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1. In The Mood 3:31 9. Johnson Rag 2:46 17. Sleepy Town Train 3:10 19. Here We Go Again 3:02 (Joe Garland) (Henry Kleinkhauf–Guy Hall) (Allan Roberts–Bill Fontaine) (Jerry Gray) Bluebird B 10416, mx BS 038170-1 Bluebird B 10498, mx BS 043356-1 Victor 20-1509, mx BS 074747-1 Victor 20-1563, mx BS 074739-1 Recorded 1 August 1939, New York Recorded 5 November 1939, New York Recorded 16 July 1942, Chicago Recorded 14 July 1942, Chicago 2. Sunrise Serenade 3:22 10. Tuxedo Junction 3:27 18. Rhapsody In Blue 3:01 All tracks by Glenn Miller and His Orchestra (Frankie Carle) (William Johnson–Julian Dash–Erskine (George Gershwin) Transfers & Production: David Lennick Bluebird B 10214, mx BS 035731-1 Hawkins–Buddy Feyne) Victor 20-1529, mx BS 074748-1 Recorded 10 April 1939, New York Bluebird B 10612, mx BS 046786-1 Recorded 16 July 1942, Chicago Digital Noise Reduction: Graham Newton Original 78s from the collections of David 3. By The Waters Of Minnetonka (Indian Recorded 5 February 1940, New York Love Song) – Parts 1 & 2 6:26 11. Pennsylvania 6-5000 3:13 Lennick and the Belfer Audio Laboratory and (Thurlow Lieurance–J. M. Cavanass) (Carl Sigman-Jerry Gray) Archive, Syracuse University Bluebird B 7870, mx BS 027412-1, Bluebird B 10754, mx BS 048963-1 027413-1 Recorded 28 April 1940, New York Recorded 27 September 1938, New York 12. Song Of The Volga Boatmen 3:24 4. Little Brown Jug 2:48 (Russian Folk song, arr. Bill Finegan) (J. E. Winner) Bluebird B 11029, mx BS 058885-1 The Naxos Historical labels aim to make available the greatest recordings of the history of recorded Bluebird B 10286, mx BS 035732-1 Recorded 17 January 1941, New York music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Recorded 10 April 1939, New York 13. Anvil Chorus 4:53 Naxos has engaged a number of respected restorers who have the dedication, skill and experience to 5. Pavanne 3:13 (Verdi, arr. Jerry Gray) produce restorations that have set new standards in the field of historical recordings. (Morton Gould) Bluebird B 10982, mx BS 058172-1, Bluebird B 10286, mx BS 035766-1 058173-2 Also available in the Naxos Jazz Legends series ... Recorded 18 April 1939, New York Recorded 13 December 1940, New York 6. Glen Island Special 2:57 14. Adios 2:53 (Eddie Durham) (Enric Madriguera–Eddie Woods) Bluebird B 10388, mx BS 038140-1 Bluebird B 11219, mx BS 064474-1 Recorded 26 July 1939, New York Recorded 25 June 1941, Chicago 7. My Isle Of Golden Dreams 3:18 15. A String Of Pearls 3:13 (Gus Kahn-Walter Donaldson) (Jerry Gray) Bluebird B 10399, mx BS 038143-1 Bluebird B 11382, mx BS 068068-1 Recorded 18 August 1939, New York Recorded 3 November 1941, New York 8. I Want To Be Happy 3:02 16. American Patrol 3:16 (Vincent Youmans–Irving Caesar) (F. W. Meacham, arr. Jerry Gray) Bluebird B 10416, mx BS 038174-1 Victor 27873, mx PBS 072230-1 8.120615* 8.120648* 8.120662* Recorded 1 August 1939, New York Recorded 2 April 1942, Hollywood * Not available in the USA
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GLENN MILLER the Miller band including Glen Island Special the Hotel Pennsylvania. It remains the telephone only issued on Canadian Bluebird. favorite trick of fading way down just before the Vol.3 which was dedicated to the Glen Island Casino. number to this day even though the name of the Adios, arranged by Gray, features a pretty ending and going out with a swinging finish. Glen Island Special: The Great Instrumentals On this swinging arrangement, Hurley is featured hotel has changed. Trumpet solo is by Johnny muted trumpet solo by McMickle, lots of ooh- The last three numbers on this CD were on trumpet, followed by Beneke on tenor sax. Best with tenor sax solo by Beneke. wahs by the brass, a muted trombone solo by recorded when the band was playing at the Original Recordings 1938-1942 The second tenor sax solo is by Al Klink. In 1941 there was a ban on playing ASCAP Miller, more muted McMickle with bass notes Hotel Sherman in Chicago. Sleepy Town Train is My Isle of Golden Dreams features a music on the radio networks. Miller and other plucked at the end by Doc Goldberg. a medium tempo jump tune that has muted “Glenn Miller’s orchestra is generally considered recorded it because it ran