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Art's Histories in Aotearoa New Zealand Jonathan Mane Wheoki
Art’s Histories in Aotearoa New Zealand Jonathan Mane Wheoki This is the text of an illustrated paper presented at ‘Art History's History in Australia and New Zealand’, a joint symposium organised by the Australian Institute of Art History in the University of Melbourne and the Australian and New Zealand Association of Art Historians (AAANZ), held on 28 – 29 August 2010. Responding to a set of questions framed around the ‘state of art history in New Zealand’, this paper reviews the ‘invention’ of a nationalist art history and argues that there can be no coherent, integrated history of art in New Zealand that does not encompass the timeframe of the cultural production of New Zealand’s indigenous Māori, or that of the Pacific nations for which the country is a regional hub, or the burgeoning cultural diversity of an emerging Asia-Pacific nation. On 10 July 2010 I participated in a panel discussion ‘on the state of New Zealand art history.’ This timely event had been initiated by Tina Barton, director of the Adam Art Gallery in the University of Victoria, Wellington, who chaired the discussion among the twelve invited panellists. The host university’s department of art history and art gallery and the University of Canterbury’s art history programme were represented, as were the Museum of New Zealand Te Papa Tongarewa, the City Gallery, Wellington, the Govett-Brewster Art Gallery, New Plymouth, the Dunedin Public Art Gallery and the University of Auckland’s National Institute of Creative Arts and Industries. The University of Auckland’s department of art history1 and the University of Otago’s art history programme were unrepresented, unfortunately, but it is likely that key scholars had been targeted and were unable to attend. -
Newsletter – 20 April 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions ......................................................... -
Contemporary Ma¯Ori and Pacific Artists Exploring Place
NZPS 5 (2) pp. 131–143 Intellect Limited 2017 Journal of New Zealand & Pacific Studies Volume 5 Number 2 © 2017 Intellect Ltd Article. English language. doi: 10.1386/nzps.5.2.131_1 Caroline Vercoe University of Auckland Contemporary Ma¯ori and Pacific artists exploring place Abstract Keywords This article explores the notion of ‘place’, extending its scope to include the ocean, Ma-ori art history and diaspora, in relation to six contemporary Ma-ori and Pacific artists who Pacific art were involved in the Pacifique(S) Contemporain exhibitions in Normandy, France contemporary art in 2015. Structured into three sections, it addresses the three curatorial thematics Oceanic identity that provided the overarching frame for the exhibitions. ‘The ocean is a place’ focuses diaspora on Angela Tiatia and Rachael Rakena, and acknowledges the importance of Epeli indigenous Hau’ofa’s writing in relation to the ocean and Oceania as a crucial marker of iden- epistemologies tity both within its geographic location and beyond. ‘History is a place’ considers digital art moving image installations by Michel Tuffery and Greg Semu, in particular referenc- contemporary ing how they rework and reimagine colonial and art historical representations and photography conventions. ‘Diaspora is a place’ compares the photographic practices of Ane Tonga and Edith Amituanai, whose work reflects on and captures the dynamics that emerge as Pacific communities draw on and adapt cultural traditions, and negotiate rela- tionships mediated by their migration and diaspora experiences. Unlike the term ‘site’, the notion of ‘place’ is fluid and multi-layered in its reso- nance. It can define something as particular as a specific location, or could be as broad as a vast area in space. -
The Story up to Now Architects, President (2014–16) of the by Bill Mckay
FREE Please take one. Issue One An offering of New Zealand Architecture and Design. — 2016 — 10. 14. 26. The diversity of New Class of ’15: the creative Innovative work by design- Zealand’s architecture and inspiring designs oriented companies is is highlighted in Future that received the highest showcased in the hosting Islands, the country’s architectural honours at space at the venue of the exhibition in the Biennale the 2015 New Zealand New Zealand architecture Architeturra 2016. Architecture Awards. exhibition in Venice. Joyful architecture Children playing on the roof of Amritsar, the Wellington house that was a career-long project of Sir Ian Athfield (1940– 2015), an outstanding figure in New Zealand architecture. More village than residence, Amritsar has captivated visitors for 40 years. One new fan is U.S. critic Alexandra Lange (see page 9). Photograph courtesy Athfield Architects. Our archipelago has been discovered by a succession cultural and spiritual importance around which of voyagers and explorers over the centuries but was dwellings were clustered. one of the last significant land masses to be peopled. As the Māori population increased and society The story Around 800 years ago, in the last thrust of human became more tribalised, strategic hillsides were expansion throughout the Pacific Ocean, expert nav- secured during periods of warfare by large-scale igators sailing sophisticated doubled-hulled vessels earthworks and palisades known as pā. The history landed in the southern reach of Polynesia (‘many of New Zealand architecture is not just one of arrival up to now islands’) and adapted their way of life to a colder, and the adaptation and evolution of building forms more temperate land. -
