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Howard Arkley - Bibliography

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Howard Arkley - Bibliography Howard Arkley - Bibliography 1970 McCulloch, Alan. “New Exhibitions.” The Herald 18 Nov. 1970: 25. 1973 Makin, Jeffrey. “Corio Prize Misses the Regulars: Talented New Breed Step In.” The Sun 5 Dec. 1973. McCulloch, Alan. “A Try for Equations” The Herald 30 Aug. 1973. 1975 Boles, Bernard. “The 1975 Inez Hutchinson Award.” Nation Review 20-26 June 1975. Gilchrist, Maureen. “Different Ways Point to Same Deadlock.” The Age 30 April 30 1975. Makin, Jeffrey. “Window on a World Apart.” The Sun 23 April 1975. McCulloch, Alan. “Benalla Parades 100 Years of Art.” The Herald 23 April 1975. McCulloch, Alan. “Bendigo Tribute to a Pioneer.” The Herald 19 June 1975. 1976 Boles, Bernard. “Missing a Ride into Darkness.” Nation Review 1976 {date unknown; Arkley archive}. Gilchrist, Maureen. “Optical Dazzle and Size.” The Age 25 August 1976. Makin, Jeffrey. “The Vision of an Abstract.” The Sun 25 August 1976. McCulloch, Alan. “A Sense of Delight.” The Herald 19 August 1976. 1977 Alliance-Francaise (Melbourne). “Prix Des Beaux Arts (Un Australien à Paris).” Alliance Express Bulletin 18 (1977). Borlase, Nancy. “Art.” Sydney Morning Herald May 1977 {date unknown; Arkley archive}. Pidgeon, W.E. “Keeping It Cool.” Sunday Telegraph 22 May 1977. Sturgeon, Graeme. “Art for the People.” The Australian 12 March 1977. 1978 Eagle, Mary. “Show Maps out the New Style.” The Herald June 1978 {date unknown; Arkley archive}. 1979 Makin, Jeffrey. “Conditioning on the Canvas.” The Sun 23 May 1979. Rooney, Robert. “Emphasis on Younger Set.” The Age 19 Dec. 1979. Sturgeon, Graeme. “End of a Theory…” The Australian 30 May 1979. 1980 Triaca, Maria. “It’s a Dotty World.” The Sun 4 August 1980. 1981 Borlase, Nancy. “The Answer to the Biennale Is Good.” Sydney Morning Herald 30 May 1981. Burke, Janine. “Bringing It All Back Home: Some Thoughts on Recent Abstract Painting.” Art in Australia 18.4 (1981): 370-74. Kaleski, Sonja. “Compelling Experience Worth a Look.” Canberra Times Oct. 1981 {date unknown; Arkley archive}. Makin, Jeffrey. “Pattern Laced with Illusion.” The Sun 29 July 1981. McGrath, Sandra. “Perspecta ’81.” The Weekend Australian 30-31 May 1981. Millar, Ronald. (Review). The Herald 16 July 1981. Murphy, Bernice, ed. Australian Perspecta 1981. Sydney: Art Gallery of New South Wales, 1981. Rooney, Robert. “Patterns of Arkley.” The Age 15 July 1981: 10. Taylor, Paul. “Australian ‘New Wave’ and the ‘Second Degree’.” Art & Text 1 (Autumn 1981): 23-32. Taylor, Paul. “Commercial Galleries.” The Age Weekender 7 Aug. 1981. Taylor, Paul (intro.). Howard Arkley – Muzak Mural. Brisbane: Institute of Modern Art, 1981. 1982 Armiger, Martin. “Pushing the Art of Pop.” National Times 11-17 July 1982: 24-25. Eagle, Mary. “Things Fall Apart: The Visual Arts in Melbourne.” Australian Art Review 1982: 52-54. Lane, Terry, & Minchin, Jan. Formed in Wood: Australian Furniture from Early Colonial Times to the Present Day. Heidelberg: Banyule Gallery [NGV], 1982. Maslen, Geoff. “Fine Artistry in Wood Traces Past.” The Age 30 March 1982: 21. McBride, Frank. “Size, Space and Color.” Illawarra Mercury 5 March 1982. Tate, Susan. “The Mediated Image: ‘Something in the Air’”. The Virgin Press 1982: 4-6. Taylor, Paul. Popism. Melbourne: National Gallery of Victoria, 1982 [catalogue]. Taylor, Paul. “Popism.” Real Life 9 (Winter 1982/83): 14-20. Webster, Sue. “Visitors Add Vitality: Current Trends in Contemporary Art in Queensland.” Australian Art Review 1982: 56-58. Tulloch, Lee. “Remember Pop? New Contemporary Artists Swing into Popism.” Vogue Australia July 1982: 40. 