longer than the beautiful Beneke tenor sax solo. About halfway bandleaders turned to recording BMI and public- Bobby Hackett joined the band as guitarist trumpet by May, alto sax by Skippy Martin, May to have been the most popular organization in allowable three minutes and twenty seconds’ through this Finegan arrangement there is a domain tunes. Song of the Volga Boatmen is a in July 1941. “When Glenn hired me I wasn’t again and tenor sax by Beneke. the history of dance bands,” wrote George maximum time on a 78 rpm record. Miller was tempo change that must have confused many Russian folk song. This outstanding playing cornet. I’d just had some dental surgery, George Gershwin’s Rhapsody In Blue was Simon, author and former editor of Metronome able to condense it down to a tight, swinging dancers at the time. arrangement is by Finegan. Miller comments so I couldn’t blow my horn,” recalled Hackett. the last tune the civilian Miller band recorded. magazine. From the time the band opened at instrumental, adding a closing riff with repeated I Want To Be Happy, another swing extensively on the making of this rhythmic As soon as his gums healed Glenn began Arranged by Finegan, the Miller version is an the Glen Island Casino in the Spring of 1939 till fadeouts until the band explodes into the rousing arrangement by Durham, spots solos by Hurley, arrangement in his book Glenn Miller’s Method For featuring Hackett on cornet solos. A String of excerpt from the second half of the rhapsody. It the time it was disbanded in September 1942 finale. The famous tenor sax battle is between Beneke, Miller and Maurice Purtill on drums. Orchestral Arranging. He states that the tune Pearls, one of Jerry Gray’s finest compositions features a lovely Hackett cornet solo and Beneke when Glenn accepted a commission in the Army, Tex Beneke and Al Klink and this is followed by a Johnson Rag starts with one of those slow begins with three separate themes – first by the and arrangements, is a good example of blows a very wistful tenor sax. Metronome there were few bands that could rival its success. trumpet solo by Clyde Hurley. build-ups and after a number of solos culminates rhythm section, followed by the four trombones Hackett’s work. The recording starts out with magazine thought so highly of this recording But success did not come immediately to Sunrise Serenade is a perfect example of the in a rousing finish which was a typical Miller and then a muted trumpet solo by Billy May. an alto sax solo by Caceres and then two-bar that they gave it an A-rating. Glenn Miller. His first band, formed in March band’s distinctive clarinet lead reed sound. It swing device. Beneke takes the first eight bars of Ernie Caceres solos on alto sax. After the alto sax exchanges between Caceres and Beneke Jerry Gray’s composition and arrangement of 1937, failed and was disbanded in January 1938. features Tex Beneke on tenor sax. tenor followed by Klink. Miller plays the diminishing drum break by Purtill, the four (Tex was playing lead alto at this time after Here We Go Again closes our set. It features Miller started a new band in March 1938. It By The Waters of Minnetonka is from trombone break and then Hurley is heard on trombones begin a passage followed by four McIntyre left the band), followed by another excellent solos by Klink, May and Purtill. The title wasn’t until the band’s lengthy engagement at Miller’s first recording session for RCA Victor on trumpet. Arrangement is by Finegan. unison trumpets in a short fugato which leads challenge on tenors between Klink and Babe of this tune is ironic since a record ban on the Glen Island Casino in New Rochelle, New the Bluebird label. Originally recorded as a two- By the beginning of 1940 a new arranger had into the backtime rhythm of handclaps. Russin in that order. Next is Bobby Hackett’s 1 August put an end to all recording for over a York, from 17 May 1939 to 23 August 1939, that sided 78 rpm 10˝ disc, it is now heard here as a joined the Miller band. Jerry Gray came to the The original 78 of Anvil Chorus was a two- famous cornet solo. His innovative twelve bar year. The Miller civilian band disbanded on he became well known. Numerous coast-to- continuous number. Arranged by Glenn Miller, it band