DOCSLIB.ORG

2017 Winners

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2017 Winners WE’VE LOOKED TO GENIUS GONE BACK TO THE ANCIENTS MINED CULTURES ALL TO KNOW GREAT WORK THE ANCIENT GREEKS CALLED IT “OLOGY” The knowledge of impressing or exciting someone greatly. Congratulations to the AdFed winners who clearly know how to create an impact. CONGRATULATIONS TO EVERYONE WHO FETCHED GOLD TONIGHT. Letterpress | Embossing & debossing | Foil stamping | Digital + offset printing Die cutting | Wide Format | Film lamination | Multiple binding options 1touchpoint.com SMA-2017_Addy_Awards_Ad_12nx9n_v3.indd 1 1/26/17 10:47 AM WELCOME TO THE 2017 AUSTIN ADDY AWARDS INDEX OF AWARD CATEGORIES: Ology. 01 - Product or Service Sales Promotion 49 - Radio Advertising – Regional/National 02 - Packaging 51 - Television Advertising – Local (One DMA) A show for those who know. From Technology to Designology the 2017 03 - Point of Purchase 52 - Television Advertising – Regional/National Addy Awards represents great professional achievement. 05 - Annual Report 55 - Internet Commercial 07 - Brochure 57 - Webisode(s) The competition this year was one of our largest. The judges were some 09 - Special Event Material 58 - Branded Content & Entertainment For Online Film, Video & Sound of the best creatives in our industry and the cream has risen to the top. 10 - Direct Mail 60 - Branded Content & Entertainment – Non Broadcast Tonight, we celebrate and recognize those who know. 11 - Specialty Advertising 61 - Branded Content & Entertainment Campaign 12 - Public Service Collateral 62 - In-Theatre Commercials or Slides*** It takes great effort and coordination by many volunteers to put together 13 - Public Service Direct Marketing & Specialty Advertising 63 - Audio/Visual Sales Presentation*** the awards show, thank you to our AAF members and contributors who put 14 - Advertising Industry Brand Elements 66 - Public Service Television in countless hours to make all the stages of the awards show successful. 16 - Advertising Industry Special Event Materials 67 - Public Service Radio 17 - Magazine Advertising 68 - Public Service Online Film, Video & Sound Thank you for being a part of this year’s celebration. Congratulations to 22 - Public Service Print Advertising 69 - Public Service Non-Broadcast Audio/Visual the award winners, and best of luck to all of you in the District and National 23 - Advertising Industry Print Advertising 70 - Public Service Campaign Addy competitions. 24 - Guerrilla Marketing 71 - Advertising Industry Film, Video & Sound 25 - Installations 72 - Integrated Advertising Campaigns Enjoy the show! 26 - Events 73 - Integrated Brand Identity Campaign 27 - Poster 74 - Integrated Branded Content Campaign 28 - Outdoor Board 75 - Online/Interactive Campaign 29 - Mass Transit/Airlines 76 - Public Service Campaigns 30 - Site 78 - Advertising Industry Self-Promotion Campaigns Deborah Magnuson-Elliott 31 - Out-Of-Home Campaign 79 - Copywriting Austin Advertising Federation President 33 - Public Service Out-Of-Home 80 - Logo Design 34 - Public Service Ambient Media 81 - Infographic 35 - Advertising Industry Out-Of-Home 82 - Illustration 36 - Advertising Industry Ambient Media 83 - Still Photography 37 - Websites 84 - Art Direction 38 - Social Media 85 - Cinematography 39 - Apps 86 - Animation, Special Effects or Motion Graphics 40 - Web Banner Ads 88 - Music 42 - Email 89 - Voiceover 45 - Branded Content & Entertainment for Online/Interactive 91 - Interface & Navigation 46 - Public Service Online/Interactive 