Living Stations Prayer
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Touchstones of Popular Culture Among Contemporary College Students in the United States
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be. -
Pastor Brian Writes— Before Actually Sitting Down Additional Services
January, 2016 UPCOMING EVENTS Pastor Brian Writes— January 10—Mission Sunday Before actually sitting down additional services. Hospital and and taking time to reflect on the home visits. Let’s not forget all the January 10—Food for the Poor year’s past I have to admit if felt baptisms in 2015! somewhat frustrated. “NOT There were family events, January 10—Dave Ramsey FPU MUCH!”, I said. Not much council meetings, elder meetings, Seminar happened in 2015. It seemed to worship team practice, and just come and go. “Same old’ Confirmation which gives evidence January 17—Bowling Family same old’.” That is until someone to the fact that Mission and Event who heard me say that reminded ministry was also an important part me just how far I was from reality. of a very busy 2015. Canteen Visit the calendar at www.friendshiplutheran.com In reality it was a busy year Run, Panera Bread mission, like so many before it and I was Elizabeth Circle, Men’s Tuesday once again reminded to give Morning Bible Study, Thursday INSIDE THIS ISSUE: thanks to the ONE who made it all Morning Bible Study and small possible and who saw all of us groups that were in full swing. Budgets 2 through it. So, I did what I suppose THE STORY concluded in May. With the Young Crowd 2-5 many of us have done before. I Prayer and praise took place on Family Events 5 flipped back my desk calendar to Thursdays. Central Illinois District Lent Schedule & Themes 6 January and paged slowly through conferences took place twice in it. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research. -
Bio 2018 Charlie Daniels
CHARLIE DANIELS Bio 2018 www.charliedaniels.com www.twitter.com/charliedaniels www.youtube.com/charliedanielsvideos www.facebook.com/charliedanielsband www.instaGram.com/thecharliedanielsband From his Dove Award winning gospel albums to his genre-defining Southern rock anthems and his CMA Award-winning country hits, few artists have left a more indelible mark on America’s musical landscape than Charlie Daniels. An outspoken patriot, beloved mentor to young artists and still a road warrior at age 80, Charlie has parlayed his passion for music into a multi-platinum career and a platform to support the military, underprivileged children and others in need. Raised among the longleaf pines of North Carolina, Charlie began his career playing bluegrass music with the Misty Mountain Boys. After moving to Nashville in 1967, he began making a name for himself as a songwriter, session musician and producer. Elvis Presley recorded a tune Charlie co-wrote titled “It Hurts Me,” which was released on the flip side of “Kissin’ Cousins.” He played on such landmark albums as Bob Dylan’s Nashville Skyline and tried his hand at producing the Youngbloods’ Elephant Mountain and Ride the Wind. His own unique voice as an artist emerged as Charlie recorded his self-titled solo album in 1970 for Capitol Records. Two years later he formed the Charlie Daniels Band and the group scored its first hit with the top ten “Uneasy Rider.” Since then the CDB has populated radio with such memorable hits as “Long Haired Country Boy,” “The South’s Gonna Do It Again,” “In America,” “The Legend of Wooley Swamp” and of course, his signature song, “The Devil Went Down to Georgia,” which won a Grammy for Best Country Vocal Performance by a Duo or Group in 1979 as well as single of the year at the Country Music Association Awards. -
1. 11 1 I WANT/L SAW HER-Beatles (Cap) 11.1 [U) BABY DON’T WEEP-James Brown (Kin) 2
February 17, 1964 Number Forty Three HIT OF THE WEEK; NAVY BLUE - Diane Renay (20th Fox) A top ten entry in the Carolinas, Florida, Alabama, Georgia, Texas, Tennessee, Kentucky and Virginia. Be sure you’re on it. It’s a heavy weight. CORRESPONDENTS POPULAR PICK; KISSIN' COUSINS/lT HURTS ME - Elvis Presley (RCA) An instant smashI A top seller and request getter in only a week. SURPRISE OF THE WEEK: TO THE AISLE - Jimmy Velvet (ABC) I am not convinced this can do it in the long pull, but it has pulled strong calls where it is programmed. Frank Jolle-WMAK-Nashvllle had one of the first dubs and went with it. A top five request for him. Activity at: WPGA, WTBC, WMOC, KOLE, WROV, WCAW, WNOR, WEKR, KVOL, WMBR, WMNZ, WMTS, WEED and WLBG. HOT ACTION RECORD: SEE THE FUNNY LITTLE CLOWN - Bobby Goldsboro (UA) It keeps building. Sales and/or requests in Tennessee, Texas, though it bombed in Dallas, Georgia, Alabama, Virginia, West Virginia, Kentucky, Louisiana, Arkansas, Mississippi, Florida and the Carolinas. SOUTHERN SURVEY CHOICE OF THE WEEK: MY HEART BELONGS TO ONLY YOU - Bobby Vinton (Epic) Hope you've been programming it from the album. Single is due out today. It’ll be another smash for the artist. SOUTHERN TOP TWENTY 1. 11 1 I WANT/l SAW HER-Beatles (Cap) 11. 1[U) BABY DON’T WEEP-James Brown (Kin) 2. 12 1 SHE LOVES YOU-Beatles (Swa) 12. 1l10 FOOL NEVER LEARNS-Andy Williams(Col) 3. <¡4; YOU DON'T OWN ME-Lesley Gore (Mer) 13 . -
