On the Case, Again and Again, with Nero Wolfe
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Rex Stout: an American Wit and Propagandist
Reprinted with permission. http://www.criminalelement.com/blogs/2011/05/rex-stout-an-american-wit-and-propagandist Hall of Famers Rex Stout: An American Wit and Propagandist Robert Hughes Rex Stout was a propagandist. You might have thought he was only that author who came up with the enduring Nero Wolfe mysteries, featuring the larger-than-large, orchid-growing detective and his dashing and irreverent right-hand man, Archie Goodwin. But Stout (1886–1975) was that most remarkable—and American—of crime writers. He was a jack of all trades. He made a fortune creating a banking system, which gave him a cushion as a writer. He helped strengthen U.S. copyright law for writers. He was one of the first board members of the American Civil Liberties Union. He was a very public supporter of the United Nations. He was also targeted by the FBI (and wrote a Nero Wolfe book, The Doorbell Rang, that targets the FBI's intrusions into the lives of American citizens.) But back to the propaganda. During World War II, Stout wrote anti-Nazi propaganda for the government, as president of the Writers' War Board. He knew the power of words—and he wanted to wield them on behalf of liberty and freedom everywhere. Not your typical mystery writer. But if he hadn't created Nero Wolfe and Archie Goodwin, and written such witty and elegant mysteries featuring these distinctive characters, Stout would probably be remembered as a footnote in the American banking system. He created a school banking system, adopted by several hundred schools nationwide, which allowed children to keep track of money saved in accounts. -
It's Nero Wolfe to the Rescue in Detective Story 'Red Box'
It's Nero Wolfe to the rescue in detective story 'Red Box' Article by: ROHAN PRESTON \ Star Tribune | June 9, 2014 - 12:22 PM Park Square adapts Rex Stout mystery for stage. As far as dying onstage goes, Bob Malos’ performance at Park Square in the premiere of “The Red Box” is at once essential to the plot and unwittingly droll. Malos plays avuncular boutique owner Boyden McNair, a suspect in the death of a model poisoned by candy at his shop. Early in the show, McNair rushes into the office of detective Nero Wolfe (E.J. Subkoviak), a place where he had reluctantly been before. Now he appears ready to spill his guts. McNair grows short of breath. He collapses onto the floor and starts to retch, as if being strangled by invisible hands. Wolfe tries to help, but to no avail. McNair turns over onto his face, writhes and goes still. It’s not giving much away to say we quickly learn that McNair was not fighting some unseen ghost; he had been poisoned. Before his death, he named Wolfe his executor, and also bequeathed a red box and its mysterious contents to the detective. The bequest is a holy grail and motivating idea. Wolfe competes with the police to find it. New York-based playwright Joseph Goodrich adapted “The Red Box” from the fourth novel in Rex Stout’s Nero Wolfe detective series. He has condensed the action to one locale — Wolfe’s office (designed by Rick Polenek). He also has cut characters and made some plot changes to fit this work into a drawing-room mystery for the stage. -
Rex Stout Does Not Belong in Russia: Exporting the Detective Novel
Wesleyan University The Honors College Rex Stout Does Not Belong in Russia: Exporting the Detective Novel by Molly Jane Levine Zuckerman Class of 2016 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in the Russian, East European, and Eurasian Studies Program Middletown, Connecticut April, 2016 Foreword While browsing through a stack of Russian and American novels in translation on a table on Arbat Street in Moscow in 2013, I came across a Russian copy of one of my favorite books, And Be a Villain, by one of my favorite authors, Rex Stout. I only knew about this author because my father had lent me a copy of And Be a Villain when I was in middle school, and I was so entranced by the novel that I went out to Barnes & Noble to buy as many as they had in stock. I quickly ran out of Stout books to read, because at the time, his books were out of print in America. I managed to get hold of most copies by high school, courtesy of a family friend’s mother who had died and passed on her collection of Stout novels to our family. Due to the relative difficulty I had had in acquiring these books in America, I was surprised to find one lying on a book stand in Moscow, so I bought it for less than 30 cents (which was probably around the original price of its first printing in America). -
Sherlock Holmes Print Study Guide
