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Batchelor Boys - the Young Ones Book
Batchelor Boys - The Young Ones Book This is a book spin-off of the infamous TV serial, written by Ben Elton. Stark (1989) From the backnote of the book.... "Stark has more money than God and the social conscience of a dog on a croquet lawn. What's more, they know the Earth is dying. Deep in Western Australia, where the Aboriginals used to milk the trees, a planet-sized plot takes shape. Some green freaks pick up the scent. A Pommie poseur, a brain-fried Vietnam Vet, Aboriginals who lost their land ... not much against a conspiracy that controls society. But EcoAction isn't in society; it just lives in the same place, along with the cockroaches. If you're facing the richest and most disgusting conspiracy in history, you have to do more than stick up two fingers and say 'peace'." This was Ben Elton's first novel, and sold massively in Britain and Australia. It was reprinted 23 times in its' first year of publication, and sold over a million worldwide. Priced at £4.99, the ISBN number is 0 751 501 999 and is now printed by Warner Books. You can have it delivered anywhere in the world via Bookpages. Gridlock (1991) From the backnote of the book.... "Gridlock is when a city dies. Killed in the name of freedom. Killed in the name of oil and steel. Choked on carbon monoxide and strangled with a pair of fluffy dice. How did it come to this ? How did the ultimate freedom machine end up paralysing us all ? How did we end up driving to our own funeral, in somebody else's gravy train ? Deborah and Geoffrey know, but they have transport problems of their own, and anyway, whoever it was that murdered the city can just as easily murder them." Reviews of GRIDLOCK "Brilliant .. -
The Revival of the Satiric Spirit in Contemporary British Fiction1
The Revival of the Satiric Spirit in Contemporary British Fiction1 Luis Alberto Lázaro Lafuente University of Alcalá Satiric novels have traditionally been regarded as a minor form by many critics and scholars. Aristotle had already referred to the satirists as "the more trivial" poets who wrote about the actions of meaner~persons, in stark contrast to the "more serious-minded" epic poets who represented noble actions and the lives of noble people (1965: 35-36). This attitude has persisted throughout many centuries in the history of English literature. Even though satire enjoyed its golden age in the seventeenth and eighteenth centuries, especially with the poetry of such distinguished writers as Dryden or Pope, satiric compositions in prose did not really achieve the same high position2• When with time the novel became a well• established genre, it was mainly naturalistic fiction and psychological stories that commonly attained a prominent status among the literary critics, whereas the comic and satiric novel, with a few exceptions, was relegated to a status of popular prose on the fringe of the canon, or even outside it. Indeed, in the twentieth century, several prestigious authors have offered a rather gloomy picture of the state of novelistic satire. Robert C. Elliott, for instance, said in 1960 that the great literary figures of this century were not "preeminently satirists" (1970: 223); and Patricia Meyer Spacks, in her artide "Some Reflections on Satire" first published in 1968, even stated that satiric novel s by authors such I Some ideas oí this paper have already appeared in my essay "El espíritu satírico en la novela británica contemporánea: Menipo redivivo", included in the volume edited by Fernando Galván Már• genes y centros en la literatura británica actual. -
A Stylometric Analysis of Climate Change Fiction
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses July 2020 A Stylometric Analysis of Climate Change Fiction Nina Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Arts and Humanities Commons Recommended Citation Lorenz, Nina, "A Stylometric Analysis of Climate Change Fiction" (2020). Masters Theses. 938. https://doi.org/10.7275/17658220 https://scholarworks.umass.edu/masters_theses_2/938 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A Stylometric Analysis of Climate Change Fiction A Thesis Presented by NINA LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2020 English A Stylometric Analysis of Climate Change Fiction A Thesis Presented By NINA LORENZ Approved as to style and content by: _______________________________________ Malcolm Sen, Co-chair _______________________________________ TreaAndrea Russworm, Co-chair _______________________________________ Daniel Sack, Member _______________________________________ Daniel Sack, Graduate Program Director English ______________________________________ Randall Knoper, Head of Department English ABSTRACT A STYLOMETRIC ANALYSIS OF CLIMATE CHANGE FICTION MAY 2020 NINA LORENZ, B.A., UNIVERSITY OF STUTTGART M.A., UNIVERSITY OF MASSACHUSETTS Directed by: Professor TreaAndrea Russworm and Professor Malcolm Sen This work sets out to analyze stylistic changes in Anthropocene fiction over the past 60 years. The starting point for the analysis has been Rachel Carson, and the presumed beginning of the Anthropocene in the 1960s. -
