Howard Brown Loses Key Trans Youth Grant
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Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Christian Sheep and Satan's Wolves
CHRISTIAN SHEEP And SATAN'S WOLVES BY JAMES COMBS $1.00 CHRISTIAN SHEEP AND SATAN'S WOLVES by JAMES COMBS Published by New Christian Crusade Church P. O. Box 3247 Hollywood, California 90028 COPYRIGHT, 1971 by New Christian Crusade Church All rights reserved No reproduction in any form of this book, in whole or in part (except for brief quotation in critical articles or reviews), may be made without written authorization from the publisher. Printed in the United States of America CONTENTS Prologue (1) The Source of Our Woe (3) The Obsessed Goal (4) Other Indications of the Obsessed Goal (5); Did God Choose Jewry for World Control?... (6) A New Religion (8); Jesus Appears (9); The Key Weapons to Conquest (11) Communications Control (12); The Printed Word (12); The Cinema (14); Television (14); Wealth (15) The Rothschilds (15); America's Central Bank (17); Jewry's Wealth in America (19); The Four Tools (20) Communism (20); Evidence of Jewish Control of Red Revolution (22); Jewry and Communism (24); The Secret Police (26); Other Jewish Red Efforts (27); Commu nism in America (28); Zionism (30) Jewry—Zionism and War (33); Jewry and World War II (36); The Master People (38); Liberalism (39) Background on Gradual Liberalism—(Marxism) (40); Gradual Marxism—in America (41); The A. D. A. (44); The C. F. R. (45); Liberalism's Protectors (48); Syndicated Crime (52) The Power Behind Crime (53); Syndicated Crime's Evils (54); Programs of Jewry .. (55) The "Race-Mixing" Program (55); Why Racial Merger? (57); Racial Things to Come (58); The Jew and the Negro (59); Other Jew-led "Race-mix" Groups (59)'» The Father of "Civil Rights" (61); The Father of Equalitarian Anthropology (62); The "One-World" Government Program (63); The U. -
Gus Van Sant Retrospective Carte B
30.06 — 26.08.2018 English Exhibition An exhibition produced by Gus Van Sant 22.06 — 16.09.2018 Galleries A CONVERSATION LA TERRAZA D and E WITH GUS VAN SANT MAGNÉTICA CARTE BLANCHE PREVIEW OF For Gus Van Sant GUS VAN SANT’S LATEST FILM In the months of July and August, the Terrace of La Casa Encendida will once again transform into La Terraza Magnética. This year the programme will have an early start on Saturday, 30 June, with a double session to kick off the film cycle Carte Blanche for Gus Van Sant, a survey of the films that have most influenced the American director’s creative output, selected by Van Sant himself filmoteca espaÑola: for the exhibition. With this Carte Blanche, the director plunges us into his pecu- GUS VAN SANT liar world through his cinematographic and musical influences. The drowsy, sometimes melancholy, experimental and psychedelic atmospheres of his films will inspire an eclectic soundtrack RETROSPECTIVE that will fill with sound the sunsets at La Terraza Magnética. La Casa Encendida Opening hours facebook.com/lacasaencendida Ronda de Valencia, 2 Tuesday to Sunday twitter.com/lacasaencendida 28012 Madrid from 10 am to 10 pm. instagram.com/lacasaencendida T 902 430 322 The exhibition spaces youtube.com/lacasaencendida close at 9:45 pm vimeo.com/lacasaencendida blog.lacasaencendida.es lacasaencendida.es With the collaboration of Cervezas Alhambra “When I shoot my films, the tension between the story and abstraction is essential. Because I learned cinema through films made by painters. Through their way of reworking cinema and not sticking to the traditional rules that govern it. -
1 AUDIO BOOKS, MUSIC and MOVIES at Reinert-Alumni Library
