Bangerz a Public Campaign That Has Made Interesting

第３種郵便物認可 FRIDAY, NOVEMBER 22, 2013 11 MUSIC 1 Miley Cyrus is changing her when an artist changes their image. image. This year, we have seen It’s a risk and it keeps their music Bangerz a public campaign that has made interesting. But Cyrus doesn’t quite by Miley Cyrus it clear the 20-year-old singer is know what she wants to change no longer the innocent girl we her image to. Track list remember from Disney’s Hannah 3 In public, Cyrus is embracing 1. Adore You Montana TV series. She’s dressing Southern U.S. hip-hop culture, and 2. We Can’t Stop in sexy outfits, posing topless in she tries rapping a few times on 3. SMS (Bangerz) photos and smoking marijuana Bangerz. Both Love Money Party 4. 4×4 in public. However, the image and Do My Thang go down this 5. My Darlin’ she delivers on her new album, road, but the result is mediocre. 6. Wrecking Ball 10. FU Bangerz, doesn’t match what we Cyrus’ Disney upbringing seems 7. Love Money Party 11. Do My Thang see in the tabloids — Miley the to stop her from really changing her 8. #Getitright 12. Maybe You’re Right singer just isn’t that interesting. image. If she wants to rebel, why 9. Drive 13. Someone Else 2 The best thing about Bangerz is not write “Sex Money Drugs”? that the tunes are catchy. Everyone 4 Bangerz gets less coherent loves a catchy pop tune to sing at with a corny country music track Artist Intro karaoke. What’s more, she has titled 4x4, a mismatched duet with made two of the catchiest her first rapper Future titled My Darlin’, and ▶ Miley Cyrus singles. We Can’t Stop is a summer a modern update of Screamin’ Jay Miley Ray Cyrus was born in Nashville, Tennessee, jam, the kind of tune that teenagers Hawkins’ I Put a Spell On You that and is the daughter of country music star Billy Ray can listen to in the car when they’re features dubstep called FU (OK, I Cyrus. She became a teen star in her own right out on a Saturday night. The lyrics like FU. It grew on me). in 2006 when she took the role of Miley Stewart in are bold — “It’s my mouth, I can 5 Looking for a new image is the Disney Channel’s Hannah Montana TV series. say what I want to!” — with lots of always exciting, but the songs The following year she began to sing and provided chances to shout along. Wrecking on Bangerz aren’t as exciting as music for Hannah Montana, which led to her debut Miley Cyrus AFP-JIJI Ball is an anthem for heartbroken Cyrus’ tabloid headlines. They’re album, the soundtrack Hannah Montana 2: Meet Miley Cyrus. Her 2009 lovers, starting out small and all so different from each other that track Party in the U.S.A. reached No. 2 on Billboard’s singles chart. delicate but growing into a grand I just ended up confused. Bangerz is her fourth album. declaration of survival made ★このコラムは毎月２・４週目号に掲載します。 through powerful vocals. I love it Miley Cyrus の最新アルバム『Bangerz』 (Artist Intro) in ... right 独力で。に変えたいのか。 Sex Money Drugs 本当の意味で自分を変えンス音楽の一つ）。 1 outfits 衣装。tabloids タブロイド紙。 3 is embracing ～を受け入れている。go るために歌うべき架空の曲のタイトル。過激［本文 ― 350 words］ 2 catchy キャッチ―な、覚えやすい。jam ... road この方向に行っている（この場合な曲の例として挙げられている。 ★このコラムのライター Shaun McKenna さ曲。lyrics 歌詞。bold 大胆な。anthem はラップを意味する）。mediocre 平凡な。 4 coherent 一貫している。corny 陳腐んのツイッターアカウントは、@jt-sloosh 。フォ歌。what ... to 自分のイメージをどのよう upbringing 育ったこと。rebel 逆らう。な。dubstep ダブステップ（英国発祥のダローしてください。.

