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Hour by Hour!
Volume 13 Issue 158 HIPFiSHmonthlyHIPFiSHmonthly March 2012 thethe columbiacolumbia pacificpacific region’sregion’s freefree alternativealternative ERIN HOFSETH A new form of Feminism PG. 4 pg. 8 on A NATURALIZEDWOMAN by William Ham InvestLOWER Your hourTime!COLUMBIA by hour! TIME BANK A NEW community RESOURCE by Lynn Hadley PG. 14 I’LL TRADE ACCOUNTNG ! ! A TALE OF TWO Watt TRIBALChildress CANOES& David Stowe PG. 12 CSA TIME pg. 10 SECOND SATURDAY ARTWALK OPEN MARCH 10. COME IN 10–7 DAILY Showcasing one-of-a-kind vintage finn kimonos. Drop in for styling tips on ware how to incorporate these wearable works-of-art into your wardrobe. A LADIES’ Come See CLOTHING BOUTIQUE What’s Fresh For Spring! In Historic Downtown Astoria @ 1144 COMMERCIAL ST. 503-325-8200 Open Sundays year around 11-4pm finnware.com • 503.325.5720 1116 Commercial St., Astoria Hrs: M-Th 10-5pm/ F 10-5:30pm/Sat 10-5pm Why Suffer? call us today! [ KAREN KAUFMAN • Auto Accidents L.Ac. • Ph.D. •Musculoskeletal • Work Related Injuries pain and strain • Nutritional Evaluations “Stockings and Stripes” by Annette Palmer •Headaches/Allergies • Second Opinions 503.298.8815 •Gynecological Issues [email protected] NUDES DOWNTOWN covered by most insurance • Stress/emotional Issues through April 4 ASTORIA CHIROPRACTIC Original Art • Fine Craft Now Offering Acupuncture Laser Therapy! Dr. Ann Goldeen, D.C. Exceptional Jewelry 503-325-3311 &Traditional OPEN DAILY 2935 Marine Drive • Astoria 1160 Commercial Street Astoria, Oregon Chinese Medicine 503.325.1270 riverseagalleryastoria.com -
The Politics of Urban Cultural Policy Global
THE POLITICS OF URBAN CULTURAL POLICY GLOBAL PERSPECTIVES Carl Grodach and Daniel Silver 2012 CONTENTS List of Figures and Tables iv Contributors v Acknowledgements viii INTRODUCTION Urbanizing Cultural Policy 1 Carl Grodach and Daniel Silver Part I URBAN CULTURAL POLICY AS AN OBJECT OF GOVERNANCE 20 1. A Different Class: Politics and Culture in London 21 Kate Oakley 2. Chicago from the Political Machine to the Entertainment Machine 42 Terry Nichols Clark and Daniel Silver 3. Brecht in Bogotá: How Cultural Policy Transformed a Clientist Political Culture 66 Eleonora Pasotti 4. Notes of Discord: Urban Cultural Policy in the Confrontational City 86 Arie Romein and Jan Jacob Trip 5. Cultural Policy and the State of Urban Development in the Capital of South Korea 111 Jong Youl Lee and Chad Anderson Part II REWRITING THE CREATIVE CITY SCRIPT 130 6. Creativity and Urban Regeneration: The Role of La Tohu and the Cirque du Soleil in the Saint-Michel Neighborhood in Montreal 131 Deborah Leslie and Norma Rantisi 7. City Image and the Politics of Music Policy in the “Live Music Capital of the World” 156 Carl Grodach ii 8. “To Have and to Need”: Reorganizing Cultural Policy as Panacea for 176 Berlin’s Urban and Economic Woes Doreen Jakob 9. Urban Cultural Policy, City Size, and Proximity 195 Chris Gibson and Gordon Waitt Part III THE IMPLICATIONS OF URBAN CULTURAL POLICY AGENDAS FOR CREATIVE PRODUCTION 221 10. The New Cultural Economy and its Discontents: Governance Innovation and Policy Disjuncture in Vancouver 222 Tom Hutton and Catherine Murray 11. Creating Urban Spaces for Culture, Heritage, and the Arts in Singapore: Balancing Policy-Led Development and Organic Growth 245 Lily Kong 12. -
Writing the Nation: a Concise Introduction to American Literature
Writing the Nation A CONCISE INTRODUCTION TO AMERIcaN LITERATURE 1 8 6 5 TO P RESENT Amy Berke, PhD Robert R. Bleil, PhD Jordan Cofer, PhD Doug Davis, PhD Writing the Nation A CONCISE INTRODUCTION TO AMERIcaN LITERATURE 1 8 6 5 TO P RESENT Amy Berke, PhD Robert R. Bleil, PhD Jordan Cofer, PhD Doug Davis, PhD Writing the Nation: A Concise Introduction to American Literature—1865 to Present is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorporated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a reasonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. -
