Course Description Book 2020-2021 Administration
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Top Hugo Nominees
Top 2003 Hugo Award Nominations for Each Category There were 738 total valid nominating forms submitted Nominees not on the final ballot were not validated or checked for errors Nominations for Best Novel 621 nominating forms, 219 nominees 97 Hominids by Robert J. Sawyer (Tor) 91 The Scar by China Mieville (Macmillan; Del Rey) 88 The Years of Rice and Salt by Kim Stanley Robinson (Bantam) 72 Bones of the Earth by Michael Swanwick (Eos) 69 Kiln People by David Brin (Tor) — final ballot complete — 56 Dance for the Ivory Madonna by Don Sakers (Speed of C) 55 Ruled Britannia by Harry Turtledove NAL 43 Night Watch by Terry Pratchett (Doubleday UK; HarperCollins) 40 Diplomatic Immunity by Lois McMaster Bujold (Baen) 36 Redemption Ark by Alastair Reynolds (Gollancz; Ace) 35 The Eyre Affair by Jasper Fforde (Viking) 35 Permanence by Karl Schroeder (Tor) 34 Coyote by Allen Steele (Ace) 32 Chindi by Jack McDevitt (Ace) 32 Light by M. John Harrison (Gollancz) 32 Probability Space by Nancy Kress (Tor) Nominations for Best Novella 374 nominating forms, 65 nominees 85 Coraline by Neil Gaiman (HarperCollins) 48 “In Spirit” by Pat Forde (Analog 9/02) 47 “Bronte’s Egg” by Richard Chwedyk (F&SF 08/02) 45 “Breathmoss” by Ian R. MacLeod (Asimov’s 5/02) 41 A Year in the Linear City by Paul Di Filippo (PS Publishing) 41 “The Political Officer” by Charles Coleman Finlay (F&SF 04/02) — final ballot complete — 40 “The Potter of Bones” by Eleanor Arnason (Asimov’s 9/02) 34 “Veritas” by Robert Reed (Asimov’s 7/02) 32 “Router” by Charles Stross (Asimov’s 9/02) 31 The Human Front by Ken MacLeod (PS Publishing) 30 “Stories for Men” by John Kessel (Asimov’s 10-11/02) 30 “Unseen Demons” by Adam-Troy Castro (Analog 8/02) 29 Turquoise Days by Alastair Reynolds (Golden Gryphon) 22 “A Democracy of Trolls” by Charles Coleman Finlay (F&SF 10-11/02) 22 “Jury Service” by Charles Stross and Cory Doctorow (Sci Fiction 12/03/02) 22 “Paradises Lost” by Ursula K. -
Science Fiction List Literature 1
Science Fiction List Literature 1. “The Unparalleled Adventure of One Hans Pfaall,” Edgar Allan Poe (1835, US, short story) 2. Looking Backward, Edward Bellamy (1888, US, novel) 3. A Princess of Mars, Edgar Rice Burroughs (1912, US, novel) 4. Herland, Charlotte Perkins Gilman (1915, US, novel) 5. “The Comet,” W.E.B. Du Bois (1920, US, short story) 6. Fahrenheit 451, Ray Bradbury (1951, US, novel) 7. Limbo, Bernard Wolfe (1952, US, novel) 8. The Stars My Destination, Alfred Bester (1956, US, novel) 9. Venus Plus X, Theodore Sturgeon (1960, US, novel) 10. Do Androids Dream of Electric Sheep?, Philip K. Dick (1968, US, novel) 11. The Left Hand of Darkness, Ursula K. Le Guin (1969, US, novel) 12. The Female Man, Joanna Russ (1975, US, novel) 13. “The Screwfly Solution,” “The Girl Who Was Plugged In,” “The Women Men Don’t See,” “Houston, Houston Do You Read?”, James Tiptree Jr./Alice Sheldon (1977, 1973, 1973, 1976, US, novelettes, novella) 14. Native Tongue, Suzette Haden Elgin (1984, US, novel) 15. Stars in My Pocket Like Grains of Sand, Samuel R. Delany (1984, US, novel) 16. Neuromancer, William Gibson (1984, US-Canada, novel) 17. The Handmaid’s Tale, Margaret Atwood (1985, Canada, novel) 18. The Gilda Stories, Jewelle L. Gómez (1991, US, novel; extended edition 2016) 19. Dawn, Octavia E. Butler (1987, US, novel); Parable of the Sower, Butler (1993, US, novel); Bloodchild and Other Stories, Butler (1995, US, short stories; extended edition 2005) 20. Red Spider, White Web, Misha Nogha/Misha (1990, US, novel) 21. The Rag Doll Plagues, Alejandro Morales (1991, US, novel) 22. -
Course Catalog 2021–2022 Brooksb School