AUDIO BOOKS, MUSIC and MOVIES at Reinert-Alumni Library 3rd Quarter 2012 AUDIO BOOKS Chopra, Deepak. Muhammad : a story of the last prophet / by Deepak Chopra. Born into the factious world of war-torn Arabia, Muhammad's life is a gripping and inspiring story of one man's tireless fight for unity and peace. In a world where greed and injustice ruled, Muhammad created change by affecting hearts and minds. Just as the story of Jesus embodies the message of Christianity, Muhammad's life reveals the core of Islam. Deepak Chopra shares the life of Muhammad as never before, putting his teachings in a new light. BP75 .C46 2010AB 8 / by Dustin Lance Black ; [produced for the stage by the American Foundation for Equal Rights and Broadway Impact]. Uses actual court transcripts and first-hand interviews to bring to life the landmark federal trial challenging Proposition 8, a constitutional amendment that eliminated the rights of same-sex couples to marry in the state of California. PN1997.3.B53 E54 2012AB Fletcher, Susan, 1979- The highland witch [Audio Book in MP3 format] / by Susan Fletcher. 1692. Corrag--an accused witch--is imprisoned for her supposed involvement in a massacre she had no part in. As she tells her story to an Irish propagandist, she transforms both their lives. PR6106.L48 2011EAB Pelecanos, George P. What it was / George Pelecanos. Washington, D.C., 1972. Derek Strange has left the police department and set up shop as a private investigator. His former partner, Frank "Hound Dog" Vaughn, is still on the force. When a young woman comes to Strange asking for his help recovering a cheap ring she claims has sentimental value, the case leads him onto Vaughn's turf, where a local drug addict's been murdered, shot point-blank in his apartment. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
NOVEMBER 6, 1970 15C PER COPY 16 PAGES Report Virtually No Celebration Reports Indicate Despite Trouble, Israel Has of High Holy Days in Poland U
I . I ' . 11 J£Wl SH Hl STOR 1 CAL ASSOC•- R • l • 209 ANGELL ST•- Support .Read By Jewish More Than Agencies 35,000 With Your PeopJe Membership THE ONLY ENGLISH-JEW/SH WEEKLY IN R. /. AND SOUTHEAST MASS. VOL,LIV-.NO, 32 ·FRIDAY. NOVEMBER 6, 1970 15c PER_COPY 16 PAGES Report Virtually No Celebration Reports Indicate Despite Trouble, Israel Has Of High Holy Days In Poland U. S. Prime Source Ninth Record Tourist Month Of Immigration TEL AVIV - Despite a A Ir II n e s serving Israel LONDON 'There was In I 968 under the guise '1 anti September marred by aerial showed a very mixed picture virtually no celebration of the Zionism. Jews were purged from TEL AVIV - Official records hijackings, the Jordan civil war following the hijackings that took High Holy Days or the Sukkos virtually every public office and released here Indicated that the and a ch o I er a scare In place In early Sep_!ember. El Al, holiday by the few remainlng responsible position, especially lht!ted States has become the Jerusalem, Israel managed to which foiled a piracy attempt Jews In Poland, according to In the commW!lcatlons media. prime source of Immigration to rack up another record tourist when Its on-board security word re ac hlng here 'from Most Polish Jews have emigrated Israel. In the first nine months of month, Its ninth In succession. guards went Into action, Warsaw. The only religious to Western European coimtries. 1970, 6,129 Americans settled In Official figures show that reported a dramatic 53'lp Increase services were thpse organized by 'The Yiddish State 'Theater In 8 In September volume, with the residents of Jewish homes tor W a rs aw opened Its season Israel, account1!!g for more than total of 30,522 visitors arrived In 20 percent of the Immigrants who Israel last month, compared with passenger traffic zooming from the aged In Warsaw and Lodz on dlrecdy after Yorn Klppur as It 29,638 In the 1969 month to Rosh Hashana and Yc;>m Ktppur. -
@Fantagraphics Winter 2018 Catlaog. Sad!
