Non-Swing Content Swing Content Characteristics of the 3 Most Popular Swing Dances at the US Open
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Types of Dance Styles
Types of Dance Styles International Standard Ballroom Dances Ballroom Dance: Ballroom dancing is one of the most entertaining and elite styles of dancing. In the earlier days, ballroom dancewas only for the privileged class of people, the socialites if you must. This style of dancing with a partner, originated in Germany, but is now a popular act followed in varied dance styles. Today, the popularity of ballroom dance is evident, given the innumerable shows and competitions worldwide that revere dance, in all its form. This dance includes many other styles sub-categorized under this. There are many dance techniques that have been developed especially in America. The International Standard recognizes around 10 styles that belong to the category of ballroom dancing, whereas the American style has few forms that are different from those included under the International Standard. Tango: It definitely does take two to tango and this dance also belongs to the American Style category. Like all ballroom dancers, the male has to lead the female partner. The choreography of this dance is what sets it apart from other styles, varying between the International Standard, and that which is American. Waltz: The waltz is danced to melodic, slow music and is an equally beautiful dance form. The waltz is a graceful form of dance, that requires fluidity and delicate movement. When danced by the International Standard norms, this dance is performed more closely towards each other as compared to the American Style. Foxtrot: Foxtrot, as a dance style, gives a dancer flexibility to combine slow and fast dance steps together. -
2021 Schedule
LONG-STEPS BALLROOM DANCING ABN: 69 140 147 382 2021 GLENORCHY CLASS SCHEDULE Beginner & Advanced Ballroom Classes at the Glenorchy Uniting Church Hall – Kensington Street 7:00pm to 8:30pm - $15 per person. You do not need to bring a partner. TUESDAY NIGHTS THURSDAY NIGHTS Advanced Ballroom Beginner Ballroom January Queen of Hearts Rumba January Paso Doble February Quickstep February Lucille Waltz March Paso Doble March Charmaine April Engagement Waltz April Salt Dog Samba May Tango Terrific May Alpha Waltz June Katrina Samba June Rhythm Foxtrot July Twilight Waltz July Evening 3 Step Aug Slow Foxtrot Aug Jive September Argentine Stroll September Modern Waltz October Barclay Blues October Balmoral Blues November El Tango Facil November Cha Cha December Cha Cha December Slow Rhythm Contact Long-Steps [email protected] --- Lindsey 0408 576 777 Ian 0439 309 078 --- LONG-STEPS.COM LONG-STEPS BALLROOM DANCING ABN: 69 140 147 382 2021 RANELAGH CLASS SCHEDULE Beginner & Advanced Ballroom Classes at the Ranelagh Soldiers Memorial Hall – 40 Marguerite Street 7:00pm to 8:30pm - $15 per person. You do not need to bring a partner. MONDAY NIGHTS WEDNESDAY NIGHTS Beginner Ballroom Advanced Ballroom January Paso Doble January Midnight Jive February Carousel February Modern Waltz March Quickstep March November Paso April Pontinental Cha Cha & Rumba April Viennese & Tracie Leigh Waltz May Tangoette May Excelsior Schottische June Festival Glide & Parma Waltz June President’s Daughter’s Waltz July Mayfair Quickstep July Sally Ann Cha Cha Aug Samba -
2017 US OPEN Rules
US Open Swing Dance Championships/Rules & Competitions/2017v-1 2017 US OPEN Rules MISSION STATEMENT Our mission is to provide the best possible environment to showcase the highest level of competition from around the world, and thus provide the most exciting entertainment for our attendees. GENERAL RULES & INFORMATION STATEMENT OF SWING This statement of Swing is to be used to identify the presence of swing in the Swing Divisions at the US Open Swing Dance Championships. Swing is an American Rhythm Dance based on a foundation of 6-beat and 8-beat patterns that incorporate a wide variety of rhythms built on 2-beat single, delayed, double, triple, and blank rhythm units. The 6-beat patterns include, but are not limited to, passes, underarm turns, push-breaks, open-to-closed, and closed-to-open position patterns. The 8-beat patterns include, but are not limited to, whips, swing-outs, Lindy circles, and Shag pivots. Although they are not part of the foundation of the dance as stated above, 2- beat and 4-beat extension rhythm breaks may be incorporated to extend a pattern, to phrase the music, and/or to accent breaks. (For additional information, please visit http://www.nasde.net/rules.php) The objective is to provide a competitive performance venue for the various unique styles of swing that have developed across the nation to include the Carolina Shag, Dallas Push, East Coast Swing, Hand Dancing, Hollywood Swing, Houston Whip, Imperial Swing, Jive, Jitterbug, Lindy Hop, Rock-n-Roll, and West Coast Swing, to name a few. The US Open Swing Dance Championships divisions are open to a variety of Swing dances, except in Cabaret division. -
'What Ever Happened to Breakdancing?'
