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CHAPTER 3 Hong Kong Music Ecosphere
Abstract The people of Hong Kong experienced their deepest sense of insecurity and anxiety after the handover of sovereignty to Beijing. Time and again, the incapacity and lack of credibility of the SAR government has been manifested in various new policies or incidents. Hong Kong people’s anger and discontent with the government have reached to the peak. On July 1, 2003, the sixth anniversary of the hand-over of Hong Kong to China, 500,000 demonstrators poured through the streets of Hong Kong to voice their concerns over the proposed legislation of Article 23 and their dissatisfaction to the SAR government. And the studies of politics and social movement are still dominated by accounts of open confrontations in the form of large scale and organized rebellions and protests. If we shift our focus on the terrain of everyday life, we can find that the youth voice out their discontents by different ways, such as various kinds of media. This research aims to fill the gap and explore the relationship between popular culture and politics of the youth in Hong Kong after 1997 by using one of the local bands KingLyChee as a case study. Politically, it aims at discovering the hidden voices of the youth and argues that the youth are not seen as passive victims of structural factors such as education system, market and family. Rather they are active and strategic actors who are capable of negotiating with and responding to the social change of Hong Kong society via employing popular culture like music by which the youth obtain their pleasure of producing their own meanings of social experience and the pleasure of avoiding the social discipline of the power-bloc. -
Booxter Export Page 1
Cover Title Authors Edition Volume Genre Format ISBN Keywords The Museum of Found Mirjam, LINSCHOOTEN Exhibition Soft cover 9780968546819 Objects: Toronto (ed.), Sameer, FAROOQ Catalogue (Maharaja and - ) (ed.), Haema, SIVANESAN (Da bao)(Takeout) Anik, GLAUDE (ed.), Meg, Exhibition Soft cover 9780973589689 Chinese, TAYLOR (ed.), Ruth, Catalogue Canadian art, GASKILL (ed.), Jing Yuan, multimedia, 21st HUANG (trans.), Xiao, century, Ontario, OUYANG (trans.), Mark, Markham TIMMINGS Piercing Brightness Shezad, DAWOOD. (ill.), Exhibition Hard 9783863351465 film Gerrie, van NOORD. (ed.), Catalogue cover Malenie, POCOCK (ed.), Abake 52nd International Art Ming-Liang, TSAI (ill.), Exhibition Soft cover film, mixed Exhibition - La Biennale Huang-Chen, TANG (ill.), Catalogue media, print, di Venezia - Atopia Kuo Min, LEE (ill.), Shih performance art Chieh, HUANG (ill.), VIVA (ill.), Hongjohn, LIN (ed.) Passage Osvaldo, YERO (ill.), Exhibition Soft cover 9780978241995 Sculpture, mixed Charo, NEVILLE (ed.), Catalogue media, ceramic, Scott, WATSON (ed.) Installaion China International Arata, ISOZAKI (ill.), Exhibition Soft cover architecture, Practical Exhibition of Jiakun, LIU (ill.), Jiang, XU Catalogue design, China Architecture (ill.), Xiaoshan, LI (ill.), Steven, HOLL (ill.), Kai, ZHOU (ill.), Mathias, KLOTZ (ill.), Qingyun, MA (ill.), Hrvoje, NJIRIC (ill.), Kazuyo, SEJIMA (ill.), Ryue, NISHIZAWA (ill.), David, ADJAYE (ill.), Ettore, SOTTSASS (ill.), Lei, ZHANG (ill.), Luis M. MANSILLA (ill.), Sean, GODSELL (ill.), Gabor, BACHMAN (ill.), Yung -
Biographies Artists Saâdane Afif, B. 1970 in Vendôme, France
SCORES: Biographies Artists GENERALDIREKTION PRESS – COMMUNICATION – SPONSORS Saâdane Afif, b. 1970 in Vendôme, France, lives in Berlin. The artist’s Stauffenbergstraße 41 10785 Berlin oeuvre is characterized by an interdisciplinary, processual way of working. His installative and sculptural works testify to a complex interweaving of MECHTILD KRONENBERG visual art, poetry and music and at the same time thematise the conditions HEAD OF DIVISION of their genesis and production. FIONA GEUSS Since 2004, as an integral component of his creative practice, Afif has Press Officer Nationalgalerie been inviting authors to interpret his works in song lyrics. These poetic Tel: +49 30 3978 34-17 reflections (Lyrics) are usually presented as wall texts next to his Fax: +49 30 3978 34-13 sculptural objects and are often set to music by composers, performed [email protected] live as part of the exhibition and issued on CD or vinyl. With their www.smb.museum/presse elements of score/concept, song lyrics, composition, posters and PROJECT COMMUNICATION recording media, Afif’s exhibitions recall the processes of music production. In a continuous and potentially unfinished process of ACHIM KLAPP Tel: +49 30 2579 70 16 transformation, and with the incorporation of authors, musicians and [email protected] performers, Afif generates a fascinating network of relationships and references. Christian Marclay, b. 1955 San Rafael, California, lives in London and New York. For more than 30 years Christian Marclay has investigated the fusion of image and music, in media ranging from collage, performance, installation and sculpture to photography and video. In the 1980s he attracted attention with his many appearances as a ‘record-player’, in which he used records and turntables as musical instruments. -