Loose Change Works to Loosen Chains
CollegianThe March 13, 2009 Vol. 69 No. 16 Slumdogs and slavery Varsity softball has sweeping wins in Florida Page 15 The Grove City College Newspaper Page 20 ‘La Bête’ wins recognition Theater veterans bring ‘My Fair Lady’ to life By Sierra R. Shipton Sherman’s co-lead, phonetics Contributing Writer professor Henry Higgins. Hampe is no newbie to the- “Mirror, mirror on the wall, ater, either. who’s the fairest of them all?” “I started in middle school Why, sophomore Rebecca and never looked back,” he said. Sherman, of course. Most recently, he portrayed No, this year’s spring musical Orlando in last fall’s production is not a twist on Walt Disney’s of Shakespeare’s “As you Like classic fairy tale “Snow White.” It.” Instead, it is “a different take on Supporting lead Colonel a timeless Broadway classic,” Pickering, a retired British said Sherman, who plays lead- colonel who lived much of his ing lady Eliza Doolittle in this life stationed in India, is played year’s mainstage production of by Hampe’s fellow junior Kevin “My Fair Lady.” Gaul. Josh Kitamura Doug Baker ’08 and Pat McElroy ’08 are among the Grove City College graduates and students Sherman became involved in Gaul’s love for theater began who will perform ‘La Bête’ at the Kennedy Center American College Theater Festival in theater starting in middle in high school, and he carried Washington D.C. The show is one of four chosen from throughout the country. See next week’s school. that love with him to college, issue for further coverage. -
Exemplar Texts for Grades
COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects _____ Appendix B: Text Exemplars and Sample Performance Tasks OREGON COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects Exemplars of Reading Text Complexity, Quality, and Range & Sample Performance Tasks Related to Core Standards Selecting Text Exemplars The following text samples primarily serve to exemplify the level of complexity and quality that the Standards require all students in a given grade band to engage with. Additionally, they are suggestive of the breadth of texts that students should encounter in the text types required by the Standards. The choices should serve as useful guideposts in helping educators select texts of similar complexity, quality, and range for their own classrooms. They expressly do not represent a partial or complete reading list. The process of text selection was guided by the following criteria: Complexity. Appendix A describes in detail a three-part model of measuring text complexity based on qualitative and quantitative indices of inherent text difficulty balanced with educators’ professional judgment in matching readers and texts in light of particular tasks. In selecting texts to serve as exemplars, the work group began by soliciting contributions from teachers, educational leaders, and researchers who have experience working with students in the grades for which the texts have been selected. These contributors were asked to recommend texts that they or their colleagues have used successfully with students in a given grade band. The work group made final selections based in part on whether qualitative and quantitative measures indicated that the recommended texts were of sufficient complexity for the grade band. -
Gregor the Overlander Book One of the Bestselling Underland Chronicles
Gregor the Overlander Collection Gregor the Overlander Gregor and the Prophecy of Bane Gregor and the Curse of the Warmbloods Gregor and the Marks of Secret Gregor and the Code of Claw SUZANNE COLLINS Contents Title Page Gregor the Overlander Gregor and the Prophecy of Bane Gregor and the Curse of the Warmbloods Gregor and the Marks of Secret Gregor and the Code of Claw About the Author GREGOR THE OVERLANDER BOOK ONE OF THE BESTSELLING UNDERLAND CHRONICLES SUZANNE COLLINS SCHOLASTIC INC. New York Toronto London Auckland Sydney Mexico City New Delhi Hong Kong For my mom and dad PART 1 The Fall CHAPTER 1 Gregor had pressed his forehead against the screen for so long, he could feel a pattern of tiny checks above his eyebrows. He ran his fingers over the bumps and resisted the impulse to let out a primal caveman scream. It was building up in his chest, that long gutteral howl reserved for real emergencies -- like when you ran into a saber-toothed tiger without your club, or your fire went out during the Ice Age. He even went so far as to open his mouth and take a deep breath before he banged his head back into the screen with a quiet sound of frustration. "Ergh." What was the point, anyway? It wouldn't change one thing. Not the heat, not the boredom, not the endless space of summer laid out before him. He considered waking up Boots, his two-year-old sister, just for a little distraction, but he let her sleep. At least she was cool in the air-conditioned bedroom she shared with their seven-year-old sister, Lizzie, and their grandma. -