Beck's Column More Mayors Join Meadowlands Fight L. H. S
PAGE TWELVE T H E LEADER THURSDAY, MARCH 28, î^68 Commercial Leader Leader-Free Press Cal° Sass To M#et And The South Bergen Review Official>1 NewspaperNe ef the VFW Com m ander Robert Noe* More Mayors Join Meadowlands Fight B<ipoug H> o f and Auxiliary President Jeanne Lyndhurst'«» Official Newspaper East Rutherford & Carlstadt Lewandowski preside at a Since 1S2I will The fight against the state tak During the last 25 years, the increase in the cost of the mea development that has occurred in Publication O ffice 276 Grove St. East Rutherford joint meeting Apri 10 at the ing control of the meadowlands two said, “ we have seen Teter- dowlands. In the last 25 years, Teterboro, South Hackensack. 251 Hidfe Road, Lvndhurst, N .J. 417 Second S t, Carlstadt Calo-Saas 4697’ Post Home, Riv- v as joined last week by Mayors boro, South Hackensack, Little the cost of the meadowlands has Little Ferry, Moonachie and Carl Telephone GF.neva 8 8700— *701 Telephone GEncva 8 8700—>701 ir Road, North Arlington. John B. Knowian of Hasbroock Ferry, Moonachie and Carlstadt Second Class Postage Paid At Editor John Savino jum ped from $15 to $45,000 p er stadt. Rutherford. N. I. Publication Office Heights and Louis Montenegro of developed entirely through the acre, they said. * Editor John Savino 251 Ridge Road, Lyndhurst. N.J. South Hackensack. efforts of the several municipal Mayor Montengro said he ADVERTISEMENT The two also ft)mplained that Subscription $3.90 Per Year Second Class Postage Paid At ities and solely through the use of thought the bill should exclude Ten Cents Per Copy Rutherford, N. -
Leaves of Grass
Leaves of Grass by Walt Whitman AN ELECTRONIC CLASSICS SERIES PUBLICATION Leaves of Grass by Walt Whitman is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any pur- pose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. Leaves of Grass by Walt Whitman, The Electronic Clas- sics Series, Jim Manis, Editor, PSU-Hazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Depart- ment of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis; image: Walt Whitman, age 37, frontispiece to Leaves of Grass, Fulton St., Brooklyn, N.Y., steel engraving by Samuel Hollyer from a lost da- guerreotype by Gabriel Harrison. Copyright © 2007 - 2013 The Pennsylvania State University is an equal opportunity university. Walt Whitman Contents LEAVES OF GRASS ............................................................... 13 BOOK I. INSCRIPTIONS..................................................... 14 One’s-Self I Sing .......................................................................................... 14 As I Ponder’d in Silence............................................................................... -
Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable). -
1418780137179.Pdf
A WARHAMMER 40,000 NOVEL SOUL HUNTER Night Lords - 01 Aaron Dembski-Bowden (An Undead Scan v1.0) 1 Katie, will you marry me? 2 It is the 41st millennium. For more than a hundred centuries the Emperor has sat immobile on the Golden Throne of Earth. He is the master of mankind by the will of the gods, and master of a million worlds by the might of his inexhaustible armies. He is a rotting carcass writhing invisibly with power from the Dark Age of Technology. He is the Carrion Lord of the Imperium for whom a thousand souls are sacrificed every day, so that he may never truly die. Yet even in his deathless state, the Emperor continues his eternal vigilance. Mighty battlefleets cross the daemon-infested miasma of the warp, the only route between distant stars, their way lit by the Astronomican, the psychic manifestation of the Emperors will. Vast armies give battle in His name on uncounted worlds. Greatest amongst his soldiers are the Adeptus Astartes, the Space Marines, bio-engineered super-warriors. Their comrades in arms are legion: the Imperial Guard and countless planetary defence forces, the ever-vigilant Inquisition and the tech- priests of the Adeptus Mechanicus to name only a few. But for all their multitudes, they are barely enough to hold off the ever-present threat from aliens, heretics, mutants—and worse. To be a man in such times is to be one amongst untold billions. It is to live in the cruellest and most bloody regime imaginable. These are the tales of those times. -
