DOCSLIB.ORG

Jan-April 1988

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jan-April 1988 All events except films (shown in italics) in Concert Hall unless otherwise stated 6th Indian Dance Class 9.30am DATE EVENT TIME 7th & 8th The Mission 6pm& 8./5 pm BLUECOAT ARTS CENTRE 8th Pinski Zoo 8pm January 9th - Feb 13th Pam Skelton & David Gallery Mabb 9th The Wind 6pm& 8.15pm I·N·F·O·R·M·A· T·I·O·N 18th & /9th 84 Charing Cross Road 6pm&8./Spm /Och La Bamba 6pm&8./Spm B'Ox Office: Music & Dance 20th Harlan County, USA 6pm&B./Spm I Ith Book Market 9am - Spm (OSI) 709 S297 (Sandon Room) Film: (OSI) 709 4260 21st Michael Nyman Band 8pm General Enquiries & Room Hire 12th 'Baggages' - All Day (OSI) 709 S297 21st Aguirre, Wrath of God 6pm&8./Spm Bistro Reservations & Enquires (OSI) 709 2179 Performance Bluecoat Gallery 22nd 48Hrs 6pm&8./Spm (OS I) 709 S689 /Ith Three Amigos 6pm&B./Spm Music & Dance Department 23rd Barry Lyndon 3.45pm&7.l5pm (OSI) 708 8877 13th Indian Dance Class 9.30am 25 & 26th Peggy Sue Got Married 6pm&8./Spm Tickets for Music and Dance events are available from the Bluecoat Coffee 14th & 15th The Ballad of Halo Jones 8pm Shop, Monday to Saturday 10 am - 5.0? pm, or at the door. Concessionary 27th Blue Collar 6pm&8./Spm 14th & /Sch Betty Blue 6pm& 8.15pm prices are shown in brackets and are ava1!able to: students, nurses, the unwaged, 28th WR - Mysteries of 6pm&8./Spm and OAPs on production of the appropriate card. 16th Dick Gaughan 8pm The Organism Tickets by post: Please write to Bluecoat Arts Centre, School Lane, Liverpool The Chapel 6pm&8.!Spm 29th The Adventures of 6pm&8./Spm 16th LI 3 BX and make cheques payable to Bluecoat Society of Arts. 17th The Belly of An Architect 6pm&8./Spm Barrie McKenzie Tickets for Films are available from the MFIT Box office between 11 am _ 3 6pm&B./Spm February /st & 2nd The Name of The Rose 6pm & 8.15pm 18th The Big Easy pm and 5.30 pm - 8.15 pm Monday_to Friday and on Saturdays half an hour 8pm 3rd Days of Hope: Episode I 6pm&8./Spm 19th The Kronos Quartet before the first showing._Membership cards must be produced when purchasing 9.30am tickets. Reservation of tickets 1s only pern:11tted on the day of the film. An unpaid 4th Dry Wood/Hot Pepper 6pm& 8.15pm 20th Indian Dance Class Sch Blue Velvet 6pm&B./Spm reserved ticket that is not collected IO minutes before the advertised time will Witness 6pm&8./Spm 2/st&22nd be released for sale. Gallery 6th Record Fair 12 noon .- 6 pm 22nd to 26th Graeme Russell and Resale of Tickets: We regret that we are unable to exchange tickets or refund 8th & 9th Something Wild David Wilkinson: 6pm&8./Spm 'Entrust' monies once tickets have been purchased. /Och Days of Hope: Episode II 6pm&8./Spm 23rd Xala 6pm&B./Spm Party Bookings: One FREE ticket is offered for every 10 tickets purchased. /Ith Ulysses 5.SOpm&B./Spm 24th My Little Chickadee 6pm&8./Spm We are also able to cater for parties wishing to eat before a performance. Why 12th Book Market 9am - Spm Children of A Lesser God 6pm&B./Spm not arrange a party booking and take advantage of our catering facilities? (Sandon Room) 25th 7.30pm 12th Sunday in the Country 