HMRC V Anna Cook
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2021 Schedule
LONG-STEPS BALLROOM DANCING ABN: 69 140 147 382 2021 GLENORCHY CLASS SCHEDULE Beginner & Advanced Ballroom Classes at the Glenorchy Uniting Church Hall – Kensington Street 7:00pm to 8:30pm - $15 per person. You do not need to bring a partner. TUESDAY NIGHTS THURSDAY NIGHTS Advanced Ballroom Beginner Ballroom January Queen of Hearts Rumba January Paso Doble February Quickstep February Lucille Waltz March Paso Doble March Charmaine April Engagement Waltz April Salt Dog Samba May Tango Terrific May Alpha Waltz June Katrina Samba June Rhythm Foxtrot July Twilight Waltz July Evening 3 Step Aug Slow Foxtrot Aug Jive September Argentine Stroll September Modern Waltz October Barclay Blues October Balmoral Blues November El Tango Facil November Cha Cha December Cha Cha December Slow Rhythm Contact Long-Steps [email protected] --- Lindsey 0408 576 777 Ian 0439 309 078 --- LONG-STEPS.COM LONG-STEPS BALLROOM DANCING ABN: 69 140 147 382 2021 RANELAGH CLASS SCHEDULE Beginner & Advanced Ballroom Classes at the Ranelagh Soldiers Memorial Hall – 40 Marguerite Street 7:00pm to 8:30pm - $15 per person. You do not need to bring a partner. MONDAY NIGHTS WEDNESDAY NIGHTS Beginner Ballroom Advanced Ballroom January Paso Doble January Midnight Jive February Carousel February Modern Waltz March Quickstep March November Paso April Pontinental Cha Cha & Rumba April Viennese & Tracie Leigh Waltz May Tangoette May Excelsior Schottische June Festival Glide & Parma Waltz June President’s Daughter’s Waltz July Mayfair Quickstep July Sally Ann Cha Cha Aug Samba -
Dancesport 21
DANCESPORT Information Sheet DATE: Sunday 7th February, 2021 VENUE: Games Village, War Memorial Centre, Watt Street START TIMES: Doors open at 9.30 am – Start time 10.30 am AGE GROUPS: 30 – 44 years / 45 – 54 years / 55 -- 64 years / 65yrs and above (Grand Masters). (There are only 2 age groups, 30 – 49yrs and 50+ for Professionals, Pro-Am, R&R and Mod. Jive.) • The age group relevant to each couple entering the competition is governed by the age of the younger member of the partnership. • Competitors may dance their own age grouping, and the one below. (Not applicable to Rock & Roll, Modern Jive, the Professionals, or the Pro-Amateurs) • Pro-Am’s (professional dancing with amateur) are judged as a couple. • As the 30 – 44 yr. age groups do not have an age below, they can enter the novelty. (open to 30- 44yrs. only) Unregistered dancers must not have been registered at any time during the last five years (but do not have to re-register to dance the Registered section) NUMBERS: NZMG registration or ID Cards must be shown to uplift your numbers FOOD: Food and drinks are available from carts and nearby Cafés. ADMISSION: All registered New Zealand Masters Games participants receive free door entry Proposed Dances AMATEUR: 30 – 44 years 1. Reg. Ballroom Waltz, Foxtrot, Quickstep 2. Reg. Latin Cha Cha, Rumba, Jive 3. Reg. New Vogue Twilight Waltz, Excelsor Schottische, La Bomba 4. Reg. Old Time Lilac Waltz, Saunter Revé, Liberty 2 Step 5. N. Reg. Ballroom Waltz, Foxtrot, Quickstep 6. N. Reg. Latin Cha Cha, Rumba, Jive 7. -
San Francisco Lodge Survey “One Paper, Many Voices”
San Francisco Lodge Survey “One Paper, Many Voices” Chinese American Citizens Alliance Volume 21, Fall Issue Inside this Issue… President's Message 2 Education 3 Activities 4 Honoring Senior Citizens 5 52nd C.A.C.A Conven- 6 tion Much Ado About Nothing 8 What is Happening to America’s In the News 10 Chinatowns? By Melanie Chan Are America’s Chinatown disappearing? For over a hundred years, Chinatowns were a com- In Memory of Jack Low 10 munity where new immigrant families could depend on a network of friends and relatives to help ease them into their new life here in America. They were vibrant and diverse gateways that provided shelter, jobs and support to the community. Honoring Senior Citizens 11 (Chinese version) The Asian American Legal Defense and Education Fund (AALDEF) studied Chinatowns in the cities of Boston, New York and Philadelphia. They spent a year recording block by block by lot the existing land uses in Boston, New York and Philadelphia's’ Chinatown and sur- rounding immigrant areas, looking at the residential, restaurants and businesses. What they discovered is that the shrinking of the areas’ Chinatown are multi-faceted. Rising land prices has contributed to the gentrification and expan- sion of luxury buildings and upscale businesses encroaching into the Chinatowns. An example is when the New York City Council, despite protests from the Chinese community and businesses, approved the city’s third largest rezoning plan in 2008. Independent analysis by urban planners concluded that it would push luxury development into Chinatown and disproportionately impact the low income and immigrant communities. -
Ceroc® New Zealand Competition Rules, Categories and Judging Criteria
