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Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
RIG Response to the BBC Trust Review of the BBC's National Radio
RIG response to The BBC Trust Review of the BBC’s national radio stations in Northern Ireland, Scotland and Wales RIG response to the BBC Trust Review of the BBC’s national radio stations in Wales About RIG The Radio Independents Group is the trade association for independent radio and audio producers in the UK. RIG has over 100 member companies, and rough estimates put the overall value of the sector at over £25m1. RIG has around 30 member companies based in Wales, making audio content for the BBC and commercial companies both in English and Welsh. RIG also has 6 members in Scotland. Overall comment on the Trust Review RIG is pleased to see the BBC Trust carrying out this review into Nations Radio. We passionately believe in the ability of a thriving independent production sector to increase the amount of innovation, ideas and talent available to the licence fee payer. This applies as much to Nations radio as it does to the major networks. For example one part of Wales is not the same as another and independent producers, based around that nation, can play a major part in sharing voices and perspectives from all of those areas. For the purposes of this consultation, RIG canvassed its members in both Wales and Scotland – there are currently very few producers making audio independently in Northern Ireland. On this occasion there have been no major comments to make about BBC Nations Radio in Scotland. Therefore the response is concentrated on BBC Radio Wales and Radio Cymru. We have sought to keep as closely to the remit of the questions as possible. -
CONVERGENCE OR COLLISION? Navigating the Creative, Commercial and Regulatory Challenges Facing Media Over the Next Decade
WEDNESDAY 19 JANUARY 2011 SAÏD BUSINESS SCHOOL, UNIVERSITY OF OXFORD CONVERGENCE OR COLLISION? Navigating the creative, commercial and regulatory challenges facing media over the next decade guardian.co.uk/oxfordmediaconvention Event partner Event organisers PROGRAMME 08:50 REGISTRATION AND COFFEE 09:45 INTRODUCTION AND WELCOME Nick Pearce, director, ippr 09:50 A CITIZEN’S COMMUNICATION ACT: WHAT THE PUBLIC WANT FROM OUR MEDIA A short vox pop film 10:00 KEYNOTE SPEECH MEDIA POLICY: THE COALITION’S 10 YEAR PLAN Rt Hon Jeremy Hunt MP, secretary of state, culture, Olympics, media and sport 10:40 PLENARY PANEL MEDIA 2011: WHAT NEEDS TO CHANGE? A conversation between the public and providers In this, the Oxford Media Convention’s ninth year, we ask a panel of public representatives and a panel of providers to discuss and debate the current and future course of Britain’s media and creative industries. • How will public service provision, diversity, plurality and media literacy be preserved and promoted over the next decade? • How can public and private entities secure the UK’s position in the global media market place? • What does the future look like? How will audiences be consuming content, how will businesses be making money and what role will government have in shaping media policy and facilitating the creation of growth and infrastructure? In little over an hour and a half can these figures plot out a blueprint for creating an effective environment for growth and public provision? Moderator: Jon Snow, presenter, Channel 4 News Panel 1: Dawn Airey, president, CLT-UFA UK TV (part of the RTL Group) Richard Halton, chief executive, YouView Ashley Highfield, managing director & vice president, consumer & online UK, Microsoft Caroline Thomson, chief operating officer, BBC Panel 2: Sam Conniff, co-founder, Livity Mark Damazer, master, St. -
Channel Guide August 2018
CHANNEL GUIDE AUGUST 2018 KEY HOW TO FIND WHICH CHANNELS YOU HAVE 1 PLAYER PREMIUM CHANNELS 1. Match your ENTERTAINMENT package 1 2 3 4 5 6 2 MORE to the column 100 Virgin Media Previews 3 M+ 101 BBC One If there’s a tick 4 MIX 2. 102 BBC Two in your column, 103 ITV 5 FUN you get that 104 Channel 4 6 FULL HOUSE channel ENTERTAINMENT SPORT 1 2 3 4 5 6 1 2 3 4 5 6 100 Virgin Media Previews 501 Sky Sports Main Event 101 BBC One HD 102 BBC Two 502 Sky Sports Premier 103 ITV League HD 104 Channel 4 503 Sky Sports Football HD 105 Channel 5 504 Sky Sports Cricket HD 106 E4 505 Sky Sports Golf HD 107 BBC Four 506 Sky Sports F1® HD 108 BBC One HD 507 Sky Sports Action HD 109 Sky One HD 508 Sky Sports Arena HD 110 Sky One 509 Sky Sports News HD 111 Sky Living HD 510 Sky Sports Mix HD 112 Sky Living 511 Sky Sports Main Event 113 ITV HD 512 Sky Sports Premier 114 ITV +1 League 115 ITV2 513 Sky Sports Football 116 ITV2 +1 514 Sky Sports Cricket 117 ITV3 515 Sky Sports Golf 118 ITV4 516 Sky Sports F1® 119 ITVBe 517 Sky Sports Action 120 ITVBe +1 518 Sky Sports Arena 121 Sky Two 519 Sky Sports News 122 Sky Arts 520 Sky Sports Mix 123 Pick 521 Eurosport 1 HD 132 Comedy Central 522 Eurosport 2 HD 133 Comedy Central +1 523 Eurosport 1 134 MTV 524 Eurosport 2 135 SYFY 526 MUTV 136 SYFY +1 527 BT Sport 1 HD 137 Universal TV 528 BT Sport 2 HD 138 Universal -