26th Orlando Staff 6pm&8./Spm 8pm /Sch & /6th Radio Days 27th Dick Morrisey/ Director: Paul Kelly 6pm&B./Spm Jim Mullen Gallery Director: Bryan Biggs 16th Kenny Wheeler 8pm 27th Indian Dance Class 9.30am Gallery Assistant: Chris Kennedy 17th Days of Hope: Episode Ill Music & Dance Director: Jayne Casey 6pm&B./Spm 28th & 29th The Mosquito Coast 6pm&B./Spm 18th Chronicles of A Death Music & Dance Assistant: Peter Cresswell 6pm&&./Spm Eraserhead 6pm&B./Spm Foretold 30th Administrative Assistant: Sue Williams The Battleship Potemkin 6pm&B./Spm Secretary to the Director: Brenda Dally 19th Bad Timing April 7th 6pm&8./Spm 9 am - S pm Receptionist: Paula Cliffe 19th 8th Book Market Nigel North/ 7.30pm (Sandon Room) Caretakers: Mark Chibber, Kenny Bristow Mark Tucker Leaflet Co-ordination: Brenda Young 8th The Colour of Money 6pm&B./Spm 20th - Mar 19th Stephen Chambers: Gallery Strange Smoke Tony 9th Courtyard Spectacular Evening Rickaby: Incidents and with Urban Jazz & The Goat People "'Q Cityscapes C: Indian Dance Class 9.30am 20th Les Enfancs Du Paradis 3.45 pm & 7.15 pm 10th Aria 6pm&B./Spm ~ 22nd&23rd Prick Up Your Ears 6pm&B./Spm l/ch&/2ch Blue Mountains 6pm&8./Spm 24th Days of Hope: Episode IV 5.30pm&8pm 13th The Missouri Breaks 6pm&8./Spm 25th No End 6pm & 8.15pm 14th The Whistle Blower 6pm&B./Spm 26th Slaughterhouse Five 6pm&8./Spm 15th JAN-APRIL 1988 Dick Gaughan 8pm 29th Heartburn 6pm&8./Spm 16th 17th Indian Dance Class 9.30am March /st Heartburn 6pm&B./Spm 2nd The Round Up 6pm&8./Spm 3rd Peter McRae: 'Avenue of Exchange Flags ALLERY . MUSIC · DANCE · FILM Heroes' 3rd The Shorts of The Brothers gRAFT . LIVE ART · FOOD · BAR Quay, David Lynch & luecoat Arts Centre gratefu!IY ackno~ledges the financial support of Wa/erian Borowczyk 6pm&8./Spm B erseyside Arts, Liverpool City Council, Sefton MBC, Knowsley 4th Brighton Beach Memoirs 6pm&8./Spm ~BC, Wirral MBC, Jazz North West and The Arts Council of Great scHOOL LANE LIVERPOOL L1 3BX Britain. Friday 19th February Membership Friday 5th February Friday March 4th Friday 25th March (expires 30/6/88): £3 .00 WITNESS BAD TIMING BRIGHTON BE ACH MEMOIRS Director: NICOLAS ROEG CHILDREN OF A LESSER GOD Tickets £I . 50 (Members), t:2.00 (Guests) Director: PETER WEIR Director: GENE SAKS Director: RANDA HAINES Great Britain 1980 available Monday - Friday USA 1985 Jonathan Silverman, Blythe Danner William Hurt, Marlee Mair/in Art Garfunkel, Therese Russel, Harvey II am - 8.15 pm Harrison Ford, Kelly McGillis , Lukas Haas Keitel, Denholm Elliot Monday/Tuesday 7th/8th March Monday/Tuesday 28th/29th March Saturday, 30 minutes prior Monday/Tuesday 8th/9th February THE MISSION THE MOSQUITO COAST Saturday 20th February to start of first showing SOMETHING WILD Director: ROLAND JOFFE Director: PETER WEIR 3.45 & 7.15 pm All enquiries 051-709 4260 Director: JONATHAN DEMME Robert De Niro, Jeremy, Irons Harrison Ford, Helen Mirren USA 1986 LES ENFANTS DU PARADIS Jeff Daniels, Melanie Griffith, Ray Liotta Director: MARCEL CARNE Wednesday 9th Mar h Wednesday 30th March France 1942-45 THE WIND c ERASERHEAD Wednesday I 0th February Jean-Louis Barrault, Arletty, Piere Brasseur