DOCSLIB.ORG

Instructor Information Course Description

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Instructor Information Course Description English 208B: Science Fiction Department of English Language and Literature Fall 2019 10:00-11:20 M W, ML 246 Instructor Information Instructor: Michael Hancock Office: Hagey Hall 369 Office Hours: 12:00 pm – 2:00 pm MW Email: [email protected] (please put the course name ENGL 208B in your email subject lines) TA: Zach Pearl, [email protected] Office Hours 3-5 Th PAS 1087 Course Description This course teaches the forms of science fiction present in modern science fiction and science fiction throughout history, in literature and other media forms. The main objective of this course will be to investigate how and why sf (science fiction) functions in the ways that it does. How is sf defined (and who is doing the defining)? How has our understanding of sf changed over time? How does sf work in different medium forms? How does it reflect on contemporary social issues? What purpose does science fiction serve in our lives? In particular, we will center on three subgenres of science fiction, aliens, robots, and time travel, to examine how and why science fiction creators and science fiction fans keep returning to these ideas. This course will also push students to hone their skills regarding critical analysis and essay composition. Course Goals and Learning Outcomes By the end of the course, students will have been introduced and be expected to successfully demonstrate some of the following skills: • To critically investigate and discuss major examples of science fiction literature and other works • To appreciate and apply some critical and theoretical approaches of science fiction to sf-based texts • To understand and communicate some of the history behind science fiction as a genre and form • To recognize how sf presents itself in different media, and how it contains its own subgenres and influences • To propose and carry out a critical investigation of a well-ordered argument concerning a given research topic regarding sf literature Required Texts • Vision: The Complete Series. By Tom King and Gabriel Hernandez Walta. Marvel. 484 p, 2018. • Access to Netflix (for viewing Annihilation, Russian Doll, and potentially other texts) • 80 Days. (Videogame; available on PC, Mac OS X, iOS, and Android) Readings (or links to readings) Available on LEARN • War of the Worlds. H. G. Wells. 1897. Project Gutenberg, 2018. • “Orson Welles. War of the Worlds Radio Broadcast 1938 – Complete Broadcast.” David Webb. Youtube, 16 Dec. 2010. • “Evidence.” Isaac Asimov. Astounding Science Fiction, edited by John W. Campbell Jr., September 1946, Street & Smith. I, Robot. Bantam, 1991. 159-182. • “Vintage Season.” Henry Kuttner and Catherine L. Moore. Astounding Science Fiction, edited by John W. Campbell Jr., September 1946, Street & Smith. The Science Fiction Hall of Fame Volume Two A: The Greatest Science Fiction Novellas of All Time chosen by the members of the Science Fiction Writers of America, edited by Ben Bova, Tor, 2003. • “Who Goes There?”. John W. Campbell Jr. [Originally published under Don A. Stuart]. Astounding Science Fiction, edited by John W. Campbell Jr., August 1938, Street & Smith. Who Goes There? Seven Tales of Science-Fiction, 2nd ed Shasta, 1951. 31-80. • “The Veldt.” [originally “The World the Children Made.”] Ray Bradbury. The Saturday Eveningno boundaries Post, 23 September 1950. The Illustrated Man, Doubleday, 1951. • “A Sound of Thunder.” Ray Bradbury. Colliers, 1952. The Golden Apples of the Sun and Other Stories, 1990. • “Piper in the Woods.” Philip K. Dick. Popular Science Fiction 2, edited by Ronald Forster, 1953, Blue Diamond Publishing. Paycheck and Other Classic Stories, Citadel Press, 1990. 113-129. • “Fondly Fahrenheit.” Alfred Bester. The Magazine of Fantasy and Science Fiction, edited by Anthony Boucher and J. Francis McComas, August 1954, Selected Stories of Alfred Bester. The Science Fiction Hall of Fame, Volume One, 1929-1964, edited by Robert Silverberg, Orb, 2005. • “All You Zombies--”. Robert A. Heinlein. The Magazine of Fantasy and Science Fiction, edited by Robert P. Mills, March 1959, Mercury Press. Masterpieces: The best science fiction of the century, edited by Orson Scott Card, Ace Books, 2002. • “Super-Toys Last All Summer Long.” Brian W. Aldiss, Harper's Bazaar, December 1969. Supertoys Last All Summer Long: and other Stories of Future Time, Orbit, 2001. • “The Gernsback Continuum.” William Gibson. Universe 11, edited by Terry Carr, Doubleday, 1981. Burning Chrome, Eos/HarperCollins, 2003. • “Bloodchild.” Octavia E. Butler. Isaac Asimov's Science Fiction Magazine, edited by Sawhan McCarthy, June 1984, Davis. Bloodchild and Other Stories, Open Road, 2012. 