@Fantagraphics Winter 2018 catlaog. Sad! 4.9k 7.1k 39k WINTER 2018 WINTER 2018 7563 lake city way ne • seattle, wa 98115 • usa the World’sG reatest telephone: 206-524-1967 • fax: 206-524-2104 er of Cart customer service: 800-657-1100 blish oon [email protected] • www.fantagraphics.com Pu ists Distributed to the book trade in the In Japan: In Singapore, Malaysia: Distributed to the comic book specialty United States by: market by Diamond Comics Distribu- Rockbook – Gilles Fauveau Pansing Distribution Pte Ltd tors (www.diamondcomics.com). W.W. NORTON AND COMPANY, INC. Expirime 5F 10-10 Ichibancho 1 New Industrial Road 500 Fifth Avenue Chiyoda-ku Times Centre Also available via Last Gasp Books New York, NY 10110 102-0082 Tokyo Singapore 536196 (www.lastgasp.com). Tel.: 212-354-5500 Japan Tel (65) 6319 9939 Fax: 212-869-0856 Tel: (81) 90 9700 2481 Fax (65) 6459 4930 For information on distribution Tel: (81) 90 3962 4650 Order Dept. Tel.: 800-233-4830 email: [email protected] elsewhere, please contact Martin Bland. email: [email protected] Order Dept. Fax: 800-458-6515 email: [email protected] Customer Service Dept.: 800-233-4830 In Thailand, Cambodia, Laos, Vietnam, Special Sales Dept.: Myanmar: General Inquiries 800-286-4044 In Taiwan and Korea: [email protected] www.wwnorton.com Hardy Bigfoss International Co., Ltd. Sales & Distribution Martin Bland B. K. Norton Ltd. 293 Maenam Kwai Road, Tambol Tha [email protected] In the United Kingdom & Europe: 5F, 60 Roosevelt Road Makham Publicity & Marketing Jacq -
Eisenhower Theater
COVER All’s Well That Ends Well 2010 | 2011 season SHAKESPEARE THEATRE COMPANY COMinG SOOn TO Sidney HarMan Hall november 26, 2010–January 9, 2011 This rousing musical springs to life on stage during the holiday season, poking fun at optimism and following Candide on his quest for true love with songs like “Make Our Garden Grow” and “Glitter and Be Gay.” Candide The 20th-century classic, based on Voltaire’s music by Leonard Bernstein satire, will be reinvigorated in a new book adapted from Voltaire by Hugh Wheeler adaptation by director Mary Zimmerman, lyrics by Richard Wilbur matching her inventive, visually stunning additional lyrics by Stephen Sondheim, John Latouche, style with Bernstein’s ravishing score. Lillian Hellman, Dorothy Parker and Leonard Bernstein directed and newly adapted from Voltaire Zimmerman’s previous STC production by Mary Zimmerman of Pericles brought forth “an evening of bewitching ingenuity and bountiful surprise” (The Washington Post). Following the successful collaboration of King Lear in 2009, this farcical tale is a co-production with Chicago’s Goodman Theatre. “The best of all possible worlds...” Get your tickets today! Call 202.547.1122 or visit ShakespeareTheatre.org Groups of 10+, 202.547.1122, option 6 Photo of Geoff Packard by Brian Warling. design/direction: Kelly rickert. Table of Contents Feature Pilgrim's Progress by Akiva Fox 4 Program Synopsis 7 About the Playwright 9 Title Page 11 Cast 13 Cast Biographies 14 Direction and Design 18 Shakespeare Theatre Company Upcoming Events 21 Shakespeare Theatre Company 22 For the Shakespeare 24 Theatre Company Board of Trustees 26 Affiliated Artists 26 Staff 28 Special Thanks/Volunteers 30 Individual Donors 32 Three Ways to Give 40 Happenings at the Harman 41 Corporate Donors 43 Foundation/Government Support 44 Season Guide/Acting for Business 45 Professionals In Rehearsal 47 Audience Services 48 Cover photo of Miriam Silverman and Tony roach by Scott Suchman. -
When Politics Were Fun: Recovering a History of Humour in U.S. Feminism
