Saturday Review of Literature She Has Been and Is Still Being !'Tailed" Here

Total Page:16

File Type:pdf, Size:1020Kb

Saturday Review of Literature She Has Been and Is Still Being !'Tailed Private Eye on the FBI The Doorbell Rang: A. Nero Wolfe $100,000 as a retainer and asks him to Novel, by Rex Stout (Viking. 186 pp. look into things. $3.50), is the auth011s forty-first 1'e­ The sedentary sage and his ambulant aide get to work. There is a murder, cital of the adventures of the weight­ and in the comse of the investigation iest member (282 pounds) of the Inspector Cramer of Manhattan's Homi­ private-eye fmtemity, who here cide South appears-a somewhat chast­ meets "his toughest opponent ever." ened, occasionally even courteous John T. Winterich is a contributing Inspector Cramer. Inspector Cramer is, of course, the perpetual bumbler, or editor of Saturday Review. semibumbler, of the Wolfe saga. He is a reincarnation of Sherlock Holmes's By JOHN T. WINTERICH bete noire, Inspector Lestrade of Scot­ land Yard, and there may be some sig­ AS A comment on a mystery-mm·­ nificance in the fact that the names -Snndy Noyn. H der-detective novel ever begun by Cramer and Lestrade have identical quoting the final 160 words of the text? vowels. Early in Wolfe's career some Rex Stout- a plot in twenty minttles. One thinks not. So here we go on the Baker Street Inegular discovered that doyen of mystery writers in English and great adventure (the narrator is Archie the names Nero Wolfe and Sherlock probably in any language, though Erle Goodwin, the great man's fidus Achates, Holmes also have identical vowels and Stanley Gardner, two and a half years dogsbody, and thom in the abundant in the right places. The Cramer-Les­ younger, is a close runner-up, and his flesh; the "he" is Nero Wolfe himself) : h·ade parallel ends with the vowels. output far exceeds Stout's. Archie Goodwil1, as every Wolfeite The doorbell rang. I got up and Rex Stout has written fourteen non­ went to the hall and saw a character knows, is not Dr. JohnS. Watson's oppo­ Wolfe novels. Tlll'ee of these extolled the on the stoop I had never seen before, site number save for the fact that each attainments of a peeper named Tecum­ but I had seen plenty of pictures of is the teller of the tales in which the seh Fox; seven have been straight-out him. I stepped back in and said, great man, either great man, scores. Ar­ novels. The first Nero Wolfe story was "Well, well. The big fish." chie Goodwin is himself a licensed pri­ Fer-de-Lance (and we all know what He frowned at me, then got it, and vate detective who is frequently in some that is!), published in 1934, when Stout did something he never does. He left fear of losing his license; Watson has was forty-seven years old. This may his chair and came. We stood side by only a medical certificate, which he is have made him the senior starter il1 the side, looking. The caller put a finger in danger of losing only through ob­ national or even world mystery field, to the button, and the doorbell rang. solescence. "No appointment," I said. "Shall I ce1tainly for a writer who concentrated take him to the front room to wait a Inspector Cramer tells Archie Good­ on mystelies thereafter. Again Gardner while?" win that the murder victim "had been is probably runner-up; he tmveiled Perry "No. I have nothing for him. Let collecting material for an article on the Mason in 1933 at the age of forty-four. him get a sore finger." He turned and FBI for Tick-Tock magazine, and not a At the other end of the spectrum ( agail1 went back in to his desk. sign of it, nothing, was there in the probably) is Phoebe ~twood Taylor, I stepped in. "He probably came all apartment." Further, that same night who gave the world her first Asey i\ fayo the way from Washington just to see "three FBI men left the house at sixty­ Cape Cod bloodletting at a precocious you. Quite an honor." tru:ee Arbor Street and went around the twenty-nvo (Norton is now reissuing her "Pfui. Come and finish this." comer to a car and drove off." The li­ stories fer a later generation). I returned to my chair. "As I was cense number was noted. Cramer admits saying, I .