20 p. • “Liking What You See: A Documentary.” Ted Chiang. Stories of Your Life and Others, 2002. 237- 273. • “The Second Renaissance: Part One.” The Animatrix. Directed by Mahiro Maeda, Warner Brothers Village Roadshow Pictures, 2003. Cyberpunked, YouTube, 14 June 2016. “The Second Renaissance: Part Two.” The Animatrix. Directed by Mahiro Maeda, Warner Brothers Village Roadshow Pictures, 2003. Cyberpunked, YouTube, 14 June 2016. • “Delhi.” Vadana Singh. So Long Been Dreaming, edited by Nalo Hopkinson and Uppinder Mehan, Arsenal Pulp Press, 2004. 79-94. • “The Goat Variations.” Jeff VanderMeer. Other Earths, edited by Nick Gevers and Jay Lake, DAW, 2009. Vulture, 1 September 2015. https://www.vulture.com/2015/08/read-jeff-vandermeer-911- fiction-short-story.html • “Incarnation Day.” Walter Jon Williams. Escape from Earth: New Adventures in Space, edited by Jack Dann and Gardner Dozois, Science Fiction Book Club, 2006. The Green Leopard Plague and Other Stories, Night Shade Books, 2010. 203-239. • “The Kingdom of the Blind,” Maureen McHugh. Plugged In. L. Timmel Duchamp and Maureen McHugh, Aqueduct P, 2008. Lightspeed, edited by John Joseph Adams, November 2011. http://www.lightspeedmagazine.com/fiction/the-kingdom-of-the-blind/ • “Carthago Delenda Est.” Genevieve Valentine. Federations. Edited by John Joseph Adams, Prime Books, 2009. 35-47. • “Red Letter Day.” Kristine Kathryn Rusch. Analog Science Fiction and Fact, edited by Stanley Schmidt, September 2010, Dell Magazines. The Time Traveler's Almanac, edited by Ann and Jeff VanderMeer, Tor Books, 2013. • “Hwang's Billion Brilliant Daughters.” Alice Sola Kim. Lightspeed, edited by John Joseph Adams, November 2010, Prime Books. Lightspeed Magazine, 2010. http://podcasts.lightspeedmagazine.com/podcast_hwangs_billion_brilliant_alice_sola_kim.mp3 • Annihilation. Directed by Alex Garland, performances by Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson and Tuva Novotny, Paramount Pictures, 2018. Netflix. • Russian Doll. Performances by Natasha Lyonne and Charlie Barnett, Netflix, 2019. Course Requirements and Assessment Assignment Date of Evaluation (if known) Weighting Response Papers Sept 27th; Oct 9th; Nov 13th 15.00% Participation and Attendance Ongoing 10.00% First Essay (5-7 pages) November 1st 20.00% Final Essay / Project (7-8 pages/4 pages) Dec 3rd 25.00% Final Exam TBD 30.00% Total 100% All of the assignments will be explained in greater detail as their respective due dates approach. Note all assignments are due by 5:00 pm on the Friday of the week that they are due; anything submitted after that class will count as late. Participation and Attendance. Students will receive a portion of this mark for being present in class, and a portion for active and helpful participation. Grading for the participation portion will be done considering the following: 90-100 Excellent: With few, if any, exceptions, the student is making frequent, substantive, useful and original contributions to class discussions; the student consistently engaged and participating, and attends all peer review sessions and classes 80-89 Good: the student is a regular contributor to discussions; the student is consistently engaged, and attends all peer review sessions 70-79 Satisfactory: The student demonstrates occasional contributions and inconsistent engagement 60-69 Marginal: Minimal contributions and/or significant lack of engagement < 60 Failure: repeated disruptive, inappropriate or unethical behaviour; behaviour disrespectful to others; consistent lack of commitment and/or effort Response Papers Three times throughout the term, students must turn in a brief (2 pages) response paper. The paper will contain their response to one of the works discussed (or to be discussed) in class. If the work has already been discussed in class, the student is expected to focus on a different aspect of the work that hasn’t been discussed, or expand on the previous discussion in a meaningful way. (The second and third paper will have further qualifications.) The papers will be marked in terms of how well the students display knowledge of the text, apply what’s been