Discovery Communications to Launch First Channel on Freeview in UK
Discovery Communications to Launch First Channel on Freeview in UK October 17, 2008 - Company Wins Competitive Auction for Position on SDN Multiplex - LONDON, Oct. 17 /PRNewswire-FirstCall/ -- Discovery Communications today announced it has secured a channel position on Freeview, the UK's digital terrestrial television (DTT) platform. The deal with UK multiplex operator, SDN Ltd, a wholly owned subsidiary of ITV plc, will see the channel launch in early 2009. (Logo: http://www.newscom.com/cgi-bin/prnh/20080918/NETH035LOGO ) The channel will draw upon Discovery Communications' vast library of high-quality factual, entertainment and lifestyle programming and also includes scripted acquisitions especially for the new channel. Discovery Communications launched its first international channel in the UK in 1989. The UK business has grown to a robust portfolio of 11 pay-TV channels available through SKY, Virgin Media and other platforms. David Zaslav, president and CEO of Discovery Communications, said, "Discovery Communications is very proud to bring its first channel to Freeview. Our first international channel launched in the UK nearly 20 years ago and the company always has been 'platform neutral' in its distribution strategy. Discovery Communications' Freeview channel will both complement and enhance our offerings and portfolio position in the critical UK market." Dan Brooke, managing director of Discovery Networks UK, added, "The UK now has the most competitive and diverse TV market in the world and the launch of a Freeview channel is an important element in expanding consumer reach. We have talked to Freeview viewers: they love our programming, and once they have sampled it, we are confident they will want to experience the richness and variety of our content on other media platforms." Jeff Henry, managing director, ITV Consumer, said: "SDN is delighted to be working with Discovery Communications to enhance Freeview's channel offering even further. -
SIMPLESTREAM SECURES FURTHER £2M FUNDING to GROW INTERNATIONALLY and ROLLOUT TVPLAYER Submitted By: Simplestream Thursday, 5 February 2015
SIMPLESTREAM SECURES FURTHER £2m FUNDING TO GROW INTERNATIONALLY AND ROLLOUT TVPLAYER Submitted by: SimpleStream Thursday, 5 February 2015 LONDON, 5th February 2015 – Simplestream, a leading provider of ‘Over-the-Top’ (OTT) live streaming services for broadcast TV channels, is pleased to announce it has secured an additional £2m in equity funding from a consortium including Beringea, a leading growth capital firm with a focus on media and technology companies, and YOLO Leisure and Technology, an AIM listed investment company. The investment will accelerate the expansion of Simplestream’s video streaming platform in the UK and internationally, and the continued development of TVPlayer, Simplestream’s B2C live TV streaming service, which is to be made available on a white-label basis. Simplestream is a leading provider of live streaming and live-to-VOD services, whose broadcast clients include Discovery Networks, Scripps Networks, Box Television, QVC, At The Races and Turner Broadcasting amongst others. Simplestream’s cloud-based Media Manager solution enables broadcasters to securely live stream broadcast content to any device with minimal latency and gain significant workflow efficiencies through the automated creation of multi-bitrate, multi-platform video files from the live stream. The generation of long-form “catchup” programming, with or without ad-breaks, and the creation of short-form video clips are supported via a single system. Such is the growth in demand for live streaming services; Simplestream has seen 100% revenue growth year on year since its Media Manager was introduced to the UK market in 2012. The company now delivers services across Europe and North America, with a focus on sport, music, news, faith and teleshopping channels. -
Culture, Media and Sport Committee
