Freshman Year Reading Catalog 2017–2018
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People for Profit: North Korean Forced Labour on a Global Scale Edited by Remco E
PEOPLE FOR PROFIT People for Profit North Korean Forced Labour on a Global Scale Edited by Remco E. Breuker & Imke B.L.H. van Gardingen Contributors Jan Blinka Britt C.H. Blom Marte C.H. Boonen Klara Boonstra Rosa Brandse Remco E. Breuker Imke B.L.H. van Gardingen Larissa van den Herik Tycho A. van der Hoog Marieke P. Meurs Cedric Ryngaert Shannon R. Stewart Anoma P. van der Veere This is an open source publication by LeidenAsiaCentre. Copyright © 2018 (authors). People for Profit: North Korean Forced Labour on a Global Scale Edited by Remco E. Breuker and Imke B.L.H. van Gardingen ISBN 978-90-826167-1-2 (hardback) ISBN 978-90-826167-3-6 (e-book) LeidenAsiaCentre is an independent research centre affiliated with Leiden University and made possible by a grant from the Vaes Elias Fund. The centre focuses on academic research with direct application to society. All research projects are conducted in close cooperation with a wide variety of partners from Dutch society. More information can be found on our website: www.leidenasiacentre.nl For contact or orders: [email protected] M. de Vrieshof 3, 2311 BZ Leiden, The Netherlands Book design: A.P. van der Veere Contents Contributors IX Acknowledgements XII Introduction Remco E. Breuker and Imke B.L.H. van Gardingen 1 Chapter I Setting the Background: Labour Conditions in the DPRK Remco E. Breuker 6 Chapter II Accountability for DPRK Workers in the Value Chain: The Case of Partner Shipyard, a Polish Shipbuilder and its Dutch Partners Imke B.L.H. -
The Joan and Lester Avnet Collection in the Museum of Modern Art : Exhibited, Apr
A Treasury of modern drawing : the Joan and Lester Avnet Collection in the Museum of Modern Art : exhibited, Apr. 27-July 4, 1978 William S. Lieberman Date 1978 Publisher The Museum of Modern Art ISBN 08707060980 Exhibition URL www.moma.org/calendar/exhibitions/2355 The Museum of Modern Art's exhibition history—from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art A TREASURY OF MODERN I DRAWING THE JOANAND LESTER AVNET COLLECTION Archive MoMA 1210 ft TREASURY OF MODERN DRAWING A TREASURY OF MODERN DRAWING THE JOANAND LESTER AVNET COLLECTION IN THE MUSEUMOF MODERNART WILLIAMS.LIEBERMAN THE MUSEUM OFMODERN ART, NEW YORK 4«-CH'«C lAOrf/) 12-10 MUSEUM OF MODERNART LIBRARY Copyright © 1978 by The Museum of Modern Art All rights reserved The Museum of Modern Art 11 West 53 Street New York, N.Y. 10019 Library of Congress Catalog Card Number: 78-50658 ISBN: 0-87070-609-8 Designed by Steven Schoenfelder Printed by Meriden Gravure Co., Meriden, Conn. Bound by Sendor Bindery, Inc., New York, N.Y. Printed in the United States of America cover Matisse: The Necklace. 1950. Brush and ink, ioVz x i6Vi" frontispiece Feininger: The Town ofLegefeld. 1916. Pen and ink, charcoal, 9 Vi x 12V2" INTRODUCTION 7 ILLUSTRATIONS 35 CA TALOG OF THE COLLECTION 108 Lester Avnet was a devoted son, brother, husband, and father. His life was dedicated to his family; indeed he thought more often of them, always with pride, than he did of himself. -
Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II. -
I've Married Marjorie
I've Married Marjorie By Margaret Widdemer I'VE MARRIED MARJORIE CHAPTER I The sun shone, that morning, and even from a city office window the Spring wind could be felt, sweet and keen and heady, making you feel that you wanted to be out in it, laughing, facing toward the exciting, happy things Spring was sure to be bringing you, if you only went a little way to meet them—just a little way! Marjorie Ellison, bending over a filing cabinet in a small and solitary room, felt the wind, and gave her fluffy dark head an answering, wistful lift. It was a very exciting, Springy wind, and winds and weathers affected her too much for her own good. Therefore she gave the drawer she was working on an impatient little push which nearly shook the Casses down into the Cats—she had been hunting for a very important letter named Cattell, which had concealed itself viciously—and went to the window as if she was being pulled there. She set both supple little hands on the broad stone sill, and looked downward into the city street as you would look into a well. The wind was blowing sticks and dust around in fairy rings, and a motor car or so ran up and down, and there were the usual number of the usual kind of people on the sidewalks; middle-aged people principally, for most of the younger inhabitants of New York are caged in offices at ten in the morning, unless they are whisking by in the motors. -
The Atom Bomb and the Press