after Artie Shaw disbanded in late 1939. sided 10˝ disc. According to Down Beat solo added a great deal to the success of the 27 September 1942 and never did “Go Again” coast radio broadcasts over the NBC and Mutual features Beneke on tenor sax and clarinet, Miller Tuxedo Junction was arranged by Gray. magazine, it took “three previous attempts which recording. on records. networks and the enthusiastic response of the on trombone, Johnny Austin on trumpet and Bill According to George Simon, it sold 115,000 left him dissatisfied” before Miller finally got American Patrol was arranged by Gray. He dancers, guaranteed the band’s success. Stegmeyer on alto sax. copies in the first week. Mickey McMickle plays what he wanted on record. Arranged by Gray, interpolated Columbia the Gem of the Ocean and John Flower The nineteen instrumentals contained in this Little Brown Jug, arranged by Bill Finegan, the opening muted trumpet solo, followed by the issued version shows great execution. Purtill Yankee Doodle Dandy into the arrangement and Author of Moonlight Serenade, A Bio-discography of CD are good examples of the Miller band’s ability was the band’s first big hit. Beneke, Hurley and Hurley soloing on open trumpet and then is featured along with Beneke and May. Side two changed this march into a swing number which the Glenn Miller Civilian Band to play swing and dance music. Miller take the swinging solos. McMickle is heard again. Note that this is take 1 started right after Purtill’s drum break. Ernie features Purtill and May. It contains Miller’s In The Mood became Glenn Miller’s biggest Pavanne is an interesting arrangement by and most reissues have been from take 2. Caceres plays the gutsy clarinet solo. Take 2 instrumental hit. This recording illustrates Finegan. Solos are by Beneke on sax and Miller The Miller band opened at the Hotel (from side two) has been issued here and the Miller’s uncanny ability to edit an arrangement. on muted trombone. Pennsylvania in January 1940 and remained there major difference between Take 1 and Take 2 is a Composer Joe Garland had originally presented Eddie Durham not only arranged for Count for three months. Pennsylvania 6-5000, slight mistake by the trumpet near the end of the the arrangement to Artie Shaw but Shaw never Basie but also did a number of arrangements for arranged by Gray, was the telephone number at tune. It is interesting to note that Take 2 was Original monochrome photo of Glenn Miller from Michael Ochs Archives / Redferns
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GLENN MILLER the Miller band including Glen Island Special the Hotel Pennsylvania. It remains the telephone only issued on Canadian Bluebird. favorite trick of fading way down just before the Vol.3 which was dedicated to the Glen Island Casino. number to this day even though the name of the Adios, arranged by Gray, features a pretty ending and going out with a swinging finish. Glen Island Special: The Great Instrumentals On this swinging arrangement, Hurley is featured hotel has changed. Trumpet solo is by Johnny muted trumpet solo by McMickle, lots of ooh- The last three numbers on this CD were on trumpet, followed by Beneke on tenor sax. Best with tenor sax solo by Beneke. wahs by the brass, a muted trombone solo by recorded when the band was playing at the Original Recordings 1938-1942 The second tenor sax solo is by Al Klink. In 1941 there was a ban on playing ASCAP Miller, more muted McMickle with bass notes Hotel Sherman in Chicago. Sleepy Town Train is My Isle of Golden Dreams features a music on the radio networks. Miller and other plucked at the end by Doc Goldberg. a medium tempo jump tune that has muted “Glenn Miller’s orchestra is generally considered recorded it because it ran longer than the beautiful Beneke tenor sax solo. About halfway bandleaders turned to recording BMI and public- Bobby Hackett joined the band as guitarist trumpet by May, alto sax by Skippy Martin, May to have been the most popular organization in allowable three minutes and twenty seconds’ through this Finegan arrangement there is a domain tunes. Song of the Volga Boatmen is a in July 1941. “When Glenn hired me I wasn’t again and tenor sax by Beneke. the history of dance bands,” wrote George maximum