ACADEMIC POLICIES AND COURSE CATALOG 2021 –2022 BROOKSB SCHOOL B R O O K S S C H O O L ACADEMIC POLICIES & COURSE CATALOG 2021-2022 Brooks School does not discriminate on the basis of race, gender, color, sexual orientation, disability, or religion in the administration of its education policies, admission policies, employment policies, financial aid and loan programs, athletic programs, and other School-administered programs and activities. Last updated: April 19, 2021 by Susanna Waters, Academic Dean Questions or comments? Email: [email protected] INDEX Introduction ................................. 2 ACADEMIC POLICIES Requirements ............................... 3 Diploma Requirements Departmental Graduation Requirements Course Load Promotion Requirements General Policies ........................... 5 Grading System Effort Marks Policies Regarding Course Assignments Pass/Fail Status Credit Policies Adding/Dropping Courses AP Courses & Exams Independent Study Online Learning Winter Term Sixth Form Spring Projects Summer Course Work Academic Honors .......................... 8 Honor Roll Cum Laude Society Academic Probation ..................... 8 Academic Integrity ....................... 9 Class Attendance .......................... 10 The Learning Center ................... 10 COURSE CATALOG Arts ................................................ 11 Music Theater Visual Arts World Languages …..................... 18 Latin Mandarin Chinese French Spanish English .......................................... 24 History ......................................... -
Nebula Finalists Release
For Immediate Release May 27, 2020 For More Information Kevin Lampe (312) 617-7280 [email protected] Science Fiction and Fantasy Writers of America’s 2020 Nebula Award Finalists THREE DAYS OF ONLINE VIDEO PANELS WITH REAL-TIME INTERACTION MAY 29 – 31 SFWA’s 2020 Nebula Awards will be one of the highlights of the SFWA Nebula Conference. This year's conference is transforming into an entirely virtual conference. It will be presented live and in interactive form from May 29th-31st. The innovative program will convey the essence of the in-person Nebula Conference, albeit in an all-online format due to the COVID-19 pandemic. “The Nebula Awards Ceremony will be seen live online by people around the globe,” said Mary Robinette Kowal, SFWA President. “While the circumstances are difficult, we’re excited that the conference is more accessible than when in a physical location.” As part of the celebration of the Nebula Award winners, SFWA has partnered with audio-first entertainment studio Podium Audio to adapt, produce and distribute its 55th Nebula Awards Showcase Anthology, edited by Cat Valente, in audio format. A top publisher of science-fiction and fantasy audiobooks, Podium Audio is on the forefront of discovering new authors and voice artists from the U.S. and around the world. “Since the first publication of the Nebula Anthology in 1966, the yearly collection has only been available in print. Expanding into the world of audiobooks offers new opportunities for expression and outreach,” says Kowal. “We’re delighted to partner with the innovative and experienced team at Podium Audio.” There are multiple writing categories and their respective finalists for the 2020 Nebula Awards listed below and, of course, the Nebula Awards ceremony itself will stream live at 8 pm Eastern on May 30th. -
Locus Awards Schedule
LOCUS AWARDS SCHEDULE WEDNESDAY, JUNE 24 3:00 p.m.: Readings with Fonda Lee and Elizabeth Bear. THURSDAY, JUNE 25 3:00 p.m.: Readings with Tobias S. Buckell, Rebecca Roanhorse, and Fran Wilde. FRIDAY, JUNE 26 3:00 p.m.: Readings with Nisi Shawl and Connie Willis. SATURDAY, JUNE 27 12:00 p.m.: “Amal, Cadwell, and Andy in Conversation” panel with Amal El- Mohtar, Cadwell Turnbull, and Andy Duncan. 1:00 p.m.: “Rituals & Rewards” with P. Djèlí Clark, Karen Lord, and Aliette de Bodard. 2:00 p.m.: “Donut Salon” (BYOD) panel with MC Connie Willis, Nancy Kress, and Gary K. Wolfe. 3:00 p.m.: Locus Awards Ceremony with MC Connie Willis and co-presenter Daryl Gregory. PASSWORD-PROTECTED PORTAL TO ACCESS ALL EVENTS: LOCUSMAG.COM/LOCUS-AWARDS-ONLINE-2020/ KEEP AN EYE ON YOUR EMAIL FOR THE PASSWORD AFTER YOU SIGN UP! QUESTIONS? EMAIL [email protected] LOCUS AWARDS TOP-TEN FINALISTS (in order of presentation) ILLUSTRATED AND ART BOOK • The Illustrated World of Tolkien, David Day (Thunder Bay; Pyramid) • Julie Dillon, Daydreamer’s Journey (Julie Dillon) • Ed Emshwiller, Dream Dance: The Art of Ed Emshwiller, Jesse Pires, ed. (Anthology Editions) • Spectrum 26: The Best in Contemporary Fantastic Art, John Fleskes, ed. (Flesk) • Donato Giancola, Middle-earth: Journeys in Myth and Legend (Dark Horse) • Raya Golden, Starport, George R.R. Martin (Bantam) • Fantasy World-Building: A Guide to Developing Mythic Worlds and Legendary Creatures, Mark A. Nelson (Dover) • Tran Nguyen, Ambedo: Tran Nguyen (Flesk) • Yuko Shimizu, The Fairy Tales of Oscar Wilde, Oscar Wilde (Beehive) • Bill Sienkiewicz, The Island of Doctor Moreau, H.G. -
