by attractive old age. Plus, the handiness of the electronic the particular volume I happened to pick up—Plot It Yourself versions meant I didn’t have to scour a house full of less- (1959)—in which an elaborate plagiarism scheme that than-optimally organized bookshelves to find one whenever turns deadly is unraveled by Wolfe’s attention to niceties of I felt the urge to reenter the world of Wolfe’s distinctive and punctuation, diction, and even the shaping of paragraphs. -
Edward R. Murrow: Journalism at Its Best
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life .............................................................1 Freedom’s Watchdog: The Press in the U.S. ....................................4 Murrow: Founder of American Broadcast Journalism ....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy...........................................................................16 Bibliography ..................................................................................17 Photo Credits: 12: Joe Barrentine, AP/WWP. Front cover: © CBS News Archive 13: Digital Collections and Archives, Page 1: CBS, Inc., AP/WWP. Tufts University. 2: top left & right, Digital Collections and Archives, 14: top, Time Life Pictures/Getty Images; Tufts University; bottom, AP/WWP. bot tom, AP/ W WP. 4: Louis Lanzano, AP/WWP. Back cover: Edward Murrow © 1994 United States 5: left, North Wind Picture Archives; Postal Service. All Rights Reserved. right, Tim Roske, AP/WWP. Used with Permission. 7: Digital Collections and Archives, Tufts University. 8: top left, U.S. Information Agency, AP/WWP; right, AP/WWP; bottom left, Digital Collections Executive Editor: George Clack and Archives, Tufts University. Managing Editor: Mildred Solá Neely 10: Digital Collections and Archives, Tufts Art Director/Design: Min-Chih Yao University. Contributing editors: Chris Larson, 11: left, Library of American -
{DOWNLOAD} and Be a Villain
AND BE A VILLAIN PDF, EPUB, EBOOK Rex Stout | 256 pages | 01 Mar 1994 | Bantam Doubleday Dell Publishing Group Inc | 9780553239317 | English | New York, United States Talk:And Be a Villain - Wikipedia I have no desire to get into an argument here. I did, however, ask a civil question: I requested information regarding how your edit contributed materially to the article. If your response -- that "the titular Shakespeare quote was incorrect" -- was intended as a rationale, I'm sorry to say that it fails. It appears that you believe that the quote is from line , not as originally given. One has to be careful citing line numbers in Shakespeare's plays -- much depends on the editor's choices. Although I originally cited , I now note that my Harbage gives Online references to the plays are particularly susceptible to minor numbering discrepancies such as this. More to the point, there is no apodictic source. So, I repeat my original query: How does your edit contribute materially to the article? It is, after all, about a Nero Wolfe novel, and that topic does not seem to require a discussion of the quote's context. It may help some readers to have the quote's source. BTW, it's a popular quote in popular fiction, for some reason. It's used in The Sopranos, when Patsy Parisi is quoted bemoaning the whacking of his twin brother Spoons. A participle, followed closely by a gerund, when both are of the -ing variety, feels clumsy. Notwithstanding my own usage, earlier on this page, of "bemoaning the whacking". -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
Rex Stout Does Not Belong in Russia: Exporting the Detective Novel
Wesleyan University The Honors College Rex Stout Does Not Belong in Russia: Exporting the Detective Novel by Molly Jane Levine Zuckerman Class of 2016 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in the Russian, East European, and Eurasian Studies Program Middletown, Connecticut April, 2016 Foreword While browsing through a stack of Russian and American novels in translation on a table on Arbat Street in Moscow in 2013, I came across a Russian copy of one of my favorite books, And Be a Villain, by one of my favorite authors, Rex Stout. I only knew about this author because my father had lent me a copy of And Be a Villain when I was in middle school, and I was so entranced by the novel that I went out to Barnes & Noble to buy as many as they had in stock. I quickly ran out of Stout books to read, because at the time, his books were out of print in America. I managed to get hold of most copies by high school, courtesy of a family friend’s mother who had died and passed on her collection of Stout novels to our family. Due to the relative difficulty I had had in acquiring these books in America, I was surprised to find one lying on a book stand in Moscow, so I bought it for less than 30 cents (which was probably around the original price of its first printing in America). -
{PDF EPUB} the First Rex Stout Omnibus Featuring Nero
Read Ebook {PDF EPUB} The First Rex Stout Omnibus Featuring Nero Wolfe And Archie Goodwin The Doorbell Rang The Second The First Rex Stout Omnibus: Featuring Nero Wolfe And Archie Goodwin: " The Doorbell Rang " " The Second Confession " And " More Deaths Than One " by Rex Stout. TimeSearch for Books and Writers by Bamber Gascoigne. American author, who wrote over 70 detective novels, 46 of them featuring eccentric, chubby, beer drinking gourmet sleuth Nero Wolfe, whose wisecracking aide and right hand assistant in crime solving was Archie Goodwin. Stout began his literary career by writing for pulp magazines, publishing romance, adventure, some borderline detective stories. After 1938 he focused solely on the mystery field. Rex Stout was born in Noblesville, Indiana, the son of John Wallace Stout and Lucetta Elizabeth Todhunter. They both were Quakers. Shortly after his birth, the family moved to Wakarusa, Kansas. Stout was educated at Topeka High School, and at University of Kansas, Lawrence, which he left to enlist in the Navy. From 1906 to 1908 he served as a Yeoman on President Theodore Roosevelt's yacht. The following years Stout spent writing freelance articles and working in odd jobs – as an office boy, store clerk, bookkeeper, and hotel manager. With his brother he invented an astonishing savings plans, the Educational Thrift Service, for school children. The system was installed in 400 cities throughout the USA, earning Stout about $400,000 and making him financially secure. In 1916 Stout married Fay Kennedy of Topeka, Kansas. They separated in 1931 – according to a story, she eloped with a Russian commissar – and Stout married Pola Hoffman, a fabric designer. -