Version: April 2018 Ceroc® New Zealand Competition Rules, Categories and Judging Criteria Ceroc® competition events are held in different regions across New Zealand. The rules for the Classic and Cabaret categories as set out in this document will apply across all of these events. Event organisers will provide clear details for all Creative category rules, which may differ between events. Not all categories listed below will necessarily be present at every event. Each event may have their own extra regional Creative categories that will be detailed on the event organiser’s web pages, which can be found via www.cerocevents.co.nz. Contact the event organiser for further details of categories not listed in this document. Contents 1 Responsibilities 1.1 Organiser Responsibilities 1.2 Competitor Responsibilities 2 Points System for Competitor Levels 2.1 How it works 2.2 Points Registry 2.3 Points as they relate to Competitor Level 2.4 Earning Points 2.5 Teachers Points 2.6 International Competitors 3 General Rules 3.1 Ceroc® Style 3.2 Non-Contact Dancing 3.3 Floorcraft 3.4 Aerials 3.5 Newcomer Moves 4 Classic Categories 4.1 Freestyle 4.2 Dance With A Stranger (DWAS) 5 Cabaret Categories 5.1 Showcase 5.2 Newcomer Teams 5.3 Intermediate and Advanced Teams 6 Creative Categories 6.1 to 6.15 7 Judging 7.1 Judging Criteria 7.2 Penalties and Disqualifications Version: April 2018 1 Responsibilities 1.1 Organiser Responsibilities The organiser is responsible for ensuring the event is run professionally and fairly. This is a complex undertaking and more information can be provided by the organiser or Ceroc® Dance New Zealand (Ceroc® NZ) upon request. -
June 12Th-14Th 2015
June 12th-14th 2015 The 7th Cambridge Buskers & Street Performers Festival www.cambuskers.org www.twitter.com/cambuskers www.facebook.com/cambuskers For enquiries please contact: Heather Bevan-Hunt on [email protected] Welcome to the 7th Cambridge Buskers & Street Performers Festival Cambridge Buskers & Street Performers Festival is now in its 7th year (we took a year off in 2012 for the Olympics) and is the 2nd festival 12th - 14th June 2015 that Cambuskers Community Group has organised. The Festival’s popularity has grown immensely and is a Vote for your highlight of the Cambridge calendar. We have more applicants from overseas than ever before, who will perform alongside Favourite Buskers and artists from the local area. Cambuskers bring a diverse range of music, dance and street win a fabulous prize! theatre to the streets of Cambridge. We also have music at d’Arry’s in King Street, The Earl of Beaconsfield in Mill Road Local and international talent including and The Six Bells in Covent Garden (off Mill Road). New for musicians, dancers, magicians and many more this year is a Cambridge Buskers marquee at Oakleigh Fairs Town & Country Show on Parkers Piece. You will find a map will be showcased in the streets of Cambridge on the back cover with directions to these locations. City Centre. Visitors to the festival are being This free 3-day event starts between 10am-11am finishes between 4pm – 5pm, depending on the location and will be asked to vote for their favourites. later in some venues, see pages 5-7. The new Mayor opens the festival at 11am on Friday 12th You can see them between 10am and 5pm on June outside the front of the Guildhall. -
Programme Ideas: Physical Section
PHYSICAL Programme ideas: Physical section When completing each section of your DofE, you It’s your choice… should develop a programme which is specific Doing physical activity is fun and improves your and relevant to you. This sheet gives you a list health and physical fitness. There’s an activity to of programme ideas that you could do or you suit everyone so choose something you are really could use it as a starting point to create a Physical interested in. programme of your own! Help with planning For each idea, there is a useful document You can use the handy programme planner on giving you guidance on how to do it, which the website to work with your Leader to plan you can find under the category finder on your activity. www.DofE.org/physical Individual sports: Swimming Fitness: Martial arts: Kabaddi Archery Synchronised Aerobics Aikido Korfball Athletics (any field or swimming Cheerleading Capoeira Lacrosse track event) Windsurfing Fitness classes Ju Jitsu Netball Biathlon/Triathlon/ Gym work Judo Octopushing Pentathlon Dance: Gymnastics Karate Polo Bowling Ballet Medau movement Self-defence Rogaining Boxing Ballroom dancing Physical Sumo Rounders Croquet Belly dancing achievement Tae Kwon Do Rugby Cross country Bhangra dancing Pilates Tai Chi Sledge hockey running Ceroc Running/jogging Stoolball Cycling Contra dance Trampolining Tchoukball Fencing Country & Western Walking Team sports: Ultimate flying disc Golf Flamenco Weightlifting American football Underwater rugby Horse riding Folk dancing Yoga Baseball Volleyball Modern pentathlon -
Dance with History a Fun View of Inclusive Dance Through Time