~ay have to tell her priv­ The Wolfe-Goodwin formula is simple ately ... that from here onward the going will and effective. The granitic Wolfe does The doorbell rang. be tough. "I've seen plenty of murder­ the headwork, the peripatetic Goodwin ers I could name," he contilmes, "but so (England has named a sands for him) Let us go back to the beginning of what, if I couldn't prove it. Hut this the legwork, and the rough stuff when the story. Rachel Bruner, a wealthy, one, that goddam outfit, I'd give a year's required. \!Volfe rarely goes abroad, us­ middle-aged New York widow, greatly pay to hook them and make it stick. This ing the term in its narrowest sense of impressed by Fred Cook's book The isn't their town, it's mine. Ours. The outdoors, though once he went abroad FBI Nobody Knows, has distributed New York Police Department. They've with a big A, all the way to Montenegro. 10,000 copies of it far and wide. For had us gritting ow· teeth for years." The late Bernard De Voto, former editor doing this, she tells Wolfe and Goodwin, No more of the story will be revealed of The Saturday Review of Literature she has been and is still being !'tailed" here. and for several years conductor of the (she throws the word between quotes) ; When Rex Stout reached his seventy­ Easy Chair in Harper's Magazine, went her telephones have been tapped; the fifth birthday, on December 1, 1961, exhaustively into Wolfe's background il1 hundred-plus employees of her late hus­ the Viking Press, who have been his one of his papers, "Alias Nero Wolfe" band's corporation have been ques­ publishers since 1946, made him a gra­ (Harper's, July 1954). De Voto noted tioned, as have numerous associates and cious obeisance: they ran two-column that the spelling "Monte-negro" is the friends. She is convinced that a single tributes il1 the metropolitan dailies which Venetian variant of the Italian name agency is responsible for these indigni­ reproduced his portrait and wished him "Monte Nero," and he added: "The ill­ ties. She hands Wolfe a check for many happy returns. He is easily the escapable conclusion is that 'Nero Wolfe' 54 SR/ October 9, 1965 is a pseudonym." Of at least moderate beginning to think that the book may got my nrst idea fro;n the newspapers importance if true, doubtless; but names lead people to stand up and speak out years ago when I read that he frequently need not concern us here. a!!ainst the FBI. went to the races with Senator ~lcCar­ More pertinent to our present pur­ "It is conceivable to me that the FBI thy. I was astonished that a man­ poses is DeVoto's mention. in this sam::­ might tail me or tap my phone because Hoover-whose function is to presPrve paper, of the fact that Wolfe had had of this book. I think it is wonderful I've and uphold the law would take as a previous contacts (one might almost sa\· written so often about ditchinl! t<l ils. I'd social companion a man who was so huddles) with the FBI. " Before the like to tr~ ' to do it. ' ob,·iouslv a threat to the \ ·er v basis of Second \Vorld \Var,'' De Voto \\Tok. ..In a democratic eonnt1Y. .J. Eclgar clt>mocra.cr. "Wolfe did confidential work for the HoO\·er is a comp l ete!~· impossible per­ ··r would like to .~ee an FBI managed State Department, and during the war son to be in a position of authnrity. Do and directed in such a manner that the was consulted professionally by the FLH YOU know th<lt he has decreed that no citizens who hire them can contemphlte on at least two occasions and iJ,· C-:! iktional FBI agent ma\· be portra,·ed in them and talk about them even to the repeatedly." But that W<ls in the. good a mo,·ie or on tele\·isiou without the point of se,·ere criticism, as they tlo all old days. FBI's apprm·al of the a<:to r? I Hnder­ other police o rgani7~ltions in this conntr~·· stand wh,· Hoo,·er has done that, but ''I've written a lot of stories in which wh<lt is s~n·prising is that peopk ha,·e the ~ew York police and the D.A. of The Autho1 ·: Rex Stout, whom the let him get away with it. The fa<:t that Westchester County have done ques­ .\lcCormick newspapers used to refer Hoo,·er even attempts such control tionable things btlt it's never kicked up to as "the goat-bearded mystery writer," makes him an impossible person in au­ the dust like this one. I may stick with was born in Indiana in 1886 and "mo,·ed tl:ority in a democratic cotmhY. the FBI for a few more \'e<HS if it makes to Kansas at the age of one because [ ''I've been asked if I know what kind people buy books. Th~ FBI certainly was fed up with Indiana politics." Toda~ of man he is.
