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Reach Out, Serrans Told Spiritual Support for Prisoners and Their Families
The Church on the move PRISON REFORM An apathetic attitude towards problems in the penal system is ^VOICJE strongly criticized in a pastoral letter just released by Bishop Floyd Begin of Oakland. The bishop's letter was OCTOBER 24, 1975 25c VOL. XVII No. 33 released in conjunction with his establishment of a new office to deal Abp. Carroll greets Serrans with criminal justice. The new office will work with pastors and parish councils in providing education about rehabilitation programs for law offenders. .will attempt to provide Reach out, Serrans told spiritual support for prisoners and their families. .and will provide NORTH PALM BEACH - A other services for prisoners and their continuing effort to create vocations families. committees in every parish, and a revitalization of the organization's TOTAL AMNESTY membership.were the main thrusts of. Total, unconditional amnesty for the District 30 Serra International Vietnam war resisters is urged in a Convention last weekend at the statement released in the last days of Passionist Monastery of Our Lady of September by Bishop James Malone Florida. of Youngstown, Ohio, and the Reaching out to members of the Youngstown diocesan pastoral parish — not just high school boys, council. "As a public policy designed but also to college-age and older to heal the wounds of war, the men, trom whom many of today's president's program" (of earned re- vocations are coming — through entry and clemency) "has failed. We parish committees, is the number one believe it is time to try amnesty — priority of the Serra Club, the totally forgetting the past and presidents of the seven district clubs restoring full citizenship to the decided. -
Red Bank Register Volume Lxi, No
AIX the SEWS of BED PA N E SECflg and Surrounding Town* - Told Fearlessly and Without Bis* RED BANK REGISTER VOLUME LXI, NO. 42, RED BANK, N. J., THURSDAY, APRIL 13,1939. PAGES 1 Eatontown Order Thursday Morning Engineer Makes Miss Edwa Herndon Plan Inauguration of Elects Officers To Wed C. E. Wilhelm Dance To Raise Fu Mt&s' Hilde Ha&geri and Clarence Choral Concert To Report To Council Lieutenant Commander and Mrs. Rank were elected as worthy Matron Preston Herndon, Sr., of New Or- Annual "Y" Campaign and worthy patron,' respectively, Be HeldApril 21 On Drainage Plan leans, Loulsanti, announeo the en- Tuesday night at the annual election gagement of their daughter. Miss For High School Ba of officers of Eatontown chapter, Edwa Herndon of Old Bridge, to Eastern Star. They succeed Mrs. William Hain, Tenor, to Lancaster Explains Pro- Chester E. Wilhelm, a member of John B. Allen And Theodore J. Labrecque Alice Hill'and Milton Smith. the Red Bank Junior high school Others elected were Mrs, Agnes Be Guest Artist—Sekt- gress of Project to Fair faculty. Mr.. Wilhelm is the son of Middletown Township HigK School , - VanBrunt associate matron, Mrs. Mr, and Mrs. Jacob C. Wilhelm of Chairmen Of Field Organization Selma Schultz secretary, Mrs. Emma berg to Conduct Body Summit avenue, Phllllpsburg. Rank treasurer, Mrs. Ruth Crawford Students To Represent County at Fair I Plans are rapidly being completes conductress and Mrs, WUma Wllklns associate conductress. The installa- Plans are being completed for the Lionel W. Lancaster, borough en- for the inauguration of the W39 an- annual spring concert of the Thurs- gineer of Fair Haven, reported to The Mlddfotown Township ;,_ nual maintenance drive of the Red tion of officers will take place Tues- Teacher association will hold a d day night, April 25, when Miss day morning choral to be held Fri- the mayor and council of that place Junior Service Bank T. -
Sociological Aspects of Poverty Is One of 27 New Courses Offered Atiupul This Fall