discussed in class, demonstrate original thinking, present a coherent argument, and adhere to conventions in terms of punctuation and mechanics. First Essay This essay will ask students to expand aliens or robots as a science fiction trope, drawing on the works and material discussed thus far. Final Essay This essay is the student’s chance to demonstrate what has been learned over the course of the class. Creative projects and collaborations will be encouraged. Students will receive a detailed description of this assignment along with possible essay topics well in advance of the due date. Final Exam Questions will be designed to test your knowledge of the readings, and concepts discussed in class. The exam will involve identifying passages, delivering
Load more

Recommended publications
  • A Very Short History of Cyberpunk
    A Very Short History of Cyberpunk Marcus Janni Pivato Many people seem to think that William Gibson invented The cyberpunk genre in 1984, but in fact the cyberpunk aesthetic was alive well before Neuromancer (1984). For example, in my opinion, Ridley Scott's 1982 movie, Blade Runner, captures the quintessence of the cyberpunk aesthetic: a juxtaposition of high technology with social decay as a troubling allegory of the relationship between humanity and machines ---in particular, artificially intelligent machines. I believe the aesthetic of the movie originates from Scott's own vision, because I didn't really find it in the Philip K. Dick's novel, Do Androids Dream of Electric Sheep (1968), upon which the movie is (very loosely) based. Neuromancer made a big splash not because it was the "first" cyberpunk novel, but rather, because it perfectly captured the Zeitgeist of anxiety and wonder that prevailed at the dawning of the present era of globalized economics, digital telecommunications, and exponential technological progress --things which we now take for granted but which, in the early 1980s were still new and frightening. For example, Gibson's novels exhibit a fascination with the "Japanification" of Western culture --then a major concern, but now a forgotten and laughable anxiety. This is also visible in the futuristic Los Angeles of Scott’s Blade Runner. Another early cyberpunk author is K.W. Jeter, whose imaginative and disturbing novels Dr. Adder (1984) and The Glass Hammer (1985) exemplify the dark underside of the genre. Some people also identify Rudy Rucker and Bruce Sterling as progenitors of cyberpunk.
    [Show full text]
  • Top Hugo Nominees
    Top 2003 Hugo Award Nominations for Each Category There were 738 total valid nominating forms submitted Nominees not on the final ballot were not validated or checked for errors Nominations for Best Novel 621 nominating forms, 219 nominees 97 Hominids by Robert J. Sawyer (Tor) 91 The Scar by China Mieville (Macmillan; Del Rey) 88 The Years of Rice and Salt by Kim Stanley Robinson (Bantam) 72 Bones of the Earth by Michael Swanwick (Eos) 69 Kiln People by David Brin (Tor) — final ballot complete — 56 Dance for the Ivory Madonna by Don Sakers (Speed of C) 55 Ruled Britannia by Harry Turtledove NAL 43 Night Watch by Terry Pratchett (Doubleday UK; HarperCollins) 40 Diplomatic Immunity by Lois McMaster Bujold (Baen) 36 Redemption Ark by Alastair Reynolds (Gollancz; Ace) 35 The Eyre Affair by Jasper Fforde (Viking) 35 Permanence by Karl Schroeder (Tor) 34 Coyote by Allen Steele (Ace) 32 Chindi by Jack McDevitt (Ace) 32 Light by M. John Harrison (Gollancz) 32 Probability Space by Nancy Kress (Tor) Nominations for Best Novella 374 nominating forms, 65 nominees 85 Coraline by Neil Gaiman (HarperCollins) 48 “In Spirit” by Pat Forde (Analog 9/02) 47 “Bronte’s Egg” by Richard Chwedyk (F&SF 08/02) 45 “Breathmoss” by Ian R. MacLeod (Asimov’s 5/02) 41 A Year in the Linear City by Paul Di Filippo (PS Publishing) 41 “The Political Officer” by Charles Coleman Finlay (F&SF 04/02) — final ballot complete — 40 “The Potter of Bones” by Eleanor Arnason (Asimov’s 9/02) 34 “Veritas” by Robert Reed (Asimov’s 7/02) 32 “Router” by Charles Stross (Asimov’s 9/02) 31 The Human Front by Ken MacLeod (PS Publishing) 30 “Stories for Men” by John Kessel (Asimov’s 10-11/02) 30 “Unseen Demons” by Adam-Troy Castro (Analog 8/02) 29 Turquoise Days by Alastair Reynolds (Golden Gryphon) 22 “A Democracy of Trolls” by Charles Coleman Finlay (F&SF 10-11/02) 22 “Jury Service” by Charles Stross and Cory Doctorow (Sci Fiction 12/03/02) 22 “Paradises Lost” by Ursula K.