A Visual Arts and Art History Education Resource for Secondary Teachers, Inspired by Bill Culbert's 2013 Venice Biennale Exhi
ART IN CONTEXT A VISUAL ARTS AND ART HISTORY EDUCATION RESOURCE FOR SECONDARY TEACHERS, INSPIRED BY BILL CULBERT’S 2013 VENICE BIENNALE EXHIBITION, FRONT DOOR OUT BACK Helen Lloyd, Senior Educator Art, Museum of New Zealand Te Papa Tongarewa and Education Programme Manager for Creative New Zealand (2013) © Museum of New Zealand Te Papa Tongarewa and Creative New Zealand, 2013 CONTENTS BaCKGROUND About this resource ............................................................................................. 3 The Venice Biennale ............................................................................................ 4 Venice – the city ................................................................................................... 4 Bill Culbert ............................................................................................................ 5 Front Door Out Back ........................................................................................... 5 Studying art in context ....................................................................................... 6 Curriculum links ................................................................................................... 7 Useful books ........................................................................................................ 7 Useful websites ................................................................................................... 7 RESOURCES Part 1: Front Door Out Back analysis cards Drop ...................................................................................................................... -
Fatu Feu'u School of Fine Arts, University of Auck1;Md Selected Biography Specifically Pacific
Fatu Feu'u School of Fine Arts, University of Auck1;md Selected Biography Specifically Pacific. group exhibition, Massey I-Iomestead 1946 Born POlltllsi Falealili, Western Samoa Pacific Riwal M{/.~h, solo exhibition, Lopdel1 House. 1966 Emigrated to New Zealand Auckland 1983 Mtll1akal/ Series I ,solo exhibition, Massey Homestead SOllgs ofthe Earlh, group exhibition. Hastings Arts 1984 Spill/ling Fromier, solo exhibition, Gallery Pacific, Centre Auckland Coroll/andei Callill/:, group exhibition. OUlreach Mal/aka/{ Series 1/, solo exhibition, MllSsey Gllilery, Auckland Homestead Book cover design. A Simplified Dictionary of Modem SOIl/Olll/, Polynesian Press, Auckland 1986 Lilhograp!ls, solo exhibition, Samoa House, Auckland Assistant painlcr, Auckland University Martie Solo ofe LI/pe. solo exhibition. Muk<l Studio, Auckland 1987 Book cover design, Tala () Ie \llilall: Ihe M)'Ih.~. Legel/ds alld Clls/oms o!Old Samoa. Polynesian Press. Auckland Oil PailllillgslTapa Motif,f. solo exhibition. Samoa House. Auckland SI3cey,G.. 'The Art of Fatu Feu'u'. AI'! Nell' Zealand, no.45. pp 48-51 1988 Artist in Residence. Elam School of Fine Arts. University of Auckland New Oil Paill/il/gs, solo exhibition, TaUlai Gallery, Auckland Lilhograpl1,f, Dowse Art Museum, Lower HUll Director, Talllai Gallery. Auckland Art tlllor, Manakllu Polytechnic Mililllillli, 1990 Woodcllt.~. solo exhibition, Massey Homestead Commission for paintings, Papakura Church New Zealand £.\1'0 '88. Brisbane, Australia FalU Feu'u's images arc derived from the mythologies and Group exhibition, Frans Maserell Centrum, Belgium ancient legends of S;Jllloa and the Pacific. Using traditional Book cover design, Cagna Sall1o(/, A Samoan motifs and forms from the visual resources of Polynesia, the La/lgllt/ge COllrselJook, Polynesian Press, arts ofsiapo painting on wpa cloth, Ill/au (tattooing), carving, Auckland ceremonial mllsk making, and Lapila poHery from early Pacific Masks, Massey Homeste;ld Samoa,Feu'u employs a vocabulary charged wilh symbolic Paciric Masks Workshop. -
November 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri O Aotearoa Vincent O’Sullivan