German Titles of Rex Stout's Nero Wolfe Stories
German Titles of Rex Stout's Nero Wolfe Stories (Thank you Christian Hoffman) book book story story German story title number number 1 Fer-de-Lance 1 Fer-de-Lance Die Lanzenschlange 2 League of Frightened 2 League of Frightened Men, The Die Liga der furchtsamen Männer Men, The 3 Rubber Band, The 3 Rubber Band, The Die Gummibande 4 Red Box, The 4 Red Box, The Die rote Schatulle 5 Too Many Cooks 5 Too Many Cooks Zu viele Köche 6 Some Buried Caesar 6 Some Buried Caesar Der rote Bulle 7 Over My Dead Body 7 Over My Dead Body Über meine Leiche 8 Where There's a Will 8 Where There's a Will Kennzeichen wilde Rose 9 Black Orchids 9 Black Orchids Schwarze Orchideen 9 Black Orchids 10 Cordially Invited to Meet Death Der Tod gibt sich die Ehre 10 Not Quite Dead Enough 11 Not Quite Dead Enough Das blaue Halstuch 10 Not Quite Dead Enough 12 Booby Trap Die explosive Ananas 11 Silent Speaker, The 13 Silent Speaker, The Mord im Waldorf-Astoria 12 Too Many Women 14 Too Many Women Zu viele Frauen 13 And Be A Villain 15 And Be A Villain Aufruhr im Studio 14 Second Confession, The 16 Second Confession, The Das zweite Geständnis 15 Trouble in Triplicate 17 Before I Die Blei ist ungesund 15 Trouble in Triplicate 18 Help Wanted, Male Sie werden demnächst sterben 15 Trouble in Triplicate 19 Instead of Evidence - 16 Curtains for Three 20 Bullet for One Alibi nach Maß 16 Curtains for Three 21 Gun with Wings, The Der geflügelte Revolver 16 Curtains for Three 22 Disguise for Murder - 17 Three Doors to Death 23 Man Alive - 17 Three Doors to Death 24 Omit Flowers Die -
Rex Stout (1886-1975)
REX STOUT (1886-1975) FEATURING ALL THE NERO WOLFE TITLES In 1959, at age 73, Rex Stout received the Mystery Writers of America’s Grand Master Award. At the time, he had published 32 books featuring Nero Wolfe and Archie Goodwin, his most enduring characters, including classics such as THE LEAGUE OF FRIGHTENED MEN (1935), SOME BURIED CEASAR (1939), and AND BE A VILLAIN (1948). Not surprisingly, given his outspoken left-wing political views, particularly on civil liberties, Stout had also created one of the earliest female private investigators, Theolinda “Dol” Bonner, in THE HAND IN GLOVE (1937), and a part-Native American farmer-turned-detective, Tecumseh Fox, in DOUBLE FOR DEATH (1939). Having been named a Grand Master, however, hardly meant Stout’s career was done. Fifteen years of writing still lay ahead of him, including two of his most highly regarded Nero Wolfe novels, DEATH OF A DOXY (1966) and A FAMILY AFFAIR (1975). When Stout passed away at the age of 88, the Nero Wolfe series consisted of 77 titles, including novels, novellas, and short stories. Stout scholar and biographer John McAleer has described the Nero Wolfe mysteries as “an epic that ultimately would encompass more than ten thousand pages.” No wonder, as the 20th century drew to a close, that mystery and detective writers and aficionados at Bouchercon XXXI in September of 2000 nominated Rex Stout for Writer of the Century and the Nero Wolfe mysteries as Series of the Century. From the publication of FER-DE-LANCE, the first Nero Wolfe novel in 1934, the Wolfe mysteries have always been a unique blend of golden age whodunit and hardboiled crime. -
Revisiting the Origins of Communication Research: Walter Lippmann’S World War II Adventure in Propaganda and Psychological Warfare
International Journal of Communication 11(2017), 3721–3739 1932–8036/20170005 Revisiting the Origins of Communication Research: Walter Lippmann’s World War II Adventure in Propaganda and Psychological Warfare DOMINIQUE TRUDEL1 Concordia University, Canada Based on a close study of Walter Lippmann’s correspondence and publications, this article aims to critically reconsider his legacy in the field of communication. To this end, I focus on Lippmann’s involvement in propaganda and psychological warfare activities during the Second World War. Following a succinct overview of the history of the psychological warfare and propaganda agencies, I successively explore three different aspects of Lippmann’s involvement. First, this article examines Lippmann’s contribution to the activities of the Committee for National Morale. Second, the article focuses on the relationship between Lippmann and William “Wild Bill” Donovan, the director of the Office of the Coordinator of Information and the Office of Strategic Services. Third, the article turns to the relationship between Lippmann and Assistant Secretary of War John J. McCloy, and explores Lippmann’s role in the War Department’s Psychological Warfare Branch. Keywords: communication research history, propaganda, psychological warfare, Second World War Ex-Soviet agent Alexander Vassiliev, who was temporarily granted access to the KGB archives in the mid-1990s, recently revealed some interesting details about Soviet espionage activities in the United States during the Second World War. According to Vassiliev, Walter Lippmann, the famous columnist and communication research pioneer, was an important target for Soviet spies. They recruited his own secretary, Mary Price, as an agent (Haynes, Klehr, & Vassiliev, 2009). In November 1941, Price reported to her Soviet handlers that Lippmann was cutting short his newspaper articles and giving more of his time to secret meetings with government officials.