Sociological aspects of poverty is one of 27 new courses offered atIUPUl this Fall. See page 8. 2 M arch M, 1177 PIP IS YOUR PRINTER YOUR PRINTER IS PIP Letter/ Besmirching I.U. , Purdue To the editor: If you wish to forfeit the readers to think everything is Your recent decision to refer prestige associated with the to every school at this campus, the IUPUI----------- , when in names of I.U. and Purdue, if fact your nomenclature is regardless of the school’s of you are for independence, or if ficial title, as the IUPU1 School simply wrong. you want an official name Your persisting in this error is of ------------ , is very disap change, I encourage your unethical. It is regrettable that pointing. freedom to campaign for your you who desire good things for Anything associated with cause. IUPUI actually cheapen her either Indiana University or However, what I disapprove (sic) image, at least in the eyes Purdue University should strive of is your insidious design that of anyone who knows both the for excellence, and as of now effectively turns every inac facts and honest journalism, by this campus is so associated. curate mention of one of our such an ill-considered policy. I Your editorial policy besmir schools into an editorial, hope you will reconsider. ches the name and reputation without giving your readers fair Sincerely, for excellence of both univer notice, in every Ifcue, of your David Muller sities and hurts any in most unprofessional jour Indiana Univeristy (IUPUI) dependent prestige this campus nalistic approach. School of Law-Indianapolis ha% by being an irresponsible By referring to everything at and inaccurate approach to this campus as the IUPUI — both the facts and to jour ------- , you lead uninformed nalism. -
Tension Grows As Seventh Student Attacked *F
" 1^77 Apr. 18-26 (tonnttttmt Satlg Campus Serving Storrs Since 1896 VOL. LXXX NO. 110 STORRS, CONNECTICUT MONDAY, APRIL 18, 1977 Tension grows as seventh student attacked By LYNDA CRAWFORD policeman, said Sunday he was "glad the taken these precautionary methods one Campus News Staff incident was reported." adding. "We Anyone with any information concern- step further. "Each house has agreed to A young woman was attacked in increased the patrols after than inci- ing the attacker, is urged to contact the lock its back doors after dinner and its McMahon Hall at about 10:30 p.m. dent." Rape Crisis Center at 423-9595, and ask front doors between 10 and II at night," Friday night. Luckily, her reflexes were "The use of the campus student escort for Cynthia Roy or Sue Menzel or call resident assistant Tim Chung said. sharp enough for her to kick the attacker service has increased since the article on UConn police at 486-4800. All calls will be Not all women arc adhering to these in his groin and she escaped without rape was printed in the newspaper," kept confidential. being raped. McKelvey said, referring to an article in precautionary methods, howevlcr. Some The campus police were then notified. the Daily Campus last week. frequently refer to as the "buddy women still resist being "forced into In this situation, the young woman did Along with the increase in police patrols system." hiding because of mere males." One not have to leave her dormitory and walk and the use of the escort service, "1 usually ask two girsl to walk with mc woman said that if she "walked the main, along a dark deserted road to be women's awareness of the danger on to the library, instead of one. -
WDR 3 Jazz & World, 08. März 2019
WDR 3 Jazz & World, 08. März 2019 John McLaughlin & Shakti live/ All is Bliss. Indo-Jazz 22:04-24:00 Stand: 01.03.2019 E-Mail: [email protected] WDR JazzRadio: http://www.wdr.de/radio/jazz Moderation: Hans-Jürgen Schaal Redaktion: Tinka Koch Laufplan 1. Joy K: John McLaughlin/ L. Shankar 18:12 SHAKTI Columbia 88697145452CD1; LC: 023561 CD: Shakti with John McLaughlin 2. Lotus Feet K: John McLaughlin 4:32 SHAKTI Columbia 88697145452CD1; LC: 023561 CD: Shakti with John McLaughlin 3. What Need Have I For This/ What K: John McLaughlin/ L. Shankar 29:02 Need Have I For That/ I Am Columbia 88697145452CD1; LC: 02361 Dancing At The Feet Of My Lord/ CD: Shakti with John McLaughlin All Is Bliss/ All Is Bliss 4. Kriti K: L. Shankar 2:58 SHAKTI Columbia 88697145452CD2; LC: 02361 CD: A Handful Of Beauty 5. Lady L K: L. Shankar 7:23 SHAKTI Columbia 88697145452CD2; LC: 02361 CD: A Handful Of Beauty 6. La Danse Du Bonheur K: John McLaughlin/ L. Shankar 4:48 SHAKTI Columbia 88697145452CD2; LC: 02361 CD: A Handful Of Beauty 7. The Daffodil And The Eagle K: John McLaughlin/ L. Shankar 6:57 SHAKTI Columbia 88697145452CD3; LC: 02361 CD: Natural Elements 8. Bridge Of Sighs K: John McLaughlin/ L. Shankar 3:52 SHAKTI Columbia 88697145452CD3; LC: 02361 CD: Natural Elements 9. Happiness is Being Together K: John McLaughlin 4:29 SHAKTI Columbia 88697145452CD3; LC: 02361 CD: Natural Elements 10. Get Down And Sruti K: John McLaughlin/ L. Shankar 7:03 SHAKTI Columbia 88697145452CD3; LC: 02361 CD: Natural Elements Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. -