Director: SOULEYMANE CLISSE Director: DAVID LYNCH All Films are shown at 6 Pm and 8.15 pm DAYS OF HOPE - Episode 2: 1921 unless otherwise stated. Lockout Monday/Tuesday 22nd/23rd February Thursday I 0th Mar h Thursday 7th April LA BAMBA c Director: KEN LOACH PRICK UP YOUR EARS BATTLESHIP POTEMKIN Monday/Tuesday January I 8th/19th Wednesday 27th January Great Britain 1975 Director: STEPHEN FREARS Director: Luis Valdez Director: SERGEI EISENSTEIN Great Britain 1987 84 CHARING CROSS ROAD BLUE COLLAR Friday I Ith Match Thursday I Ith February Gary Oldman, Alfred Molina, Vanessa Friday 8th April Director: DAVID JONES Director: Paul Schrader THREE AMIGOS 5.50 & 8.15 pm Redgrave, Julie Walters THE COLOUR OF MONEY USA 1986 USA 1978 Director: JOHN LANDS rd ULYSSES 1 Director: MARTIN SCORSESE Anne Bancroft, Anthony Hopkins, Judi Harvey Keitel, Richa Pryor, Yaphet Kotto Wednesday 24th February Steve Martin Che Director: JOSEPH STRICK · vy Chase Paul Newman, Tom Cruise Dench DAYS OF HOPE - Episode 4: 1926 Thursday 28th January Great Britain 1967 WR - MYSTERIESOFTHE General Strike Monday/Tuesday 14th/I5th March Monday 11th/I 2th April Wednesday January 20th Milo O'Shea, Barbara Jefford, Maurice BETTY BLUE ARIA HARLAN COUNTY USA ORGANISM Director: KEN LOACH Roeves Director: JEAN-JACQUES BEINEIX Directors: NICHOLAS ROEG, DEREK USA 1976 Director: DUSAN MA KAVEJEV Thursday 25th February JARMAN, JULIEN TEMPLE , KEN RUSSELL, Director: BARBARA KOPPLE Yugoslavia/West Ge~fllany 1971 Friday 12th February Wednesday 16th M NOEND ROBERT ALTMAN , BILL BRYDEN Milena Dravic, Jagoda k.aloper SUNDAY IN THE COUNTRY THE CHAPEL arch Director: KRZYSZTOF KIESLOWSKI CHARLES STURRIDGE, BRUCE , Thursday 21st January Director: BERTRAND TAVERNIER Friday 29th January Poland 1984 Director: JEAN-MICf.,EL TCHISSOUKOU BERESFORD, FRANC RODDAM , JEAN­ AGUIRRE, WRATH OF GOD France 1984 }erzy Radziwilowcz, Maria Pakulnis LUC GODDARD West Germany 1972 THE ADVENTUREsoF BARRY Louis Ducreux, Sabine Azema, Michele Thursday 17th M Klaus Kinski, Cecilla Rivera, Ruy Guerra McKENZIE THE BELLY OF ;tch cHITECT Aumont, Genevieve Mnich Friday 26th February Wednesday 13th April Director: BRUCE BERESFORD Director: PETER G N AR,.,,y SLAUGHTERHOUSE - FIVE BLUE MOUNTAINS Friday 22nd January Australia 1972 Monday/Tuesday I 5th/16th February REENAv•" Director: GEORGE ROY HILL Friday 18th M Director: ELDAR SHENGELAYA 48 HRS Barry Crocker, Barry Humphries A RADIO DAYS Director: WALTER HILL USA 1972 T~E BIG EAS~ch Cook, Spike Mi//igan ' eter Director: WOODY ALLEN Thursday 14th April USA 1972 Michael Sacks, Valerie Perrine Director: Jirn M B Nick Noice, Eddie Murphy, Annecce O'Too/e, Monday/Tuesday 1•!/2nd Feb USA 1987 c RIDE THE MISSOURI BREAKS THE NAME OF Tl-i~ROSE ruary Seth Green, Mia Farrow, Diane Keaton, Monday/Tuesday 29th February/I st Director: ARTHUR PENN James Remar March ~~~:~;~~~~y 21 stfllfld March Director: JEAN JACQlJ Es ANNA Dianne Wiest Marlon Brando, jack Nicholson Saturday 23rd January HEARTBURN Director: DAVID West Germany/Italy/France UD Friday 15th April 3.45 pm & 7.15 pm 1986 Wednesday 17th February Director: MIKE NICHOLS Dennis Ho LY"-lcH .
