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LAMENT for DELIVERANCE Edwin Me Willmington a Composition Submitted in Lieu of Thesis to the Faculty of the SCHOOL of MUSIC in P

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LAMENT for DELIVERANCE Edwin Me Willmington a Composition Submitted in Lieu of Thesis to the Faculty of the SCHOOL of MUSIC in P Lament for deliverance Item Type text; Thesis-Reproduction (electronic) Authors Willmington, Edwin Michael, 1947- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 01:25:53 Link to Item http://hdl.handle.net/10150/554070 LAMENT FOR DELIVERANCE j Edwin Me Willmington A Composition Submitted in Lieu of Thesis To the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Decree of MASTER OF MUSIC In the Graduate College THE UNIVERSITY OF ARIZONA 19 7 1 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill­ ment of requirements for an advanced doqrco at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowl­ edgment of source is made. Requests for permission for extended quotation from or reproduction of this main.script in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. SIGNED: ^ l U l W /A//I APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: ROBERT G. KC BRIDE Date professor of liusic ACKNOWLEDGMENTS With jroat humbleness I jive credit to God V/ho allowed the ability, ener^, and strength with which this work was accomplished. With highest respect I also give thanks to ny parents without whose lifelong loving help and guidance I would not be able to undertake any project such as this. A great deal of thanks is due also to Prof. Robert G. I..cBride for the help in smoothing the many rough spots and sharing from his storehouse of vast experience0 iii ABSTRACT Tliic piece is written in three sections. The first section, entitled Prryor, is based on tie text of Psalm 69: 1-3. The main promise of this section is, "Save me, 0 Goal" The Baritone solo carries .tnc major responsibility of pro­ claiming the text with orchestral and choral backgrounds. Included in the choral parts are whispered and spoken sections. The middle section, Hymns of Praise, is formulated as an answer of praise to the sorrowful plea set forth in the opening section. Involved are three hymn tui.es: Tilers, fin fosto burp, and St. Anne0 They are set in interesting and different ways. The choral parts are almost at times aleatory. The final section entitled Pica for Deliverance, is a summing up of the previous sections. The text is taken from Psalm 63: 1, 13-18. It is a final plea for the Lord to destroy the enemies and turn them to shame. The message of the whole work comes to a final statement of purpose for the plea, Psalm 83:18, "That men may know that Thou, whose name alone is Jehovah, art the Lost High over all the earth;" Great is Jehovah, the Lord! iv Lament . for Deliverance P ic c o l F lute# 1 II Engl&mh Horn C larinet# I II Ba##ooo I II ^ Horns 0 ^ Trumpets. Tenor V iolin s Viola 2 . Flutes I II Oboe 1 II English Horn Clarinets I II Bass Clar. Bassoon I II Horns Trumpets* Trombones I II Soprano Tenor Bass Violins Viola Cello Basses HeUywoed. CaW 3 . Flutes I II Oboe English Horn C larinets I II Bass Clar. B assoon I II Comma p" Horns Trumpets^ Trombones I II Soprano Tenor Bass Violins Viola Cello Basses Piccolo 5. Piccolo Flute# I 11 English Horn Clarinets I II p* Horns 61 Ttar r Tuapani Soprano Tenor Violins Viola Cello wnw*"** **,«*#* can 6 . Flutes I II Oboe English Horn Clarinets I II Bass Clar. Contra P Horns Trumpets' III Trombones I II Soprano Tenor Violins Viola Cello Basses HeHywoed. Cal.l 1. Flutes I II I Oboe I II English Horn Clarinets I II @ i! E B ass Clar B assoon I II Contra Bassoon i I p Horns I nr u D l Trumpets^ III W\ Trombones I II Trombone III Tuba Timpani g E ?! ?! tiiLrp g a "Solo Itxe^to SoLid j j-v" ; Soprano Alto I Tenor Bass g i Qov\ sord. i J'-'i vrf Violins c<»n , DStodl Inf- f f t f f iE: Cofl ^orcL. Viola f f ; r y '< j- j i p rm °?ij V w Cello g a a v-j;--.i-4 — r s Basses g ji— I— ^ - 1 = 1 tf NO H I * litlK im il tWhrwed Mil. 8. Flutes I II Oboe English Horn Clarinets I ii Bassoon I II p Horns Trumpets* III 2? I Soprano Tenor Bass Violins Viola Cello Basses HO S U M Hellfweod. C*l«f 1 Flutes 1 II English Horn Clarinets i ii Bass Clar. Horns Tenor Bass Violins Viola II. Flutes I II r, English Horn B assoon I 11 gjp Trumpets' Trombones I II 0 Lord! Tenor Bass Violins Viola Meee&o fk k E Flutes 1 II English Horn Clarinets I II Bass Clar. Horns Trumpets' Trombones I II r f f f Tenor Violins Viola Cello r r r r lH 7% V m #S* Hellrweed, C*lil 13. 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