Belknap Collection for the Performing Arts - the AFRICAN-AMERICAN CINEMA COLLECTION
AFRICAN-AMERICAN CINEMA CINEMA AFRICAN-AMERICAN CINEMA The history of the African-American Cinema is a harsh timeline of racism, repression and struggle contrasted with film scenes of boundless joy, hope and artistic spirit. Until recently, the study of the "separate cinema" (a phrase used by historians John Kisch and Edward Mapp to describe the segregation of the mainstream, Hollywood film community) was limited, if not totally ignored, by writers and researchers. The uphill battle by black filmmakers and performers, to achieve acceptance and respect, was an ugly blot on the pages of film history. Upon winning his Best Actor Oscar for LILLIES OF THE FIELD (1963), Sidney Poitier accepted, on behalf of the countless unsung African-American artists, by acknowledging the "long journey to this moment." This emotional, heartbreaking and inspiring journey is vividly illustrated by the latest acquisition to the Belknap Collection for the Performing Arts - THE AFRICAN-AMERICAN CINEMA COLLECTION. The valuable research material, housed in this collection, includes over 300 pressbooks (illustrated campaign and advertising catalogs sent to theatre owners), press kits (media packages including biographies, promotional essays and illustrations), programs and over 1000 photographs and slides. The journey begins with the blatant racism of D.W. Griffith's THE BIRTH OF A NATION (1915), a film respected as an epic milestone, but reviled as the blueprint for black film stereotypes that would appear throughout the 20th century. Researchers will follow African-American films through an extended period of stereotypical casting (SONG OF THE SOUTH, 1946) and will be dazzled by the glorious "All-Negro" musicals such as STORMY WEATHER (1943), ST.LOUIS BLUES (1958) and PORGY AND BESS (1959). -
20H Remember Shakti John Mclaughlin, Guitare Zakir Hussain
LUNDI 4 NOVEMBRE 2013 – 20H Remember Shakti John McLaughlin, guitare Zakir Hussain, tablas Shankar Mahadevan, chant Shrinivas Uppalapu, mandoline Selvaganesh Viniyakram, kanjira, ghatam, mridangam Fin du concert vers 21h30. Les partenaires média de la Salle Pleyel Remember Shakti Traverser l’Hellespont qui sépare l’urgence vagabonde du jazz des fantasmes tantriques de la musique indienne. Chercher une autre temporalité, d’autres émotions nichées entre ciel et terre, tout en délimitant un nouvel espace musical où les sensations seraient mises à l’épreuve d’une transformation nouvelle. Voilà le sens des pérégrinations que dévoilent les tableaux sonores du groupe Remember Shakti. La légendaire formation réunissant le guitariste anglais et pionnier du jazz-rock John McLaughlin, le surdoué des tablas Zakir Hussain, Shrinivas Uppalapu à la mandoline, Shankar Mahadevan au chant et Selvaganesh Viniyakram (kanjira, ghatam, mridangam) a toujours vu sa combinaison flamboyante d’éléments jazz et de musique traditionnelle indienne comme « une douce invitation à une rêverie sonore intemporelle », selon les termes pleins de poésie de son leader à la retenue toute britannique. Souffle d’une folle élégance, la musique de Remember Shakti est une harmonieuse cartographie de l’imaginaire humain où se révèlent autant de trésors inconnus que de présences cachées. Les deux premiers albums de ce groupe « réincarné » (Remember Shakti, paru en 1999, et l’indispensable disque live The Believer, publié un an plus tard) témoignent d’un singulier miracle : la guitare aérienne – presque hantée – de McLaughlin, le lyrisme tout en retenue de la mandoline électrique et les imprécations hypnotiques, voire hallucinogènes, que distillent les tablas de Zakir Hussain sont autant de panoplies d’émotions (l’excitation, la sensualité, la douceur…) conduisant au « mantra suprême » : celui qui libère les corps pour mieux les unir avec nos esprits enclavés. -