Load more

Recommended publications
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • Programa De Mano
    HOMENAJE A MICHAEL NYMAN EN SU 70 ANIVERSARIO JAIME MARTÍN DIRECTOR IVÁN MARTÍN PIANO DURACIÓN TOTAL APROXImaDA: 95´ M. NyMaN: Concierto para piano nº 2 22´ M. NyMaN: Sinfonía nº 5 20´ M. NyMaN: El contrato del dibujante 16´ LA OSCYL Y LOS INTÉRPRETES ORQUESTA SINFÓNICA JaiMe MartíN dirigió a la OSCyl eN laS teMpOradaS 2008-09 y 2012-13 DE CASTILLA Y LEÓN iváN MartíN COlabOró JuNtO a la OSCyl eN laS teMpOradaS 2008-09 y 2010-11 JAIme maRTÍN DIRECTOR — IVÁN maRTÍN PIANO Editado por Junta de Castilla y León Consejería de Cultura y Turismo AUDITORIO MIGUEL DELIBES ORQUESTA SINFÓNICA DE CASTILLA Y LEÓN Av. Monasterio Ntra. Sra. de Prado, 2 VALLADOLID 47015 Valladolid · T 983 385 604 www.auditoriomigueldelibes.com / www.fecebook.com/auditoriomigueldelibes ABONO OSCYL 14 EDITA — © Junta de Castilla y León. Consejería de Cultura y Turismo JUEVes 2 Y VIerNes 3 de mayo de 2013 Fundación Siglo para el Turismo y las Artes de Castilla y León © De los textos: sus autores 20.00 H · sala SINFÓNIca La Orquesta Sinfónica de Castilla y León es miembro de la Asociación Española de Orquestas Sinfónicas (AEOS) AUDItorIO MIGUEL DELIBES La Orquesta Sinfónica de Castilla y León y el Auditorio Miguel Delibes son miembros de la Red de Organizadores de Conciertos Educativos (ROCE) Todos los datos de salas, programas, fechas e intérpretes que aparecen, son susceptibles de modificaciones. D.L.: VA-194/2013 Valladolid, España 2013 PROGRAMA HOMENAJE A MICHAEL NYMAN [Inglaterra, 1944] la Orquesta Sinfónica de Castilla león, desde el auditorio Miguel delibes, HOMENAJE A MICHAEL NYMAN se une a toda una serie de conciertos y eventos que diversas instituciones musi- EN SU 70 ANIVERSARIO cales de ámbito internacional llevarán a cabo durante las dos próximas tempo- radas para conmemorar el 70 aniversario del compositor Michael Nyman.
