The Inventory of the Edwin Sherin Collection #1737
The Inventory of the Edwin Sherin Collection #1737 Howard Gotlieb Archival Research Center 1 Sherin, Edwin #1737 May-September, 2007 Box 1 Folder 1 I. Manuscripts. A. Stage plays, by various authors. 1. “He Who Gets Slapped,” by Leonid Andreyev, ca. 100 p., 1965. Folder 2 2. “Project Immortality,” by Loring Mandel, 130 p., includes program, holograph notes, Jan.-Feb. 1966. Folder 3 3. “Inspector General,” by Nicolai Gogol, 97 p., TS with holograph notes, includes program, 1967. Folder 4 4. “Serjeant Musgrave’s Dance,” by John Arden, “done for Arena Stage,” includes holograph notes, set diagrams, stage manager’s reports. Folder 5 5. “The Great White Hope,” by Howard Sackler. a. Screener script, ca. 180 p., Nov. 1, 1967; includes holograph notes. Folder 6 b. ES’s copy, with extensive holograph notes, revised June 1968. Folder 7 6. “The Tragedy of King Lear,” by William Shakespeare. 2 Box 1 cont’d. a. Holograph notes, 120 p. Folder 8 b. Arena Stage script, with holograph notes, 120 p. Folder 9 c. Central Park production; notes, contact sheet, 1973. Folder 10 7. “Major Barbara,” by George Bernard Shaw; holograph notes, rehearsal schedule, stage drawings. Folder 11 8. “The Red Devil Battery Sign,” by Tennessee Williams. a. Broadway working script, with holograph notes. Folder 12 b. “Working script with personal notes from Tennessee [Williams],” ca. 80 p. Folder 13 9. “Semmelweiss,” by Howard Sackler. a. Original script, TS draft, 118 p., 1975. Folder 14 b. Draft, TS with holograph notes, 135 p. Folder 15 c. Brigham Young University production, 123 p., 1980s.
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