Cross Currents Trio Featuring Dave Holland, Zakir Hussain & Chris
2019 20:00 25.10.Grand Auditorium Vendredi / Freitag / Friday Jazz & beyond Cross Currents Trio featuring Dave Holland, Zakir Hussain & Chris Potter Chris Potter saxophone Dave Holland double bass Zakir Hussain tabla ~90’ sans pause De Kamelleknécheler Martin Fengel Dave Holland, Zakir Hussain et Chris Potter : à la croisée des chemins Philippe Gonin L’Indo Jazz : brève histoire d’une fusion « Le cadeau de l’Amérique au monde est le jazz » dit Zakir Hussain dans une récente interview, « ça a vraiment changé la manière dont les gens voient la musique partout dans le monde ». Si le jazz a atteint son âge d’or entre les années 1930 et les années 1950 dans une Inde alors sous domination britannique, le monde a mis un peu plus de temps pour s’ouvrir aux musiques indiennes. Le concert donné par Ravi Shankar et le propre père de Zakir Hussain, Alla Rakha, à Monterey en 1967 fut sans aucun doute un révélateur. La pop n’est pas en reste. Les Kinks (« See My Friends »), les Yard- birds même avaient déjà tenté d’approcher le son du sitar dans une musique de plus en plus psychédélique avant que les Beatles n’intègrent effectivement l’instrument dès 1965, dans la chanson « Norvegian Wood ». Le jazz n’était pas en reste et c’est tradition- nellement un disque un peu plus ancien qui est considéré comme le premier album de jazz « indien ». On le doit à Ravi Shankar. « Improvisations » paraît en 1962 et voit aux côtés de Shankar se produire le flûtiste Bud Shank et le bassiste Gary Peacock. -
An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: an Interpretive History of Blacks in American Film by Donald Bogle Dominique M
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-11-2011 An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle Dominique M. Hardiman Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Hardiman, Dominique M., "An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle" (2011). Research Papers. Paper 66. http://opensiuc.lib.siu.edu/gs_rp/66 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. 1 AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM BY DONALD BOGLE Written by Dominique M. Hardiman B.S., Southern Illinois University, 2011 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Masters of Science Degree Department of Mass Communications & Media Arts Southern Illinois University April 2011 ii RESEARCH APPROVAL AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM By Dominique M. Hardiman A Research Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Science in the field of Professional Media & Media Management Approved by: Dr. John Hochheimer, Chair Graduate School Southern Illinois University Carbondale April 11, 2011 1 ACKNOWLEDGEMENTS This Research would not have been possible without the initial guidance of Dr. -
Classical by Composer
Classical by Composer Adolphe Adam, Giselle (The Complete Ballet), Bolshoi Theater Orchestra, Algis Zuraitis,ˆ MHS 824750F Isaac Albeniz, Iberia (complete), Maurice Ravel, Rapsodie Espagnole, Jean Morel, Paris Conservatoire Orchestra, RCA Living Stereo LSC-6094 (audiophile reissue) 2 records Tomaso Albinoni, Adagio for Strings and Organ, Concerto a Cinque in C Major, Concerto a Cinque in C Major Op. 5, No. 12, Concerto a Cinque in E Minor Op. 5, No. 9, The Sinfonia Instrumental Ensemble, Jean Witold, Nonesuch H-71005 Alfonso X, El Sabio, Las Cantigas de Santa Maria, History of Spanish Music, Volume I MHS OR 302 Charles Valentin Alkan, Piano Pieces Bernard Ringeissen Piano Harmonia Mundi B 927 Gregorio Allegri, Miserere, and other Great Choral Works CD ASV CD OS 6036 DDD, ADD 1989 Gregorio Allegri, Miserere, and other Choral Masterpieces CD Naxos 8.550827 DDD 1993 Gregorio Allegri, Miserere, Giovanni Pierluigi, Stabat Mater, Hodie Beata Virgo, Senex puerum portabat, Magnificat, Litaniae de Beata Virgine Maria, Choir of King’s