    [Show full text]
  • Michael Nyman the Claim Mp3, Flac, Wma
    Michael Nyman The Claim mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: The Claim Country: Australasia Released: 2000 Style: Soundtrack, Contemporary, Post-Modern MP3 version RAR size: 1746 mb FLAC version RAR size: 1637 mb WMA version RAR size: 1601 mb Rating: 4.6 Votes: 548 Other Formats: TTA ASF MP2 WMA FLAC MP1 MMF Tracklist 1 The Exchange 2:49 2 The First Encounter 3:46 3 The Hut 1:16 4 The Explosion 1:36 5 The Recollection 1:36 6 The Fiery House 4:19 7 The Betrothal 1:55 8 The Firework Display 3:24 9 The Train 2:34 10 The Shoot Out 5:07 11 The Death Of Elena 1:34 12 The Explanation 2:02 13 The Burning 9:19 14 The Snowy Death 4:52 15 The Closing 4:04 Companies, etc. Licensed To – Virgin Records Ltd. Phonographic Copyright (p) – Michael Nyman Ltd. Copyright (c) – Virgin Records Ltd. Published By – Michael Nyman Ltd. Published By – Chester Music Ltd. Recorded At – Whitfield Street Studios Mixed At – Whitfield Street Studios Edited At – Whitfield Street Studios Designed At – Hourglass Credits Baritone Saxophone – Andy Findon* Bass Guitar – Martin Elliott Cello – Nick Cooper, Sophie Harris, Anthony Hinnigan*, William Schofield Clarinet, Bass Clarinet – Dave Fuest* Composed By, Conductor, Orchestrated By – Michael Nyman Contractor [Orchestral] – Isobel Griffiths Design, Illustration – Dave McKean Double Bass – Mike Brittain, Paul Sherman Engineer – Austin Ince Engineer [Assistant] – Ryu Kawashima, Simon Changer Flute, Piccolo Flute – Jonathan Snowden French Horn – Dave Lee , Paul Gardham Oboe, Cor Anglais – Chris Hooker
    [Show full text]
  • Michael Nyman
    This pdf was last updated: Apr/23/2010. Michael Nyman Celebrated for his modular, repetitive style, minimalist composer Michael Nyman is among experimental music's most high-profile proponents, Line-up Michael Nyman - piano Gabrielle Lester - violin Anne Morfee - violin Catherine Musker - viola Anthony Hinnigan - cello David Roach - saxophones Simon Haram - saxophones Andrew Findon - saxophone, flute Steve Sidwell - trumpet David Lee - horn Nigel Barr - bass trombone, euphonium Martin Elliott - bass guitar On Stage: 12 Travel Party: 14 Website www.michaelnyman.com Biography When Michael Nyman published his study Experimental Music: John Cage and Beyond (1974), he could hardly have foreseen his own contribution to that "beyond". Rejecting the orthodoxies of British modernism, Nyman had abandoned composition in 1964, working instead as a musicologist, editing Purcell and Handel, and collecting folk music in Romania. Later he became a music critic, in which capacity he was the first to apply the word "minimalism" to music, in a 1968 review for the Spectator of Cornelius Cardew's The Great Digest. But soon a route back to composition was emerging. He wrote the libretto for Harrison Birtwistle's 1969 "dramatic pastoral" Down by the Greenwood Side. In 1977, Birtwistle commissioned him to provide arrangements of 18th-century Venetian songs for the production of Carlo Goldoni's play Il Campiello. Thrilled by the results, Nyman kept the Campiello Band together, now propelled by his own piano-playing. Soon the band's line-up mutated. The Campiello Band became the amplified Michael Nyman Band with a string quartet, three saxophones, bass trombone, bass guitar and piano.
    [Show full text]
  • Repeating Patterns; Audience Activity & Learning Pack.Pdf
    ACTIVITY & LEARNING PACK LONDON SINFONIETTA: REPEATING PATTERNS As part of the Foyle Foundation New Music Network UK Tour, funded by the following generous supporters. WHAT IS MINIMALISM? LONDON SINFONIETTA Minimalism is a style of music that came from America in the early 1960s. The term was first applied to visual art, in particular to works which concentrated on one idea as opposed to complex pictures. Repeating Patterns It is worth looking at some of these works https://www.tate.org.uk/art/art-terms/m/minimalism. Repeating Patterns is a specially devised concert to guide audiences through the world of minimalist music. In music, the term is often applied to compositions which focus on one or two ideas and feature If you attended one of our Repeating Patterns concerts, you’ll enjoy this useful activity and learning pack to repetition of these ideas. One key concept of a lot of minimalist music is that it takes a different continue your exploration at home. approach to time. In traditional music, pieces have beginning and middle and an end. Once the first notes are played, the music is always heading somewhere. This is most clear in a simple song where During the concert, we heard presenter Patrick Bailey introduce major composers from the Minimalist there are words – the music, like the language, shapes these words and has moments of emphasis, of movement – including Terry Riley, Steve Reich and Pauline Oliveros. This pack provides a short biography tension, of release. In minimalist music, time moves in circles – there is often not a sense of beginning of each composer with a description of the pieces performed.