1983 Carmichael, Rod. “Erasing the Drawn Line.” The Sun 2 Nov. 1983. Holloway, Memory. “Calmer Booth Reverses Expectations.” The Age 9 Nov. 1983. Holloway, Memory. “The Pattern of the Decade.” The Age 17 June 1983. Ingram, Terry. “The State of Art in Australia.” Australian Financial Review 16 Sept. 1983: 29-30. Lindsay, Robert. Against the Wall: Young Contemporary Artists Selected from the Michell Endowment of the National Gallery of Victoria. Melbourne: Melbourne University Gallery, 1983. Lindsay, Robert. Vox Pop: Into the Eighties. Melbourne: National Gallery of Victoria, 1983. Lynn, Elwyn. “Twenty Years: Australian Art 1963-83.” Art & Australia 21.2 (1983): 197-207. McGrath, Denise. Comic Stripping. Melbourne: George Paton Gallery, University of Melbourne, 1983. McGrath, Sandra. “Colorful Change in Landscapes.” The Weekend Australian 18-19 June 1983. Millar, Ronald. “Well, It Figures!” The Herald 27 Oct. 1983. Murphy, Bernice. “Recent Painting in Australia.” Flash Art 110 (1983): 56-59. Rooney, Robert. “Stripping Off Comics’ Stigma.” The Australian 11 June 1983. Rooney, Robert. “Cool Mood Has a Cutting Edge.” The Weekend Australian 6-7 Aug. 1983. Rooney, Robert. “Successful Fusion of the Abstract with the Figurative.” The Weekend Australian 5-6 Nov. 1983. Rooney, Robert. “Of Vox Pop and Whence It Came.” The Weekend Australian 24-25 Dec. 1983. Taylor, Paul. “From Menswear to Womenswear: A Melbourne Mood.” Tension 1 (1983): 30-32. Taylor, Paul. “Popism – the Art of White Aborigines.” Flash Art 112 (1983): 48-50. Thomas, Daniel. A Melbourne Mood: Cool Contemporary Art. Canberra: Australian National Gallery, 1983. Transporting Art: Melbourne’s Painted Trams. Melbourne: Victorian Ministry for the Arts, 1983. 1984 —. ['D.H.']. “Size and Mystery.” Daily News [New Zealand] 5 Sept. 1984. Brophy, Philip. “A Face without a Place: Identity in Australian Contemporary Art since 1980.” Art & Text 16 (Summer 1984): 68-80. Buxton, Irene. “Exhibition by Australian Artists at Np.” Daily News [New Zealand] Sept. 1984 {issue date unknown; copy in Arkley archive}. Clarke, Anthony. “Contemporary Art Explosion.” The Age 19 May 1984. Cole-Adams, Peter. “Art Joins the Oz Seduction of Big Apple’s Cultural Core.” The Age 25 Sept. 1984. Cramer, Sue. “Vox Pop (Review).” Art & Text 12 & 13 (1984): 136-42. Cramer, Sue. “A Change of Place, Change of Meaning.” The Age 17 Aug. 1984: 14. Cramer, Sue. “Three Rooms with a Very Different View.” The Age 30 May 1984. Cramer, Sue. “Comic Stripping: A Review of an Exhibition Held at the George Paton Gallery.” Art Network 12 (Summer 1984): 16-17. Engberg, Juliana. “Australian Visual Artists at the Edinburgh Festival, 1984.” Studio International 197 (1984). Hill, David. “Can The “C” Stand for Cultural?” The New Zealand Listener 27 Oct. 1984. Holloway, Memory. The