House of Commons Culture, Media and Sport Committee Future of the BBC Fourth Report of Session 2014–15 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 10 February 2015 HC 315 INCORPORATING HC 949, SESSION 2013-14 Published on 26 February 2015 by authority of the House of Commons London: The Stationery Office Limited £0.00 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Mr Ben Bradshaw MP (Labour, Exeter) Angie Bray MP (Conservative, Ealing Central and Acton) Conor Burns MP (Conservative, Bournemouth West) Tracey Crouch MP (Conservative, Chatham and Aylesford) Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mr John Leech MP (Liberal Democrat, Manchester, Withington) Steve Rotheram MP (Labour, Liverpool, Walton) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Gerry Sutcliffe MP (Labour, Bradford South) The following Members were also a member of the Committee during the Parliament: David Cairns MP (Labour, Inverclyde) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Alan Keen MP (Labour Co-operative, Feltham and Heston) Louise Mensch MP (Conservative, Corby) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Mr Tom Watson MP (Labour, West Bromwich East) Powers The Committee is one of the Departmental Select Committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. -
Highlights December 2012
If you do not currently receive our monthly highlights and would like to, please email: [email protected] Click here for press office contacts Click on logo to go directly to channel Highlights December 2012 Ben Fogle has battled scorching sands in the they try their hand at the ultimate rock climbing Sahara, taken on the seas to row the Atlantic and experience at the world famous Castleton Tower Ben Fogle’s has crossed the frozen wastes of the Antarctic in Utah. Along the way Ben will even tackle his to reach the South Pole. Now, he’s ready for his personal fears of heights with adventures such next mission as he explores the world’s greatest as cliff diving as well as a solo skydive from Year of Adventures adventures. He will take himself to towering 10,000 feet. In the first episode Ben heads to the heights and down to plunging lows as well as to Australian wilderness to take part in the world’s UK SERIES PREMIERE extreme regions where temperatures soar and largest adventure race, where he will run, bike, THURSDAYS FROM 7TH FEBRUARY, 9.00PM never see the light of day. Although all of his swim and kayak to the finishing line. To prepare he exploits are spectacular and breath taking, he is takes on an urban assault course in London and determined that they will all be adventures that attempts to swim from the infamous island prison anyone can experience. of Alcatraz in San Francisco. With his enthusiasm and determination, this action packed series is all Ben embarks on a series of challenges all across about the voyage into the unknown, facing fear the world, from ice climbing and scuba diving in and the thrill of the new. -
TV & Radio Channels Astra 2 UK Spot Beam
UK SALES Tel: 0345 2600 621 SatFi Email: [email protected] Web: www.satfi.co.uk satellite fidelity Freesat FTA (Free-to-Air) TV & Radio Channels Astra 2 UK Spot Beam 4Music BBC Radio Foyle Film 4 UK +1 ITV Westcountry West 4Seven BBC Radio London Food Network UK ITV Westcountry West +1 5 Star BBC Radio Nan Gàidheal Food Network UK +1 ITV Westcountry West HD 5 Star +1 BBC Radio Scotland France 24 English ITV Yorkshire East 5 USA BBC Radio Ulster FreeSports ITV Yorkshire East +1 5 USA +1 BBC Radio Wales Gems TV ITV Yorkshire West ARY World +1 BBC Red Button 1 High Street TV 2 ITV Yorkshire West HD Babestation BBC Two England Home Kerrang! Babestation Blue BBC Two HD Horror Channel UK Kiss TV (UK) Babestation Daytime Xtra BBC Two Northern Ireland Horror Channel UK +1 Magic TV (UK) BBC 1Xtra BBC Two Scotland ITV 2 More 4 UK BBC 6 Music BBC Two Wales ITV 2 +1 More 4 UK +1 BBC Alba BBC World Service UK ITV 3 My 5 BBC Asian Network Box Hits ITV 3 +1 PBS America BBC Four (19-04) Box Upfront ITV 4 Pop BBC Four (19-04) HD CBBC (07-21) ITV 4 +1 Pop +1 BBC News CBBC (07-21) HD ITV Anglia East Pop Max BBC News HD CBeebies UK (06-19) ITV Anglia East +1 Pop Max +1 BBC One Cambridge CBeebies UK (06-19) HD ITV Anglia East HD Psychic Today BBC One Channel Islands CBS Action UK ITV Anglia West Quest BBC One East East CBS Drama UK ITV Be Quest Red BBC One East Midlands CBS Reality UK ITV Be +1 Really Ireland BBC One East Yorkshire & Lincolnshire CBS Reality UK +1 ITV Border England Really UK BBC One HD Channel 4 London ITV Border England HD S4C BBC One London -
Audiouk Response to Ofcom Call for Evidence Relating to BBC Sounds