I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For
―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer D. M. A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Crystal Yvonne Sellers Graduate Program in Music The Ohio State University 2009 Dissertation Committee: Loretta Robinson, Advisor Karen Peeler C. Patrick Woliver Copyright by Crystal Yvonne Sellers 2009 Abstract ―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer With roots in the early songs and Spirituals of the African American slave, and influenced by American Jazz and Blues, Gospel music holds a significant place in the music history of the United States. Whether as a choral or solo composition, Gospel music is accompanied song, and its rhythms, textures, and vocal styles have become infused into most of today‘s popular music, as well as in much of the music of the evangelical Christian church. For well over a century voice teachers and voice scientists have studied thoroughly the Classical singing voice. The past fifty years have seen an explosion of research aimed at understanding Classical singing vocal function, ways of building efficient and flexible Classical singing voices, and maintaining vocal health care; more recently these studies have been extended to Pop and Musical Theater voices. Surprisingly, to date almost no studies have been done on the voice of the Gospel singer. Despite its growth in popularity, a thorough exploration of the vocal requirements of singing Gospel, developed through years of unique tradition and by hundreds of noted Gospel artists, is virtually non-existent. -
Don't Make Me Think, Revisited
Don’t Make Me Think, Revisited A Common Sense Approach to Web Usability Steve Krug Don’t Make Me Think, Revisited A Common Sense Approach to Web Usability Copyright © 2014 Steve Krug New Riders www.newriders.com To report errors, please send a note to [email protected] New Riders is an imprint of Peachpit, a division of Pearson Education. Editor: Elisabeth Bayle Project Editor: Nancy Davis Production Editor: Lisa Brazieal Copy Editor: Barbara Flanagan Interior Design and Composition: Romney Lange Illustrations by Mark Matcho and Mimi Heft Farnham fonts provided by The Font Bureau, Inc. (www.fontbureau.com) Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact [email protected]. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks It’s not rocket surgery™ is a trademark of Steve Krug. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Peachpit was aware of a trademark claim, the designations appear as requested by the owner of the trademark. -
An Intergenerational Narrative Analysis of Black Mothers and Daughters
Still Waiting to Exhale: An Intergenerational Narrative Analysis of Black Mothers and Daughters DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jamila D. Smith, B.A., MFA College of Education and Human Ecology The Ohio State University 2012 Dissertation Committee: Professor Elaine Richardson, Advisor Professor Adrienne D. Dixson Professor Carmen Kynard Professor Wendy Smooth Professor Cynthia Tyson Copyright by Jamila D. Smith 2012 Abstract This dissertation consists of a nine month, three-state ethnographic study on the intersectional effects of race, age, gender, and place in the lives of fourteen Black mothers and daughters, ages 15-65, who attempt to analyze and critique the multiple and competing notions of Black womanhood as “at risk” and “in crisis.” Epistemologically, the research is grounded in Black women’s narrative and literacy practices, and fills a gap in the existing literature on Black girlhood and Black women’s lived experiences through attention to the development of mother/daughter relationships, generational narratives, societal discourse, and othermothering. I argue that an in-depth analysis and critique of the dominant “at risk” and “in crisis” discourse is necessary to understand the conversations that are and are not taking place between Black mothers and daughters about race, gender, age, and place; that it is important to understand the ways in which Black girls respond to media portrayals and stereotypes; and that it is imperative that we closely examine the existing narratives at play in the everyday lives of intergenerational Black girls and women in Black communities. -