College, Cambridge, Sir David Willcocks, CD London 421 147-2 ADD 1964 William Alwyn, Symphony 1, London Philharmonic Orchestra, William Alwyn, HNH 4040 Music of Leroy Anderson, Vol. 2 Frederick Fennell, Eastman-Rochester “POPS” Orchestra, 19 cm/sec quarter-track tape Mercury Living Presence ST-90043 The Music of Leroy Anderson, Frederick Fennell, Eastman-Rochester Pops Orchestra, Mercury Living Presence SR-90009 (audiophile) The Music of Leroy Anderson, Sandpaper Ballet, Forgotten Dreams, Serendata, The Penny Whistle Song, Sleigh Ride, Bugler’s Holiday, Frederick Fennell, Eastman-Rochester POPS Orchestra, 19 cm/sec half-track tape Mercury Living Presence (Seeing Ear) MVS5-30 1956 George Antheil, Symphony No. -
Ust Childbirth Kill? - Athe Women of Ameri Age
UST CHILDBIRTH KILL? - ATHE WOMEN OF AMERI AGE A MACfAODEN esiiCA110y JACKIE COOPER and DEANNA DURBIN I SING WHILE YOU DANCE The Tempestuous Story of n Girl Singer on a Famous Dance Band Ome dae lattelo-4aela c5t5 /S4. the Odin I%56. CAN YOU TELL WHICH IS WHICH ? Above guaranteed to be exact photographic In Actual Tests 3 Women Out of 4 Thought the reproductions of shades named" 15° CLOPAY sctoae W HADE! Looked the More Expensive See These Amazing Shades at 5c variety of colors to fit any decorative & lOc and Neighborhood Stores scheme. Cost only 15c, ready to attach in a jiffy old rollers with patented AREMARKABLE new cellulose ma- to CLOPAY gummed No skill, no terial is found to be far more prac- strip. tacks, tical for window shades. Hangs straight, no tools needed. On new rollers, includ- ing rolls evenly, doesn't crack, curl or pin- molded shade button and new EDGE 25c. hole. Wears amazingly. More than that, SAVER brackets, For only 10c more per shade you can now an exclusive CLOPAY process produces a CLOPAYS are sold at 5c & 10c and get costly- looking CLOPAY Lintone ma- lovely Lin tone texture that so resembles neighborhood stores. But be sure to ask terial PLUS a coating of expensive oil - fine -count linen as to astonish women for AND GET genuine CLOPAY Lin tones paint finish that's 100% washable! All you is and water. Grime, grit, everywhere. In actual tests, 3 out of 4 -America's fastest selling window shades need plain soap soot, stain, and finger marks wash off like women viewing a 15c CLOPAY Lintone only fibre window shade with the -the magic with never a streak, ring or water- beside a $1.50 shade only 4 feet away, rich, exclusive finish that looks like linen. -
Allan Westbrook Director of Photography 323.782.1854 ______
ALLAN WESTBROOK DIRECTOR OF PHOTOGRAPHY 323.782.1854 www.allanwestbrook.com __________________________________________________________________________________________ TELEVISION AGENTS OF SHIELD MARVEL / ABC Prod: Jed Whedon, Maurissa Tancharoen, Dir: Jed Whedon, st (1 Unit DP – 54 Episodes) Jeffrey Bell, Jeph Loeb and Garry A. Brown Garry Brown Season 7 – 7 Episodes Billy Gierhart Season 6 – 7 Episodes Jessee Bochco Season 5 – 11 Episodes Kevin Tancharoen Season 4 – 11 Episodes Nina Lopez-Corrado Season 3 – 11 Episodes Roxann Dawson Season 2 – 7 Episodes + 21 Episodes 2nd Unit DP Clark Gregg Season 1 – 21 Episodes 2nd Unit DP (Full List on Request) CHASE Warner Bros. / NBC Prod: Jerry Bruckheimer, Jennifer Johnson Dir: Various (1st Unit DP – 5 Episodes) KristieAnne Reed, Garry A. Brown Season 1 – 5 Episodes EVERYDAY LIFE (Pilot) American Life Television Prod: Alan Bijan Dir: Alan Bijan (DP / A Cam Op) THE GOOD GUYS FOX Television / FOX Prod: Matt Nix Dir: Various nd (Addt’l DP / 2 Unit DP) Season one – 9 Episodes INFLUENCE (Pilot) FOX Prod: Kyle Killen, Garry A. Brown Dir: Miguel Sapochnik nd (2 Unit DP / Cam Op) BREAKOUT KINGS FOX 21 Prod: Matt Olmstead, Garry A. Brown Dir: Various nd (2 Unit DP / A Cam Op) Season 1 – 10 Episodes CHASE Warner Bros. / NBC Prod: Jerry Bruckheimer, Jennifer Johnson Dir: Various (2nd Unit DP / Cam Op) KristieAnn Reed, Garry A. Brown Season 1 – 5 Episodes THE DEEP END 20TH Century FOX Prod: David Hemingson, Garry A. Brown Dir: Various (2nd Unit DP / Cam Op) Season 1 – 6 Episodes PRISON BREAK (3 Seasons) 20th Century FOX Prod: Matt Olmstead, Dawn Paruse, Brett Ratner Dir: Various (2nd Unit DP / Cam Op) Garry A.