STUDY GUIDE IntroductionTABLE OF CONTENTSPg. 3 Pg. 4 Top Ten Things to Know About Going to the Theatre Cast and Creative Team Credits Pg. 5 Stout, Wolfe and Goodwin Pg. 6 Inside Vertigo Theatre- An Interview with Joseph Goodrich Pg. 8 Pre-Show Projects and Discussion Questions Pg. 10 Dynamic Duos 1950's Manhattan Food! Your Burning Questions Pre-Show Activities- To Get You Up On Your Feet Pg. 15 The Perfect Team Spotting a Liar Post Show Discussion Questions Pg. 20 The Art of The Theatre Review Pg. 21 About Vertigo Theatre Pg.22 Vertigo Theatre is committed to creating a welcoming atmosphere for schools and to assisting teachers and parent chaperones with that process. It is our wish to foster and develop our relationship with our student audience members. It is our intention to create positive theatre experiences for young people by providing study guides and post-show talk backs with our actors and theatre personnel, in order to enrich students’ appreciation of theatre as an art form and enhance their enjoyment of our plays. IntroductionWelcome to the Study Guide for Vertigo Theatre’s production of Might As Well Be Dead adapted by Joseph Goodrich, from the novel by Rex Stout. In this guide, you will find information about Rex Stout and his creations, Nero Wolfe and Archie Goodwin. It also includes information about the creative team and performers involved in the production, as well as a variety of activities to do with your class before and after the show. There are topics suitable for class discussion, individual writing projects, as well as games and exercises that get students moving around and learning on their feet. -
{PDF EPUB} the First Rex Stout Omnibus Featuring Nero
Read Ebook {PDF EPUB} The First Rex Stout Omnibus Featuring Nero Wolfe And Archie Goodwin The Doorbell Rang The Second The First Rex Stout Omnibus: Featuring Nero Wolfe And Archie Goodwin: " The Doorbell Rang " " The Second Confession " And " More Deaths Than One " by Rex Stout. TimeSearch for Books and Writers by Bamber Gascoigne. American author, who wrote over 70 detective novels, 46 of them featuring eccentric, chubby, beer drinking gourmet sleuth Nero Wolfe, whose wisecracking aide and right hand assistant in crime solving was Archie Goodwin. Stout began his literary career by writing for pulp magazines, publishing romance, adventure, some borderline detective stories. After 1938 he focused solely on the mystery field. Rex Stout was born in Noblesville, Indiana, the son of John Wallace Stout and Lucetta Elizabeth Todhunter. They both were Quakers. Shortly after his birth, the family moved to Wakarusa, Kansas. Stout was educated at Topeka High School, and at University of Kansas, Lawrence, which he left to enlist in the Navy. From 1906 to 1908 he served as a Yeoman on President Theodore Roosevelt's yacht. The following years Stout spent writing freelance articles and working in odd jobs – as an office boy, store clerk, bookkeeper, and hotel manager. With his brother he invented an astonishing savings plans, the Educational Thrift Service, for school children. The system was installed in 400 cities throughout the USA, earning Stout about $400,000 and making him financially secure. In 1916 Stout married Fay Kennedy of Topeka, Kansas. They separated in 1931 – according to a story, she eloped with a Russian commissar – and Stout married Pola Hoffman, a fabric designer. -
German Titles of Rex Stout's Nero Wolfe Stories
German Titles of Rex Stout's Nero Wolfe Stories (Thank you Christian Hoffman) book book story story German story title number number 1 Fer-de-Lance 1 Fer-de-Lance Die Lanzenschlange 2 League of Frightened 2 League of Frightened Men, The Die Liga der furchtsamen Männer Men, The 3 Rubber Band, The 3 Rubber Band, The Die Gummibande 4 Red Box, The 4 Red Box, The Die rote Schatulle 5 Too Many Cooks 5 Too Many Cooks Zu viele Köche 6 Some Buried Caesar 6 Some Buried Caesar Der rote Bulle 7 Over My Dead Body 7 Over My Dead Body Über meine Leiche 8 Where There's a Will 8 Where There's a Will Kennzeichen wilde Rose 9 Black Orchids 9 Black Orchids Schwarze Orchideen 9 Black Orchids 10 Cordially Invited to Meet Death Der Tod gibt sich die Ehre 10 Not Quite Dead Enough 11 Not Quite Dead Enough Das blaue Halstuch 10 Not Quite Dead Enough 12 Booby Trap Die explosive Ananas 11 Silent Speaker, The 13 Silent Speaker, The Mord im Waldorf-Astoria 12 Too Many Women 14 Too Many Women Zu viele Frauen 13 And Be A Villain 15 And Be A Villain Aufruhr im Studio 14 Second Confession, The 16 Second Confession, The Das zweite Geständnis 15 Trouble in Triplicate 17 Before I Die Blei ist ungesund 15 Trouble in Triplicate 18 Help Wanted, Male Sie werden demnächst sterben 15 Trouble in Triplicate 19 Instead of Evidence - 16 Curtains for Three 20 Bullet for One Alibi nach Maß 16 Curtains for Three 21 Gun with Wings, The Der geflügelte Revolver 16 Curtains for Three 22 Disguise for Murder - 17 Three Doors to Death 23 Man Alive - 17 Three Doors to Death 24 Omit Flowers Die -