The Fellowship of the Ring
iii THE FELLOWSHIP OF THE RING being the first part of THE LORD OF THE RINGS by J.R.R. TOLKIEN Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his dark throne In the Land of Mordor where the Shadows lie. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them In the Land of Mordor where the Shadows lie. CONTENTS Note on the Text ix Note on the 50th Anniversary Edition xviii Foreword to the Second Edition xxiii Prologue Concerning Hobbits, and other matters 1 book one I A Long-expected Party 27 II The Shadow of the Past 55 III Three is Company 85 IV A Short Cut to Mushrooms 112 V A Conspiracy Unmasked 128 VI The Old Forest 143 VII In the House of Tom Bombadil 161 VIII Fog on the Barrow-downs 176 IX At the Sign of The Prancing Pony 195 X Strider 213 XI A Knife in the Dark 230 XII Flight to the Ford 257 book two I Many Meetings 285 II The Council of Elrond 311 III The Ring Goes South 354 viii contents IV A Journey in the Dark 384 V The Bridge of Khazad-duˆm 418 VI Lothlo´rien 433 VII The Mirror of Galadriel 459 VIII Farewell to Lo´rien 478 IX The Great River 495 X The Breaking of the Fellowship 515 Maps 533 Works By J.R.R. -
EXPOSE YOURSELF to ART Towards a Critical Epistemology of Embarrassment
EXPOSE YOURSELF TO ART Towards a Critical Epistemology of Embarrassment Gwyneth Siobhan Jones Goldsmiths University of London PhD Thesis 2013 1 I declare that the work presented in this thesis is my own. Gwyneth Siobhan Jones 2 ABSTRACT This thesis investigates the negative affect of ‘spectatorial embarrassment’, a feeling of exposure and discomfort sometimes experienced when looking at art. Two particular characteristics of embarrassment figure in the methodology and the outcome of this enquiry; firstly that embarrassment is marginal, of little orthodox value, and secondly, it is a personal experience of aversive self-consciousness. The experiential nature of embarrassment has been adopted throughout as a methodology and the embarrassments analysed are, for the most part, my own and based on ‘true’ experience. Precedent for this is drawn from ‘anecdotal theory’, which uses event and occasion in the origination of a counter-theory that values minor narratives of personal experience in place of the generalising and abstract tendencies of theory-proper. The context is a series of encounters with artworks by Gilbert & George, Jemima Stehli, Franko B, Adrian Howells, and Sarah Lucas. They are connected by their contemporaneity, their ‘British-ness’, and that they allow the spectator no comfortable position to look from. This enquiry engages with theories of ‘the gaze’ (as both aesthetic disinterest and a dubious sign of cultural competence) and the challenge to aesthetic disinterest made by ‘transgressive art’ which may provoke a more engaged, even embodied response. Each encounter sparks consideration of differing causes and outcomes of embarrassment that resonate beyond art to broader sociocultural territories particularly in terms of gender and class. -
November-2019-Seattle-Symphony