    [Show full text]
  • The Fundamental Articles of I.AM Cyborg Law
    Beijing Law Review, 2020, 11, 911-946 https://www.scirp.org/journal/blr ISSN Online: 2159-4635 ISSN Print: 2159-4627 The Fundamental Articles of I.AM Cyborg Law Stephen Castell CASTELL Consulting, Witham, UK How to cite this paper: Castell, S. (2020). Abstract The Fundamental Articles of I.AM Cyborg Law. Beijing Law Review, 11, 911-946. Author Isaac Asimov first fictionally proposed the “Three Laws of Robotics” https://doi.org/10.4236/blr.2020.114055 in 1942. The word “cyborg” appeared in 1960, describing imagined beings with both artificial and biological parts. My own 1973 neologisms, “neural Received: November 2, 2020 plug compatibility”, and “softwiring” predicted the computer software-driven Accepted: December 15, 2020 Published: December 18, 2020 future evolution of man-machine neural interconnection and synthesis. To- day, Human-AI Brain Interface cyborg experiments and “brain-hacking” de- Copyright © 2020 by author(s) and vices are being trialed. The growth also of Artificial Intelligence (AI)-driven Scientific Research Publishing Inc. Data Analytics software and increasing instances of “Government by Algo- This work is licensed under the Creative Commons Attribution International rithm” have revealed these advances as being largely unregulated, with insuf- License (CC BY 4.0). ficient legal frameworks. In a recent article, I noted that, with automation of http://creativecommons.org/licenses/by/4.0/ legal processes and judicial decision-making being increasingly discussed, Open Access RoboJudge has all but already arrived; and I discerned also the cautionary Castell’s Second Dictum: “You cannot construct an algorithm that will relia- bly decide whether or not any algorithm is ethical”.
    [Show full text]
  • Science Fiction List Literature 1
    Science Fiction List Literature 1. “The Unparalleled Adventure of One Hans Pfaall,” Edgar Allan Poe (1835, US, short story) 2. Looking Backward, Edward Bellamy (1888, US, novel) 3. A Princess of Mars, Edgar Rice Burroughs (1912, US, novel) 4. Herland, Charlotte Perkins Gilman (1915, US, novel) 5. “The Comet,” W.E.B. Du Bois (1920, US, short story) 6. Fahrenheit 451, Ray Bradbury (1951, US, novel) 7. Limbo, Bernard Wolfe (1952, US, novel) 8. The Stars My Destination, Alfred Bester (1956, US, novel) 9. Venus Plus X, Theodore Sturgeon (1960, US, novel) 10. Do Androids Dream of Electric Sheep?, Philip K. Dick (1968, US, novel) 11. The Left Hand of Darkness, Ursula K. Le Guin (1969, US, novel) 12. The Female Man, Joanna Russ (1975, US, novel) 13. “The Screwfly Solution,” “The Girl Who Was Plugged In,” “The Women Men Don’t See,” “Houston, Houston Do You Read?”, James Tiptree Jr./Alice Sheldon (1977, 1973, 1973, 1976, US, novelettes, novella) 14. Native Tongue, Suzette Haden Elgin (1984, US, novel) 15. Stars in My Pocket Like Grains of Sand, Samuel R. Delany (1984, US, novel) 16. Neuromancer, William Gibson (1984, US-Canada, novel) 17. The Handmaid’s Tale, Margaret Atwood (1985, Canada, novel) 18. The Gilda Stories, Jewelle L. Gómez (1991, US, novel; extended edition 2016) 19. Dawn, Octavia E. Butler (1987, US, novel); Parable of the Sower, Butler (1993, US, novel); Bloodchild and Other Stories, Butler (1995, US, short stories; extended edition 2005) 20. Red Spider, White Web, Misha Nogha/Misha (1990, US, novel) 21. The Rag Doll Plagues, Alejandro Morales (1991, US, novel) 22.