PERIODICALS chant-farmer Hardy Bell, and St. Louis to- former slaves, and viewing the formerly bacconist William Deaderick. dominant class with suspicion and skepti- The Civil War ruined many of the Deep cism," Schweninger writes, "they could South's prosperous blacks, just as it did more easily build on their past experiences many white plantation owners. The Upper during the postwar era to advance not only South's black elite prospered. "More self- their own cause but the cause of freedmen confident, able to mix more easily with as well." PRESS & TELEVISION The Atom Bomb "The Office of Censorship's Attempt to Control Press Coverage of the Atomic Bomb During World War 11" by Patrick S. And the Press Washbum, in Journalism Monographs (~pril1990), 1621 COL . lege St., Univ. of S.C., Columbia, S.C. 29208-0251. A month after the first atomic bomb fell on tarily) to avoid all mention even of the Hiroshima on August 6, 1945, Gen. H. H. element uranium. Almost immediately. Arnold of the Army Air Force wrote a problems appeared. On Halloween D& glowing letter to the head of the U.S. Office for example, the Washington Post ran a of Censorship thanking him for suppress- lighthearted feature story which began: "A ing "any mention" of the new weapon in young fellow who has been studying much the press until it was used. Arnold wrote of his life on the matter of blowing up na- that it "shall go down in history as the best- tions with an atom would like to get a kept secret of any war." wage increase from the War Labor What is interesting, notes Washburn, a Board." In December, the Cleveland Press professor of journalism at Ohio University, published a vague story about the "Forbid- is not the fact that Arnold was wrong but den City" at Los Alamos, New Mexico. -
Dj Issue Can’T Explain Just What Attracts Me to This Dirty Game
MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS E-40, TURF TALK OZONE MAGAZINE MAGAZINE OZONE FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE CAN’T EXPLAIN JUST WHAT ATTRACTS ME TO THIS DIRTY GAME ME TO ATTRACTS JUST WHAT MIMS PIMP C BIG BOI LIL FLIP THREE 6 MAFIA RICK ROSS & CAROL CITY CARTEL SLICK PULLA SLIM THUG’s YOUNG JEEZY BOSS HOGG OUTLAWZ & BLOODRAW: B.G.’s CHOPPER CITY BOYZ & MORE APRIL 2007 USDAUSDAUSDA * SCANDALOUS SIDEKICK HACKING * RAPQUEST: THE ULTIMATE* GANGSTA RAP GRILLZ ROADTRIP &WISHLIST MORE GUIDE MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS REAL, RAW, & UNCENSORED SOUTHERN RAP E-40, TURF TALK FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE MIMS PIMP C LIL FLIP THREE 6 MAFIA & THE SLIM THUG’s BOSS HOGG OUTLAWZ BIG BOI & PURPLE RIBBON RICK ROSS B.G.’s CHOPPER CITY BOYZ YOUNG JEEZY’s USDA CAROL CITY & MORE CARTEL* RAPQUEST: THE* SCANDALOUS ULTIMATE RAP SIDEKICK ROADTRIP& HACKING MORE GUIDE * GANGSTA GRILLZ WISHLIST OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul MARKETING DIRECTOR // David Muhammad LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Destine Cajuste ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Alexander Cannon, Bogan, Carlton Wade, Charlamagne the God, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica INTERVIEWS Koslow, J Lash, Jason Cordes, Jo Jo, Joey Columbo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, Kenneth Brewer, K.G. -
Transcript for Charlamagne Tha God | Black Privilege (Episode 647) Full Show Notes Found Here
Transcript for Charlamagne Tha God | Black Privilege (Episode 647) Full show notes found here: https://theartofcharm.com/647/ CHARLAMAGNE: I wont feel like Ive made it until I know my kids kids are good and I dont know if thats going to be financial or just leaving them something that I know that they can learn from two generations from now. Who knows. JORDAN: Welcome to The Art of Charm. Im Jordan Harbinger. Today were talking with my friend Charlamagne Tha God. Well get into who hes called that later on in the show. Him and I met years ago because of Robert Greene. He heard the Robert Greene episode of AoC, which was our seven year anniversary special. Weve actually been around for over 10 years now, to give you some timeframe here. When I started actually getting serious about the show, Charlamagne caught that and we got in touch and weve been in touch ever since then. He is a very popular radio show host with a nationally syndicated show and a very popular podcast as well. He wrote an excellent book called Black Privilege, which includes a lot of legit advice on detailing how he was able to take advantage of opportunities and become successful, despite his origin story, which well go over on the show as well. He used to sell crack. Were going to talk about how he broke out of the gravity of that situation and shifted into radio instead of ending up under a tree or dead or in prison. Well also discuss why Charlamagne things its important not to live someone elses expectations and how to figure out when expectations are actually your own, how to uncover how he reframed his upbringing to become an advantage instead of the other way around, and theres a lot in this. -