www.DanceWith.co.uk Dance with History A fun view of inclusive dance through time. Prehistory "Go back ten thousand years and you will find humans toiling away at the many mundane activities required for survival: hunting, food gathering, making weapons and garments, beginning to experiment with agriculture. But if you land on the right moonlit night or seasonal turning point, you might also find them engaged in what seems, by comparison, to be a gratuitous waste of energy: dancing in lines or circles...well before people had a written language, and possibly before they took up a settled lifestyle, they danced and understood dancing as an activity important enough to record in stone." Source Ehrenreich Antiquity "Socrates recommended dance to his students ... and danced among his friends after dinner" (470-399 BC) "Plato saw dance as a desirable method "for the acquisition of noble, harmonious and graceful attitudes"" (427-347 BC) Source Franks "Dance is as old as love" Lucian of Samosata (120-180 AD) Source Ellis 1285 Make Merry From accounts of the Tournaments at Chauvenci, attended by English Knights: "Apres mangier, en piez leverent. "After eating, they rose to their feet and removed Tument tables, tument tretel. the tables and trestles. They played flutes, tabors Trompent flaiot, tabors, fretel and flageolets and generally made as merry as Eslorent bien en lor saison could be. Then a song began. Everyone came Lors comanca une chanson De chanter chaseuns cuers s'avance forward eagerly to sing 'Cursed be he who does 'Mal dehait ait qui ne vient en la dance' not join the dance'. -
Jive Nation Poland Ltd and Its Associates Reserve the Right to Change the Programme and Competition If Necessary Without Consultation
EUROPEAN MODERN JIVE CATEGORIES AND PRIZES All category winners, will receive a European Title, Trophy and Cash Prize. Medals will be awarded for 1st, 2nd and 3rd places in each paid category. The Team Cabaret category, trophies only for 1st, 2nd and 3rd places. OPEN This is the premier Modern Jive category. Entry is open to all levels of dancer. This is a freestyle dancing competition. 1st Place Prize: £250 per couple. SPOTLIGHT An original choreographed composition by a dance couple of between 3 and 5 minutes, danced to their own chosen music. All dance styles are permitted, there is no requirement for Modern Jive elements. The routine performed will be assessed in accordance with the Judging criteria. Entrants in this category will be contacted so that they can provide their music track. Apply early to reserve your entry as places will be limited. 1st Place Prize : £250 per couple. ADVANCED Open to amateurs only. Dance Teachers and/or Professional dancers (see definitions below) are not eligible. This is a freestyle dancing competition and is recommended for all those that have been dancing Modern Jive for twelve months or more. 1st Place Prize : £150 per couple. INTERMEDIATE Open to amateurs only. Dance Teachers and/or Professional dancers (see definitions below) and previous winners are not eligible. This is a freestyle dancing competition and is recommended for all those that have been dancing Modern Jive for six months or more. 1st Place Prize : £125 per couple. EUROPEAN MODERN JIVE CATEGORIES AND PRIZES RISING STARS Open to amateurs only. Dance Teachers and/or Professional dancers (see definitions below) and previous winners are not eligible. -
Dancing in the Asylum the Changing View of ‘Dance Therapy’ from 1850 to 1910
Dancing in the Asylum The changing view of ‘dance therapy’ from 1850 to 1910 Discussion Paper presented at the EADH Conference: Dancing beyond the Opera House, London, November 2018 Bill Tuck Abstract have been preserved in the collections of the Elgar Museum in Worcestershire and have From the “visits to Bedlam” recounted in been transcribed and published by the Elgar Shakespeare’s plays, to the “Friday concerts” Society as part of the composers ‘complete at the Powick Asylum (conducted by a young works’.1 Edward Elgar) the public attendance to observe the ‘dancing’ of asylum inmates has Far less is known, however, about the context been frequently recorded. As a location for in which they were intended to be used. The dance outside of the opera house, the asylum, music consists primarily of dance along with such performances, raises compositions: quadrilles, polkas, minuets, etc. interesting questions about the nature of It was not primarily intended as music for dance as both participatory activity and public listening to (though no doubt it may have spectacle. At the same time its increasing use partly served that function) but for dancing. as a therapeutic tool touches upon the The clear aim of the administrators of the pedagogic aspect and the important role that hospital was that the Friday ‘concerts’ were dance can play in fostering social as well as provided as opportunities for the patients to mental well-being. dance – though no doubt the less mobile might be allowed to just listen. In other words, the Starting with the well-documented material project was part of a considered programme of from Powick, the proposed paper will dance therapy – not music therapy. -
