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2020-July Cv DAVID GRAZIAN July 2020 Sociology Department 3 Washington Square Village 3718 Locust Walk Apt. #14N Philadelphia, PA 19104-6299 New York, NY 10012 TEL 215.898.7682 TEL 215.808.2070 [email protected] [email protected] CURRENT POSITION Professor of Sociology and Communication, and Faculty Director, Urban Studies Program, University of Pennsylvania. PROFESSIONAL POSITIONS • Professor, Sociology Department, University of Pennsylvania, 2020. • Faculty Director, Urban Studies Program, University of Pennsylvania, 2018-present. • Secondary Appointment, Annenberg School for Communication, University of Pennsylvania, 2016-present. • Visiting Scholar, Institute for Public Knowledge, New York University, 2015-present. • Graduate Chair, Sociology Department, University of Pennsylvania, 2015-18. • Member, School of Social Science, Institute for Advanced Study, Princeton, NJ, 2013-14. • Undergraduate Chair, Sociology Department, University of Pennsylvania, 2007-10. • Associate Professor (with tenure), Sociology Department, University of Pennsylvania, 2007-20. • Assistant Professor, Sociology Department, University of Pennsylvania, 2001-07. • Lecturer, Collegiate Division of the Social Sciences, University of Chicago, 1998-2001. • Robert E. Park Lecturer, Department of Sociology, University of Chicago, 1998. EDUCATION • Ph.D. in Sociology, University of Chicago, 2000. • A.M. in Sociology, University of Chicago, 1996. • B.A. in Sociology (with Highest Honors) and English, Rutgers University, New Brunswick, NJ, 1994. • Summer coursework in Jewish Studies, Jewish Theological Seminary of America, New York, NY, 1991. RESEARCH AND TEACHING INTERESTS Culture; media and the arts; urban sociology and city life; work and occupations; nature and environment; sociological theory; ethnography. ACADEMIC BOOKS Where We Work: Human Habitats in New York’s New Economy. Manuscript in progress, and under advance contract with the University of Chicago Press. American Zoo: A Sociological Safari (Princeton, NJ: Princeton University Press, 2015). Paperback published in 2017. • Winner, Award for Distinguished Scholarship for Best Book, ASA Animals and Society Section, 2016. • Winner, 2015 Athenaeum Literary Award, The Athenaeum of Philadelphia, May 2016. • Honorable Mention, American Publishers Awards for Professional & Scholarly Excellence (PROSE) Award in Sociology & Social Work, Association of American Publishers, February 2016. • Author Meets Critics, 86th annual meetings of the Eastern Sociological Society, March 2016. • Reviewed in American Journal of Sociology, Contemporary Sociology, New Scientist, Qualitative Sociology, Sociological Forum, Times Higher Education, Times Literary Supplement. • Briefly reviewed in Nature, Society, Chicago Tribune. Profiled in the Boston Globe, Maclean’s, Washington Post, Psychology Today. On the Make: The Hustle of Urban Nightlife (Chicago: University of Chicago Press, 2008). Paperback published in 2011. • Author Meets Critics, 33rd annual meetings of the Social Science History Association, October 2008. • Reviewed in American Journal of Sociology, Canadian Journal of Sociology, Social Forces, Sociological Forum. Profiled in Toronto Star. • Chapter 4, “Winning Bar: Nightlife as a Sporting Ritual,” reprinted in The Urban Ethnography Reader, Mitchell Duneier, Philip Kasinitz, and Alexandra Murphy, eds. (New York: Oxford University Press, 2014), pp. 637-664. Blue Chicago: The Search for Authenticity in Urban Blues Clubs (Chicago: University of Chicago Press, 2003). Paperback published in 2005. • Honorable Mention, Best Book Award, ASA Sociology of Culture Section, August 2004. • Reviewed in American Journal of Sociology, Chicago Tribune, City & Community, Contemporary Sociology, Popular Music, Symbolic Interaction, Urban Affairs Review. Profiled in Chicago Sun-Times, Chicago Magazine, Chicago Reader. • Selections from Chapter 3, “Like Therapy: The Blues Club as a Haven,” reprinted in Ethnography and the City: Readings on Doing Urban Fieldwork, Richard E. Ocejo, ed. (New York: Routledge, 2012), pp. 107-117. TEXTBOOKS Mix it Up: Popular Culture, Mass Media, and Society, Revised 2nd edition (New York: W. W. Norton, 2017). 1st edition published in 2010. 