'What ever happened to breakdancing?' Transnational h-hoy/b-girl networks, underground video magazines and imagined affinities. Mary Fogarty Submitted in partial fulfillment Of the requirements for the degree of Interdisciplinary MA in Popular Culture Brock University St. Catharines, Ontario © November 2006 For my sister, Pauline 111 Acknowledgements The Canada Graduate Scholarship (SSHRC) enabled me to focus full-time on my studies. I would also like to express my deepest gratitude to my committee members: Andy Bennett, Hans A. Skott-Myhre, Nick Baxter-Moore and Will Straw. These scholars have shaped my ideas about this project in crucial ways. I am indebted to Michael Zryd and Francois Lukawecki for their unwavering kindness, encouragement and wisdom over many years. Steve Russell patiently began to teach me basic rules ofgrammar. Barry Grant and Eric Liu provided comments about earlier chapter drafts. Simon Frith, Raquel Rivera, Anthony Kwame Harrison, Kwande Kefentse and John Hunting offered influential suggestions and encouragement in correspondence. Mike Ripmeester, Sarah Matheson, Jeannette Sloniowski, Scott Henderson, Jim Leach, Christie Milliken, David Butz and Dale Bradley also contributed helpful insights in either lectures or conversations. AJ Fashbaugh supplied the soul food and music that kept my body and mind nourished last year. If AJ brought the knowledge then Matt Masters brought the truth. (What a powerful triangle, indeed!) I was exceptionally fortunate to have such noteworthy fellow graduate students. Cole Lewis (my summer writing partner who kept me accountable), Zorianna Zurba, Jana Tomcko, Nylda Gallardo-Lopez, Seth Mulvey and Pauline Fogarty each lent an ear on numerous much needed occasions as I worked through my ideas out loud. -
Round Dances Scot Byars Started Dancing in 1965 in the San Francisco Bay Area
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2016 – FINAL 7/31/2016 In Memoriam Floyd Davis 1927 – 2016 Floyd Davis was born and raised in Modesto. He started dancing in the Modesto/Turlock area in 1947, became one of the teachers for the Modesto Folk Dancers in 1955, and was eventually awarded the Lifetime Achievement Award for dance by the Stanislaus Arts Council. Floyd loved to bake and was famous for his Chocolate Kahlua cake, which he made every year to auction off at the Stockton Folk Dance Camp Wednesday auction. Floyd was tireless in promoting folk dancing and usually danced three times a week – with the Del Valle Folk Dancers in Livermore, the Modesto Folk Dancers and the Village Dancers. In his last years, Alzheimer’s disease robbed him of his extensive knowledge and memory of hundreds, if not thousands, of folk dances. A celebration for his 89th birthday was held at the Carnegie Arts Center in Turlock on January 29 and was attended by many of his well-wishers from all over northern California. Although Floyd could not attend, a DVD was made of the event and he was able to view it and he enjoyed seeing familiar faces from his dancing days. He died less than a month later. Floyd missed attending Stockton Folk Dance Camp only once between 1970 and 2013. Sidney Messer 1926 – 2015 Sidney Messer died in November, 2015, at the age of 89. Many California folk dancers will remember his name because theny sent checks for their Federation membership to him for nine years. -
SOCIAL DANCE STUDY GUIDE.Pdf
