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Inscrições Urbanas: Abordagem Semiótica Versão Corrigida

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Inscrições Urbanas: Abordagem Semiótica Versão Corrigida Universidade de São Paulo Faculdade de Filosofia Letras e Ciências Humanas Departamento de Linguística THIAGO MOREIRA CORREA INSCRIÇÕES URBANAS: ABORDAGEM SEMIÓTICA VERSÃO CORRIGIDA São Paulo 2016 THIAGO MOREIRA CORREA [email protected] Inscrições urbanas: abordagem semiótica versão corrigida Tese apresentada ao Programa de Pós- graduação em Semiótica e Linguística Geral da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo para a obtenção do título de Doutor em Letras. Área de concentração: Semiótica. Orientador: Prof. Dr. Antônio Vicente S. Pietroforte. De acordo: _____________________________ Prof. Dr. Antônio Vicente S. Pietroforte São Paulo 2016 Nome: CORREA, Thiago Moreira. Título: Inscrições urbanas: abordagem semiótica. Tese apresentada ao Programa de Pós-graduação em Semiótica e Linguística Geral da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo para a obtenção do título de Doutor em Letras. Área de concentração: Semiótica. Aprovada em: _______ / ________ / 2016 BANCA EXAMINADORA Prof. Dr. _________________________ Instituição: _______________________ Julgamento:_______________________ Assinatura: _______________________ Prof. Dr. _________________________ Instituição: _______________________ Julgamento:_______________________ Assinatura: _______________________ Prof. Dr. _________________________ Instituição: _______________________ Julgamento:_______________________ Assinatura: _______________________ Prof. Dr. _________________________ Instituição: _______________________ Julgamento:_______________________ Assinatura: _______________________ Prof. Dr. _________________________ Instituição: _______________________ Julgamento:_______________________ Assinatura: _______________________ à Juliana Maian AGRADECIMENTOS À minha família, de nascimento e de casamento, em especial, à minha mãe e ao meu pai, que sempre me deram todo suporte na vida. À Juliana Maian, pela paciência, pela compreensão e pelo incentivo incondicional. À Maria Giulia Dondero e ao Antônio Vicente S. Pietroforte, pela orientação libertadora. À Mariana Luz Pessoa de Barros, pela arguição na banca de qualificação. Aos colegas de trabalho do Ges-Usp, em especial, à Elizabeth Harkot-de-La-Taille, por sua generosidade acadêmica e pela arguição na banca de qualificação. Aos amigos “vicentinos”, Carolina Tomasi, Débora C. Ferreira de Camargo, Cleyton Fernandes e Ricardo Akira Sanoki, pela camaradagem. À Carolina Lindenberg Lemos pelas conversas semióticas e não-semióticas. À Ilca Suzana Lopes Vilela pela leitura atenta e pela amizade atenciosa. À Natália Cipolaro Guirado pela revisão e pelas parcerias, ao Edson Gomes Jr. pelas traduções para o inglês e pela revisão do resumo e à Juliana Pondian pela revisão das traduções e pelas conversas belgas e brasileiras. Na Espanha, aos professores Ana Navarrete Tudela, Vicente Jarque e Javier Díez de Baldeón García pelo acolhimento e pelo estímulo às reflexões sobre Arte. À Beatriz Vilariño Cerdá e à sua família pelo apoio e companheirismo. Na Bélgica, aos professores Sémir Badir e François Provenzano pela recepção e pelos debates, e ao Enzo D’Armenio pela valiosa amizade e pelas discussões no Carré. Ao Departamento de Linguística da Universidade de São Paulo, em especial, à Secretaria e à Coordenação, que sempre impulsionaram minha pesquisa. Ao CNPq, pela bolsa de doutorado no país e à CAPES, pela bolsa do PDSE. Skurktur RESUMO CORREA, T. M. Inscrições urbanas: abordagem semiótica. 2016. 209 f. Tese (Doutorado) – Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, São Paulo, 2016. A diversidade das abordagens em relação às inscrições urbanas reflete a sua complexidade. Cada análise, seja ela sociológica, psicológica, histórica ou artística, constrói o objeto segundo seu ponto de vista (SAUSSURE, 1997), o que limita a investigação da prática. Se considerarmos as inscrições urbanas como uma confluência de movimentos, social e artístico, a articulação desses dois fatores é preponderante, visto que é a ausência dessa relação que tem determinado abordagens enviesadas de sua manifestação. Então, a partir dessas segmentações unilaterais, nossa tese propõe uma ampliação nas tendências de análise, ao considerar a história das inscrições urbanas sob o viés da prática, do texto e do objeto. Dessa forma, busca-se apontar as conservações e as inovações das estruturas de formação do sentido das inscrições urbanas em função de suas mudanças históricas. No nível da prática, um modelo de dinâmica social, baseado nas teorias de Merton (1970) Coseriu (1979) e Klinkenberg (2008, 2010), é estabelecido para explicar a produção dos enunciados, cujas relações entre o plano do conteúdo e o plano da expressão (FIORIN, 2008) e a influência da repetição na formação de algumas modalidades (LEMOS, 2015) desenvolvem nossa abordagem nesse nível de análise. Já o nível do objeto faz a junção com a prática e o texto por meio do suporte, que encontra na proposta de Dondero (2016) e Fontanille (2005, 2015) uma forma pertinente de tratamento de nosso objeto. Ressaltamos que, embora o tratamento histórico tenha uma base interdisciplinar, devido às necessidades do objeto, o processo de produção do sentido na diacronia é nosso objetivo principal e para isso, as teorias da linguagem conduzem todo o desenvolvimento de nossa reflexão, na qual a semiótica tensiva (ZILBERBERG, 2012) possui um especial destaque em razão de suas contribuições a respeito das dinâmicas processuais do sentido. Assim, acreditamos que a complexidade das inscrições urbanas exige novos tipos de abordagem, permitindo à teoria semiótica se desenvolver na apreensão de práticas cujo sentido é formado em uma forte dependência entre os níveis de análise do texto. Palavras-chave: Semiótica; Linguística; História da Arte; Graffiti; Cultura Underground. ABSTRACT CORREA, T. M. Urban inscriptions: a semiotic approach. 2016. 209 f. Thesis (Doctorate) – Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, São Paulo, 2016. The diversity of approaches related to urban inscriptions reflects its complexity. Each analysis, whether it is sociological, psychological, historical or artistic, builds the object through its own point of view (SAUSSURE, 1997), which limits research. Considering urban inscriptions as the merger of social and artistic movements, the articulation of these two assets is preponderant, hence it is the absence of this relation that has been determining biased approaches of this manifestation. Therefore, from this unilateral segmentation, our thesis suggests an extension in trends of analysis, when considering the history of urban inscriptions under the viewpoint of practice, text and object. That way, we intend to point out maintenance and innovations of meaning generation structures applied to urban inscriptions according to their historical changes. Considering practice, a social dynamics model based on the theories of Merton (1970), Coseriu (1979) and Klinkenberg (2008,2010), is established to explain the production of enunciates, which relations between the expression and content fields (FIORIN, 2008) and the influence of repetition on the composition of some modalities (LEMOS, 2015) develop our approach in this analysis approach. The object sphere takes part in a link with practice and text through the support, which meets in the proposal of Dondero (2016) and Fontanille (2005, 2015) a pertinent way to deal with our object. We highlight that, although historical approach has an interdisciplinary basis due to the object’s needs, the process of meaning generation in the diachrony is our main goal and, for that reason, the theories of language conduct all our reflection development, in which Tensive Semiotics (ZILBERBERG, 2012) plays a special role due to its contributions to the procedural dynamics of meaning. Thus, we believe that the complexity of urban inscriptions demands new approaches that allows development of the Semiotic Theory in the learning of practices which meaning is generated in a strong dependency among the levels of text analysis. Keywords: Semiotics; Linguistics; Art History; Graffiti; Underground Culture. LISTA DE FIGURAS Figura 1 – Ach Alma Manetro (1949) ................................................................................................... 22 Figura 2 – L’origine (1966) ................................................................................................................... 23 Figura 3– Éphemere de Gérard Zlotykamien .......................................................................................... 24 Figura 4 – Inscrição política Maio de 68 ................................................................................................. 25 Figura 5 – Tags no metrô de N.Y. .......................................................................................................... 26 Figura 6 – Taki 183 no The New York Times ........................................................................................ 27 Figura 7 – Throw-up de JOZ ................................................................................................................. 28 Figura 8 – Cartaz contra tag no metrô .................................................................................................... 29 Figura 9 – Movimento Okupa (Tacheles) ............................................................................................. 31 Figura 10 – Blek le Rat, Paris 1981 .......................................................................................................
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