92 - Responsive Design 47 - Advertising Industry Online/Interactive 97 - Data Driven Media 48 - Radio Advertising/Local 98 - Innovative Use of Interactive/Technology 5 A special thanks to all of our volunteers, vendors and sponsors who make the Austin ADDYs possible every year. We appreciate all of your contributions to help celebrate those who know. ADVERTISING JUDGES DESIGN JUDGES DIGITAL JUDGES CLUB SPONSOR PUJA SHAH SALLY MORROW PERRY FAIR ASSOCIATE CREATIVE DIRECTOR, CARMICHAEL LYNCH OWNER & CREATIVE DIRECTOR, SALLY MORROW CREATIVE VP BRAND CREATIVE, BEATS BY DRE GOLD SPONSOR SILVER SPONSORS BRONZE SPONSOR T HE VELVET CARTEL CONTENT MARKETING WADE ALGER BARRETT BRYNESTAD ROSS CALVIN EXECUTIVE CREATIVE DIRECTOR, TBWA\CHIAT\DAY ART DIRECTOR, TDA BOULDER ASSOCIATE CREATIVE DIRECTOR, ANOMALY COMMITEE CREATIVE PHOTOGRAPHY TALENT Deborah Magnuson-Elliott, President Ad Fed Emily Spellman, Email Chair Sarah Pedregon, Designer Sarah Kerver, Voice Talent Alexandria Sifuentez, E4 Youth Ron Oliveira, Emcee Debra Cleveland, Operations Manager Cody Herring, Social Media Chair Scott Kerrigan, Copywriter Joe Wagar, Art Director Rueben Bustillio, E4 Youth DJ Gatsby, Jon Simon Laura Townsend, ADDY VP Chair Matt Carlsen, Website Chair Lauren Pruitt, Videography Tom Slater, Creative Director Black Fret, Swimming with Bears Lauren Nugent, ADDY Committee Lead Dax Patton, President Ad2 Asche & Spencer, Music Beaux Jackson, Production Manager Bart Cleveland, Past President Shayna Brown, Audio Engineer Bijou Finney, Creative BRIAN DUNAWAY SHEHARAZAD FLEMING STEVE BABCOCK Karen Goumakos, Communications VP Chris Robbins, Voice Talent Michael Anthony Gibson, Editor/Engineer EXECUTIVE CREATIVE DIRECTOR, VITRO CREATIVE DIRECTOR, UNIVERSITY OF SOUTHERN CALIFORNIA CHIEF CREATIVE OFFICER, VAYNERMEDIA 6 7 BEST OF SHOW ADVERTISING STUDENT BEST OF SHOW ADVERTISING BEST OF SHOW ADVERTISING – BOUNTY OF EARTH STUDENT BEST OF SHOW ADVERTISING – LEGO RACIAL TOLERANCE 52A – Television Advertising, Regional/National, Single Spot S11B – Campaign GSD&M Jay Russell, Chief Creative Officer; Marianne Malina, President; Tom Hamling, Group Creative Director; Tim Eger, Group Creative Director; Leigh Browne, Associate Andres Sanchez; Max Martinez, Model; Karina Guerrero, Model; Will Chau, Instructor at Austin Creative Department Creative Director/Copywriter; Barrett Michael, Associate Creative Director/Copywriter; Jon Williamson, Associate Creative Director/Art Director; Jack Epsteen, Director of Production; Sabia Siddiqi, Account Director; Brett Meldrum, Account Supervisor; Lindsay Wakabayashi, Director of Business Affairs; Andrew Teagle, Chief Strategist; Jennifer Billiot, Strategy Director 8 9 BEST OF SHOW DESIGN STUDENT BEST OF SHOW DESIGN BEST OF SHOW DESIGN – “SUNSET MOTEL” RECKLESS KELLY VINYL STUDENT BEST OF SHOW DESIGN – LUND’S SWEDISH PANCAKE MIX 02A – Packaging, Single Unit S01A – Packaging Backstage Design Studio Shauna Dodds, Art Director/Designer; Sarah Dodds, Art Director/Designer Shane Matula, Art Director; Sydney Bonner, Copywriter; Bart Cleveland, Instructor at Job Propulsion Lab 10 11 BEST OF SHOW DIGITAL STUDENT BEST OF SHOW DIGITAL BEST OF SHOW DIGITAL – SEE WHAT THEY SEE STUDENT BEST OF SHOW DIGITAL – SHAVE YOUR NO-SHAVE SOCIAL CAMPAIGN 38B – Social Media, Campaign S13B – Campaign GSD&M Jay Russell, Chief Creative Officer; Marianne Malina, President; Victor Camozzi, Group Creative Director; Bryan Edwards, Group Creative Director; Jake Camozzi, Creative Ian Simoneaux, Art Direction/Designer; Marlee