Recommended publications
  • Rex Stout: an American Wit and Propagandist
    Reprinted with permission. http://www.criminalelement.com/blogs/2011/05/rex-stout-an-american-wit-and-propagandist Hall of Famers Rex Stout: An American Wit and Propagandist Robert Hughes Rex Stout was a propagandist. You might have thought he was only that author who came up with the enduring Nero Wolfe mysteries, featuring the larger-than-large, orchid-growing detective and his dashing and irreverent right-hand man, Archie Goodwin. But Stout (1886–1975) was that most remarkable—and American—of crime writers. He was a jack of all trades. He made a fortune creating a banking system, which gave him a cushion as a writer. He helped strengthen U.S. copyright law for writers. He was one of the first board members of the American Civil Liberties Union. He was a very public supporter of the United Nations. He was also targeted by the FBI (and wrote a Nero Wolfe book, The Doorbell Rang, that targets the FBI's intrusions into the lives of American citizens.) But back to the propaganda. During World War II, Stout wrote anti-Nazi propaganda for the government, as president of the Writers' War Board. He knew the power of words—and he wanted to wield them on behalf of liberty and freedom everywhere. Not your typical mystery writer. But if he hadn't created Nero Wolfe and Archie Goodwin, and written such witty and elegant mysteries featuring these distinctive characters, Stout would probably be remembered as a footnote in the American banking system. He created a school banking system, adopted by several hundred schools nationwide, which allowed children to keep track of money saved in accounts.
    [Show full text]
  • It's Nero Wolfe to the Rescue in Detective Story 'Red Box'
    It's Nero Wolfe to the rescue in detective story 'Red Box' Article by: ROHAN PRESTON \ Star Tribune | June 9, 2014 - 12:22 PM Park Square adapts Rex Stout mystery for stage. As far as dying onstage goes, Bob Malos’ performance at Park Square in the premiere of “The Red Box” is at once essential to the plot and unwittingly droll. Malos plays avuncular boutique owner Boyden McNair, a suspect in the death of a model poisoned by candy at his shop. Early in the show, McNair rushes into the office of detective Nero Wolfe (E.J. Subkoviak), a place where he had reluctantly been before. Now he appears ready to spill his guts. McNair grows short of breath. He collapses onto the floor and starts to retch, as if being strangled by invisible hands. Wolfe tries to help, but to no avail. McNair turns over onto his face, writhes and goes still. It’s not giving much away to say we quickly learn that McNair was not fighting some unseen ghost; he had been poisoned. Before his death, he named Wolfe his executor, and also bequeathed a red box and its mysterious contents to the detective. The bequest is a holy grail and motivating idea. Wolfe competes with the police to find it. New York-based playwright Joseph Goodrich adapted “The Red Box” from the fourth novel in Rex Stout’s Nero Wolfe detective series. He has condensed the action to one locale — Wolfe’s office (designed by Rick Polenek). He also has cut characters and made some plot changes to fit this work into a drawing-room mystery for the stage.
    [Show full text]
  • On the Case, Again and Again, with Nero Wolfe
    JAMES MUSTICH ON THE CASE, AGAIN AND AGAIN, WITH NERO WOLFE “What are you reading?” my wife asked me, unable to spy a title from the nondescript e-reader I held as I was propped on pillows in bed. And, as I had responded hundreds of times before to that same question, posed in the same circumstance, I muttered, “Nero Wolfe.” “How many times have you read the one you’re reading now?” with the aforementioned Fer-de-Lance, and read my way “Three or four, at least, I imagine,” I replied. The fact of through the Wolfe bibliography in order of publication date, the matter is I had taken to downloading the e-books of with the goal of bidding these nearly constant companions Rex Stout’s chronicles of his famous sedentary sleuth and a fond farewell. I’d been reading these books since the late his more active partner, and the narrator of the tales, Archie 1970s, when I had been intrigued by the devotion a mother Goodwin, because all of the old paperbacks in which I’d of a friend exhibited toward them: There was always one in first encountered the pair had fallen apart after repeated view whenever I visited their house. Borrowing one, I found engagements: spines broken, pages loosened, the paper that Wolfe’s eccentricities and Archie’s insouciance caught having aged along with me into a brittle and not especially my fancy; no doubt the effects of both were intensified by attractive old age. Plus, the handiness of the electronic the particular volume I happened to pick up—Plot It Yourself versions meant I didn’t have to scour a house full of less- (1959)—in which an elaborate plagiarism scheme that than-optimally organized bookshelves to find one whenever turns deadly is unraveled by Wolfe’s attention to niceties of I felt the urge to reenter the world of Wolfe’s distinctive and punctuation, diction, and even the shaping of paragraphs.