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Reflexões Sobre Subjetividades No Produto Cultural Hannah Montana1
1 Narrativas transmidiáticas: reflexões sobre subjetividades no produto cultural Hannah Montana1 Patricia Bieging2 Raul Inácio Busarello3 Vânia Ribas Ulbricht4 Universidade Federal de Santa Catarina - UFSC Resumo: Considerando que as representações identitárias inscritas nos personagens da mídia têm grande importância na construção dos enredos ficcionais; este artigo realiza um estudo de caso com o objetivo de refletir sobre a construção de subjetividades nas narrativas transmidiáticas dispostas pelo seriado norte-americano Hannah Montana, da Disney Channel. A fundamentação teórica da pesquisa aborda os conceitos relativos à transmidialidade e à construção de subjetividades a partir da cultura da mídia. Palavras-chave: transmidiação; indústria cultural; subjetividade. Introdução A partir do sucesso do seriado Hannah Montana (HM) nas TVs de todo o mundo, as organizações Disney passaram a criar outros universos ficcionais para o produto. Dando sequência ao enredo da TV e mantendo as identidades originais dos personagens, criaram uma extensão da narrativa utilizando outros meios de comunicação, complementando, desta forma, as histórias da série. O seriado, obviamente, não inaugurou esta convergência de mídias com relação aos produtos da indústria cultural. Se pararmos para pensar, esta dinâmica vem se configurando há bastante tempo. Resgatando alguns exemplos, temos as telenovelas que produziam LPs das trilhas sonoras; os filmes que geravam fitas de vídeo cassete para aluguel em vídeo locadoras, álbuns de figurinhas, e tantos outros produtos, pensados como uma alternativa de dar continuidade aos conteúdos em outras plataformas midiáticas. Assim, este artigo se propõe a realizar um estudo sobre esta convergência tecnológica, que faz com que o público consumidor tenha variados pontos de acesso ao 1 Trabalho apresentado no GT Novas Tecnologias, Comunicação e Cultura do Congresso Panamericano de Comunicação 2010, realizado na Universidade Católica de Brasília - UCB.
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In the Transition from Stage to Arena, Live Music Is Remade
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CROWN TN SEPT 09 FINAL 10/7/09 10:43 Page 1
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On the Disney Channel's Hannah Mont
Tween Intimacy and the Problem of Public Life in Children’s Media: “Having It All” on the Disney Channel’s Hannah Montana Tyler Bickford Contradictions of public participation pervade the everyday lives of con- temporary children and those around them. In the past two decades, the children’s media and consumer industries have expanded and dramat- ically transformed, especially through the development and consolida- tion of “tweens”—people ages nine to thirteen, not yet “teenagers” but no longer quite “children”—as a key consumer demographic (Cook and Kaiser 2004). Commentators increasingly bemoan the destabilization of age identities, pointing to children’s purportedly more “mature” taste in music, clothes, and media as evidence of a process of “kids getting older younger” (Schor 2004), and to adults’ consumer practices as evidence of their infantilization (Barber 2007). Tween discourses focus especially on girls, for whom the boundary between childhood innocence and adolescent or adult independence is fraught with moral panic around sexuality, which only heightens anxieties about changing age identities. Girls’ consumption and media participation increasingly involve per- formances in the relatively public spaces of social media, mobile media, and the Internet (Banet-Weiser 2011; Bickford, in press; Kearney 2007), so the public sphere of consumption is full of exuberant participation in mass-mediated publics. Beyond literal performances online and on social media, even everyday unmediated consumption—of toys, clothes, food, and entertainment—is fraught with contradictory meanings invoking children’s public image as symbols of domesticity, innocence, and the family and anxiety about children’s intense affiliation with peer com- munities outside the family (Pugh 2009).
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I Wannabe Famous a Wave of Disney-Manufactured Musical Teens Has Captured the Imagination of Millions of Small Girls Worldwide
cover stor y I wannabe famous A wave of Disney-manufactured musical teens has captured the imagination of millions of small girls worldwide. Felicity Monk meets some living-room pop stars “Who said, who said, I can’t be Superman? a speaker in its chest. There is Hannah with tennis ensemble, I say, I say that I know I can. with ‘soundbytes’, with electric guitar and with light-up dance Who said, who said, I won’t be President? lounge. In February, Disney deemed the Hannah Montana I say, I say, you ain’t seen nothin’ yet.” franchise so important they convened an 80-person, all-platform, international meeting to discuss her future. This, audaciously sung by one Miley Cyrus, the toothy, saucer- Cyrus is just one of the new wave of Disney-manufactured eyed teenager, helped her bank a cool $25 million over the past musical teens who has dominated the pre-tween scene for year. Far more than any superman or president. Cyrus is the star the past two years. Other major players include the key cast of of Disney Channel’s insanely popular television series Hannah High School Musical (Zac Efron, Vanessa Hudgens and Ashley Montana in which she plays a character who leads a double life. Tisdale), the Jonas Brothers, and the crew from the movie By day she is schoolgirl Miley Stewart, and by night she is Camp Rock. Gone are the half-naked Britneys and gyrating famous pop singer Hannah Montana. Only close friends and family Christinas who purr such lyrics as, “I’m a genie in a bottle, (her real-life father, Billy Ray Cyrus, of ‘Achy Breaky Heart’ fame, baby.