Newsletter New Zealand Poetry Society PO Box 5283 November 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri o Aotearoa Vincent O’Sullivan President With the Assistance of Creative NZ James Norcliffe Arts Council of New Zealand Toi Aotearoa Email and Lion Foundation [email protected] Website ISSN 1176-6409 www.poetrysociety.org.nz Sometimes detail and setting will matter less than, say, weather and mood – a stillness that speaks of loneliness This Month’s Meeting or hope, a wild wind of energy or despair; or a prevailing sense of stories that might be winding their way beneath Turnbull House the surface. 11 Bowen Street, Wellington In ‘Dog on a Mountain’ (The Scientific Evidence of Dr Thursday 17th November Wang), a filmed landscape became the key to a poem I was Launch of the NZPS Anthology trying, unsuccessfully, to write about exile or separation Hear poets read their work from the anthology and the emotional distance of unfamiliar surroundings. MC for the night is Laurice Gilbert As the film festival was on, I left the concept to simmer Start time: 7pm, refreshments will be served and went, without expectation, to a documentary about For further information call: throat singing. The film included footage from, as I recall, Neil Furby Event Manager Mongolia. Of course, there was nothing about throat 027 489 6066 or [email protected] singing that was remotely relevant to exile. But there were connections in the mood of the stony Mongolian landscape from which the backdrop to the poem would later be Incidental Images established, as well as in the fragments of geographical Stephanie De Montalk isolation, including a lonely road and a dog howling ‘from The laptop’s on, the printer’s loaded and coffee’s in the the back of its throat’, that wove their way into the work. -
HALL OPENS the first Fully Catered Hall of Residence Erected Fashion
This issue 2 Ray Avery speaks 3 Visiting HR Directors 5 Distinguished Professors University of Auckland news for staff | Vol 41 | Issue 2| 1 March HALL OPENS The first fully catered hall of residence erected fashion. Designed by Warren and Mahoney it and collaborative study practices, and supports by the University since O’Rorke Hall in 1989 is required 200,000 person hours of construction personal and academic success.” up and running. and took 19 months to build. It comprises 270 Living in a diverse peer community, with the University Hall in Whitaker Place, beside Elam tonnes of steel, 1700 cubic metres of concrete, common goal of learning “while being supported School of Fine Arts, is now home to 429 first-year 7500 square metres of terracotta and cream tile in one’s studies and life, all while being fully students and 13 residential assistants. The twin facade cladding, and 1600 square metres of engaged and having fun, results in well rounded, 13-floor towers, linked on a two-level podium, glass (specially designed to muffle the traffic successful graduates ready to take their place in boost fully catered accommodation at the noise in Grafton Gully). the world, ” said the Chancellor. University by 60 percent. The upper levels command spectacular views Tahlia Tini, the Head of Hall, and the The Chancellor, Roger France (pictured above) of the Hauraki Gulf. There is a glass-enclosed residential assistants closed the ceremony with a snipped a red ribbon and declared the $51 dining room on the entry level, wireless e-library, rousing haka written specially for the residents. -
Newsletter – 21 November 2011 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 21 November 2011 ISSN: 1178-9441 This is the 175th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. A real e-book ........................................................................................................... 1 2. Making Baby Float ................................................................................................. 2 3. Bernard Beckett ....................................................................................................... 2 4. A possible Janet Frame sighting? ........................................................................... 2 5. A poetry masterclass ................................................................................................ 3 6. Awards and prizes ................................................................................................... 3 7. Eric Olsen meets the muse ..................................................................................... 3 8. The expanding bookshelf......................................................................................... 4 9. Best New Zealand Poems ....................................................................................... 4 10. Peter Campbell RIP ............................................................................................. 4 11. Gossipy bits ........................................................................................................... -
Cloud of Kiwi in Cartoons and Graphic Novels, Words in Speech Or Thought Bubbles Hang Above the Character’S Head Like a Cloud