Edarmstrongptbcontent
2 INTERACTIVE DOCUMENTARY AND PLACE: PORTRAIT OF A BEND OF ISLANDS Ed Armstrong Advanced Diploma Screen Production, RMIT TAFE Bachelor of Creative Writing (Media and Communication), RMIT University Submitted in partial fulfilment for the requirements for the degree of Bachelor of Media and Communication (Honours) Dr. Adrian Miles School of Media and Communication, RMIT University October 2013 This work is licensed under the Creative Cover images: Placing the Bend, Commons Attribution-NonCommercial 3.0 screenshots Unported License. To view a copy of this First page and final page: aerial license, visit http://creativecommons.org/ photography, BOI circa 1962 and licenses/by-nc/3.0/deed.en_US. 1966, care of Frank Pierce ABSTRACT Online interactive documentary is an emerging area of new media arts practice that I have used to explore the dense theoretical propositions related to the humanist geographical notion of placemaking. In this exegesis, with reference to some of the key claims humanist geographers have made in terms of place as hybrid and densely networked, I shall discuss the advantages and disadvantages I have come across in making Placing the Bend to see how effective interactive documentary is as a medium. Ed Armstrong RMIT University DECLARATION I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the exegesis is the result of the work which has been carried out since the official research program; and any editorial work, paid or unpaid carried out by a third party is acknowledged. -
New Zealand Competitons Criteria
New Zealand Comps Criteria Classical Freestyle Events (upgrading for placegetters in all circumstances) Beginner Competition Level: Beginner To qualify for Beginners you must meet ALL the following criteria: Have not attended any Ceroc classes, workshops or training higher than Beginner level prior to this competition. Beginner moving up workshops are considered to be at Beginner level. Beginner +/Improver classes are considered to be at Beginner level. Have been dancing Ceroc for less then one calendar year from your first Ceroc dance class. Have never placed in any other style of partner dance competition. Event Freestyle heats, semi-finals and finals will all be one song for a minimum of 2 minutes One song only between 120 – 130 bpm. Judging Criteria: Costume Execution of moves Sense of fun Timing As this is a freestyle event Judges will be looking for non choreographed dancing. Obvious use of repeated sequences of moves (i.e. choreographed routines) in this freestyle event will result in a lower ranking. Dancers will be penalised for using moves that are above the beginner or beginner plus/Improver level. This includes any dips, drops or lifts. Astaire and Ginger leans are allowed. Intermediate Competition Level: Intermediate To qualify for Intermediate you must meet ALL the following criteria: Have not attended any Ceroc classes, workshops or training higher than Intermediate level prior to this competition. All aerial workshops are considered to be Advanced level. Intermediate moving up workshops are considered to be at Intermediate level. Intermediate +/Improver classes are considered to be at Intermediate level. Event Freestyle heats, semi-finals and final will all be one song for a minimum of 2 minutes One song only between 120 – 140 bpm. -
Lindy Hops Another Ocean - Singapore Swings!
Lindy Hops Another Ocean - Singapore Swings! The Lindy Hop world's newest dance troupe - Singapore's Babybugs. Can you spot the teacher? (Photo courtesy of Sing Lim) S ing Lim.formerly of Chas" and "Rock and Roll WHAT IS LE Roe? Jiuerbugs in London, we111 Flying Rhyrhm Medley" and "Wonderful INSIDE Christine Keeble fills in some Home to Singapore after many Waltzes". There are dance stu of the details (page 7) years of happy hopping. Four dios and teachers, but none of AN Axe TO GRIND months after she leji, she writes to Tayo Ajibade shares her them have heard of Lindy Hop. EVERYBODY'S DOING IT Hoppin'. Not satisfied with the lack of thoughts on the changing rela tionship between music and Louise Thwaite on women's Swing, I decided to find my own clothes in the '20s (pages 8 & 9) Yes, Lindy does it again. Not crowd and work on them first! dance (page 3) content with conquering the LADY HOP DAY, STOCKHOLM SWEDISH SONG LIST Atlantic, Lindy has now made the JR.LADYBUGS(BABYBUGS?) Some women get together to You asked for it! A list of very Hop to Singapore. Inspired by Zoots and danceable slow-tempo songs, per Spangles' work with the Kent develop their dancing (page 4) SINGAPORE DOESN'T SWING (YET) fect for beginners (page 10) Youth Group, I approached my EVENT REVIEWS There is a fairly dedicated alma mata, the Singapore Girls Dance World '95 in London. ESTONIA SWINGS! dance scene in Singapore, but it is School (SGS). The teacher in Workshops in Moers, Germany We did say everybody'sdoing predominantly ballroom/social charge of dance, Mrs.