    [Show full text]
  • The Cyborg Prophecy: Reading Between Isaac Asimov's Lines
    The Cyborg Prophecy: Reading between Isaac Asimov’s Lines Rudrani Gangopadhyay Jadavpur University, Kolkata Abstract: Donna Haraway’s “Cyborg Manifesto” describes the Cyborg as a conjunction of technology and discourse. It argues that a prosthesis becomes a cyborg element when it is integrated with the identity of an individual, and a cyborg is created by the almost symbiotic union of robotic and organic elements. Isaac Asimov, in his short story “The Bicentennial Man” for example, narrates the story of such a remarkable union of robotic and human parts and asserts, at the end, that the resultant system is, essentially, human. A cyborg, therefore, is ‘meta-human’, being somewhat enhanced (by the use of technology) in certain ways in comparison to a human being. There isa mass cyborgization of the global population taking place today. The kind of blurring of boundaries between exogenous and endogenous parts within the system of a human being that one had, so far, only come across in science fiction, is fast coming to life. The obvious example of prosthetics aside, gadgets like cellphone headsets, touchscreen phones and similar electronic devices have been rendered extensions of the human system, merging seamlessly with the organic identities and consequently, making cyborgs out of everyone. The relevance of literature featuring cyborgs, which have, in a way, acted as prophecies for human civilization, therefore cannot be emphasized enough. This paper explores the cyborg identity in select works of Isaac Asimov and reflect on the fast occurring cyborgization of the (meta-)human race in reality. Keywords: Science Fiction, Isaac Asimov, Cyborg, Cybernetics, Body Studies Donna Haraway, in the famous “Cyborg Manifesto,” describes a cyborg as a conjunction of technology and discourse (Haraway 149).
    [Show full text]
  • Metahorror #1992
    MetaHorror #1992 MetaHorror #Dell, 1992 #9780440208990 #Dennis Etchison #377 pages #1992 Never-before-published, complete original works by 20 of today's unrivaled masters, including Peter Straub, David Morrell, Whitley Strieber, Ramsey Campbell, Thomas Tessier, Joyce Carol Oates, Chelsea Quinn Yarbro, and William F. Nolan. The Abyss line is . remarkable. I hope to be looking into the Abyss for a long time to come.-- Stephen King. DOWNLOAD i s. gd/l j l GhE www.bit.ly/2DXqbU6 Collects tales of madmen, monsters, and the macabre by authors including Peter Straub, Joyce Carol Oates, Robert Devereaux, Susan Fry, and Ramsey Campbell. #The Museum of Horrors #Apr 30, 2003 #Dennis Etchison ISBN:1892058030 #The death artist #Dennis Etchison #. #Aug 1, 2000 Santa Claus and his stepdaughter Wendy strive to remake the world in compassion and generosity, preventing one child's fated suicide by winning over his worst tormentors, then. #Aug 1, 2008 #Santa Claus Conquers the Homophobes #Robert Devereaux #ISBN:1601455380 STANFORD:36105015188431 #Dun & Bradstreet, Ltd. Directories and Advertising Division #1984 #. #Australasia and Far East #Who Owns Whom, https://ozynepowic.files.wordpress.com/2018/01/maba.pdf Juvenile Fiction #The Woman in Black #2002 #Susan Hill, John Lawrence #ISBN:1567921892 #A Ghost Story #1986 Set on the obligatory English moor, on an isolated cause-way, the story stars an up-and-coming young solicitor who sets out to settle the estate of Mrs. Drablow. Routine. #https://is.gd/lDsWvO #Javier A. Martinez See also: Bram Stoker Award;I Have No Mouth and I Must Scream;The Whim- per of Whipped Dogs; World Fantasy Award.