time on a 78 rpm record. Miller was tempo change that must have confused many Russian folk song. This outstanding playing cornet. I’d just had some dental surgery, George Gershwin’s Rhapsody In Blue was Simon, author and former editor of Metronome able to condense it down to a tight, swinging dancers at the time. arrangement is by Finegan. Miller comments so I couldn’t blow my horn,” recalled Hackett. the last tune the civilian Miller band recorded. magazine. From the time the band opened at instrumental, adding a closing riff with repeated I Want To Be Happy, another swing extensively on the making of this rhythmic As soon as his gums healed Glenn began Arranged by Finegan, the Miller version is an the Glen Island Casino in the Spring of 1939 till fadeouts until the band explodes into the rousing arrangement by Durham, spots solos by Hurley, arrangement in his book Glenn Miller’s Method For featuring Hackett on cornet solos. A String of excerpt from the second half of the rhapsody. It the time it was disbanded in September 1942 finale. The famous tenor sax battle is between Beneke, Miller and Maurice Purtill on drums. Orchestral Arranging. He states that the tune Pearls, one of Jerry Gray’s finest compositions features a lovely Hackett cornet solo and Beneke when Glenn accepted a commission in the Army, Tex Beneke and Al Klink and this is followed by a Johnson Rag starts with one of those slow begins with three separate themes – first by the and arrangements, is a good example of blows a very wistful tenor sax. Metronome there were few bands that could rival its success. trumpet solo by Clyde Hurley. build-ups and after a number of solos culminates rhythm section, followed by the four trombones Hackett’s work. The recording starts out with magazine thought so highly of this recording But success did not come immediately to Sunrise Serenade is a perfect example of the in a rousing finish which was a typical Miller and then a muted trumpet solo by Billy May. an alto sax solo by Caceres and then two-bar that they gave it an A-rating. Glenn Miller. His first band, formed in March band’s distinctive clarinet lead reed sound. It swing device. Beneke takes the first eight bars of Ernie Caceres solos on alto sax. After the alto sax exchanges between Caceres and Beneke Jerry Gray’s composition and arrangement of 1937, failed and was disbanded in January 1938. features Tex Beneke on tenor sax. tenor followed by Klink. Miller plays the diminishing drum break by Purtill, the four (Tex was playing lead alto at this time after Here We Go Again closes our set. It features Miller started a new band in March 1938. It By The Waters of Minnetonka is from trombone break and then Hurley is heard on trombones begin a passage followed by four McIntyre left the band), followed by another excellent solos by Klink, May and Purtill. The title wasn’t until the band’s lengthy engagement at Miller’s first recording session for RCA Victor on trumpet. Arrangement is by Finegan. unison trumpets in a short fugato which leads challenge on tenors between Klink and Babe of this tune is ironic since a record ban on the Glen Island Casino in New Rochelle, New the Bluebird label. Originally recorded as a two- By the beginning of 1940 a new arranger had into the backtime rhythm of handclaps. Russin in that order. Next is Bobby Hackett’s 1 August put an end to all recording for over a York, from 17 May 1939 to 23 August 1939, that sided 78 rpm 10˝ disc, it is now heard here as a joined the Miller band. Jerry Gray came to the The original 78 of Anvil Chorus was a two- famous cornet solo. His innovative twelve bar year. The Miller civilian band disbanded on he became well known. Numerous coast-to- continuous number. Arranged by Glenn Miller, it band after Artie Shaw disbanded in late 1939. sided 10˝ disc. According to Down Beat solo added a great deal to the success of the 27 September 1942 and never did “Go Again” coast radio broadcasts over the NBC and Mutual features Beneke on tenor sax and clarinet, Miller Tuxedo Junction was arranged by Gray. magazine, it took “three previous attempts which recording. on records. networks and the enthusiastic response of the on trombone, Johnny Austin on trumpet and Bill According to George Simon, it sold 