When Politics Were Fun: Recovering a History of Humour in U.S. Feminism Kirsten Leng Abstract: Based on archival research, scholarship from the emerging field of Feminist Humour Studies, and engagements with feminist and poststructuralist theory, in this article I make the case for recovering a history of humour in feminism, with a focus on 20th century US-based feminist practices. I argue that retrieving evidence of feminist humour—whether as political performance (street protests, “zaps”) or cultural artefacts (comics, music, plays, polemical texts)—enables scholars to re-imagine feminism and its past, and opens up new ways of thinking about both. Using humour as a focal point through which to narrate feminist history allows for a recovery of neglected and marginalized voices from the feminist past. In so doing, humour facilitates a redrawing of the conceptual map that informs prevailing narratives about feminism and its history. Furthermore, engaging humour opens up new lines of inquiry for future researchers, including an investigation of how feminists’ engagements with humour—and the new, subversive realities they engendered—helped shape feminist attitudes, subjectivities, and communities over the course of generations. Keywords: activism; Guerrilla Girls; COYOTE; Flo Kennedy; humour; feminism. omedians are leading the feminist movement,” declared a March 2015 article on the website mic.com. Citing much-lauded examples like Amy Poehler, Jessica Williams, Kristen Schaal and Amy Schumer, the article took stock of “C contemporary female comedians’ growing commitment to broaching issues such as pay equity and reproductive rights in mainstream media, and remarked upon their powerful influence in shaping generational attitudes. -
2016-Year-In-Review-Peakprosperity
2016 Year in Review A Clockwork Orange David B. Collum Betty R. Miller Professor of Chemistry and Chemical Biology Cornell University Email: [email protected] Twitter: @DavidBCollum Background: The Author “The easiest thing to do on earth is not write.” ~William Goldman, novelist I never would have believed it—not in a million years—but it happened: the Cubs won the World Series, and The Donald is our new president. Every December, I write a Year in Review1 that’s first posted on Chris Martenson’s & Adam Taggart's website Peak Prosperity2 and later at Zero Hedge.3 What started as a few thoughts posted to a handful of wingnuts on Doug Noland’s Prudent Bear message board has mutated into a detailed account of the year’s events. Why write this beast? For me, it puts the seemingly disconnected events that pass through my consciousness, soon to be lost forever, into a more organized and durable form. Somebody said I should write a book. I just did. In a nutshell, this is a story of human follies and bizarre events. There are always plenty of those. Let others tell the feel-good stories. Figure 1. Malcolm McDowell as Alex in A Clockwork Orange. I try to identify themes that evolve. This year’s theme was obviously defined by the election, which posed a real problem. I struggled to detect the signals through the noise. Many of my favorite analysts from whom I extract wisdom and pinch cool ideas spent the year trying to convince the world that one or more of the presidential candidates was an unspeakable wretch. -
BOX DEWAAL TITLE VOL DATE EXHIBITS 1 D 4790 a Dime Novel
BOX DEWAAL TITLE VOL DATE EXHIBITS 1 D 4790 A Dime Novel Round-up (2 copies) Vol. 37, No. 6 1968 1 D 4783 A Library Journal Vol. 80, No.3 1955 1 Harper's Magazine (2 copies) Vol. 203, No. 1216 1951 1 Exhibition Guide: Elba to Damascus (Art Inst of Detroit) 1987 1 C 1031 D Sherlock Holmes in Australia (by Derham Groves) 1983 1 C 12742 Sherlockiana on stamps (by Bruce Holmes) 1985 1 C 16562 Sherlockiana (Tulsa OK) (11copies) (also listed as C14439) 1983 1 C 14439 Sherlockiana (2 proofs) (also listed C16562) 1983 1 CADS Crime and Detective Stories No. 1 1985 1 Exhibit of Mary Shore Cameron Collection 1980 1 The Sketch Vol CCXX, No. 2852 1954 1 D 1379 B Justice of the Peace and Local Government Review Vol. CXV, No. 35 1951 1 D 2095 A Britannia and Eve Vol 42, No. 5 1951 1 D 4809 A The Listener Vol XLVI, No. 1173 1951 1 C 16613 Sherlock Holmes, catalogue of an exhibition (4 copies) 1951 1 C 17454x Japanese exhibit of Davis Poster 1985 1 C 19147 William Gilette: State by Stage (invitation) 1991 1 Kiyosha Tanaka's exhibit, photocopies Japanese newspapers 1985 1 C 16563 Ellery Queen Collection, exhibition 1959 1 C 16549 Study in Scarlet (1887-1962) Diamond Jubilee Exhibition 1962 1 C 10907 Arthur Conan Doyle (Hench Collection) (2 copies) 1979 1 C 16553 Sir Arthur Conan Doyle, Collection of James Bliss Austin 1959 1 C 16557 Sherlock Holmes, The Man and the Legend (poster) 1967 MISC 2 The Sherlock Holmes Catalogue of the Collection (2 cop) n.d.