    [Show full text]
  • Course Description Book 2020-2021 Administration
    Wheeler School Course Description Book 2020-2021 Administration Neeltje Henneman Head of Upper School ext. 2142 Matthew Boyd D ean of Students ext. 2213 Kate Collard C ourse Scheduling ext. 2214 Kathy Johnson D ean of Teaching and Learning ext. 2362 Lynne Bell U pper School Division Assistant ext. 2141 Ange Strom-Weber Director of Community Service, Registrar ext. 2157 Amy Baumgartel Singer Director of College Counseling ext. 2131 Michael Geller Senior Associate Director of College Counseling ext. 2149 Sharonda Dailey A ssociate Director of College Counseling and Student Support Coordinator ext. 2104 Requirements For Graduation Students are required to be enrolled in five major courses each semester. Any exception to this requirement must be approved by the Head of Upper School. The School recognizes and supports accommodations for students with documented learning disabilities. School policy requires that a Senior must pass all courses in which he or she is enrolled during the Senior year, regardless of any prior fulfillment of the distribution requirements or other factors. Seniors who have failed a one-semester or a year course will be granted a certificate of attendance in June and be given the opportunity to earn the diploma within a specified time subsequent to June of the Senior year. Visual Arts - One credit requirement. Foundation Art (1/2 credit) in grades nine or ten and a half credit to be chosen from elective listing. English - Four credits. English 9 & 10 (full year course) , English 11 & 12 (Fall semester) and one core elective in the Spring semester of each year. Modern Language - Through level 3 in one language, or through level 2 in two languages.
    [Show full text]
  • Lucius Shepard, He Was a Friend of Mine
    EDITORIAL Sheila Williams LUCIUS SHEPARD, HE WAS A FRIEND OF MINE “Not Long after the Christlight of the world’s first morning faded, when birds still flew to heaven and back, and even the wickedest things shone like saints, so pure was their portion of evil, there was a village by the name of Hangtown that clung to the back of the dragon Griaule.” These are the evocative opening words to Lucius Shepard’s “The Scalehunter’s Beautiful Daughter,” a novella that won the 1988 Lo- cus Poll and came in second in our own Readers’ Award poll. In all the years that I’ve worked at Asimov’s, this is, perhaps, the loveliest beginning to a story I’ve ever en- countered. My own friendship with Lucius began about thirty years ago when we published “A Traveler’s Tale” in our July 1984 issue. I first met him in our office in the spring of 1984. He was moving to New York from Florida, and for a while I got to see him in person fairly often. After a couple of sublets in Manhattan, he moved to Staten Island and visits became rare. But, like many of his friendships, our relationship continued to grow and deepen over the telephone. In those days before Amazon, he was a bit iso- lated in that outer borough, so calls would come in asking for favors—can you mail me a ream of computer paper? How about a copy of the I Ching? I need its advice for a story I’m working on.
    [Show full text]
  • Course Catalog 2021–2022­ Brooksb School
    ACADEMIC POLICIES AND COURSE CATALOG 2021 –2022 BROOKSB SCHOOL B R O O K S S C H O O L ACADEMIC POLICIES & COURSE CATALOG 2021-2022 Brooks School does not discriminate on the basis of race, gender, color, sexual orientation, disability, or religion in the administration of its education policies, admission policies, employment policies, financial aid and loan programs, athletic programs, and other School-administered programs and activities. Last updated: April 19, 2021 by Susanna Waters, Academic Dean Questions or comments? Email: [email protected] INDEX Introduction ................................. 2 ACADEMIC POLICIES Requirements ............................... 3 Diploma Requirements Departmental Graduation Requirements Course Load Promotion Requirements General Policies ........................... 5 Grading System Effort Marks Policies Regarding Course Assignments Pass/Fail Status Credit Policies Adding/Dropping Courses AP Courses & Exams Independent Study Online Learning Winter Term Sixth Form Spring Projects Summer Course Work Academic Honors .......................... 8 Honor Roll Cum Laude Society Academic Probation ..................... 8 Academic Integrity ....................... 9 Class Attendance .......................... 10 The Learning Center ................... 10 COURSE CATALOG Arts ................................................ 11 Music Theater Visual Arts World Languages …..................... 18 Latin Mandarin Chinese French Spanish English .......................................... 24 History .........................................