SOCIAL DANCE STUDY GUIDE ELEMENTS OF DANCE 1. Walking- heel first 2. Chasse- step-together-step (ball of foot hits first, then close) 3. Box- combines walking and chasse 4. Rock- transfer weight to one foot, then replace weight to other foot 5. 5th Position Rock Step- As you step back for the rock step, turn the back toe out. This gives you more hip action (rumba, swing) 6. Triple Step- 3 steps to the side (step-together-step) Key: M = man W = woman R = right L = left CCW = counter clock wise FWD = forward BWK = backward Q = quick S = slow DANCE POSITIONS 1. Closed- (foxtrot, waltz, tango) Partners are very close, with the women’s L arm resting on the men’s R, the lead hand is held chin height. 2. Closed- (rumba, cha cha) less arm bend than #1, partners are about 1 foot apart. (swing) lower the lead hand to side 3. One Hand Hold- This is the open position. Hold on same side, M L in W R. 4. R Open- M R side is open and partners are side by side (his L beside her R) 5. L Open- opposite of #4. 6. Promenade- 45-degree angle, both are facing the same direction and are in side- by-side position. 7. Practice- 2-hand hold which allows you to be farther apart. CHA CHA CHA Style- International Latin Meter- 4/4 Tempo- 128 bpm Rhythm- S,S,Q,Q,Q Style- Medium tempo Latin Description- A fun, sexy, flirtatious dance. This is a spot dance using the Cuban motion, which is characteristic of bending and straightening the knees. -
Peter Strom & Naomi Uyama
Saturday Upstairs Bowling Alley Meeting Room Lindy Hop The Best Class Ever! Collegiate Shag Noon to FUNdamentals Peter & Naomi Ryan & Kiera 1:15 p.m. Jerry & Elaine Intermediate Beginner Beginner Instructor’s Choice Nuts & Bolts Charleston Tap 1:30 to Peter & Naomi Mike & Shawna Misty 2:30 p.m. Intermediate All Levels All Levels Naomi’s Nuances Little Leaps & Daring Dips Blues Basics & Beyond 2:45 to Peter & Naomi Mike & Shawna Jerry & Kathy 3:45 p.m. All Levels Intermediate All Levels Classic Lindy à la Peter Space: the Final Frontier Collegiate Shag 4:00 to Peter & Naomi Mike & Shawna Ryan & Kiera 5:00 p.m. Intermediate All Levels Intermediate Sunday Upstairs Bowling Alley The 2nd Best Class Ever! Sunset Shuffle Noon to Peter & Naomi Elaine 1:15 p.m. Intermediate All Levels featuring Style in Your Stride Slow Bal Peter Strom & 1:30 to Peter & Naomi Mike & Shawna 2:30 p.m. All Levels Beginner Naomi Uyama Frankie’s Favorites Collegiate Shag 2:45 to Peter & Naomi Ryan & Kiera 3:45 p.m. All Levels Intermediate / Advanced April 20-22, 2018 Musicality Swinging Soul @ Sons of Hermann Hall 4:00 to Naomi Peter 5:00 p.m. All Levels Intermediate @ Sons of Hermann Hall Dallas, Texas * April 20-22, 2018 Saturday, April 21, 2018 The Best Class Ever! - Intermediate - Peter & Naomi The title says it all! Lindy Hop FUNdamentals - Beginner - Jerry & Elaine Learn the granddaddy of all Swing dances, the Lindy Hop, or just brush up on your basics. A good understanding of the basics is essential to becoming a great dancer. -
2014 Ohiodance Festival and Conference Dance Matters: Connections and Collaborations April 25-27, 2014 Co-Sponsored by Balletmet Columbus
2014 OhioDance Festival and Conference Dance Matters: Connections and Collaborations April 25-27, 2014 Co-sponsored by BalletMet Columbus Bill Evans photo by Jim Dusen Bobbi Wyatt photography www.ohiodance.org PRESENTING SPONSOR: ANNE AND NOEL MELVIN APRIL 25 - 27 & MAY 1 - 3, 2014 THE CAPITOL THEATRE The final work on the exciting 2013-2014 season featuring three company premieres - including Christopher Wheeldon’s Carousel, Gustavo Ramírez Sansano’s 18 + 1, and a new work by Artistic Director, Edwaard Liang. David Ward and Jessica Brown Tickets start at just $25! | Dancers Jennifer Zmuda Photo by WWW.BALLETMET.ORG 2 www.ohiodance.org Dance Matters: Connections and Collaborations The OhioDance Festival and Conference is an annual statewide celebration of dance through classes, workshops, discussions and performances. Friday, April 25 students will participate in a Young Artists’ Concert at 10:30am. Saturday, April 26 Dance Matters: Connections and Collaborations, celebrates movement- centered alliances for the stage and the classroom, among dance artists, educators, and supporters. Nationally-recognized