Interview with Ben Elton
18 THIRD WAY HIGH PROFILE Interview by James Cary Posive Spin On stage, Ben Elton has been known to deliver 10,000 revolutions a minute, but the man they called ‘Motormouth’ was just ticking over quietly when Third Way met him over a latté in west London. You have written a dozen novels, and each of them You know, I’m interested in the world. Look at seems to take a very strong and particular theme, such Shakespeare. He explored every possible facet of the as celebrity or faith. Given that you come from a family human condition, both public and private. Everything of academics, I wonder if it is primarily the ideas that he wrote was political, everything he wrote was pri- interest you, rather than the characters or the story. vate. There wasn’t a sentence that couldn’t have been The ideas interest me initially, but the reason I write in interpreted as a polemic, and yet he was obviously dri- the way I do is because I’m very soon caught up in the v en principally as an artist. characters and the story. If I wanted to be an essayist or a polemicist, I would obviously just stick to the ideas, Still, I get the impression that you are an optimist who but I don’t. I have no great interest in being either a doesn’t want our society to settle for second best… politician or an activist. My first and foremost drive is Well, I include myself in ‘society’, that’s the point. -
EXTENSIONS of REMARKS 32685 EXTENSIONS of REMARKS the PRESIDENT SHOULD SIGN Taken in the Wylie Substitute
November 18, 1987 EXTENSIONS OF REMARKS 32685 EXTENSIONS OF REMARKS THE PRESIDENT SHOULD SIGN taken in the Wylie substitute. However, I be By offering art and cultural activities to stu THE HOUSING BILL lieve the conference report represents a fair dents, the organization provides opportunities compromise, and I urge the Senate and the to broaden learning experiences, helping stu HON. DAVID DREIER President to support this important legislation. dents to live and grow in an environment rich OF CALIFORNIA with a diversity beyond the academic sphere. IN THE HOUSE OF REPRESENTATIVES A TRIBUTE TO THE BUREAU OF The Bureau has devoted itself to enriching Tuesday, November 17, 1987 JEWISH EDUCATION OF THE the lives of those it has served, a goal it has JEWISH FEDERATION COUNCIL excelled at achieving through the years. In the Mr. DREIER of California. Mr. Speaker, American tradition of upholding education as a today, the Senate will be considering the con OF LOS ANGELES ON ITS value vital to our future, this organization has ference report to the Housing and Community GOLDEN ANNIVERSARY Development Act of 1987. As a member of provided important opportunities to the Jewish the Housing Subcommittee, I would like to HON. HOWARD L. BERMAN community of Los Angeles for 50 years. It is urge my colleagues in the other body to sup OF CALIFORNIA our distinct pleasure to join with our col- port the conference report. I would also like to . leagues to honor the Bureau of Jewish Educa urge the President to sign the measure into HON. HENRY A. WAXMAN tion of the Jewish Federation Council. -
Popcorn Falls
THE WALTON COUNTY TOURIST DEVELOPMENT COUNCIL PROUDLY SUPPORTS EMERALD COAST THEATRE COMPANY MIRAMAR BEACH • SEASCAPE • SANDESTIN • DUNE ALLEN • GULF PLACE • SANTA ROSA BEACH • BLUE MOUNTAIN BEACH GRAYTON BEACH • WATERCOLOR • SEASIDE • SEAGROVE • WATERSOUND • SEACREST • ALYS BEACH • ROSEMARY BEACH • INLET BEACH VISITSOUTHWALTON.COM A GRAND EXPERIENCE Upscale shopping, sophisticated dining and South Walton’s very best events and entertainment await. grandboulevard.com WE MAKE NORTHWEST FLORIDA A WONDERFUL PLACE TO LIVE, WORK AND PLAY ARTS EDUCATION ENVIRONMENT HEALTH CARE The St. Joe Community Foundation, Inc. was create with the express purpose of making Northwest Florida a wonderful place to live, work and play. Over the past 20 years the Foundation has contributed over $25 Million in grants in Northwest Florida to enhance cultural arts, strengthen education, improve healthcare and protect the environment. How can the Foundation help you? FOR MORE INFORMATION, VISIT JOEFOUNDATION.COM © The St. Joe Company 2020 All Rights Reserved. “St. Joe Community Foundation” is a service mark of The St. Joe Company or its affiliates. THE COMFORT YOU DESERVE THE CONVENIENCE YOU CRAVE Keeping you satisfied is what makes Hyatt Place Sandestin at Grand Boulevard a different place. Here, you’ll find style and 24/7 convenience along with every modern comfort you deserve. FREE WIFI Oh the places you’ll go with free Wi-Fi and remote printing from everywhere. Plus, enjoy free public computers with high-speed internet access. ROOMY ROOMS Rooms should always feel, well, roomy, and we made no exception here with space to work, play, or get that much-needed rest and relaxation. FITNESS CENTER Recharge at our 24-hour Fitness Center featuring cardio equipment with LCD touchscreens and free ear buds or make a splash in our outdoor pool. -