    [Show full text]
  • Nero Wolfe Series-Season1 Music Commentary
    Nero Wolfe Series-Season1 Music Commentary A & E TV SERIES Season 1 Music by Nadine Bandler The first use of non-original music for the series is in The Doorbell Rang. Only one song is used, "La Donna e mobile", from Rigoletto by Verdi. This is an aria about the fickleness of women, which subject has nothing to do with the storyline. The song is presumably being played on the radio as background noise used to cover the brownstone goings-on in case the F.B.I. is listening in. Certain pieces of so-called "classical" music go through phases of popularity, just as other music and forms of art do. A lot of the pieces in the series are ones that would have been perhaps a little overexposed and familiar to the general populace during the 1950s, the time frame of most of the shows. This is one of them. So it is fitting that it should be a random radio selection. Other pieces used in the series are more obscure and apparently fitted to the situation, as I'll note later, individually. Starting with Champagne for One, the choice of music begins to get quite creative. The use of "Jazz Suite No. 2 (Suite for Promenade Orchestra.): VI Waltz 2" by Dmitri Shostakovich makes the introductory sequence wonderfully memorable and it is delightful to hear it again later in the show as actual dance music. Is it my imagination or does this tune have slightly sinister undertones? This makes it all the more suitable. Note that this waltz was also used in the movie Eyes Wide Shut.
    [Show full text]
  • Rex Stout Does Not Belong in Russia: Exporting the Detective Novel
    Wesleyan University The Honors College Rex Stout Does Not Belong in Russia: Exporting the Detective Novel by Molly Jane Levine Zuckerman Class of 2016 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in the Russian, East European, and Eurasian Studies Program Middletown, Connecticut April, 2016 Foreword While browsing through a stack of Russian and American novels in translation on a table on Arbat Street in Moscow in 2013, I came across a Russian copy of one of my favorite books, And Be a Villain, by one of my favorite authors, Rex Stout. I only knew about this author because my father had lent me a copy of And Be a Villain when I was in middle school, and I was so entranced by the novel that I went out to Barnes & Noble to buy as many as they had in stock. I quickly ran out of Stout books to read, because at the time, his books were out of print in America. I managed to get hold of most copies by high school, courtesy of a family friend’s mother who had died and passed on her collection of Stout novels to our family. Due to the relative difficulty I had had in acquiring these books in America, I was surprised to find one lying on a book stand in Moscow, so I bought it for less than 30 cents (which was probably around the original price of its first printing in America).