Nancy Kress (February 2020)
1 Science Fiction Book Club Interview with Nancy Kress (February 2020) Nancy Kress is the author of thirty-three books, including twenty-six novels, four collections of short stories, and three books on writing. Her work has won six Nebulas, two Hugos, a Sturgeon, and the John W. Campbell Memorial Award, and has been translated into two dozen languages, including Klingon. In addition to writing, Kress often teaches at various venues around the country and abroad, including a visiting lectureship at the University of Leipzig, a 2017 writing class in Beijing, and the annual intensive workshop Taos Toolbox, which she teaches every summer with Walter Jon Williams. Tony DeSimone: “Nano Comes to Clifford Falls” is one of my favorite short stories. Do you think the advent of 3D printing could lead to that story becoming a reality? The 3-D printers in my story are super-machines, capable of creating anything. Although I think that large, versatile 3-D printers are certainly going to change manufacturing, by themselves they will not create the sort of universal unemployment that my story explores. You would still need to have raw materials mined or grown, transport to get those materials to the printers, and an economic reason to put traditional companies out of business. Competition will accomplish part of that, but not all of it. Like much SF, my story exaggerates the situation in order to spotlight it, especially its effects of my characters. That’s what, in my opinion, good SF does: not so much invent tech as examine what its effect on society could be. -
Lightspeed Magazine, Issue 78 (November 2016)
TABLE OF CONTENTS Issue 78, November 2016 FROM THE EDITOR Editorial, November 2016 SCIENCE FICTION Dinosaur Killers Chris Kluwe Under the Eaves Lavie Tidhar Natural Skin Alyssa Wong For Solo Cello, op. 12 Mary Robinette Kowal FANTASY Two Dead Men Alex Jeffers Shooting Gallery J.B. Park A Dirge for Prester John Catherynne M. Valente I've Come to Marry the Princess Helena Bell NOVELLA Karuna, Inc. Paul Di Filippo EXCERPTS The Genius Asylum Arlene F. Marks NONFICTION Media Review: Westworld The Geek’s Guide to the Galaxy Book Reviews, November 2016 Kate M. Galey, Jenn Reese, Rachel Swirsky, and Christie Yant Interview: Stephen Baxter The Geek’s Guide to the Galaxy AUTHOR SPOTLIGHTS Chris Kluwe Lavie Tidhar J.B. Park Alyssa Wong Catherynne M. Valente Mary Robinette Kowal Helena Bell Paul di Filippo MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Lightspeed Team Also Edited by John Joseph Adams © 2016 Lightspeed Magazine Cover by Reiko Murakami www.lightspeedmagazine.com Editorial, November 2016 John Joseph Adams | 1064 words Welcome to issue seventy-eight of Lightspeed! We have original science fiction by Chris Kluwe (“Dinosaur Killers”) and Alyssa Wong (“Natural Skin”), along with SF reprints by Lavie Tidhar (“Under the Eaves”) and Mary Robinette Kowal (“For Solo Cello, op. 12”). Plus, we have original fantasy by J.B. Park (“Shooting Gallery”) and Helena Bell (“I’ve Come to Marry the Princess”), and fantasy reprints by Alex Jeffers (“Two Dead Men”) and Catherynne M. Valente (“A Dirge for Prester John”). All that, and of course we also have our usual assortment of author spotlights, along with our book and media review columns. -
ENG 335 Science Fiction Dr. Deborah C. Mitchell Spring 2017 TC 312, Ext