Ingham, Copywriter; Bart Cleveland, Instructor at Job Propulsion Lab Director; Joel Guidry, Creative Director; Barrett Michael, Associate Creative Director; Greg Wyatt, Associate Creative Director; Jack Epsteen, Director of Production; Dylan Heimbrock, Producer; Dolores Palmisano, Producer; Nancy Ryan, Managing Account Director; Brad Nadal, Account Director; Ryot Films, Production Company; Foundation Editorial, Post-Production Company; Digital Doman, Sound Design 12 13 SALES & MARKETING SALES & MARKETING SILVER – COSTA WORKBOOK A GOLD – SHINER HOMESPUN CREAM ALE PACKAGING F 01A – Catalog 02B – Packaging Campaign McGarrah Jessee McGarrah Jessee James Mikus, Executive Creative Director; David Kampa, Design Director; Joel James Mikus, Executive Creative Director; David Kampa, Design Director; Erica Clement, Creative Director/Copywriter; Eric Erickson, Lead Designer; Jenny Ellis, Designer; Katherine Finn, Illustrator; Patrick Girts, Copywriter; Chandra Powell, Designer; Sarah Weigl, Copywriter; Jody Horton, Photographer; Andy Eklund, Production Artist; Courtney Cooper, Integrator Mann, Photographer; Nicole Truly, Photographer; Jenna Foster, Photographer; Amanda Fox, Producer; Sara Hahn, Studio Artist G A F GOLD – HEYDAY COLD-BREWED COFFEE PACKAGING 02B – Packaging Campaign BRONZE – TIGÉ BOATS 2017 LINEUP CATALOG B Guerilla Suit 01A – Catalog Erick Montes, Art Director/Designer Frank+Victor Design Christopher Visit, Design Director; Daniel Gutierrez, Tigé Director of Design and Marketing; Courtney Wagley, Tigé Marketing Manager; Garrett Cortese, GOLD – YETI COLSTER KEEPSAKE CAN H Photographer; Michael Carter, Photographer; Allison Kuglitsch, Retoucher 02B – Packaging Campaign McGarrah Jessee James Mikus, Executive Creative Director; Derek Bishop, Creative Director; GOLD – WHISKEY BARREL AGED BBQ SAUCE C Sarah Weigl, Copywriter; Eric Erickson, Designer; Andrew Knight, Designer; 02A – Packaging, Single Unit Casey Williams, Integrator Greatest Common Factory John Trahar, Creative Director; Katie Johnson, Designer; Joel Henderson, Producer; Zach Rener, Copywriter; Amy Hurt, Producer SILVER – YETI HOLIDAY RETAIL TAGS I 02B – Packaging Campaign McGarrah Jessee B G GOLD – “SUNSET MOTEL” RECKLESS KELLY VINYL James Mikus, Executive Creative Director; Derek Bishop, Creative Director; Tim 02A – Packaging, Single Unit Cole, Creative Director; Chris Barnard, Creative Director; Andrew Knight, Art Backstage Design Studio Director; Sarah Weigl, Copywriter; Jenna Foster, Production Artist Shauna Dodds, Art Director/Designer; Sarah Dodds, Art Director/Designer SILVER – ALIENWARE
Load more

Recommended publications
  • Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla
    The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2008 Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective Alejandro Marcelo Drago University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Latin American Languages and Societies Commons, Musicology Commons, and the Music Performance Commons Recommended Citation Drago, Alejandro Marcelo, "Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective" (2008). Dissertations. 1107. https://aquila.usm.edu/dissertations/1107 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago A Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: May 2008 COPYRIGHT BY ALEJANDRO MARCELO DRAGO 2008 The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago Abstract of a Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts May 2008 ABSTRACT INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA.