AudioUK response to Ofcom call for evidence relating to BBC Sounds About the independent UK audio production sector 1. AudioUK is the trade body for the audio-led production sector in the UK. AudioUK has four core priorities: Business; Representation; Community; and Excellence – and has over 100 member companies based across the whole of the UK. AudioUK runs the Audiotrain skills programme. It also runs the Audio Production Awards, an annual celebration of the craft skills of audio production. AudioUK, along with Radiocentre, oversees the administration of the Audio Content Fund which distributes a grant from the UK government to fund public service content on commercial and community radio. As a member of the DCMS Broadcasting, Film and Production Working Group, AudioUK has produced guidelines for safe working in audio production during the coronavirus pandemic. 2. Outside of in-house radio and publishing production, audio production is carried out by a mixture of companies and self-employed individuals. In terms of companies we estimate there are between 180-200 SMEs spread around the UK. Traditionally audio production companies worked almost exclusively for the BBC, but activity has broadened out to podcasting, audiobooks and productions for commercial radio. The latter has been encouraged by the Audio Content Fund, which has created numerous new partnerships between indie audio production companies and commercial radio stations1. 3. We continue to support the existence of an independent and well-funded BBC, providing public service content to the Licence Fee Payer, nevertheless there is a real opportunity for the UK audio production sector to build its international reputation as a maker of first-class audio content, attracting more investment from partners such as podcast platforms, brands and national and international broadcasters. -
The Screenskills Apprenticeship Programme Invitation to Tender for Training Providers
The ScreenSkills Apprenticeship Programme Invitation to Tender for Training Providers About ScreenSkills ScreenSkills is the UK-wide strategic skills body that works with employers, individuals, trade associations, unions, learning and training providers, government and its public agencies and other key organisations to ensure that the UK's screen industries have continued access now, and in the future, to the skills and talent they require. ScreenSkills supports skills and training for people and businesses to ensure the sector maintains their world class position. This is done by influencing and shaping policy, ensuring quality and by securing the vital investment for individuals to become the best in their field and for businesses to grow. Context The UK screen industries are a truly remarkable success story. They are growing at an unprecedented rate and contribute enormously to the UK economy – film and high-end television production spend was at a record £3.1 billion last year, making a total contribution of £14.4 billion and providing around 211,000 jobs. Much of this is thanks to the Government’s introduction of tax reliefs for the creation of high-end television programmes in 2014. Since then, investment has more than doubled, with annual spend now worth £1.6 billion. This growth has created employment across the entire country, from Game of Thrones in Northern Ireland, to Sex Education in Wales, Outlander in Scotland, Peaky Blinders in Birmingham, Cold Feet in Manchester, Victoria in Yorkshire and County Durham, and Poldark in the West Country, and produced TV exports that promote UK culture around the world. -
016Cd9e416e4569af696511dd3
The current issue and full text archive of this journal is available on Emerald Insight at: www.emeraldinsight.com/2056-4945.htm AAM “ ” 5,2 Show us your moves : trade rituals of television marketing Paul Grainge and Catherine Johnson 126 Department of Culture, Film and Media, University of Nottingham, Nottingham, UK Received 25 June 2014 Revised 5 September 2014 Abstract Accepted 20 November 2014 Purpose – The purpose of this paper is to examine the professional culture of television marketing in the UK, the sector of arts marketing responsible for the vast majority of programme trailers and channel promos seen on British television screens. Design/methodology/approach – In research approach, it draws on participant observation at Promax UK, the main trade conference and award ceremony of the television marketing community. Developing John Caldwell’s analysis of the cultural practices of worker groups, it uses Promax as a site of study itself, exploring how a key trade gathering forges, legitimates and ritualizes the identity and practice of those involved in television marketing. Findings – Its findings show how Promax transmits industrial lore, not only about “how to do” the job of television marketing but also “how to be” in the professional field. If trade gatherings enable professional communities to express their own values to themselves, Promax members are constructed as “TV people” rather than just “marketing people”; the creative work of television marketing is seen as akin to the creative work of television production and positioned as part of the television industry. Originality/value – The value of the paper is the exploration of television marketing as a professional and creative discipline.