    [Show full text]
  • Beyond Simplicity Analytical Strategies for Contemporary Music
    Beyond Simplicity Analytical Strategies for Contemporary Music Daniel March D.Phil University of York Department of Music July 1997 Abstract Focusing on a repertoire which has often been dismissed for its apparent simplicity, this thesis indicates appropriate strategies for analytical study of this significant body of contemporary music, often termed 'minimalist' or 'post-minimalist', but in fact escaping any such easy classification. Traditional analytical approaches have most usually failed to account successfully for this music, concentrating on the more obvious aspects of its construction and ignoring the complexities that arise when perceived. As a result, the current approach marks an explicit turning towards a consideration of effect, capturing the ways in which different parameters interact and how traditional models of expectation are subverted. Viewed as the means of refining the intentional representation of an individual piece of music, analysis is reinscribed within a cultural network of understanding, both losing its pretence of objective formalism, and gaining a particular and well-defined role within a contemporary musicological context. The evolution of a number of different strategies is a response both to deconstructive and postmodern approaches to text, a recognition of the multiplicity inherent in the repertoire involved, and a general avoidance of clearly theoretical orientations for a more ad hoc process. Situated within discussion both of analytical considerations in general and of this repertoire in particular, the analyses of seven representative pieces of music considerably extend those that have been offered previously. Approaches adopting different aspects of deconstruction are used for discussion of music by Ligeti, Nyman and Andriessen, displaying a number of 'Disorderings' of traditional concepts of how music behaves; further analyses of pieces by Feldman, Reich, Skempton and Monk place greater emphasis on aspects of sound.
    [Show full text]
  • Musiche Da Film
    MUSICA - Suoni Senza Frontiere 4 aprile 09 Kino Music MICHAEL NYMAN AND MICHAEL NYMAN BAND MUSICHE DA FILM pianoforte Michael Nyman violino Gabrielle Lester violino Catherine Thompson viola Kate Musker violoncello Antony Hinnigan sax soprano alto David Roach La Michael Nyman Band nasce dall’orchestra che accompagnava sax soprano/alto Simon Haram Michael Nyman durante l’esecuzione del Campiello di Goldoni sul sax baritono/flauto/ottavino palcoscenico del National Theatre nell’ottobre 1976. Andrew Findon tromba Steve Sidwell L’immaginaria band di strada veneziana, usava unicamente strumenti corno francese David Lee musicali antichi affiancati da strumenti moderni, così che la ribeca trombone e tuba Nigel Barr e gli altri strumenti erano miscelati con il sassofono e il banjo per basso elettrico Martin Elliott produrre un suono il più forte possibile senza ricorrere fonico di sala Ralph Harrison all’amplificazione. 33 Questo gruppo gettò le basi della Campiello Band che ha iniziato ad fonico di palco John esibirsi nel foyer del National Theatre nel 1977, e per il quale Michael Greenough Nyman scrisse In Re Don Giovanni, incluso negli album Michael PROGRAMMA Nyman e Michael Nyman... Live. Draughtman’s Contract Nyman continua a lavorare con la band del Campiello anche dopo (Il Mistero dei Giardini di la fine della produzione, modifica la line-up, aggiunge l’amplificazione, Compton House) e cambia il nome in Michael Nyman Band. È questa l’officina nella Chasing Sheep is Best Left quale Nyman forgia il suo stile compositivo, fatto di robuste melodie, to Shepherds - Queen of the Night - An Eye for Optycal ritmi flessibili ma decisi, ed esecuzioni d’ensemble ben articolate.