2 JOURNAL ARTICLES AND BOOK CHAPTERS “Thank God It’s Monday: Manhattan Coworking Spaces in the New Economy,” Theory & Society (2019). First online: https://doi-org.proxy.library.upenn.edu/10.1007/s11186-019-09360-6 • Winner, Best Paper Award, ASA Communication, Information Technologies, and Media Sociology Section, 2020. “Demystifying Authenticity in the Sociology of Culture,” in Routledge Handbook of Cultural Sociology, Revised and updated 2nd edition, Laura Grindstaff, Ming-Cheng Lo, and John R. Hall, eds. (New York: Routledge, 2019), pp. 168-176. (1st edition published in 2010, pp. 191-200.) Betsie Garner and David Grazian, “Naturalizing Gender through Childhood Socialization Messages in a Zoo,” Social Psychology Quarterly 79/3 (2016): 181-198. (Lead article.) • Winner, Award for Distinguished Scholarship for Best Article, ASA Animals and Society Section, 2017. “Digital Underground: Musical Spaces and Microscenes in the Postindustrial City,” in Music Performance and the Changing City: Post-industrial Contexts in Europe and the United States, Carsten Wergin and Fabian Holt, eds. (New York: Routledge, 2013), pp. 127-151. “Where the Wild Things Aren’t: Exhibiting Nature in American Zoos,” The Sociological Quarterly 53/4 (2012): 547-566. • Winner, Award for Distinguished Scholarship for Best Article, ASA Animals and Society Section, 2013. “Urban Nightlife, Social Capital, and the Public Life of Cities,” Sociological Forum 24/4 (2009): 908-917. “The Jazzman’s True Academy: Ethnography, Artistic Work and the Chicago Blues Scene,” Ethnologie française 38/1 (2008): 49-57. “The Girl Hunt: Urban Nightlife and the Performance of Masculinity as Collective Activity,” Symbolic Interaction 30/2 (2007): 221-243. • Reprinted in Creating and Contesting Social Inequalities: Contemporary Readings, Carissa M. Froyum, Katrina Bloch, and Tiffany Taylor, eds. (New York: Oxford University Press, 2016), pp. 134-147. • Reprinted in Inside Social Life: Readings in Sociological Psychology and Microsociology, 7th edition, Spencer E. Cahill, Kent Sandstrom, and Carissa Froyum, eds. (New York: Oxford University Press, 2014), pp. 228-238. • Reprinted in The Practical Skeptic: Readings in Sociology, 6th edition, Lisa J. McIntyre, ed. (New York: McGraw Hill, 2013), pp. 119-136. • Reprinted in Sociology: Exploring the Architecture of Everyday Life Readings, 8th and 9th editions, David M. Newman and Jodi A. O’Brien, eds. (Thousand Oaks, CA: Pine Forge, 2010, 2013), pp. 134-142. • Reprinted in Men’s Lives, 8th and 9th editions, Michael S. Kimmel and Michael A. Messner, eds. (Allyn & Bacon, 2009), pp. 320-337. 3 “A Digital Revolution? A Reassessment of New Media and Cultural Production in the Digital Age,” Annals of the American Academy of Political and Social Science 597 (2005): 209-222. “Opportunities for Ethnography in the Sociology of Music,” Poetics: Journal of Empirical Research on Culture, the Media and the Arts 32/3-4 (2004): 197-210. • Reprinted in The Routledge Reader on the Sociology of Music, John Shepherd and Kyle Devine, eds. (New York: Routledge, 2015), pp. 107-116. • Reprinted in Cultural Sociology: An Introductory Reader, Matt Wray, ed. (New York: W.W. Norton, 2014), pp. 345-359. “The Production of Popular Music as a Confidence Game: The Case of the Chicago Blues,” Qualitative Sociology 27/2 (2004): 137-158. (Lead article.) “The Symbolic Economy of Authenticity in the Chicago Blues Scene,” in Music Scenes: Local, Translocal, and Virtual, Andy Bennett and Richard A. Peterson, eds. (Nashville, TN: Vanderbilt University Press, 2004), pp. 31-47. SHORTER PUBLICATIONS “Production of Culture,” The Wiley-Blackwell Encyclopedia of Sociology, 2nd edition, George Ritzer and Chris Rojek, eds. (Malden, MA: Blackwell), forthcoming. “Stealth Marketing,” The Wiley-Blackwell Encyclopedia of Consumption and Consumer Studies, Daniel Thomas Cook and J. Michael Ryan, eds. (Wiley-Blackwell, 2015), pp. 526-28. “Chicago/Blues,” The Grove Dictionary of American Music, 2nd edition, Charles Hiroshi Garrett, ed. (Oxford University Press, 2013). “Neoliberalism and the Realities of Reality Television,” Contexts 9/2 (2010): 68-71. • Winner, Claude S. Fischer Award for Excellence in Contexts, 2011. “Glam Metal and Guilty Pleasures: Sailing Away with Chuck Klosterman and David Grazian,” Contexts 9/2 (2010): 14-16. “Tail Dragger: My Head is Bald—Live at Vern’s Friendly Lounge, Chicago,” Journal of the Society for American Music 2/1 (2008): 131-132. “I’d Rather Be in Philadelphia,” Contexts 4/2 (2005): 71-73. Jerome Hodos and David Grazian, “The Philadelphia Sound,” Footnotes: The Newsletter of the American Sociological Association 33/6 (2005): 1, 7. “Benjamin Franklin Ate Here,” Culture: The Newsletter of the Sociology of Culture Section of the American Sociological Association 19/3 (2005): 1, 8-9. ACADEMIC BOOK REVIEWS Review of The Art of the Blues: A Visual Treasury of Black Music’s Golden Age, by Bill Dahl, Journal of Radio & Audio Media 27/1 (2020): 181-183. 4 Review of Players and Pawns: How Chess Builds Community and Culture, by Gary Alan Fine, Contemporary Sociology 45/6 (2016): 741-742. Review of New York’s New Edge: Contemporary Art, the High Line, and Urban Megaprojects on the Far West Side, by David Halle and Elizabeth Tiso, City & Community 14/4 (2015): 439-441. Review of Seeing the Light: The Social Logic
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