115,000 left him dissatisfied” before Miller finally got American Patrol was arranged by Gray. He dancers, guaranteed the band’s success. Stegmeyer on alto sax. copies in the first week. Mickey McMickle plays what he wanted on record. Arranged by Gray, interpolated Columbia the Gem of the Ocean and John Flower The nineteen instrumentals contained in this Little Brown Jug, arranged by Bill Finegan, the opening muted trumpet solo, followed by the issued version shows great execution. Purtill Yankee Doodle Dandy into the arrangement and Author of Moonlight Serenade, A Bio-discography of CD are good examples of the Miller band’s ability was the band’s first big hit. Beneke, Hurley and Hurley soloing on open trumpet and then is featured along with Beneke and May. Side two changed this march into a swing number which the Glenn Miller Civilian Band to play swing and dance music. Miller take the swinging solos. McMickle is heard again. Note that this is take 1 started right after Purtill’s drum break. Ernie features Purtill and May. It contains Miller’s In The Mood became Glenn Miller’s biggest Pavanne is an interesting arrangement by and most reissues have been from take 2. Caceres plays the gutsy clarinet solo. Take 2 instrumental hit. This recording illustrates Finegan. Solos are by Beneke on sax and Miller The Miller band opened at the Hotel (from side two) has been issued here and the Miller’s uncanny ability to edit an arrangement. on muted trombone. Pennsylvania in January 1940 and remained there major difference between Take 1 and Take 2 is a Composer Joe Garland had originally presented Eddie Durham not only arranged for Count for three months. Pennsylvania 6-5000, slight mistake by the trumpet near the end of the the arrangement to Artie Shaw but Shaw never Basie but also did a number of arrangements for arranged by Gray, was the telephone number at tune. It is interesting to note that Take 2 was Original monochrome photo of Glenn Miller from Michael Ochs Archives / Redferns
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GLENN MILLER the Miller band including Glen Island Special the Hotel Pennsylvania. It remains the telephone only issued on Canadian Bluebird. favorite trick of fading way down just before the Vol.3 which was dedicated to the Glen Island Casino. number to this day even though the name of the Adios, arranged by Gray, features a pretty ending and going out with a swinging finish. Glen Island Special: The Great Instrumentals On this swinging arrangement, Hurley is featured hotel has changed. Trumpet solo is by Johnny muted trumpet solo by McMickle, lots of ooh- The last three numbers on this CD were on trumpet, followed by Beneke on tenor sax. Best with tenor sax solo by Beneke. wahs by the brass, a muted trombone solo by recorded when the band was playing at the Original Recordings 1938-1942 The second tenor sax solo is by Al Klink. In 1941 there was a ban on playing ASCAP Miller, more muted McMickle with bass notes Hotel Sherman in Chicago. Sleepy Town Train is My Isle of Golden Dreams features a music on the radio networks. Miller and other plucked at the end by Doc Goldberg. a medium tempo jump tune that has muted “Glenn Miller’s orchestra is generally considered recorded it because it ran longer than the beautiful Beneke tenor sax solo. About halfway bandleaders turned to recording BMI and public- Bobby Hackett joined the band as guitarist trumpet by May, alto sax by Skippy Martin, May to have been the most popular organization in allowable three minutes and twenty seconds’ through this Finegan arrangement there is a domain tunes. Song of the Volga Boatmen is a in July 1941. “When Glenn hired me I wasn’t again and tenor sax by Beneke. the history of dance bands,” wrote George maximum time on a 78 rpm record. Miller was tempo change that must have confused many Russian folk song. This outstanding playing cornet. I’d just had some dental surgery, George Gershwin’s Rhapsody In Blue was Simon, author and former editor of Metronome able to condense it down to a tight, swinging dancers at the time. arrangement is by Finegan. Miller comments so I couldn’t blow my horn,” recalled Hackett. the last tune the civilian Miller band recorded. magazine. From the time the band opened at