Australians: Three Generations of Drawings. New York: CDS Gallery, 1984. Larson, Kay. “Upstarts from Down Under.” New York 8 Oct. 1984: 60-61. Levin, Kim. “They Came from Down Under…” Village Voice 9 October 1984. Maloon, Terence. “Lewitt and Arkley Show Why Young Artists Still Dare to Be Different.” Sydney Morning Herald 12 May 1984. Mason, Murray. “Glimpses of Twenty Artists.” The West Australian 3 Feb.1984. McCulloch, Alan. Encyclopedia of Australian Art. 1st ed. Melbourne: Hutchinson, 1984. McGrath, Sandra. “Art World’s Fluctuating Fortunes.” The Weekend Australian (magazine) 12-13 May 1984: 10. Murche, John. “Antipodean Art Makes a Splash at Edinburgh.” The Australian 20 August 1984. Prott, Julie. “New Expressionism Is a Ghostly after Image.” Sunday Times [W.A.] 4 March 1984. Robinson, Denise. Meaning & Excellence: Australian and New Zealand Artists in Edinburgh. ANZART, 1984. Snell, Ted. “The Return of Figuration and Image: Cogent and Powerful.” The Australian 21 Feb. 1984. Taylor, Paul, ed. Anything Goes: Art in Australia 1970-1980. Melbourne: Art & Text, 1984. 1985 Buckley, John, & Crawford, Ashley. Visual Tension [Special Issue of Tension]. Melbourne: ACCA, 1985. Neeson, John. 6 Drawing. Hobart: Tasmanian School of Art Gallery, 1985. Prott, Julie. “Arkley Masters Optical Effect and Illusion.” Sunday Times [W.A.] 10 Feb. 1985. Robinson, Denise. “Meaning & Excellence.” Art Network 14 (Summer 1985): 33-35. Rooney, Robert. “Exhibits Add to an Excess of Meaning.” The Weekend Australian 9-10 March 1985. Snell, Ted. “Art (Review).” Western Mail [W.A.] 16-17 Feb. 1985. Spens, Michael. “Meaning & Excellence.” Art Network 14 (Summer 1985): 35-36. Thorn, Peter, & others. “Edinburgh Update.” Art Network 14 (Summer 1985): 3-4. Trebilcock, Jon. “Meaning and Excellence at George Paton Gallery.” Farrago 8 March 1985: 5. 1986 Austin, Val. 5AR: Artists and Architects ’86 [Special Catalogue Issue of Transition No.17]. Melbourne: George Paton Gallery, 1986. Catalano, Gary. “Exhibition Proves a Pleasure.” The Age 1 Oct. 1986. Duncan, Jenepher. “A Forced Marriage: 5AR: Artists and Architects ’86. Ewing and George Paton Gallery, Melbourne.” Studio International 199 (Dec.1986/Feb.1987): 54-55. Edquist, Harriet. “Artist and Architect.” Transition: Discourse on Architecture 17 (1986): 18-31. The Hugh Williamson Prize ’86. City of Ballarat Fine Art Gallery, 1986. Lindsay, Robert. Australian Art 1960-1986: Field to Figuration: Works from the National Gallery of Victoria. Melbourne: NGV, 1986. Lowe, Geoff. Slouching Towards Bethlehem: An Exhibition of Preparatory and Informal Drawings. Fitzroy: 200 Gertrude Street, 1986. Nixon, John. Primal Painting. Bulleen: Heide Park and Art Gallery, 1986. Rooney, Robert. “Go on, Throw a Brick.” The Weekend Australian 21-22 June 1986. Rooney, Robert. “In Search of the Younger Artists.” The Australian 30 Sept. 1986. Williams, Caroline. 33 Men Painters (the Male Sensibility?). Bulleen: Heide Park & Art Gallery, 1986. 1987 Buckley, John. The Loti and Victor Smorgon Collection of Contemporary Australian Art. Melbourne: Australian Centre for Contemporary Art, 1987. Button, James. “Art Makes Science Its Subject.” The Age 26 Nov. 1987. Cass,
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