Catalogue1516.Pdf
Catalogue of New Plays 2015–2016 © 2015 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Once again, the Play Service is delighted to have all of this year’s Tony nominees for Best Play. The winner, Simon Stephens’ THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, based on Mark Haddon’s best-selling novel, is a thrilling and emotional journey into the mind of an autistic boy. We acquired Ayad Akhtar’s Pulitzer Prize- winning play DISGRACED after its run at Lincoln Center, and we are also publishing his plays THE WHO & THE WHAT and THE INVISIBLE HAND. Robert Askins’ subversive, hilarious play HAND TO GOD introduced this young American writer to Broadway, and the Play Service is happy to be his first publisher. Rounding out the nominess are Mike Poulton’s dazzling adaptations of Hilary Mantel’s WOLF HALL novels. THIS IS OUR YOUTH by Kenneth Lonergan and perennial favorite YOU CAN’T TAKE IT WITH YOU by Kaufman and Hart were nominated for Best Revival of a Play. We have our 45th Pulitzer Prize winner in the moving, profane, and deeply human BETWEEN RIVERSIDE AND CRAZY, by Stephen Adly Guirgis, which is under option for Broadway production next season. Already slated for Broadway is Mike Bartlett’s “future history” play, KING CHARLES III, following its hugely successful production in the West End. Bess Wohl, a writer new to the Play Service, received the Drama Desk Sam Norkin Off-Broadway Award. We have her plays AMERICAN HERO and SMALL MOUTH SOUNDS. -
On Writing : a Memoir of the Craft / by Stephen King
l l SCRIBNER 1230 Avenue of the Americas New York, NY 10020 Visit us on the World Wide Web http://www.SimonSays.com Copyright © 2000 by Stephen King All rights reserved, including the right of reproduction in whole or in part in any form. SCRIBNER and design are trademarks of Macmillan Library Reference USA, Inc., used under license by Simon & Schuster, the publisher of this work. DESIGNED BY ERICH HOBBING Set in Garamond No. 3 Library of Congress Publication data is available King, Stephen, 1947– On writing : a memoir of the craft / by Stephen King. p. cm. 1. King, Stephen, 1947– 2. Authors, American—20th century—Biography. 3. King, Stephen, 1947—Authorship. 4. Horror tales—Authorship. 5. Authorship. I. Title. PS3561.I483 Z475 2000 813'.54—dc21 00-030105 [B] ISBN 0-7432-1153-7 Author’s Note Unless otherwise attributed, all prose examples, both good and evil, were composed by the author. Permissions There Is a Mountain words and music by Donovan Leitch. Copyright © 1967 by Donovan (Music) Ltd. Administered by Peer International Corporation. Copyright renewed. International copyright secured. Used by permission. All rights reserved. Granpa Was a Carpenter by John Prine © Walden Music, Inc. (ASCAP). All rights administered by WB Music Corp. All rights reserved. Used by permission. Warner Bros. Publications U.S. Inc., Miami, FL 33014. Honesty’s the best policy. —Miguel de Cervantes Liars prosper. —Anonymous First Foreword In the early nineties (it might have been 1992, but it’s hard to remember when you’re having a good time) I joined a rock- and-roll band composed mostly of writers. -
Black Swan State Theatre Company & Queensland Theatre Company
Cast featuring: Caroline Brazier - Kirsten Black Swan State Theatre Company & Lucy Goleby - Peggy Damon Lockwood - Phillip Queensland Theatre Company Greg McNeill - Chief present Steven Rooke - Sandy Director: Wesley Enoch Gasp! By Ben Elton Set & Costume Designer: Christina Smith 25 October – 9 November 2014 Imagine a world in which the air we breathe is Lighting Designer: just another commodity like food and fuel. Trent Suidgeest Something that can be bought and sold according to market forces. How much do you Sound Designer: think you’d have to breathe? Tony Brumpton This was the darkly comic premise on which Projection Designers: Ben Elton based his first play, the hilarious and optikal bloc critically acclaimed satirical comedy Gasping. Design Associate: Penny Challen The play was first produced in 1990 in London’s West End. It starred Hugh Laurie and Directorial Associate: ran for a triumphant year and a half. Now Ben Daniel Evans Elton has revisited his original play and re- imagined it for a new century and a new Duration: 2 hr 10min country. This major rewrite relocates the story (including interval) to an Australia grown giddy on the resources Warning: Coarse Language boom. It’s now called Gasp! And it’s as relevant and as hil‘air’ious as ever. Venue: Heath Ledger Centre State Theatre Centre of WA Ben Elton has written fourteen bestselling books including Popcorn and Inconceivable, some of TV’s most popular comedy series (Blackadder, The Tickets: Young Ones) as well as West End plays and the hit musical We Will Rock Tickets $27.90 - $79.90 You.