    [Show full text]
  • Issue 1 : ( Non ) Conformity ( Vol
    N O . 1 V O L U M E 1 / N O V E M B E R 2 Lingua 0 2 0 NI S S U E 1a : ( N OtN ) CoO N F OlR MiI TnY ( V OaL . 1 ) US AND THEM SERBIA: WANNA LIVE LIKE ON DANCE: A RETURN OF THE COMMON PEOPLE: NOTES ON NON-ALIGNMENT ON THE APOLITICISM POLICY? MUSEUMIFICATION OF SPACE Uladzimir Niakliaeŭ Antoine Granier Liza Deléon Simon Berger Lingua Natolina E D I T O R I A L It is Lingua Natolina’s belief that the accomplishment of cross-cultural meaning is both a personal and collective adventure beyond the borders set by language and conventional forms of expression. In this sense, rather than a definitive and coherent outlet, our hybrid and multilingual journal is an experience in European intellectual community. The College of Europe's students hail from over 50 countries. By bringing together the talented students of the College of Europe Mario-Soares Promotion (2020-2021), and key voices in the pan-European cultural discourse, we intend to lift up a true Babel-like cacophony that has the potential to spur intercultural and multilingual dialogue further. In this first volume of our issue on (non)conformity, readers will find a collection of academic and creative essays, as well as stories and art that bears witness to the rich cultural tapestry of Europe. This volume includes original texts in Belarusian, German, Italian, French, and English from students and key artists, writers, academics, and political figures. This seminal motivation to enact a shift away from conventional modes of expression led to the choice of the theme of (non)conformity through which form could match content in our first issue.
    [Show full text]
  • Specials Call Us! See Page 5 > 2 Station Signals January2009 March2009 Sstationtation Ssignalsignals 3
    Adirondack Seasons airs Tell Me More premieres Thursday, March 5 at 10:00 p.m. Monday, March 23 at 8 p.m. on WXXI-TV/HD on AM1370/HD91.5-2 STATION SIGNALS TV21 | DTV | AM1370 | FM91.5/90.3/88.5/HD | REACHOUT RADIO | EDUCATION | WXXI.ORG march 2009 in Boston CHRIS BOTTI hosts Rock, Rhythm & Doo Wop Live from the Forum in Acapulco Voices: YANNI YANNI FRANKIE VALLI music SPECIALS call us! see page 5 > 2 StatiON SIGNALS january2009 march2009 SSTATIONtatiON SSIGNALSIGNALS 3 Dear Friend, If you’re a new member of WXXI (especially if you joined during our recent radio membership campaign), let me extend a warm welcome to the WXXI family! You join more than 27,000 others who voluntarily contribute to WXXI to keep our station a strong, independent voice for the Rochester community. Listenership to our radio services, especially news and public affairs, is stronger than ever. There’s also some good news to share about WXXI television. The most recent Nielsen ratings show that WXXI-TV viewers are the most loyal in the nation to their public television station, based on time spent viewing. That means that more people are tuning in and staying with our programming throughout the day. It’s just one measure of audience success, but an important one. Our children’s programming continues to attract a wide, diverse audience, as does drama, culture and news and public affairs in the evening. The WXXI Center for Public Affairs is also being recognized, not just locally, but throughout the state and nation.
    [Show full text]
  • Morrie Gelman Papers, Ca
    http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs.
    [Show full text]
  • The Passage of the Comic Book to the Animated Film: the Case of The
    THE PASSAGE OF THE COMIC BOOK TO THE ANIMATED FILM: THE CASE OF THE SMURFS Frances Novier Baldwin, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2011 APPROVED: Marie-Christine Koop, Major Professor and Chair of the Department of Foreign Languages and Literatures Christophe Chaguinian, Committee Member Lawrence Williams, Committee Member James D. Meernik, Acting Dean of the Toulouse Graduate School Baldwin, Frances Novier. The Passage of the Comic Book to the Animated Film: The Case of the Smurfs. Master of Arts (French), August 2011, 56 pp., bibliography, 31 titles. The purpose of this study is to explore the influence of history and culture on the passage of the comic book to the animated film. Although the comic book has both historical and cultural components, the latter often undergoes a cultural shift in the animation process. Using the Smurfs as a case study, this investigation first reviews existing literature pertaining to the comic book as an art form, the influence of history and culture on Smurf story plots, and the translation of the comic book into a moving picture. This study then utilizes authentic documents and interviews to analyze the perceptions of success and failure in the transformation of the Smurf comic book into animation: concluding that original meaning is often altered in the translation to meet the criteria of cultural relevance for the new audiences. Copyright 2011 By Frances Novier Baldwin ii ACKNOWLEDGMENTS I am particularly grateful to Dr. Marie-Christine Koop for suggesting the topic for my thesis. For their instruction and guidance, I am also obliged to Drs.