Remembering Sept. 11 Page 14
Remembering Sept. 11 Page 14 VOL. XX, NUMBER 33 • SEPTEMBER 6, 2019 WWW.PLEASANTONWEEKLY.COM A new voice in Sacramento Assemblywoman Bauer-Kahan reflects on first months in office, goals for year ahead Page 12 5 NEWS Simon proposes 486 apartments on mall property 15 TRI VALLEY LIFE ‘Paint Pleasanton 2019’ 17 SPORTS Foothill football wins first game on new field From the common to the complex, we’re here for you valleycare.com PROUD TO SERVE THE TRI-VALLEY Hospital & Emergency Urgent Care Specialty Clinics Primary Care Page 2 • September 6, 2019 • Pleasanton Weekly TIM TALK BY TIM HUNT Traveling the world using Airbnb 53 Golf Road 83 Silver Oaks Court hen I received a press up and brought them to the farm. release last month tout- Then, after describing the market 5 Bed/3.5 Bath, 4,970 Sq Ft 4 Bed/4.5 Bath, 4,839 Sq Ft ing Airbnb’s explosive they should go to, she handed them W Gorgeous home on one of Magnificent newly constructed growth across the world, my mind the keys to her car with the provision turned immediately to my Pleasanton they return it by a certain time. Castlewood’s most desired streets estate home located minutes from friends Jay and Ofelia Gomez. Ofelia lays the foundation for the featuring a bright and open floor historic downtown Pleasanton. The longtime residents operated trips by using TripAdvisor and its plan that flows into the private Nestled on a 14+-acre oak studded Ofelia’s Kitchen on Hillcrest Avenue reviews and then checking the loca- (north of East Avenue in Livermore) tions on YouTube for the low-budget backyard and is perfect for lot, this amazing home presents a for nearly 20 years before selling the approach. -
University Micrcxilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality o f the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “ Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
Unit 5: How Do You Stay True to Yourself?
UNIT 5 The BIG Question How Do You Stay True to Yourself? Be who you are and say “what you feel, because those who mind don’t matter, and those who matter don’t mind. —Dr. Seuss pen name of Theodor” Geisel (1904 –1991), author of The Cat in the Hat Gandee Vason/Getty Images LOOKING AHEAD The skill lessons and readings in this unit will help you develop your own answer to the Big Question. UNIT 5 WARM-UP • Connecting to the Big Question Genre Focus: Short Story Born Worker . 547 by Gary Soto READING WORKSHOP 1 Skill Lesson: Analyzing Cream Puff . .562 by Linnea Due The Question of Popularity . 574 by Tamara Eberlein WRITING WORKSHOP PART 1 Short Story . 580 READING WORKSHOP 2 Skill Lesson: Questioning an african american . .588 by Meri Nana-Ama Danquah One Throw . 596 by W. C. Heinz READING WORKSHOP 3 Skill Lesson: Predicting The Medicine Bag . 608 by Virginia Driving Hawk Sneve A Year of Living Bravely . .622 by Emily Costello WRITING WORKSHOP PART 2 Short Story . 628 READING WORKSHOP 4 Skill Lesson: Making Inferences The Fire Pond . 638 by Michael J. Rosen from Savion!: My Life in Tap . .654 by Savion Glover and Bruce Weber COMPARING LITERATURE WORKSHOP A Retrieved Reformation . 665 by O. Henry A Retrieved Reformation . 675 by Gary Gianni UNIT 5 WRAP-UP • Answering the Big Question 543 UNIT 5 WARM-UP How Do You Stay True Connecting to to Yourself? To be true to yourself, you have to be true to your own values and beliefs. They affect what you do. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Bruxy Cavey and the Meeting House Megachurch: a Dramaturgical Model of Charismatic Leadership Performing “Evangelicalism for People Not Into Evangelicalism”
Bruxy Cavey and The Meeting House Megachurch: A Dramaturgical Model of Charismatic Leadership Performing “Evangelicalism for People Not Into Evangelicalism” by Peter Schuurman A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in Religious Studies Waterloo, Ontario, Canada, 2016 © Peter Schuurman 2016 ! ! ! ! ! ! ! ! ! ! ! Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ! ii ! Abstract Megachurch pastors—as local and international celebrities—have been a growing phenomenon since the 1960s, when megachurches began to proliferate across North America. Why are these leaders and their large congregations so popular in an age of increasing “religious nones”? Commentators in both popular and academic literature often resort to characterizing the leadership with stereotypes of manipulative opportunists along the lines of Sinclair Lewis’ Elmer Gantry (1927) or narrow characterizations of savvy entrepreneurs who thrive in a competitive religious economy. Similarly, writers assume megachurch attendees are a passive audience, or even dupes. This dissertation challenges the Elmer Gantry stereotype and the religious economic perspectives by examining one particular megachurch pastor named Bruxy Cavey in the context of his “irreligious” megachurch community called