instrumental, adding a closing riff with repeated I Want To Be Happy, another swing extensively on the making of this rhythmic As soon as his gums healed Glenn began Arranged by Finegan, the Miller version is an the Glen Island Casino in the Spring of 1939 till fadeouts until the band explodes into the rousing arrangement by Durham, spots solos by Hurley, arrangement in his book Glenn Miller’s Method For featuring Hackett on cornet solos. A String of excerpt from the second half of the rhapsody. It the time it was disbanded in September 1942 finale. The famous tenor sax battle is between Beneke, Miller and Maurice Purtill on drums. Orchestral Arranging. He states that the tune Pearls, one of Jerry Gray’s finest compositions features a lovely Hackett cornet solo and Beneke when Glenn accepted a commission in the Army, Tex Beneke and Al Klink and this is followed by a Johnson Rag starts with one of those slow begins with three separate themes – first by the and arrangements, is a good example of blows a very wistful tenor sax. Metronome there were few bands that could rival its success. trumpet solo by Clyde Hurley. build-ups and after a number of solos culminates rhythm section, followed by the four trombones Hackett’s work. The recording starts out with magazine thought so highly of this recording But success did not come immediately to Sunrise Serenade is a perfect example of the in a rousing finish which was a typical Miller and then a muted trumpet solo by Billy May. an alto sax solo by Caceres and then two-bar that they gave it an A-rating. Glenn Miller. His first band, formed in March band’s distinctive clarinet lead reed sound. It swing device. Beneke takes the first eight bars of Ernie Caceres solos on alto sax. After the alto sax exchanges between Caceres and Beneke Jerry Gray’s composition and arrangement of 1937, failed and was disbanded in January 1938. features Tex Beneke on tenor sax. tenor followed by Klink. Miller plays the diminishing drum break by Purtill, the four (Tex was playing lead alto at this time after Here We Go Again closes our set. It features Miller started a new band in March 1938. It By The Waters of Minnetonka is from trombone break and then Hurley is heard on trombones begin a passage followed by four McIntyre left the band), followed by another excellent solos by Klink, May and Purtill. The title wasn’t until the band’s lengthy engagement at Miller’s first recording session for RCA Victor on trumpet. Arrangement is by Finegan. unison trumpets in a short fugato which leads challenge on tenors between Klink and Babe of this tune is ironic since a record ban on the Glen Island Casino in New Rochelle, New the Bluebird label. Originally recorded as a two- By the beginning of 1940 a new arranger had into the backtime rhythm of handclaps. Russin in that order. Next is Bobby Hackett’s 1 August put an end to all recording for over a York, from 17 May 1939 to 23 August 1939, that sided 78 rpm 10˝ disc, it is now heard here as a joined the Miller band. Jerry Gray came to the The original 78 of Anvil Chorus was a two- famous cornet solo. His innovative twelve bar year. The Miller civilian band disbanded on he became well known. Numerous coast-to- continuous number. Arranged by Glenn Miller, it band after Artie Shaw disbanded in late 1939. sided 10˝ disc. According to Down Beat solo added a great deal to the success of the 27 September 1942 and never did “Go Again” coast radio broadcasts over the NBC and Mutual features Beneke on tenor sax and clarinet, Miller Tuxedo Junction was arranged by Gray. magazine, it took “three previous attempts which recording. on records. networks and the enthusiastic response of the on trombone, Johnny Austin on trumpet and Bill According to George Simon, it sold 115,000 left him dissatisfied” before Miller finally got American Patrol was arranged by Gray. He dancers, guaranteed the band’s success. Stegmeyer on alto sax. copies in the first week. Mickey McMickle plays what he wanted on record. Arranged by Gray, interpolated Columbia the Gem of the Ocean and John Flower The nineteen instrumentals contained in this Little Brown Jug, arranged by Bill Finegan, the opening muted trumpet solo, followed by the issued version shows great execution. Purtill Yankee