    [Show full text]
  • Sherlock Holmes Print Study Guide
    STUDY GUIDE IntroductionTABLE OF CONTENTSPg. 3 Pg. 4 Top Ten Things to Know About Going to the Theatre Cast and Creative Team Credits Pg. 5 Stout, Wolfe and Goodwin Pg. 6 Inside Vertigo Theatre- An Interview with Joseph Goodrich Pg. 8 Pre-Show Projects and Discussion Questions Pg. 10 Dynamic Duos 1950's Manhattan Food! Your Burning Questions Pre-Show Activities- To Get You Up On Your Feet Pg. 15 The Perfect Team Spotting a Liar Post Show Discussion Questions Pg. 20 The Art of The Theatre Review Pg. 21 About Vertigo Theatre Pg.22 Vertigo Theatre is committed to creating a welcoming atmosphere for schools and to assisting teachers and parent chaperones with that process. It is our wish to foster and develop our relationship with our student audience members. It is our intention to create positive theatre experiences for young people by providing study guides and post-show talk backs with our actors and theatre personnel, in order to enrich students’ appreciation of theatre as an art form and enhance their enjoyment of our plays. IntroductionWelcome to the Study Guide for Vertigo Theatre’s production of Might As Well Be Dead adapted by Joseph Goodrich, from the novel by Rex Stout. In this guide, you will find information about Rex Stout and his creations, Nero Wolfe and Archie Goodwin. It also includes information about the creative team and performers involved in the production, as well as a variety of activities to do with your class before and after the show. There are topics suitable for class discussion, individual writing projects, as well as games and exercises that get students moving around and learning on their feet.
    [Show full text]
  • Rex Stout (1886-1975)
    REX STOUT (1886-1975) FEATURING ALL THE NERO WOLFE TITLES In 1959, at age 73, Rex Stout received the Mystery Writers of America’s Grand Master Award. At the time, he had published 32 books featuring Nero Wolfe and Archie Goodwin, his most enduring characters, including classics such as THE LEAGUE OF FRIGHTENED MEN (1935), SOME BURIED CEASAR (1939), and AND BE A VILLAIN (1948). Not surprisingly, given his outspoken left-wing political views, particularly on civil liberties, Stout had also created one of the earliest female private investigators, Theolinda “Dol” Bonner, in THE HAND IN GLOVE (1937), and a part-Native American farmer-turned-detective, Tecumseh Fox, in DOUBLE FOR DEATH (1939). Having been named a Grand Master, however, hardly meant Stout’s career was done. Fifteen years of writing still lay ahead of him, including two of his most highly regarded Nero Wolfe novels, DEATH OF A DOXY (1966) and A FAMILY AFFAIR (1975). When Stout passed away at the age of 88, the Nero Wolfe series consisted of 77 titles, including novels, novellas, and short stories. Stout scholar and biographer John McAleer has described the Nero Wolfe mysteries as “an epic that ultimately would encompass more than ten thousand pages.” No wonder, as the 20th century drew to a close, that mystery and detective writers and aficionados at Bouchercon XXXI in September of 2000 nominated Rex Stout for Writer of the Century and the Nero Wolfe mysteries as Series of the Century. From the publication of FER-DE-LANCE, the first Nero Wolfe novel in 1934, the Wolfe mysteries have always been a unique blend of golden age whodunit and hardboiled crime.
    [Show full text]
  • The Silent Speaker
    THE SILENT SPEAKER teleplay by Michael Jaffe based on the novel THE SILENT SPEAKER by REX STOUT Second Draft December 7, 2001 Jaffe-Braunstein Films, Ltd. NW Production Services, Inc. 3585 St. Clair Avenue East Scarborough, ON M1K 1L8 416-269-4888 1 INT. WOLFE'S OFFICE - DAY 1 Wolfe is reading a newspaper. As the camera moves around the room it settles on the front page. There is a picture of a large black tie event with a banner headline above. "MURDER AT THE NIA" And below, in smaller type, "CHENEY BOONE BLUDGEONED". Archie is putting things away in the safe. WOLFE It is an interesting fact that the members of the NIA have assets of something like 30 billion dollars. ARCHIE Yes sir. It is also an interesting fact that the prehistoric mound builders left more traces of their work in Ohio than any other state. In my boyhood days... WOLFE Shut up. ARCHIE Yes sir. WOLFE Archie. Where does the bank balance stand? ARCHIE Another interesting fact. We ought to be able to make it till next week, but since you're obviously not worried since you've turned down.... WOLFE Shut up. ARCHIE Yes sir. WOLFE Archie. Your notebook. Here are directions for tomorrow. ARCHIE (V.O.) In two minutes he had me wide awake. (MORE) 2. 5-13-06 ARCHIE (V.O.) (CONT'D) It was a complicated plan, but it showed just how desperate he was. WIPE TO: * 2 INT. POLICE HEADQUARTERS - MORNING 2 Archie comes through a sea of desks and arrives at an office at the end of the hall.