guest artist Bill Evans, will address this topic. Bill Evans is a performer, teacher, choreographer, lecturer, administrator, movement analyst, writer, adjudicator and dance advocate with a uniquely varied and comprehensive background of experiences and accomplishments, including the creation of the Evans Modern Dance Technique. Evans will teach a master class and perform a tap solo in the Showcase. Saturday, April 27, 7:00pm “Moving Works” Showcase and Award Ceremony. Awards will be presented to Mary Verdi-Fletcher for outstanding contributions to the advancement of the dance artform and Kelly Berick for outstanding contributions to the advancement of dance education. -
Re-Imagining United States History Through Contemporary Asian American and Latina/O Literature
LATINASIAN NATION: RE-IMAGINING UNITED STATES HISTORY THROUGH CONTEMPORARY ASIAN AMERICAN AND LATINA/O LITERATURE Susan Bramley Thananopavarn A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature in the College of Arts and Sciences. Chapel Hill 2015 Approved by: María DeGuzmán Jennifer Ho Minrose Gwin Laura Halperin Ruth Salvaggio © 2015 Susan Bramley Thananopavarn ALL RIGHTS RESERVED ii ABSTRACT Susan Thananopavarn: LatinAsian Nation: Re-imagining United States History through Contemporary Asian American and Latina/o Literature (Under the direction of Jennifer Ho and María DeGuzmán) Asian American and Latina/o populations in the United States are often considered marginal to discourses of United States history and nationhood. From laws like the 1882 Chinese Exclusion Act to the extensive, racially targeted immigration rhetoric of the twenty-first century, dominant discourses in the United States have legally and rhetorically defined Asian and Latina/o Americans as alien to the imagined nation. However, these groups have histories within the United States that stretch back more than four hundred years and complicate foundational narratives like the immigrant “melting pot,” the black/white binary, and American exceptionalism. This project examines how Asian American and Latina/o literary narratives can rewrite official histories and situate American history within a global context. The literary texts that I examine – including works by Carlos Bulosan, Américo Paredes, Luis Valdez, Mitsuye Yamada, Susan Choi, Achy Obejas, Karen Tei Yamashita, Cristina García, and Siu Kam Wen – create a “LatinAsian” view of the Americas that highlights and challenges suppressed aspects of United States history. -
Dancesport 21
DANCESPORT Information Sheet DATE: Sunday 7th February, 2021 VENUE: Games Village, War Memorial Centre, Watt Street START TIMES: Doors open at 9.30 am – Start time 10.30 am AGE GROUPS: 30 – 44 years / 45 – 54 years / 55 -- 64 years / 65yrs and above (Grand Masters). (There are only 2 age groups, 30 – 49yrs and 50+ for Professionals, Pro-Am, R&R and Mod. Jive.) • The age group relevant to each couple entering the competition is governed by the age of the younger member of the partnership. • Competitors may dance their own age grouping, and the one below. (Not applicable to Rock & Roll, Modern Jive, the Professionals, or the Pro-Amateurs) • Pro-Am’s (professional dancing with amateur) are judged as a couple. • As the 30 – 44 yr. age groups do not have an age below, they can enter the novelty. (open to 30- 44yrs. only) Unregistered dancers must not have been registered at any time during the last five years (but do not have to re-register to dance the Registered section) NUMBERS: NZMG registration or ID Cards must be shown to uplift your numbers FOOD: Food and drinks are available from carts and nearby Cafés. ADMISSION: All registered New Zealand Masters Games participants receive free door entry Proposed Dances AMATEUR: 30 – 44 years 1. Reg. Ballroom Waltz, Foxtrot, Quickstep 2. Reg. Latin Cha Cha, Rumba, Jive 3. Reg. New Vogue Twilight Waltz, Excelsor Schottische, La Bomba 4. Reg. Old Time Lilac Waltz, Saunter Revé, Liberty 2 Step 5. N. Reg. Ballroom Waltz, Foxtrot, Quickstep 6. N. Reg. Latin Cha Cha, Rumba, Jive 7. -