Doodle Dandy into the arrangement and Author of Moonlight Serenade, A Bio-discography of CD are good examples of the Miller band’s ability was the band’s first big hit. Beneke, Hurley and Hurley soloing on open trumpet and then is featured along with Beneke and May. Side two changed this march into a swing number which the Glenn Miller Civilian Band to play swing and dance music. Miller take the swinging solos. McMickle is heard again. Note that this is take 1 started right after Purtill’s drum break. Ernie features Purtill and May. It contains Miller’s In The Mood became Glenn Miller’s biggest Pavanne is an interesting arrangement by and most reissues have been from take 2. Caceres plays the gutsy clarinet solo. Take 2 instrumental hit. This recording illustrates Finegan. Solos are by Beneke on sax and Miller The Miller band opened at the Hotel (from side two) has been issued here and the Miller’s uncanny ability to edit an arrangement. on muted trombone. Pennsylvania in January 1940 and remained there major difference between Take 1 and Take 2 is a Composer Joe Garland had originally presented Eddie Durham not only arranged for Count for three months. Pennsylvania 6-5000, slight mistake by the trumpet near the end of the the arrangement to Artie Shaw but Shaw never Basie but also did a number of arrangements for arranged by Gray, was the telephone number at tune. It is interesting to note that Take 2 was Original monochrome photo of Glenn Miller from Michael Ochs Archives / Redferns
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1. In The Mood 3:31 9. Johnson Rag 2:46 17. Sleepy Town Train 3:10 19. Here We Go Again 3:02 (Joe Garland) (Henry Kleinkhauf–Guy Hall) (Allan Roberts–Bill Fontaine) (Jerry Gray) Bluebird B 10416, mx BS 038170-1 Bluebird B 10498, mx BS 043356-1 Victor 20-1509, mx BS 074747-1 Victor 20-1563, mx BS 074739-1 Recorded 1 August 1939, New York Recorded 5 November 1939, New York Recorded 16 July 1942, Chicago Recorded 14 July 1942, Chicago 2. Sunrise Serenade 3:22 10. Tuxedo Junction 3:27 18. Rhapsody In Blue 3:01 All tracks by Glenn Miller and His Orchestra (Frankie Carle) (William Johnson–Julian Dash–Erskine (George Gershwin) Transfers & Production: David Lennick Bluebird B 10214, mx BS 035731-1 Hawkins–Buddy Feyne) Victor 20-1529, mx BS 074748-1 Recorded 10 April 1939, New York Bluebird B 10612, mx BS 046786-1 Recorded 16 July 1942, Chicago Digital Noise Reduction: Graham Newton Original 78s from the collections of David 3. By The Waters Of Minnetonka (Indian Recorded 5 February 1940, New York Love Song) – Parts 1 & 2 6:26 11. Pennsylvania 6-5000 3:13 Lennick and the Belfer Audio Laboratory and (Thurlow Lieurance–J. M. Cavanass) (Carl Sigman-Jerry Gray) Archive, Syracuse University Bluebird B 7870, mx BS 027412-1, Bluebird B 10754, mx BS 048963-1 027413-1 Recorded 28 April 1940, New York Recorded 27 September 1938, New York 12. Song Of The Volga Boatmen 3:24 4. Little Brown Jug 2:48 (Russian Folk song, arr. Bill Finegan) (J. E. Winner) Bluebird B 11029, mx BS 058885-1 The Naxos Historical labels aim to make available the greatest recordings of the history of recorded Bluebird B 10286, mx BS 035732-1 Recorded 17 January 1941, New York music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Recorded 10 April 1939, New York 13. Anvil Chorus 4:53 Naxos has engaged a number of respected restorers who have the dedication, skill and experience to 5. Pavanne 3:13 (Verdi, arr. Jerry Gray) produce restorations that have set new standards in the field of historical recordings. (Morton Gould) Bluebird B 10982, mx BS 058172-1, Bluebird B 10286, mx BS 035766-1 058173-2 Also available in the Naxos Jazz Legends series ... Recorded 18 April 1939, New York Recorded 13 December 1940, New York 6. Glen Island Special 2:57 14. Adios 2:53 (Eddie Durham) (Enric Madriguera–Eddie Woods) Bluebird B 10388, mx BS 038140-1 Bluebird B 11219, mx BS 064474-1 Recorded 26 July 1939, New York Recorded 25 June 1941, Chicago 7. My Isle Of Golden Dreams 3:18 15. A String Of Pearls 3:13 (Gus Kahn-Walter Donaldson) (Jerry Gray) Bluebird B 10399, mx BS 038143-1 Bluebird B 11382, mx BS 068068-1 Recorded 18 August 1939, New York Recorded 3 November 1941, New York 8. I Want To Be Happy 3:02 16. American Patrol 3:16 (Vincent Youmans–Irving Caesar) (F. W. Meacham, arr. Jerry Gray) Bluebird B 10416, mx BS 038174-1 Victor 27873, mx PBS 072230-1 8.120615* 8.120648* 8.120662* Recorded 1 August 1939, New York Recorded 2 April 1942, Hollywood * Not available in the USA