STATIONS of the CROSS Introduction, Contents, Ideas for Use and Scripts © 2011, Cornerstone Media, Inc
STATIONS OF THE CROSS Introduction, Contents, Ideas for Use and Scripts © 2011, Cornerstone Media, Inc. Introduction: This Stations of the Cross Kit is primarily designed to facilitate prayer. Since prayer is any conversation with God, these prayer moments can happen privately or in groups. This kit can be used for large congregations, or for small groups such as youth meetings and retreats, or simply loaned to individuals for private reflection. What is unique about this kit is the use of music. Because this devotional service is designed for teens and adults together, the selection of the songs is done carefully, with both age groups in mind. Each year in February, new songs are selected, and a new kit is produced. For the greatest effect, we recommend you use the newest version. In addition to the Stations of the Cross on CD One, you will find four additional Holy Week Meditations on CD Two. It is our hope that this ancient devotional will fit well with modern songs, and that you, the current generation of adults and teens, will experience “A Journey You’ll Never Forget.” Cornerstone Media would like to thank the Youth Office for the Archdiocese of Louisville, Kentucky for making possible the first version of “Stations of the Cross.” Thanks also goes to Jerry Finn for writing the first script. God bless you. Contents CD One: STATIONS OF THE CROSS CD Two: THE THEMES OF HOLY WEEK • Opening Narration • Station One: Jesus is condemned to death • Holy Thursday: • Station Two: Jesus accepts his cross Why Should We Stay? • Station Three: -
A Sense of Knowing
Catholic Women's Network 877 Spinosa Drive Non-Profit Org. U.S. Postage Sunnyvale C A 94087 PAID 408.245.8663 FAX408.738.2767 Permit No. 553 etworfc Sunnyvale CA for Women's Spirituality Issue No. 88 %sA non-profit educational publication since 1988 September/October/November 2004 Jeri Becker and intuition Wisdom Women to speak at CWN 15th anniversary A Celebration of Wisdom and Freedom will be the theme ofa day-long program, Saturday, August 28 in Cupertino, CA as CWN celebrates 15 years of educational minis try- Columnist Jeri Becker, newly-freed from prison after 23 years will be a featured speaker. Jeri, now living in Santa Rosa, CA has been an artist and columnist for CWN since 1995, a leader of 12- step groups and peer coun selor in prison. Penny Mann, an InterPlay Jeri Becker leader and ordained minister who uses storytelling, move ment, and song, will facilitate the celebrations of the day. Penny has been a featured ritual leader of several CWN June gatherings in the past. The morning pro gram will offer dra matizations of the Voices of five women from history. Speak a sense of ing wisdom of the past for the present will be: *Author Patricia Lynn Reilly as Eve, knowing the Big Momma * Spiritual Director Intuition—our mysterious "sense of knowing" gives us guidance and answers Suzanne Young as Mary, Woman of~ perplexing questions in our lives, if we know how to ask the questions. It might take the Many Faces form of a voice we hear as St. Joan of Arc did . -
Dreams-041015 1.Pdf
DREAMS My Journey with Multiple Sclerosis By Kristie Salerno Kent DREAMS: MY JOURNEY WITH MULTIPLE SCLEROSIS. Copyright © 2013 by Acorda Therapeutics®, Inc. All rights reserved. Printed in the United States of America. Author’s Note I always dreamed of a career in the entertainment industry until a multiple sclerosis (MS) diagnosis changed my life. Rather than give up on my dream, following my diagnosis I decided to fight back and follow my passion. Songwriting and performance helped me find the strength to face my challenges and help others understand the impact of MS. “Dreams: My Journey with Multiple Sclerosis,” is an intimate and honest story of how, as people living with MS, we can continue to pursue our passion and use it to overcome denial and find the courage to take action to fight MS. It is also a story of how a serious health challenge does not mean you should let go of your plans for the future. The word 'dreams' may end in ‘MS,’ but MS doesn’t have to end your dreams. It has taken an extraordinary team effort to share my story with you. This book is dedicated to my greatest blessings - my children, Kingston and Giabella. You have filled mommy's heart with so much love, pride and joy and have made my ultimate dream come true! To my husband Michael - thank you for being my umbrella during the rainy days until the sun came out again and we could bask in its glow together. Each end of our rainbow has two pots of gold… our precious son and our beautiful daughter! To my heavenly Father, thank you for the gifts you have blessed me with.