    [Show full text]
  • Bulletin 7/13C
    Southern Fandom Confederation Contents SFC Handbooks Off the Wall . .1 This amazing 196 page tome of Southern Fannish lore, edited Treasurer’s Report . .3 by T.K.F. Weisskopf, is now available to all comers for $5, plus Contributors . .3 a $2 handling and shipping charge if we have to mail it. The Nebula Award Winners . .3 Handbook is also available online, thanks to the efforts of Sam Hugo Nominees . .4 Smith, at http://www.smithuel.net/sfchb Convention Reports . .6 T-Shirts Convention Listing . .8 Fanzine Listings . .10 Size S to 3X LoCs . .12 Price $10 {{Reduced!}} Plus $3 shipping and handling fee if we have to mail it. Policies Art Credits The Southern Fandom Confederation Bulletin Vol. 7, No. 13, Cover, Page 1 . .Teddy Harvia June 2002, is the official publication of the Southern Fandom This page, Page 2,3,6,7,12,14,18 . .Trinlay Khadro Confederation (SFC), a not-for-profit literary organization and Page 5, 17 . .Scott Thomas . information clearinghouse dedicated to the service of Southern Page 19 . .Sheryl Birkhead Science Fiction and Fantasy Fandom. The SFC Bulletin is edit- ed by Julie Wall and is published at least three times per year. Addresses of Officers Membership in the SFC is $15 annually, running from DeepSouthCon to DeepSouthCon. A club or convention mem- Physical Mail: bership is $75 annually. Donations are welcome. All checks President Julie Wall, should be made payable to the Southern Fandom 470 Ridge Road, Birmingham, AL 35206 Confederation. Vice-President Bill Francis, Permission is granted to reprint all articles, lists, and fly- PO Box 1271, Brunswick, GA 31521 ers so long as the author and the SFCB are credited.
    [Show full text]
  • John Crowley Program Guide Program Guide
    The conference on imaginative literature, third edition pfcADcTCOn 3 Lowell Hilton, Lowell, Massachusetts March 30 - April 1,1990 GoH: John Crowley Special Guest: Thomas M. Disch Past Master: T. H. White (In Memoriam) Program Guide Introduction and General Information...............2 Hotel Map........................................................... 4 Dealer’s Room Map............................................ 5 Con-At-a-Glance (= Pocket Program)...............6 Guests-At-A-Glance............................................ 9 The Program...................................................... 10 Friday............................................................. 10 Saturday.........................................................12 Sunday........................................................... 17 The Readercon Small Press Award Nominees. 20 About the Program Participants........................24 About Lowell.....................................................33 Help Wanted.....................................................33 Program Guide Page 2 Readercon 3 Introduction Volunteer! Welcome (or welcome back) to Readercon! Like the sf conventions that inspired us, This year, we’ve separated out everything you Readercon is entirely volunteer-run. We need really need to get around into this Program (our hordes of people to help man Registration and Guest material and other essays are now in a Information, keep an eye on the programming, separate Souvenir Book). The fact that this staff the Hospitality Suite, and to do about a Program is bigger than the combined Program I million more things. If interested, ask any Souvenir Book of our last Readercon is an committee member (black or blue ribbon); they’ll indication of how much our programming has point you in the direction of David Walrath, our expanded this time out. We hope you find this Volunteer Coordinator. It’s fun, and, if you work division of information helpful (try to check out enough hours, you earn a free Readercon t-shirt! the Souvenir Book while you’re at it, too).
    [Show full text]
  • Nebula Finalists Release
    For Immediate Release May 27, 2020 For More Information Kevin Lampe (312) 617-7280 [email protected] Science Fiction and Fantasy Writers of America’s 2020 Nebula Award Finalists THREE DAYS OF ONLINE VIDEO PANELS WITH REAL-TIME INTERACTION MAY 29 – 31 SFWA’s 2020 Nebula Awards will be one of the highlights of the SFWA Nebula Conference. This year's conference is transforming into an entirely virtual conference. It will be presented live and in interactive form from May 29th-31st. The innovative program will convey the essence of the in-person Nebula Conference, albeit in an all-online format due to the COVID-19 pandemic. “The Nebula Awards Ceremony will be seen live online by people around the globe,” said Mary Robinette Kowal, SFWA President. “While the circumstances are difficult, we’re excited that the conference is more accessible than when in a physical location.” As part of the celebration of the Nebula Award winners, SFWA has partnered with audio-first entertainment studio Podium Audio to adapt, produce and distribute its 55th Nebula Awards Showcase Anthology, edited by Cat Valente, in audio format. A top publisher of science-fiction and fantasy audiobooks, Podium Audio is on the forefront of discovering new authors and voice artists from the U.S. and around the world. “Since the first publication of the Nebula Anthology in 1966, the yearly collection has only been available in print. Expanding into the world of audiobooks offers new opportunities for expression and outreach,” says Kowal. “We’re delighted to partner with the innovative and experienced team at Podium Audio.” There are multiple writing categories and their respective finalists for the 2020 Nebula Awards listed below and, of course, the Nebula Awards ceremony itself will stream live at 8 pm Eastern on May 30th.
    [Show full text]