    [Show full text]
  • 1718Studyguidemaria.Pdf
    MARIA DE BUENOS AIRES A little tango opera in two parts for orchestra, narrator, and singers Texts by Horacio Ferrer | Music by Ástor Piazzolla Premiere May 8, 1968, Sala Planeta, Buenos Aires NOVEMBER 10, 11, 12, 2O17 The Noah Liff Opera Center Judy & Joe Barker | Jessica & Zach Liff Co-sponsors Directed by John Hoomes Conducted by Dean Williamson Featuring the Nashville Opera Orchestra CAST Maria Cassandra Velesco* El Payador Luis Alejandro Orozco* El Duende Luis Ledesma* Tango Axis Mariela Barufaldi* Jeremías Massera* The Girl Zazou France Gray* Sofia Viglianco* * Nashville Opera debut † Former Mary Ragland Young Artist TICKETS & INFORMATION Contact Nashville Opera at 615.832.5242 or visit nashvilleopera.org. Study Guide Contributors Anna Young, Education Director Cara Schneider, Creative Director THE JUDY & NOAH SUE & EARL LIFF FOUNDATION SWENSSON THE STORY Ástor Piazzolla’s tango opera, Maria de Buenos Aires, premiered on May 8, 1968, in Sala Planeta, Buenos Aires. The seductive quality of nuevo tango and the bandoneon play such an important role, they embody a central character in the story. Some say that the opera is a metaphor for tango and the city of Buenos Aires, with Maria herself being the personification of the tango. The surrealist plot is conveyed with the words of a narrator character and poet, El Payador, and his antithesis El Duende, an Argentinian goblin-spirit from South American mythology whose powers cause the loss of innocence. The opera, separated into two parts, first tells the story of the young Maria, her struggles on earth, and ultimate demise. The libretto states she “was born on the day God was drunk.” In the second part of the opera, we explore her existence as “Shadow Maria,” experiencing the dark underworld of Buenos Aires.
    [Show full text]
  • Creating Markets in Angola : Country Private Sector Diagnostic
    CREATING MARKETS IN ANGOLA MARKETS IN CREATING COUNTRY PRIVATE SECTOR DIAGNOSTIC SECTOR PRIVATE COUNTRY COUNTRY PRIVATE SECTOR DIAGNOSTIC CREATING MARKETS IN ANGOLA Opportunities for Development Through the Private Sector COUNTRY PRIVATE SECTOR DIAGNOSTIC CREATING MARKETS IN ANGOLA Opportunities for Development Through the Private Sector About IFC IFC—a sister organization of the World Bank and member of the World Bank Group—is the largest global development institution focused on the private sector in emerging markets. We work with more than 2,000 businesses worldwide, using our capital, expertise, and influence to create markets and opportunities in the toughest areas of the world. In fiscal year 2018, we delivered more than $23 billion in long-term financing for developing countries, leveraging the power of the private sector to end extreme poverty and boost shared prosperity. For more information, visit www.ifc.org © International Finance Corporation 2019. All rights reserved. 2121 Pennsylvania Avenue, N.W. Washington, D.C. 20433 www.ifc.org The material in this work is copyrighted. Copying and/or transmitting portions or all of this work without permission may be a violation of applicable law. IFC does not guarantee the accuracy, reliability or completeness of the content included in this work, or for the conclusions or judgments described herein, and accepts no responsibility or liability for any omissions or errors (including, without limitation, typographical errors and technical errors) in the content whatsoever or for reliance thereon. The findings, interpretations, views, and conclusions expressed herein are those of the authors and do not necessarily reflect the views of the Executive Directors of the International Finance Corporation or of the International Bank for Reconstruction and Development (the World Bank) or the governments they represent.