    [Show full text]
  • Controversial Politics, Conservative Genre: Rex
    CONTROVERSIAL POLITICS, CONSERVATIVE GENRE: REX STOUT’S ARCHIE-WOLFE DUO AND DETECTIVE FICTION’S CONVENTIONAL FORM by Ammie Sorensen Cannon A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of English Brigham Young University August 2006 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Ammie Sorensen Cannon This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. ______________________________ ____________________________________ Date Stephen L. Tanner, Chair ______________________________ ____________________________________ Date Jesse S. Crisler, Reader ______________________________ ____________________________________ Date Dennis R. Perry, Reader ______________________________ ____________________________________ Date Nicholas Mason, Graduate Coordinator BRIGHAM YOUNG UNIVERSITY As chair of the candidate’s graduate committee, I have read the thesis of Ammie Sorensen Cannon in its final form and have found that (1) its format, citations, and bibliographical style are consistent and acceptable and fulfill university and department style requirements; (2) its illustrative materials including figures, tables, and charts are in place; and (3) the final manuscript is satisfactory to the graduate committee and is ready for submission to the university library. ______________________________ ____________________________________ Date Stephen
    [Show full text]
  • Semi-Private Eyes
    Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1982 Volume I: Society and the Detective Novel Semi-Private Eyes Curriculum Unit 82.01.05 by Anthony F. Franco Benny sits in the cafeteria, opens his carton of milk, and prepares to devour his government-subsidized fried chicken. Within moments several other boys join him with their lunch trays at the table. A few minutes later there are no less than six other boys and several girls jockeying for position at the now crowded table. Benny is captain of the basketball team, good-looking, well-mannered, and adequately intelligent. His popularity is well-deserved. He is adored by students and well-liked by his teachers. Benny will say very little at the table today. The conversation concerns the school’s basketball game of the previous afternoon. Should he agree with the jabbering analysis, it will be looked upon as formal certification of all that transpires. If he should disagree with the minutest detail concerning the game, the conversation will immediately take a different turn. Benny uses his foils well. Tricia is an extremely attractive co-ed at the same school as Benny. Tricia has attained academic honors throughout the year. Each morning a crowd of students surrounds Tricia’s desk as she brushes her hair and freshens her makeup. Throughout the day Tricia is never unaccompanied to class. Her usual companions are a bevy of other girls who do not approach Tricia’s appearance or intelligence. These same girls usually sit near Tricia in her classes and are attentive to every word she says.
    [Show full text]
  • Rex Stout Papers 1907-1980 (Bulk 1930-1975) MS.1986.096
    Rex Stout papers 1907-1980 (bulk 1930-1975) MS.1986.096 http://hdl.handle.net/2345/1132 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 4 Biographical note ........................................................................................................................................... 6 Scope and Contents ........................................................................................................................................ 7 Arrangement ................................................................................................................................................... 7 Collection Inventory ....................................................................................................................................... 8 I: Literary Life ............................................................................................................................................. 8 II: Personal
    [Show full text]
  • Rex Stout's Archie-Wolfe Duo and Detective Fiction's Conventional Form" (2006)
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2006-06-15 Controversial Politics, Conservative Genre: Rex Stout's Archie- Wolfe Duo and Detective Fiction's Conventional Form Ammie Cannon Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the English Language and Literature Commons BYU ScholarsArchive Citation Cannon, Ammie, "Controversial Politics, Conservative Genre: Rex Stout's Archie-Wolfe Duo and Detective Fiction's Conventional Form" (2006). Theses and Dissertations. 469. https://scholarsarchive.byu.edu/etd/469 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. CONTROVERSIAL POLITICS, CONSERVATIVE GENRE: REX STOUT’S ARCHIE-WOLFE DUO AND DETECTIVE FICTION’S CONVENTIONAL FORM by Ammie Sorensen Cannon A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of English Brigham Young University August 2006 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Ammie Sorensen Cannon This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. ______________________________ ____________________________________ Date Stephen L. Tanner, Chair
    [Show full text]