FORMAL ATTIRE, Without Colors/Buttons
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2021 Morgan Horse Judging School Handbook
2021 Morgan Horse Judging School Handbook Provided by: American Morgan Horse Association, Inc. | 4037 Iron Works Parkway, Suite 130, Lexington, KY 40511-8508 T (802) 985-4944 | F (859) 287-3555 | [email protected] | www.morganhorse.com Revised 3/2021 American Morgan Horse Association Judging School Handbook Table of Contents Organizations/Recommended Reading ............................................................................................................................................................3 Purposes and Objectives of Morgan Judging Seminar .................................................................................................................................. 4 Ethics ................................................................................................................................................................................................................. 5 Ethics as They Relate to Judges, an Exhibitor’s View ....................................................................................................................................... 7 Ethics for Horse Show Judges ........................................................................................................................................................................... 9 Suggested Code of Ethics for Judges .............................................................................................................................................................. 13 USEF Guidelines for Licensed Officials ....................................................................................................................................................... -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Replica Styles from 1795–1929
Replica Styles from 1795–1929 AVENDERS L REEN GHistoric Clothing $2.00 AVENDERS L REEN GHistoric Clothing Replica Styles from 1795–1929 Published by Lavender’s Green © 2010 Lavender’s Green January 2010 About Our Historic Clothing To our customers ... Lavender’s Green makes clothing for people who reenact the past. You will meet the public with confidence, knowing that you present an ac- curate picture of your historic era. If you volunteer at historic sites or participate in festivals, home tours, or other historic-based activities, you’ll find that the right clothing—comfortable, well made, and accu- rate in details—will add so much to the event. Use this catalog as a guide in planning your period clothing. For most time periods, we show a work dress, or “house dress.” These would have been worn for everyday by servants, shop girls, and farm wives across America. We also show at least one Sunday gown or “best” dress, which a middle-class woman would save for church, weddings, parties, photos, and special events. Throughout the catalog you will see drawings of hats and bonnets. Each one is individually designed and hand-made; please ask for a bid on a hat to wear with your new clothing. Although we do not show children’s clothing on most of these pages, we can design and make authentic clothing for your young people for any of these time periods. Generally, these prices will be 40% less than the similar adult styles. The prices given are for a semi-custom garment with a dressmaker- quality finish. -
Ask the Judge Questions About Dressage with Amy Mcelroy
Ask the Judge Questions about Dressage With Amy McElroy Amy McElroy is a USEF R judge, qualified to officiate at any USEF recognized show at all national dressage levels. She rides, trains and teaches at Fairlane Farm in Aiken and judges about a dozen dressage shows and events each year. In her popular Ask the Judge column, she answers readers’ questions about dressage. Dear Amy, in recent years. They come in many styles, are comfortable, cool and lightweight. Some even come with “bling.” I am getting ready to start this year’s show season at the Fourth There are also a few other recent changes in the rules for proper Level. I just got a gorgeous top hat for Christmas. My trainer has attire. The rules state that in Fourth Level and below “A short riding always told me that when I can come down the centerline in the coat of conservative color . is mandatory.” Proper conservative canter, it would be time for me to wear my top hat. When my colors are: black, grey, navy or brown. A newer rule says that coats husband learned that I would be showing Fourth level, he surprised may have contrast coloring, and/or piping. For example a black coat me with this gift. with light pink collars would be acceptable, or a grey coat with black So, now that I am ready and I have the hat, I have heard that I can collars. A cutaway coat is also permitted – this is like a modified no longer wear it in Fourth level. -
Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
Hat Should I Wear for a Horse Show? While the Answer to This Question
hat should I wear for a horse show? While the answer to this question will W vary depending on whether you are riding in a local schooling show or competing in a rated show (e.g. the “A” rated Midstates Horse Shows in Mason City, or the “B” rated Valley Park in Des Moines), the following information should help you figure out what is appropriate. If you have any questions about whether something is appropriate, ask your trainer. This is always good advice. Helmet & Hair Whether you are jumping huge fences or just sitting on your horse waiting for your lesson to begin, accidents can happen to anyone, at any time. Thus, any time you are mounted you need to be wearing a helmet with the chin-strap fastened. Purchase an ASTM/SEI-approved helmet that hasn’t been involved in a fall. After a serious impact resulting in obvious helmet damage, discard the helmet and buy a new one. You May wish to replace it even if there is no external damage. The general rule is to replace a helmet every 5 years, whether or not it has been involved in a fall. When trying on helmets, wear your hair as you’ll wear it when riding, as this will affect the fit. Helmets should fit snugly and be worn over the top of your head, with the brim resting just above your eyebrows. Do not wear your helmet perched on top of your head, or tilted back. If your helmet wiggles when you shake your head, it is too large. -
Miss Lisa Brown's Guide to Dressing for a Regency Ball – Gentlemen's
MMiissss LLiissaa BBrroowwnn’’ss GGuuiiddee ttoo DDrreessssiinngg ffoorr aa RReeggeennccyy BBaallll –– GGeennttlleemmeenn’’ss EEddiittiioonn (and remove string!) Shave Jane Austen & the Regency face every Wednesday and The term “Regency” refers to years between 1811 Sunday as per regulations. and 1820 when George III of the United Kingdom was deemed unfit to rule and his son, later George Other types of facial hair IV, was installed as his proxy with the title of were not popular and were “Prince Regent”. However, “Regency Era” is often not allowed in the military. applied to the years between 1795 and 1830. This No beards, mustaches, period is often called the “Extended Regency” goatees, soul patches or because the time shared the same distinctive culture, Van Dykes. fashion, architecture, politics and the continuing Napoleonic War. If you have short hair, brush it forward into a Caesar cut style The author most closely associated with the with no discernable part. If your Regency is Jane Austen (1775-1817). Her witty and hair is long, put it into a pony tail engaging novels are a window into the manners, at the neck with a bow. lifestyle and society of the English gentry. She is the ideal connexion to English Country Dancing as Curly hair for both men and each of her six books: Pride and Prejudice , Sense women was favored over straight and Sensibility , Emma , Persuasion , Mansfield Par k hair. Individual curls were made and Northanger Abbey, feature balls and dances. with pomade (hair gel) and curling papers. Hair If you are unable to assemble much of a Regency wardrobe, you can still look the part by growing your sideburns The Minimum and getting a Caesar cut If you wish to dress the part of a country gentleman hairstyle. -
A Plantation Family Wardrobe, 1825 - 1835
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 A Plantation Family Wardrobe, 1825 - 1835 Jennifer Lappas Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2299 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. 1 The Carter Family Shirley Plantation claims the rightful spot as Virginia’s first plantation and the oldest family-run business in North America. It began as a royal land grant given to Sir Thomas West and his wife Lady Cessalye Shirley in 1613 and developed into the existing estate one can currently visit by 1725. The present day estate consists of the mansion itself and ten additional buildings set along a Queen Anne forecourt. These buildings include a Root Cellar, Pump House, two-story Plantation Kitchen, two story Laundry, Smokehouse, Storehouse with an Ice House below, a second Storehouse for grain, Brick Stable, Log Barn and Pigeon House or Dovecote. At one time the Great House was augmented by a North and a South Flanker: they were two free standing wings, 60 feet long and 24 feet wide and provided accommodations for visitors and guests. The North Flanker burned and its barrel-vaulted basement was converted into a root cellar and the South Flanker was torn down in 1868. -
Mvrc Members' Dress Standards