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Students to Hold Fundraiser for Rescued Wom.An Blue & Gold Oub
Tuesday, April 14, 2009 Volume 135, Issue 22 rMView Checl$ out the Web site for ·corn I breaking news and more. Students to hold fundraiser for rescued wom.an Blue & Gold Oub BY.CAITLIN MALONEY arm come down. to close after StaffReporter "We were all ready, we knew it Five university students are con was a possibility, but it just hap lack of patrons tinuing their efforts after helping a pened so quick," Crespo said. "It woman out of her car before it was was like bang, we just have to get hit by a freight train on March 25 by her out of the car, there is nothing BY CAITLIN MALONEY organizing a fundraiser for repairs on we cando." StaffReporter a donated car. Griffith said two of the men As part of an ongoing effort to Three weeks ago, freshman grabbed her by the arms and helped reduce costs, university President Elise Wolpert was walking back her out of the car. Patrick Harker announced that the from work when she noticed a car on "They picked me up and ran Blue & Gold Club, a members the tracks at the crossing between me across the street to get me out of only dining club serving the uni Main Street and New London Road. harm's way," Griffith said. "I owe versity community, will be shut She watched as 60-year-old June my life to them, I really do." ting its doors on July 1. Griffith tried to put her 1999 white Crespo said after pulling Junior Michelle Gentile, who Pontiac Grand Am into reverse, but Griffith out of the car, the men took works at the club, got the news the tires got caught in the track her to the side of a nearby building.
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HOW to SPOT a FEMINIST by April Faith Thomas a Thesis Submitted To
BOOBIES, BOOTY SHORTS, AND BAR TRASH: HOW TO SPOT A FEMINIST by April Faith Thomas A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Masters of Arts with a Major in Rhetoric and Composition August 2014 Committee Members: Nancy Wilson, Chair Octavio Pimentel Caitlin McCrory COPYRIGHT by April Faith Thomas 2014 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work, I, April Faith Thomas, refuse permission to copy in excess of the “Fair Use” exemption without my written permission. DEDICATION This thesis is dedicated to the love of my life, Kelly Williams, whose constant love and support has carried me through the last two years of graduate school. Thank you for listening as I talked through my ideas, believing in me even when I doubted myself, and reminding me daily that I could do it and do it well. 91’s baby! ACKNOWLEDGEMENTS I would like to thank Dr. Nancy Wilson for her patience, guidance, and support throughout this process. She has been an inspiration to me, modeling the kind of mentor and teacher that I hope to be. I would also like to thank Dr.
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Miley Cyrus FAN TV
Presents MILEY CYRUS Miley Ray Cyrus (born Destiny Hope Cyrus; November 23, 1992) is an American actress and pop singer. She achieved wide fame for her role as Miley Stewart/ Hannah Montana on the Disney Channel sitcom Hannah Montana. Cyrus recorded music for the soundtracks, Hannah Montana (2006) and Hannah Montana 2/Meet Miley Cyrus (2007), released by Walt Disney Records. With the success of the Hannah Montana franchise she established herself as a teen idol. In 2007, Cyrus signed to Hollywood Records to pursue a solo career. She went on the Best of Both Worlds Tour the same year, in which she performed as both herself and in character as Hannah Montana. The tour was eventually turned into a high- grossing concert film entitled Hannah Montana & Miley Cyrus: Best of Both Worlds Concert (2008). In April 2008, Cyrus released her first solo album, Breakout (2008), which was commercially successful. She began to cultivate an adult image in 2009 with the release of The Time of Our Lives (2009), an extended play which presented a more mainstream pop sound, and by filming The Last Song (2010), a coming-of-age drama film. The former included Cyrus's best-selling single, "Party in the U.S.A." (2009). A studio album titled Can't Be Tamed was released in 2010 and presents a new dance-pop sound. The music video and lyrics of the album's lead single, "Can't Be Tamed", portrays a more sexualized image for the entertainer. Cyrus ranked number thirteen on Forbes' 2010 Celebrity 100. Enjoy 99 more music channels @ fantv.bgton.com.
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Untamed Melody
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CB-TFTD-110620 PDF File
Thought for the day 11th June prepared by Caroline Barratt I want to begin by reading from Matthews Gospel ch 17 vs 20 20 “You don’t have enough faith,” Jesus told them. “I tell you the truth, if you had faith even as small as a mustard seed, you could say to this mountain, ‘Move from here to there,’ and it would move. Nothing would be impossible.[d] I think during these challenging uncertain times we are currently facing; it amazes me to think how much we used to take for granted. Everyday tasks like worshipping in a Church, going out for a meal or even hugging and kissing our loved ones, it now seems so far away and at times unreachable. It can make us feel like we are standing at the base of a mountain and we cannot see the peak. This got me thinking about when does a hill become a mountain. I wonder if you know the answer. A hill becomes a mountain at 305 metres (1,000 feet). According to the Cambridge Dictionary, a mountain is ‘a raised part of the Earth’s surface, much larger than a hill, the top of which might be covered in snow’. It’s quite vague, obviously, but when defining a mountain, I guess what’s important is its height, how far it is above sea level and, to a certain extent, what can be seen from the summit. God has used mountain-tops to speak to many of the great biblical figures. Interestingly, the life-changing encounters that these individuals experienced on mountain peaks were always a forerunner to a test or challenge after they came back down.
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FOCUS2012-Final.Pdf
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