    [Show full text]
  • University of Southampton Research Repository
    University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Department of Music Volume 1 of 1 The Harpsichord in Twentieth-Century Britain by Christopher David Lewis Thesis for the degree of Doctor of Philosophy September 2017 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Music Thesis for the degree of Doctor of Philosophy THE HARPSICHORD IN TWENTIETH-CENTURY BRITAIN by CHRISTOPHER DAVID LEWIS This dissertation provides an overview of the history of the harpsichord in twentieth- century Britain. It takes as its starting point the history of the revival harpsichord in the early part of the century, how the instrument affected both performance of historic music and the composition of modern music and the factors that contributed to its decline.
    [Show full text]
  • Water Dances
    Comune di Forlì © Martin Elliott © Sheila Rock Michael Nyman Band Nasce dall’orchestra che accompagnava Michael Nyman pianoforte. Tromba e corno sono aggiunti per richieste particolari, durante l’esecuzione del Campiello di Goldoni sul palcoscenico così come le voci di Sarah Leonard (Memorial) o Hilary Summers del National Theatre di Londra nell’ottobre 1976. L’immaginaria (The Diary of Anne Frank e Cycle of Disquitude). band di strada veneziana usava unicamente strumenti musicali Il repertorio della band include musiche da molti film di Peter antichi affiancati da strumenti moderni, così che la ribeca e gli altri Greenaway come The draughtsman’s contract (I misteri del strumenti erano miscelati con il saxofono e il banjo per produrre un giardino di Compton House, 1982), A Zed and two Noughts (Lo zoo suono il più forte possibile senza ricorrere all’amplificazione. di Venere, 1985), Drowning by Numbers (Giochi nell’acqua, 1987) e Questo gruppo gettò le basi della Campiello Band che ha Prospero’s Book (L’ultima tempesta, 1990), raggruppate nel video iniziato ad esibirsi nel foyer del National Theatre nel 1977 e per The Michael Nyman Band Live in Concert (1999). Water Dances il quale Michael Nyman scrisse In Re Don Giovanni, incluso negli Altre celebri partiture da film sono Gattaca (1998), Ravenous album Michael Nyman e Michael Nyman… Live. (L’insaziabile, 1999), Wonderland (1999), End of an Affair (Fine di Quando – per varie ragioni – gli strumenti antichi furono una storia, 1999), The Claim (Le bianche tracce della vita, 2000) 24 sostituiti da equivalenti moderni, la Campiello Band divenne Hours In The Life Of A Woman (2003), The Actors (2003) e Nathalie Forlì, Teatro Diego Fabbri l’amplificata Michael Nyman Band, con l’organico standard di un (2003), 9 Songs (2004) The Libertine (2005), A Cock and Bull 23 luglio, ore 21 quartetto d’archi, tre sassofoni, trombone basso, chitarra basso e Story (2005).
    [Show full text]
  • Compact Discs / DVD-Blu-Ray Recent Releases - Spring 2017
    Compact Discs / DVD-Blu-ray Recent Releases - Spring 2017 Compact Discs 2L Records Under The Wing of The Rock. 4 sound discs $24.98 2L Records ©2016 2L 119 SACD 7041888520924 Music by Sally Beamish, Benjamin Britten, Henning Kraggerud, Arne Nordheim, and Olav Anton Thommessen. With Soon-Mi Chung, Henning Kraggerud, and Oslo Camerata. Hybrid SACD. http://www.tfront.com/p-399168-under-the-wing-of-the-rock.aspx 4tay Records Hoover, Katherine, Requiem For The Innocent. 1 sound disc $17.98 4tay Records ©2016 4TAY 4048 681585404829 Katherine Hoover: The Last Invocation -- Echo -- Prayer In Time of War -- Peace Is The Way -- Paul Davies: Ave Maria -- David Lipten: A Widow’s Song -- How To -- Katherine Hoover: Requiem For The Innocent. Performed by the New York Virtuoso Singers. http://www.tfront.com/p-415481-requiem-for-the-innocent.aspx Rozow, Shie, Musical Fantasy. 1 sound disc $17.98 4tay Records ©2016 4TAY 4047 2 681585404720 Contents: Fantasia Appassionata -- Expedition -- Fantasy in Flight -- Destination Unknown -- Journey -- Uncharted Territory -- Esme’s Moon -- Old Friends -- Ananke. With Robert Thies, piano; The Lyris Quartet; Luke Maurer, viola; Brian O’Connor, French horn. http://www.tfront.com/p-410070-musical-fantasy.aspx Zaimont, Judith Lang, Pure, Cool (Water) : Symphony No. 4; Piano Trio No. 1 (Russian Summer). 1 sound disc $17.98 4tay Records ©2016 4TAY 4003 2 888295336697 With the Janacek Philharmonic Orchestra; Peter Winograd, violin; Peter Wyrick, cello; Joanne Polk, piano. http://www.tfront.com/p-398594-pure-cool-water-symphony-no-4-piano-trio-no-1-russian-summer.aspx Aca Records Trios For Viola d'Amore and Flute.