MVRC MEMBERS’ DRESS STANDARDS MEN - TRADITIONAL APPLIES TO ALL DAY MEETINGS EXCLUDING SUMMER MEETINGS Gentlemen (including children 13 & over) are required to wear a collar and tie, tailored trousers and either a suit coat, sports coat or blazer. NOT PERMITTED: Any variation of runner including boat shoes, joggers, sandals, thongs or any dilapidated footwear. Denim and denim-look clothing, jeans, jodhpurs, shorts, shirts without a collar, polo shirts, parkas, windbreakers, tracksuits, jackets including bomber jackets, duffle coats, untailored leather jackets, peaked caps, beanies, pullovers or cardigans without a jacket, sporting guernseys. WOMEN APPLIES TO ALL MEETINGS Ladies are expected to maintain a suitable standard of dress in keeping with the distinction of the Members’ Reserve. NOT PERMITTED: Any variation of runner including joggers, rubber thongs or any dilapidated footwear. Denim and denim look clothing, jeans, jodhpurs, polo shirts, parkas, windbreakers, tracksuits, jackets including bomber jackets, duffle coats, untailored leather jackets, peaked caps, beanies, sporting guernseys, any clothing revealing excessive bare midriff. CHILDREN UNDER 13 YEARS Children 13 years and under are expected to maintain a suitable standard of dress at all race meetings. Visit thevalley.com.au for more info. MVRC MEMBERS’ DRESS STANDARDS MEN - RELAXED APPLIES TO ALL NIGHT MEETINGS AND SUMMER DAY MEETINGS Gentlemen (including children 13 & over) are required to wear a collared shirt (polo shirts not permitted) with tailored trousers or chinos. No tie is required, and suit coat, sports coat or blazer is optional. Dress shoes or leather boat shoes must be worn. NOT PERMITTED: Any variation of runner including joggers, sandals, thongs or any dilapidated footwear. -
Spring 2014 Men's Collections
Spring 2014 Men’s Collections ©2013 Ralph Lauren Corporation For Spring 2014, Ralph Lauren Purple Label presents the ultimate assortment of navy formalwear, charcoal suits and luxe sportswear with styles ranging from nautical to bright to monochromatic safari. Inspired by the time-honored tradition of Savile Row haberdashery and updated with modern proportions and palettes, formalwear features shawl-collared tuxedos and dinner jackets in navy and white wool. Suiting ranges from meticulously crafted two- and three-piece silhouettes in elegant navy and cool greys with subtle glen plaids to seasonal khaki gabardines and silk linens. Double-breasted lapel vests are modernized as part of trim-fitting three-piece suits. Luxurious silk ties with Art Deco-inspired prints, bengal-striped dress shirts and lightweight linen trousers exude polished 1920s flair made new for today’s gentleman. Nautical themed sportswear is updated with a high-contrast palette of black and white. Double-breasted sweater blazers in the finest cashmere are worn with crisp white shorts and wide-legged sailor pants in lightweight cotton. Graphic Art Deco-inspired block prints adorn spread collar sport shirts, swim trunks and silk scarves. Chunky ribbed cardigans and a black cashmere fisherman’s sweater add texture and depth to layered looks. Outerwear highlights include a military jacket in nylon twill and a black fireman coat crafted from bonded leather. Paying homage to the ultimate African safari, a collection of lightweight linens and artfully crafted leather outerwear is rendered in a palette of tonal creams and khakis. Layered looks feature chunky shawl-collar and roll-neck sweaters along with rumpled linen sport shirts. -
Hunting Ettiquite
HUNTING ETIQUETTE I. PROPER ATTIRE A. Hound Exercising from July 6th until the last Saturday before Labor Day when the start of The Formal Cub Hunting begins in September. Just casual work clothes that are comfortable and tidy i.e. no tank tops or shorts, but sleeveless shirts and blue jeans are fine even headgear is casual like a cowboy hat or baseball hat- whatever one wears while working in his stable. B. Cubbing in September and October until opening meet, the first hunting day in November, hacking jackets and ties or turtlenecks with breeches and preferably brown boots (but not too mandatory if one has regular black boots – even with brown tops) or jodhpurs with high lace shoes or jodhpur boots. C. After opening meet: LADIES – Black or blue riding coats or black hunt coats with plain black buttons – four (4) in front, two (2) at waist line at back (don’t worry about cuff buttons), bowler hats are preferred proper attire, but Calientes will be tolerated. Breeches can be any color, but to be especially formal, you may wish to wear yellow. To be totally proper you should wear dummy (not sharp with rowels) spurs with straps that buckle in the middle of the front of your ankle joint and the spur up on the seam at the ankle joint (not at the heel of the boot) like those you would wear at your heel if wearing a jockey’s boot for racing. A white stock properly tied (so there is a criss- cross of the material over a square knot at your Adam’s apple at your throat with a safety pin fastening the criss-cross to the square knot in a vertical NOT HORIZONTAL.