    [Show full text]
  • Diehl Cv 2019
    ! " Biography 2019" BORN:" 1949 " Pittsburgh, Pennsylvania, USA" EDUCATION: 1976 M.A. San Francisco State University, CA" 1973 B.A. California State University Hayward, CA " 1970 Diablo Valley College, Pleasant Hill, CA" SOLO EXHIBITIONS: 2020 Dolby Chadwick Gallery, San Francisco, CA" 2018 Solo Exhibition, Fresno Museum of Art, Fresno, CA - July to October" Dolby Chadwick Gallery, San Francisco, CA" 2015 Dolby Chadwick Gallery, San Francisco, CA" 2013 Dolby Chadwick Gallery, San Francisco, CA" 2011 Dolby Chadwick Gallery, San Francisco, CA " 2007 Sonoma Valley Museum of Art, Sonoma, CA " Hackett-Freedman Gallery, San Francisco, CA " 2004 Hunsaker/Schlesinger Gallery, Santa Monica, CA" 2003 Hackett-Freedman Gallery, San Francisco, CA" 2001 Hackett-Freedman Gallery, San Francisco, CA" 1998 Hackett-Freedman Gallery, San Francisco, CA" 1997 Modernism, San Francisco, CA" 1995 Fletcher Gallery, Santa Fe, NM" 1994 Modernism, San Francisco, CA" #" 1993 Modernism, San Francisco, CA " " 1990 Jeremy Stone Gallery, San Francisco, CA" 1989 University of Pacific, Stockton, CA" #" 1988 Jeremy Stone Gallery, San Francisco, CA" www.guydiehl.com Guy Diehl biography 2016 - page !1 Magic Theater, Fort Mason Art Center, San Francisco, CA" 1987 Hunsaker/Schlesinger Gallery, Los Angeles, CA" 1986 Jeremy Stone Gallery, San Francisco, CA" The Lurie Company, San Francisco, CA" 1984 Hank Baum Gallery, San Francisco, CA" " 1982 Hank Baum Gallery, San Francisco, CA" 1981 Shepard Art Gallery, University of Nevada, Reno, NV" 1980 Hank Baum Gallery, San Francisco, CA"
    [Show full text]
  • Coloring the Gap Between Canoga Park and Calabasas
    West Valley New Hotel Proposed - See Page 6 Local Artist Playhouse Hangs With Finds Temporary Cartoon New Home + Characters More Theatre See page 3 See Page 9 ValleyVolume 34, Issue 52 A CompendiousVantage Source of Information February 21, 2019 NEWS IN BRIEF Coloring the Gap Between It Snowed Today! Canoga Park and Calabasas As if the recent A crayon is such a little thing. rainstorms haven’t been But yellow can create a sun. Blue can crazy enough, sights fill in a sky. A whole box can make a rainbow. of snow were reported But here in our backyard, a crayon can in Calabasas this be a big thing - if you don’t have any. Thursday, February 21. At Hart Street Elementary School in Calabasas resident and Canoga Park, most of the kids are on the free actor Jerry O’ Connell lunch program. They come from homes that took to his Instagram are barely scraping by. There is never enough stories to record the money for rent, food, clothes. Crayons are unprecedented weather way down the list. event, pointing out the shocking flurries. Weather stations Enter a partnership between the have forecasted that with the record low temperatures, Calabasas County Club and Crayon snowfall would drop to lower levels but no one could have Collection, a non-profit art-centered predicated we would see snowflakes in Calabasas. Yet, in organization. effect today through Friday morning is a freeze watch that Anastasia Using crayons from could see temperatures drop to between 29 and 32 degrees. Alexander, Crayon Collection to While we sadly can’t cross our fingers for upcoming snow Clubhouse Manager create art, above.
    [Show full text]
  • 9781474410571 Contemporary
    CONTEMPORARY HOLLYWOOD ANIMATION 66543_Brown.indd543_Brown.indd i 330/09/200/09/20 66:43:43 PPMM Traditions in American Cinema Series Editors Linda Badley and R. Barton Palmer Titles in the series include: The ‘War on Terror’ and American Film: 9/11 Frames Per Second Terence McSweeney American Postfeminist Cinema: Women, Romance and Contemporary Culture Michele Schreiber In Secrecy’s Shadow: The OSS and CIA in Hollywood Cinema 1941–1979 Simon Willmetts Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema Linda Badley, Claire Perkins and Michele Schreiber (eds) Vampires, Race and Transnational Hollywoods Dale Hudson Who’s in the Money? The Great Depression Musicals and Hollywood’s New Deal Harvey G. Cohen Engaging Dialogue: Cinematic Verbalism in American Independent Cinema Jennifer O’Meara Cold War Film Genres Homer B. Pettey (ed.) The Style of Sleaze: The American Exploitation Film, 1959–1977 Calum Waddell The Franchise Era: Managing Media in the Digital Economy James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber (eds) The Stillness of Solitude: Romanticism and Contemporary American Independent Film Michelle Devereaux The Other Hollywood Renaissance Dominic Lennard, R. Barton Palmer and Murray Pomerance (eds) Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown www.edinburghuniversitypress.com/series/tiac 66543_Brown.indd543_Brown.indd iiii 330/09/200/09/20 66:43:43 PPMM CONTEMPORARY HOLLYWOOD ANIMATION Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown 66543_Brown.indd543_Brown.indd iiiiii 330/09/200/09/20 66:43:43 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance.