NOVEMBER 2019 My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 415-705-7159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2019 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. Untitled-3 1 4/30/19 12:11 PM CONTENTS NOVEMBER 2019 4 / Calendar 6 / The Orchestra 50 / Benaroya Hall Guide FEATURES 5 / Community Connections 7 / Meet the Musicians 10 / On a High Note 12 / Sounds of the Season 51 / The Lis(z)t CONCERTS 14 / November 6 Chick Corea Rhapsody in Blue 19 / November 8, 9 & 10 The Movie Music of John Williams 21 / November 14, 15 & 16 Rachmaninov Symphony No. 2 24 / November 15 Beethoven & Ravel 29 / November 21 & 23 CHICK COREA Stravinsky The Rite of Spring 14 34 / November 22 Orfeo ed Euridice THE MOVIE MUSIC OF 19 JOHN WILLIAMS 21 EFE BALTACIGIL ON THE COVER: Thomas Dausgaard by Brandon Patoc COVER DESIGN: Stephanie Tucker EDITOR: Rachel Spain © 2019 Seattle Symphony. -
Trimet MAX Green Line Public Art Guide
TriMet MAX GREEN LINE PUBLIC ART GUIDE TriMet MAX Green Line 1 I-205 MAX Stations Christine Bourdette Public Art 6th 5th Cairns, 2008 Podcast available at trimet.org Don Merkt 28 Driver’s Seat, 1994 2 Gateway Portland Transit Mall Glisan Daniel Duford 27 5 The Green Man of Portland, MAX station 4th 2009 Bruce Conkle # New work Burls Will Be Burls, 2009 Broadway Everett Muliple-part work 3 John Killmaster Davis # Original collection Untitled, 1977 Anne Storrs 1 SE Main St Tall and Fallen, 2009 Lee Kelly 26 Couch # On loan Untitled Fountain, 1977 4 Ivan Morrison Burnside Untitled, 1977 25 Carolyn Law 2 SE Division St Ash 5 Sky to Earth, 2009 John Buck Mark R. Smith Lodge Grass, 2000 Pine Reading the Street, 2008 Valerie Otani 3 SE Powell Blvd James Lee Hansen 24 Talos No. 2, 1977 Oak Money Tree, 2009 Stark 6 23 Suzanne Lee 4 SE Holgate Blvd Bruce West 22 Mark Calderon Shared Vision, 2009 Mel Katz Untitled, 1977 Washington Floribunda, 1998 Daddy Long Legs, 2006 7 Alder Don Wilson M Interlocking Forms, 1977 21 Morrison Brian Borrello 5 Lents Town Center/ Malia Jensen 8 Lents Hybrids, 2009 SE Foster Rd Norman Taylor 20 Pile, 2009 Yamhill Kvinneakt, 1975 Cris Bruch Whistlestop for an Taylor Organ Teacher, 2009 Melvin Schuler 19 Brian Borrello 6 SE Flavel St Salmon Johnson Creek Watershed, 2009 Thor, 1977 9 Kathleen McCullough James Lee Hansen 18 Main Cat in Repose, 1977 Winter Rider No. 2, 2003 10 Georgia Gerber Madison J Animals in Pools, 1986 11 17 Jefferson Pete Beeman 7 SE Fuller Rd Patti Warashina Rick Bartow Waving Post, 2009 City Reflections, 2009 Columbia The Responsibility of Raising a Child, 2004 Clay 12 Tom Hardy 16 Chris Gander Running Horses, 1986 Market Puzzle Tower I, 2007 Mill Montgomery 15 13 Robert Maki Richard C. -
San Diego Poetry Together Challenge ABOUT the SAN DIEGO POETRY TOGETHER CHALLENGE
San Diego Poetry Together Challenge ABOUT THE SAN DIEGO POETRY TOGETHER CHALLENGE The San Diego Poetry Together Challenge: A Poetic Response to Pandemic Project was founded in May 2020 by Ron Salisbury, who is serving as the City of San Diego’s 1st Poet Laureate. Salisbury established the project as a way to engage, document, and encourage a public appreciation of poetry as well as acknowledge the important role creativity could play during the state shelter-in- place order in response to the COVID-19 pandemic. The project called for San Diego poets and writers to share their poems or spoken words and the response was overwhelming. Over 170 San Diegan poets submitted poems. Of the works submitted, Salisbury selected six works to be published on the City’s website. The project culminated with the collection contained here which represents the entirety of the submitted poems. These works were submitted in response to two prompts, one on dreams, and the other on waiting. The works archive a collective experience, a month of local resilience, creativity, and loss - a San Diego poetic testimony to the global pandemic. !2 FOREWORD BY RON SALISBURY SAN DIEGO’S FIRST POET LAUREATE We all write poetry for different reason, how we write our poetry is as varied. Some of us have an idea or feeling that we want to express. And some of us write to find out what we are feeling. In almost all instances, we are surprised with the results, some in small ways and some in large. That is because poetry is the shortest distance from our unconscious to the page of any of the written arts.