ENG 335 Science Fiction Dr. Deborah C. Mitchell Spring 2017 TC 312, Ext. 7030 MWF 9:20-10:20 a.m. Office Hours: M 11:30 – 12:30, F 10:30 – Noon, Mueller Theater and by appointment Science Fiction is the future ahead of schedule. --Syd Mead, visual futurist Warp speed. Wormholes. Time travel. Transporters. Androids. Aliens. Space cowboys and Saurian brandy. This is the stuff of science fiction, of future worlds and alternate universes. Syd Mead’s definition focuses our study since science fiction stories should lie within the realm of scientific possibility. (Think about Captain Kirk’s communicator and then look down at your cell phone.) In this course, we’ll boldly explore what critics call the “literature of ideas,” the genre that bridges the arts and sciences, and we’ll discuss how writers have used science fiction as a vehicle for social criticism and a commentary on the human condition. We’ll be reading some of the finest science fiction ever written and watching some great film adaptations. You will also be reading a variety of critical articles written by the leading scholars of their time. By the end of the course, you should be able to do the following: • Trace the evolution of the science fiction tradition • Identify the leading writers and scholars in the canon • Grasp the conventions and characteristics of the science fiction genre • Conduct research in science fiction appropriate for a 300-level English course • Read a text through several critical methodologies • Construct and support a sound, reasonable argument • Demonstrate control of your reading and thinking about texts • Engage in your own creative work in the genre • Formulate some of your own conclusions about the importance of the science fiction genre and its significance to contemporary culture Learning Outcomes for English majors In addition to the outcomes for the course, English majors will demonstrate the following: 1. -
2021-2022 Upper School Curriculum Guide
Upper School Curriculum Guide 2021-2022 Updated Jan. 4, 2020 CURRICULUM GUIDE 2021 - 2022 TABLE OF CONTENTS Requirements for Graduation ............................................................................................................................. 2 Course Planning ................................................................................................................................................... 3 Academic Procedures .......................................................................................................................................... 6 Meaning of Grades …………………………………………………………………………………………………………… 8 Four-Year Planning Work Sheet ........................................................................................................................ 11 Course Offerings by Department Arts ................................................................................................................................................................. 12 English ............................................................................................................................................................ 21 Global Service Learning Program ……………………………………………………………………………………….. 32 History and Social Sciences ......................................................................................................................... 33 Languages .................................................................................................................................................... -
290 Fall 2009
290 Fall 2009 Editors Karen Hellekson SFRA 16 Rolling Rdg. A publication of the Science Fiction Research Association Jay, ME 04239 Review [email protected] [email protected] In This Issue Craig Jacobsen SFRA Review Business English Department Portion Control 2 Mesa Community College 1833 West Southern Ave. SFRA Business Mesa, AZ 85202 New Initiatives 2 [email protected] Executive Board Elections 2 [email protected] Far Stars and Tin Stars 3 Managing Editor Features Janice M. Bogstad Slipstream 101 3 McIntyre Library-CD Pride and Wikiness 7 University of Wisconsin-Eau Claire 105 Garfield Ave. Nonfiction Reviews Eau Claire, WI 54702-5010 The Science Fiction Handbook 9 [email protected] The Seven Beauties 10 Fiction Reviews Nonfiction Editor Enigma 12 Ed McKnight 113 Cannon Lane Of Wind and Sand 12 Taylors, SC 29687 A Grey Moon over China 13 [email protected] The Black Mirror and Other Stories 14 The Quiet War 16 Fiction Editor Fool’s