Activity Book
Activity Book Dance, Dance Revolution #LoveLivesOn Developed for TAPS Youth Programs use. Table of Contents Table of Contents………………………...………………...………………....………….…….1 Dance Games………..........................................................................................2 Dance Doodle……………….……………...……..…………….……………….……………….3 Love Lives On..……..….....………....……………………….…………………...….........…4 Lyric Art…………...…...….…......………………..……..…...……….……......……….…….5 Traditional Dance …..………………....................................................................6 Laugh Yoga….………………………….…………...…….....………………......……….…….7 iRest……………………....………………………………...……………………………………….8 Dancing through the Decades…..…………………………………………...……………..9 Playlist ……………...……..…………………………..…….…………………………….……..10 Unicorn Dance...………...……………………..……………...………………..…....…...…11 Create your own musical instrument..………...……………………………..………..12 Host your own dance party……..…...…….……………………….….….……..………..13 Music Video.………..……………………..…….……………………….….….……..………..14 Disco Pretzels……….……………………………………………………………………………15 Additional Activities………………………………………………….…………...………….16 1 DANCE GAMES TAPS Activity Book DIRECTIONS: Dancing and playing games is a perfect way to have fun with family and friends! Below are a few fun dance games that you can play and try. 1. Memory Moves To play memory moves, have the kids form a circle around the dance floor. Choose one player to go first. That player will step into the center of the circle and make up a dance move. The next player will step into the center and repeat -
Harlem Intersection – Dancing Around the Double-Bind
HARLEM INTERSECTION – DANCING AROUND THE DOUBLE-BIND A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Judith A. Miller December, 2011 HARLEM INTERSECTION – DANCING AROUND THE DOUBLE-BIND Judith A. Miller Thesis Approved: Accepted: _______________________________ _______________________________ Advisor School Director Robin Prichard Neil Sapienza _______________________________ _______________________________ Faculty Reader Dean of the College Durand L. Pope Chand Midha, PhD _______________________________ _______________________________ Faculty Reader Dean of the Graduate School James Slowiak George R. Newkome, PhD _______________________________ Date ii TABLE OF CONTENTS CHAPTER I. INTRODUCTION ……………………………………………………………………. 1 II. JOSEPHINE BAKER – C’EST LA VIE …………………..…….…………………..13 III. KATHERINE DUNHAM – CURATING CULTURE ON THE CONCERT STAGE …………………………………………………………..…………30 IV. PEARL PRIMUS – A PERSONAL CRUSADE …………………………...………53 V. CONCLUSION ……………………………………………………………...……….74 BIBLIOGRAPHY ……………………………………………………………………… 85 iii CHAPTER I INTRODUCTION “Black is Beautiful” became a popular slogan of the 1960s to represent rejection of white values of style and appearance. However, in the earlier decades of the twentieth century black women were daily deflecting slings and arrows thrown at them from all sides. Arising out of this milieu of adversity were Josephine Baker, Katherine Dunham, and Pearl Primus, performing artists whose success depended upon a willingness to innovate, to adapt to changing times, and to recognize and seize opportunities when and where they arose. Baker introduced her performing skills to New York audiences in the 1920s, followed by Dunham in the 1930s, and Primus in the 1940s. Although these decades resulted in an outpouring of cultural and artistic experimentation, for performing artists daring to cross traditional boundaries of gender and race, the obstacles were significant.