    [Show full text]
  • Tango White Gardenia
    Tango of the White Gardenia A tango-infused chamber opera in two acts Music by Ethan Gans-Morse • Libretto by Tiziana DellaRovere Tango of the White Gardenia is a compelling new chamber opera that weaves together humor, emotional depth, and timely messages through the riveting music and dance of Argentine tango. Although it is an opera buffa that offers fun winks and nods to the commedia dell’arte style of centuries past, it is also a contemporary story that features urgent themes for today’s audiences, such as how enduring love and staying true to one’s heart are more precious than winning external recognition. This opera shows how the consequences of parents’ mistakes cast a shadow on their children’s lives, and how bullies are made, not born. The story reveals how the abandonment of a child by a mother can create a sense of not being worthy of love, and how the absence of a father can produce a compulsion to win worldly recognition at any cost. All of this drama unfolds against the background of Argentine tango, which permeates both the musical score and the choreography of the six dancers who mirror each of the singing characters. In this context, the Tango becomes a metaphor for life and a perfect canvas for the expression of intense passion, deep connections, strident conflicts, and powerful reconciliation. Plot Synopsis Later in life, renowned tango teacher Anthony still longs for his now- deceased lover and mentor, the beautiful and soulful Sofía. Her spirit appears to guide, inspire, and comfort him. Anthony has dedicated his life to teaching tango as a path to heartfelt human connection.
    [Show full text]
  • Y TARIFA(S): Marque Con Una “X” Los Planes Contratados
    ANEXO N° 1: AL ACUERDO PARA LA PRESTACIÓN DEL SERVICIO PÚBLICO 1PLAY, 2PLAY Y 3PLAY – ALÁMBRICOS PLAN(ES) / PAQUETE(S) Y TARIFA(S): Marque con una “X” los planes contratados: PLAN PRECIO POR PLAY Internet 1PLAY (X) 2PLAY (X) 3PLAY (X) Internet 15 Mbps S/ 55.00 S/ 45.00 S/ 39.00 Internet 30 Mbps S/ 70.00 S/ 60.00 S/ 59.00 Internet 60 Mbps S/ 90.00 S/ 80.00 S/ 79.00 Internet 120 Mbps S/ 140.00 S/ 130.00 S/ 124.00 Internet 200 Mbps S/ 199.00 S/ 190.00 S/ 183.00 Telefonía Telefonía 100 S/ 49.00 S/ 20.00 S/ 16.00 Televisión HD Claro HDTV Básico (1 Básico HD) S/ 99.00 S/ 75.00 S/ 70.00 Claro HDTV Avanzado (1 HD) S/ 120.00 S/ 85.00 S/ 80.00 Claro HDTV Superior (1 HD) S/ 170.00 S/ 135.00 S/ 130.00 COMPONENTES DE LOS PLANES PLAY ALÁMBRICOS (1) PLAN DE TELEFONÍA FIJA: la tasación de las llamadas es al segundo. Plan Claro Fijo Local(a) Claro Fijo Nacional(b) Destinos RPC(c) Minutos CDN(d) Telefonía 100 Ilimitado Ilimitado Ilimitado 100 minutos a) Claro Fijo Local: EL CLIENTE podrá realizar llamadas ilimitadas locales a teléfonos fijos de CLARO. b) Claro Fijo Nacional Ilimitado: EL CLIENTE podrá realizar llamadas ilimitadas a teléfonos fijos de CLARO a nivel nacional. c) Destinos RPC: EL CLIENTE podrá realizar llamadas ilimitadas a móviles de CLARO dentro de la red RPC. d) Minuto CDN: Permiten efectuar llamadas a los destinos fijos nacionales y móviles de cualquier operador.
    [Show full text]