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1. In The Mood 3:31 9. Johnson Rag 2:46 17. Sleepy Town Train 3:10 19. Here We Go Again 3:02 (Joe Garland) (Henry Kleinkhauf–Guy Hall) (Allan Roberts–Bill Fontaine) (Jerry Gray) Bluebird B 10416, mx BS 038170-1 Bluebird B 10498, mx BS 043356-1 Victor 20-1509, mx BS 074747-1 Victor 20-1563, mx BS 074739-1 Recorded 1 August 1939, New York Recorded 5 November 1939, New York Recorded 16 July 1942, Chicago Recorded 14 July 1942, Chicago 2. Sunrise Serenade 3:22 10. Tuxedo Junction 3:27 18. Rhapsody In Blue 3:01 All tracks by Glenn Miller and His Orchestra (Frankie Carle) (William Johnson–Julian Dash–Erskine (George Gershwin) Transfers & Production: David Lennick Bluebird B 10214, mx BS 035731-1 Hawkins–Buddy Feyne) Victor 20-1529, mx BS 074748-1 Recorded 10 April 1939, New York Bluebird B 10612, mx BS 046786-1 Recorded 16 July 1942, Chicago Digital Noise Reduction: Graham Newton Original 78s from the collections of David 3. By The Waters Of Minnetonka (Indian Recorded 5 February 1940, New York Love Song) – Parts 1 & 2 6:26 11. Pennsylvania 6-5000 3:13 Lennick and the Belfer Audio Laboratory and (Thurlow Lieurance–J. M. Cavanass) (Carl Sigman-Jerry Gray) Archive, Syracuse University Bluebird B 7870, mx BS 027412-1, Bluebird B 10754, mx BS 048963-1 027413-1 Recorded 28 April 1940, New York Recorded 27 September 1938, New York 12. Song Of The Volga Boatmen 3:24 4. Little Brown Jug 2:48 (Russian Folk song, arr. Bill Finegan) (J. E. Winner) Bluebird B 11029, mx BS 058885-1 The Naxos Historical labels aim to make available the greatest recordings of the history of recorded Bluebird B 10286, mx BS 035732-1 Recorded 17 January 1941, New York music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Recorded 10 April 1939, New York 13. Anvil Chorus 4:53 Naxos has engaged a number of respected restorers who have the dedication, skill and experience to 5. Pavanne 3:13 (Verdi, arr. Jerry Gray) produce restorations that have set new standards in the field of historical recordings. (Morton Gould) Bluebird B 10982, mx BS 058172-1, Bluebird B 10286, mx BS 035766-1 058173-2 Also available in the Naxos Jazz Legends series ... Recorded 18 April 1939, New York Recorded 13 December 1940, New York 6. Glen Island Special 2:57 14. Adios 2:53 (Eddie Durham) (Enric Madriguera–Eddie Woods) Bluebird B 10388, mx BS 038140-1 Bluebird B 11219, mx BS 064474-1 Recorded 26 July 1939, New York Recorded 25 June 1941, Chicago 7. My Isle Of Golden Dreams 3:18 15. A String Of Pearls 3:13 (Gus Kahn-Walter Donaldson) (Jerry Gray) Bluebird B 10399, mx BS 038143-1 Bluebird B 11382, mx BS 068068-1 Recorded 18 August 1939, New York Recorded 3 November 1941, New York 8. I Want To Be Happy 3:02 16. American Patrol 3:16 (Vincent Youmans–Irving Caesar) (F. W. Meacham, arr. Jerry Gray) Bluebird B 10416, mx BS 038174-1 Victor 27873, mx PBS 072230-1 8.120615* 8.120648* 8.120662* Recorded 1 August 1939, New York Recorded 2 April 1942, Hollywood * Not available in the USA
5 8.120746 6 8.120746 GLENN MILLER Glen Island Special 8.120746 LN MILLER GLENN Original 1938-1942Original Recordings Special Island Glen www. NOTES ANDFULLRECORDING DETAILS INCLUDED Newton NoiseReduction byGraham Digital Transfers andProductionbyDavid Lennick h 9 HereWe GoAgain 19. RhapsodyInBlue 18. Sleepy Town Train 17. AmericanPatrol 16. AStringOfPearls 15. Adios 14. AnvilChorus 13. SongOfTheVolga Boatmen 12. Tuxedo Junction 10. 1 Pennsylvania 6-5000 11. .JohnsonRag 9. IWant To BeHappy 8. MyIsleOfGoldenDreams 7. GlenIslandSpecial 6. Pavanne 5. LittleBrownJug 4. ByTheWaters OfMinnetonka(Indian 3. SunriseSerenade 2. .InTheMood 1. & g Love Song) 04NxsRgt nentoa t Design:RonHoares 2004 NaxosRightsInternationalLtd naxos.com 2:53 3:13 6:26 2:46 4:53 3:31 2:48 3:27 3:16 3:22 3:01 3:13 3:10 2:57 3:02 3:02 3:13 The Great Instrumentals 3:18 3:24 Made intheEU Vol.3 66:13 ADD Total Time
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GLENN MILLER Glen Island Special Island Glen MILLER GLENN 8.120746