Cloud of Kiwi In cartoons and graphic novels, words in speech or thought bubbles hang above the character’s head like a cloud. This artwork is one great big cloud of thousands of words. The work by artist John Reynolds soil, corner dairy, puku, no-hoper. is called Cloud. It’s made of 7081 They’re all part of the English that individual canvas panels, each of them people in New Zealand speak. John Reynolds is painted with a word or phrase that ‘John Reynolds has always widely considered to be comes from the Oxford Dictionary of worked with language in his art,’ says one of fi nest artists New Zealand English – for example, curator Charlotte Huddleston. ‘He in New Zealand, with work held in all of this tin-arse, tough bickies, waka, pumice likes to play with words and he’s had a country’s major private and public collections. 8 English long fascination with the Dictionary ‘It took a team of five or six of New Zealand English.’ people six days altogether to install Reynolds created the work to Cloud at Te Papa,’ says Charlotte. reflect Aotearoa’s connection to ‘John was here, of course, leading the community of English-speaking the charge. We designed a special nations. At the same time he wanted storage system for it as well, with to highlight what is local and regional twelve canvases in a tray, five trays about the English that people in this in a box and a total of 125 boxes in a country speak. crate. All the parts are numbered and He arranged the words to create catalogued so we know where every the feeling of a billowing, condensing single word or phrase is.’ It’s made of 7081 individual canvas panels, each of them painted with a word or phrase. -
MODERN LETTERS Te P¯U Tahi Tuhi Auaha O Te Ao
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯u tahi Tuhi Auaha o te Ao Newsletter – 27 October 2006 This is the 97th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected] 1. Time to get writing........................................................................................... 1 2. The virtual lives of a bone person ................................................................... 2 3. An outbreak of book blogs .............................................................................. 2 4. Ghost doubles................................................................................................... 2 5. New travel writer competition......................................................................... 3 6. Calling tour guides from hell........................................................................... 3 7. Brand new Snorkel .......................................................................................... 3 8. From the whiteboard ....................................................................................... 4 9. In the ice of the beholder ................................................................................. 4 10. The expanding bookshelf............................................................................. 4 11. Brush up on your kid lit............................................................................... 4 12. Recent -
21-27 April 2015 Music Theatre Art Dance Aspiring Conversations Festivalofcolour.Co.Nz
a celebration of the arts • wanaka • queenstown • bannockburn • luggate • hawea 21-27 April 2015 music theatre art dance aspiring conversations festivalofcolour.co.nz 1 CIRCUSDANCE thanks to GOLD SPOnSORS our sponsors knee deep “Many circus shows build towards MaJOR GRanTS wow-factor moments, but in this piece you quickly cease to expect triumphant drum rolls because this is a show in which every single minute counts... an awe-inspiring show. *****”. SILVER SPOnSORS Lyn Gardner, The Guardian It’s circus from the heart, astonishing skills and exquisite beauty! After touring throughout Europe to sell-out audiences and standing ovations, four BROnZE SPOnSORS performers at the top of their game bring the “The actual humanity into circus through a breathtaking physicality on display is so jaw-droppingly display of skills. Casus is Australia’s hottest sophisticated”. new circus company and their debut work, The Herald Sun Knee Deep, is an inventive blend of traditional FESTIVaL PaRTnERS MEDIa PaRTnERS aCCOMMODaTIOn PaRTnERS and contemporary circus techniques. Hammer & nail Heartland Design & Print Edgewater • Maple Lodge Through this work, the four performers Mark & Sonia Richter More FM • On Media Lakeside apartments • Wanaka Hotel explore the limitations of strength and fragility, Quartz Reef Otago Daily Times • Radio Wanaka journeying through moments of raw discovery, TomTom Productions fleeting relationships and unexpected bonds. LOCaL BUSInESS SPOnSORS SUPPORTInG FUnDERS They give new meaning to objects that amigos Mexican Grill, aspiring Lifestyle Retirement Village, aspiring Boosted • Callis Trust are seemingly inanimate. Knee Deep is a breathtaking display of humanity and Wealth Management, Batchelar McDougall Consulting, Escape Clothing, First Sovereign Trust Federal Diner, Florence’s Foodstore and Café, Graphite Management, incredible physical skill performed with raw Lottery Grants Board emotion and honesty.