Experiment 17 Edward Carmien 29 Sterling Rd. Media Reviews Princeton, NJ 08540 District 9 18 [email protected] Sleep Dealer 19 The Time Traveler’s Wife 20 Media Editor Persepolis 21 Ritch Calvin Coraline 22 16A Erland Rd. Stony Brook, NY 11790-1114 Up 23 [email protected] Torchwood: Children of Earth 24 The SFRA Review (ISSN 1068-395X) is Kröd Mändoon and the Flaming Sword of Fire 25 published four times a year by the Science Fiction Research Association (SFRA), and Y: The Last Man 26 distributed to SFRA members. Individual is- Shadow of the Colossus 27 sues are not for sale; however, all issues after 256 are published to SFRA’s Web site (http:// Announcements www.sfra.org/) no fewer than 10 weeks after Science Fiction and Fantasy Translation Award 28 paper publication. -
Hugo Awards Ceremony Program
"Presented at the ^Millennium Philcon, the 59th World Science Fiction Convention Philadelphia, Pennsylvania, the United States of -America On the 2ni1 of September, 200/ Toastmistress: Esther Friesner The Big Heart -Award The Big Heart Award is given annually at Worldcons over many decades to recognize and honor active fans (pros not excepted) who have demonstrated their “big hearts” within our fannish community by their camaraderie, dedicated altruism, and their helpful, friendly acts. It was established by Forrest J Ackerman and Walter Daugherty as a memorial to fan/pro E. Everett Evans. Presented by David Kyle The First Fandom Hall of Fame The First Fandom Hall of Fame Award is presented to someone who has given a lifetime of service to science fiction fandom. First Fandom has two categories of members Original First Fandom: Affectionately known as the ‘Dinosaurs of Science Fiction’, these fans helped create fandom and have participated in SF fandom since 1939 or earlier. Associates: Those who have given thirty or more years of service to fandom but are not ‘Dinosaurs.’ From his first letter published in The Comet, and his introduction to fandom shortly after the second Worldcon, Chicon 1, Frank Robinson has stayed active in both publishing and fandom. He has helped create and edit both fanzines and pro SF magazines. At least two of his books have become movies. His nonfiction books, Pulp Culture and Science Fiction: An Illustrated History offered insightful looks at the literature and culture of SF. Science Fiction: An Illustrated History won the Hugo for Best Related Book last year in Chicago and, Frank believes, was responsible for his receiving of this years First Fandom Hall of Fame Award. -
Introduction 1
Notes Introduction 1. Tina Chen, “Impersonation and Other Disappearing Acts in Native Speaker by Chang-rae Lee,” Modern Fiction Studies 48.3 (Fall 2002): 638. 2. Ibid. 3. Hayden White, “Anomalies of Genre: The Utility of Theory and His- tory for the Study of Literary Genres,” New Literary History 34.3 (November 2003): 599. 4. Wai Chee Dimock, “Introduction: Genres as Fields of Knowledge,” PMLA 122.5 (October 2007): 1378. 5. John Frow, Genre (London: Routledge, 2006): 2. 6. Jacques Derrida, “The Law of Genre,” Critical Inquiry 7.1 (Autumn 1980): 57. 7. Robert G. Lee, Orientals: Asian Americans in Popular Culture (Philadelphia: Temple University Press, 1999): 8. 8. Viet Thanh Nguyen, Race and Resistance: Literature and Politics in Asian America (New York: Oxford University Press, 2002): 7. 9. Ibid. 10. Zhou Xiaojing, “Introduction,” Form and Transformation in Asian American Literature, ed. Zhou Xiaojing and Samina Najmi (Seattle: University of Washington Press, 2005): 4. 11. Ibid., 5. 12. Nguyen, 5. 13. Zhou, 5. 14. Sue-Im Lee, “Introduction,” Literary Gestures: The Aesthetic in Asian American Writing, ed. Rocio G. Davis and Sue-Im Lee (Philadelphia: Temple University Press, 2006): 6. 15. The term “junk fiction” is Noel Coward’s, which, as Deborah Knight summarizes, constitutes “the sorts of best-sellers that line the stalls at airport gift shops as well as things like Harlequin romances; sci-fi, horror, and mystery magazines; comic books; and broadcast narratives on either the radio or TV, as well as commercial movies.” Deborah Knight, “Making Sense of Genre,” Film and Philosophy 2 (1995): 58–73.