Rex Stout (1886-1975)
REX STOUT (1886-1975) FEATURING ALL THE NERO WOLFE TITLES In 1959, at age 73, Rex Stout received the Mystery Writers of America’s Grand Master Award. At the time, he had published 32 books featuring Nero Wolfe and Archie Goodwin, his most enduring characters, including classics such as THE LEAGUE OF FRIGHTENED MEN (1935), SOME BURIED CEASAR (1939), and AND BE A VILLAIN (1948). Not surprisingly, given his outspoken left-wing political views, particularly on civil liberties, Stout had also created one of the earliest female private investigators, Theolinda “Dol” Bonner, in THE HAND IN GLOVE (1937), and a part-Native American farmer-turned-detective, Tecumseh Fox, in DOUBLE FOR DEATH (1939). Having been named a Grand Master, however, hardly meant Stout’s career was done. Fifteen years of writing still lay ahead of him, including two of his most highly regarded Nero Wolfe novels, DEATH OF A DOXY (1966) and A FAMILY AFFAIR (1975). When Stout passed away at the age of 88, the Nero Wolfe series consisted of 77 titles, including novels, novellas, and short stories. Stout scholar and biographer John McAleer has described the Nero Wolfe mysteries as “an epic that ultimately would encompass more than ten thousand pages.” No wonder, as the 20th century drew to a close, that mystery and detective writers and aficionados at Bouchercon XXXI in September of 2000 nominated Rex Stout for Writer of the Century and the Nero Wolfe mysteries as Series of the Century. From the publication of FER-DE-LANCE, the first Nero Wolfe novel in 1934, the Wolfe mysteries have always been a unique blend of golden age whodunit and hardboiled crime. -
Saturday Review of Literature She Has Been and Is Still Being !'Tailed" Here
Private Eye on the FBI The Doorbell Rang: A. Nero Wolfe $100,000 as a retainer and asks him to Novel, by Rex Stout (Viking. 186 pp. look into things. $3.50), is the auth011s forty-first 1'e The sedentary sage and his ambulant aide get to work. There is a murder, cital of the adventures of the weight and in the comse of the investigation iest member (282 pounds) of the Inspector Cramer of Manhattan's Homi private-eye fmtemity, who here cide South appears-a somewhat chast meets "his toughest opponent ever." ened, occasionally even courteous John T. Winterich is a contributing Inspector Cramer. Inspector Cramer is, of course, the perpetual bumbler, or editor of Saturday Review. semibumbler, of the Wolfe saga. He is a reincarnation of Sherlock Holmes's By JOHN T. WINTERICH bete noire, Inspector Lestrade of Scot land Yard, and there may be some sig AS A comment on a mystery-mm· nificance in the fact that the names -Snndy Noyn. H der-detective novel ever begun by Cramer and Lestrade have identical quoting the final 160 words of the text? vowels. Early in Wolfe's career some Rex Stout- a plot in twenty minttles. One thinks not. So here we go on the Baker Street Inegular discovered that doyen of mystery writers in English and great adventure (the narrator is Archie the names Nero Wolfe and Sherlock probably in any language, though Erle Goodwin, the great man's fidus Achates, Holmes also have identical vowels and Stanley Gardner, two and a half years dogsbody, and thom in the abundant in the right places. -
The Silent Speaker
THE SILENT SPEAKER teleplay by Michael Jaffe based on the novel THE SILENT SPEAKER by REX STOUT Second Draft December 7, 2001 Jaffe-Braunstein Films, Ltd. NW Production Services, Inc. 3585 St. Clair Avenue East Scarborough, ON M1K 1L8 416-269-4888 1 INT. WOLFE'S OFFICE - DAY 1 Wolfe is reading a newspaper. As the camera moves around the room it settles on the front page. There is a picture of a large black tie event with a banner headline above. "MURDER AT THE NIA" And below, in smaller type, "CHENEY BOONE BLUDGEONED". Archie is putting things away in the safe. WOLFE It is an interesting fact that the members of the NIA have assets of something like 30 billion dollars. ARCHIE Yes sir. It is also an interesting fact that the prehistoric mound builders left more traces of their work in Ohio than any other state. In my boyhood days... WOLFE Shut up. ARCHIE Yes sir. WOLFE Archie. Where does the bank balance stand? ARCHIE Another interesting fact. We ought to be able to make it till next week, but since you're obviously not worried since you've turned down.... WOLFE Shut up. ARCHIE Yes sir. WOLFE Archie. Your notebook. Here are directions for tomorrow. ARCHIE (V.O.) In two minutes he had me wide awake. (MORE) 2. 5-13-06 ARCHIE (V.O.) (CONT'D) It was a complicated plan, but it showed just how desperate he was. WIPE TO: * 2 INT. POLICE HEADQUARTERS - MORNING 2 Archie comes through a sea of desks and arrives at an office at the end of the hall. -