    [Show full text]
  • The Functions of the Minimalist Technique in Film Scores
    Copyright by Rebecca Marie Doran Eaton 2008 The Dissertation Committee for Rebecca Marie Doran Eaton certifies that this is the approved version of the following dissertation: Unheard Minimalisms: The Functions of the Minimalist Technique in Film Scores Committee: ____________________________________ Eric Drott, Supervisor ____________________________________ Byron Almén ____________________________________ James Buhler ____________________________________ Edward Pearsall ____________________________________ Charles Ramírez Berg Unheard Minimalisms: The Functions of the Minimalist Technique in Film Scores by Rebecca Marie Doran Eaton, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2008 ACKNOWLEDGMENTS First, I would like to thank my committee, whose insightful comments have helped me shape this work. Special recognition goes to Dr. Almén, whose copyediting expertise has kept me from committing several grammatical gaffes, and Dr. Buhler, whose approach to film music has informed my own. I owe a deep debt of gratitude to my supervisor, Dr. Eric Drott, whose keen—and always timely—critiques have steered my dissertation toward one with both breadth and analytical depth. I would also like to thank the entire theory department at UT Austin. Its support though T.A. and A.I. positions has helped me hone my pedagogical craft, while the Kent Kennan fellowship has allowed me to finish my dissertation in a timely manner. Thanks must also be given for the collegial atmosphere—especially amongst my fellow students—which made attending UT a delight. My family, of course, has been the basis for my success.
    [Show full text]
  • Michael Nyman Pdf, Epub, Ebook
    MICHAEL NYMAN PDF, EPUB, EBOOK Michael Nyman | 32 pages | 01 Dec 1994 | CHESTER MUSIC | 9780711933224 | English | London, United Kingdom Michael Nyman PDF Book Memorial MGV. Download as PDF Printable version. In the s, Nyman was a member of the Portsmouth Sinfonia — the self-described World's Worst Orchestra — playing on their recordings and in their concerts. Archived from the original on 17 May Namespaces Article Talk. Wikimedia Commons has media related to Michael Nyman. Meanwhile still composing for film, he scored 's Carrington and 's Gattaca as well as the Michael Winterbottom film Wonderland. Self - Composer. Submission Notes: optional. He was the featured pianist on the orchestra's recording of Bridge Over Troubled Water on the Martin Lewis -produced 20 Classic Rock Classics album on which the Sinfonia gave their unique interpretations of the pop and rock repertoire of the s—s. His many works inspired by literature range from art songs set to the words of Shakespeare and Rimbaud to 's 8 Lust Songs , featuring the erotic poetry of Pietro Aretino. Across his output, Nyman 's musical signatures include not only his use of propulsive repetition but also a palette of idiosyncratic instrumental touches -- thumping keyboards, "rude" bass clarinets and baritone saxophones, and extreme high and low octave doublings. Please enable Javascript to take full advantage of our site features. Sign up to our Newsletter. Soundtrack Listeners Communications Inc. Celebrated for his modular, repetitive style, minimalist composer Michael Nyman was among experimental music's most high-profile proponents, best known in connection with his film scores for director Peter Greenaway.
    [Show full text]