Nero Wolfe, Rex Stout, the Language, and the Law
NERO WOLFE, REX STOUT, THE LANGUAGE, AND THE LAW Ira Brad Matetsky† More than one person has noted a seeming irony of devoting a themed issue of The Green Bag Almanac and Reader, a compilation of the year’s best legal writing, to the Nero Wolfe novels and stories of Rex Stout. After all, one of Mr. Wolfe’s most strongly held views is his oft-expressed disdain for almost all lawyers and the work that they do. In reality, however, both Mr. Wolfe and Mr. Stout share with many lawyers, law teachers, and judges an admiration for fine use of the English language — the celebration of which is the reason The Green Bag Almanac and Reader was created. And both Wolfe and Stout were ready to use the law when it suited their purposes. An attentive reader of the Nero Wolfe novels would correctly conclude that Stout and his creation had at least a general familiar- ity with the law and lawyers. One Wolfe novel, Murder by the Book, and one novella, “Eeny Meeny Murder Moe,” have plots centered on the affairs of law firms; another novella, “The Next Witness,”1 contains two memorable courtroom scenes. Throughout the Cor- pus, Wolfe displays a knowledge of basic legal precepts, or at least knows how to obtain information about the law when he needs it; for example, in The Rubber Band, Wolfe advises clients that a legal claim they might wish to assert has “expired by time” under the statute of limitations, while in “Immune to Murder” he accurately quotes federal and New York State statutes governing diplomatic immunity, and in “Before I Die,” he tests a law student’s knowledge of the law by deliberately misusing a legal term to test whether the student will notice. -
Controversial Politics, Conservative Genre: Rex
CONTROVERSIAL POLITICS, CONSERVATIVE GENRE: REX STOUT’S ARCHIE-WOLFE DUO AND DETECTIVE FICTION’S CONVENTIONAL FORM by Ammie Sorensen Cannon A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of English Brigham Young University August 2006 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Ammie Sorensen Cannon This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. ______________________________ ____________________________________ Date Stephen L. Tanner, Chair ______________________________ ____________________________________ Date Jesse S. Crisler, Reader ______________________________ ____________________________________ Date Dennis R. Perry, Reader ______________________________ ____________________________________ Date Nicholas Mason, Graduate Coordinator BRIGHAM YOUNG UNIVERSITY As chair of the candidate’s graduate committee, I have read the thesis of Ammie Sorensen Cannon in its final form and have found that (1) its format, citations, and bibliographical style are consistent and acceptable and fulfill university and department style requirements; (2) its illustrative materials including figures, tables, and charts are in place; and (3) the final manuscript is satisfactory to the graduate committee and is ready for submission to the university library. ______________________________ ____________________________________ Date Stephen -
A Chronology of Crimes ~ Rt R by Stephen F
• • TheJournal of The Wolfe Pack • Premier Issue Winterl979 ~ I· A Chronology of Crimes ~ rt r By Stephen F. Schultheis and ij Patricia A. Dreyfus ~; PINPOINTING THE TIME of death is a routine part of any murder investi gation, yet for chroniclers of the Nero Wolfe stories, it is often easier to identify the hour of death than the year. Careful readers will note a number of dis crepancies, for example, when they compare the dates given by WilliamS. Baring-Gould in Nero Wolfe of West Thirtyfifth Street with accounts of events by fictional characters or by actual newspapers. The circumstances involving Hickory Caesar Grind on [CAES], for instance, : must have occurred in September 1937, not September 1938 as Baring-Gould , says. When Wolfe solved the case in [LEAG], which could not have taken place ' any later than November 1934 since it saw magazine publication in June-July ' 19'35, Archie had been working for him and living in the old brownstone for seven years. At the time of the affair of [BAND] (October 1935), Archie had ·been with Wolfe for eight years. In other words, their association must have · begun in 1927. Thus when Archie remarks in [CAES] that he has been study ing Wolfe's face for ten years, there is consistent evidence for dating the case no later than 1937. Once we have the correct date for [CAES], we can properly place both [bult] and [inst] in October 1944. In [bult] Archie says of Lily Rowan, whom he meets for the first time in [CAES] that he "had only known her seven years." :.