To View the Conference Program
11TH BIENNIAL INTERNATIONAL MEANING CONFERENCE International Network on I N PERSONAL P M MEANING VIRTUAL CONFERENCE PROGRAM | AUG 6 – 8, 2021 FROM VULNERABILITY TO RESILIENCE & WELLBEING DURING THE PANDEMIC: ADVANCES IN EXISTENTIAL POSITIVE PSYCHOLOGY (PP2.0) 11TH BIENNIAL INTERNATIONAL MEANING CONFERENCE (INPM 2021) Sponsored by Conference Program | 1 11TH BIENNIAL INTERNATIONAL MEANING CONFERENCE MISSION STATEMENT AND VISION The International Network on Personal Meaning (INPM) is dedicated to advancing the well-being of individuals and society through research, education, and positive applied psychology with a focus on the universal human question for meaning and purpose. WHO WE ARE The INPM is an international, multidisciplinary, learned society founded by Paul T. P. Wong in 1998 to expand the legacy of Dr. Viktor Frankl. It was incorporated as a non-profit organization with the Federal Government of Canada in 2001. The INPM is governed by a Board of Directors. The professional arm of the INPM is the International Society for Existential Psychology and Psychotherapy. OBJECTIVES AND ACTIVITIES 1. To advance scientific research of meaning and the movement of second wave positive psychology (PP 2.0) through Biennial International Meaning Conferences and the International Journal of Existential Positive Psychology. 2. To advance the scholarship and practice of meaning-centered approach to coaching, counselling, psychotherapy, management, and education through Summer Institutes, Meaning Conferences, certification programs, and our website (www.meaning.ca). 3. To educate the public regarding the broad application of the principles of meaningful living based on research through the Positive Living Newsletter, and the Meaningful Living Meetup Groups, website, and social media. All the activities of the INPM are funded entirely by membership dues, donations, and revenue from teaching and conference events. -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
Bio Information: CHRISTIAN MARCLAY / TOSHIO KAJIWARA / DJ OLIVE: Djtrio Title: 21 SEPTEMBER 2002 (Cuneiform Rune 348) Format: LP
Bio information: CHRISTIAN MARCLAY / TOSHIO KAJIWARA / DJ OLIVE: djTRIO Title: 21 SEPTEMBER 2002 (Cuneiform Rune 348) Format: LP Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) http://www.cuneiformrecords.com FILE UNDER: EXPERIMENTAL / SOUND ART / AVANT-GARDE / TURNTABLISM “At various moments, the mix suggested nature sounds, urban cacophony, 12-tone compositions and the tuning of radio dial” – Washington Post “An archeological excavation where whirlpool scratches, microtones and samples of thrift store-mined cheese fly around like poltergeists released from a tomb.” – XLR8R “Some amazing, static-riddled alien music.” – Dusted Start off by dispelling any outmoded notions about taking things at face value – sometimes a DJ is not just a DJ, a record is not a record, and a turntable is more than a record player. These are the basic tenets with which to enter the world of Christian Marclay’s djTRIO, especially in the case of their live recordings. World-renowned multi-media artist Marclay may be best known these days for his globally embraced film collage piece “The Clock,” but he began by redefining the roles of “musician,” “DJ,” and even “artist” itself. Since the late ‘70s, Marclay has created art by masterfully mistreating both vinyl and phonographic equipment, using them both in a manner more consistent with the way an abstract sculptor employs raw materials in the service of a larger vision. Sometimes these sonic journeys utilizing a turntable as a sextant have been in-the-moment experiences and sometimes they’ve been captured for posterity, but 21 September 2002 on Cuneiform Records happens to be both. -
Some Notes on John Zorn's Cobra
Some Notes on John Zorn’s Cobra Author(s): JOHN BRACKETT Source: American Music, Vol. 28, No. 1 (Spring 2010), pp. 44-75 Published by: University of Illinois Press Stable URL: http://www.jstor.org/stable/10.5406/americanmusic.28.1.0044 . Accessed: 10/12/2013 15:16 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press is collaborating with JSTOR to digitize, preserve and extend access to American Music. http://www.jstor.org This content downloaded from 198.40.30.166 on Tue, 10 Dec 2013 15:16:53 PM All use subject to JSTOR Terms and Conditions JOHN BRACKETT Some Notes on John Zorn’s Cobra The year 2009 marks the twenty-fifth anniversary of John Zorn’s cele- brated game piece for improvisers, Cobra. Without a doubt, Cobra is Zorn’s most popular and well-known composition and one that has enjoyed remarkable success and innumerable performances all over the world since its premiere in late 1984 at the New York City club, Roulette. Some noteworthy performances of Cobra include those played by a group of jazz journalists and critics, an all-women performance, and a hip-hop ver- sion as well!1 At the same time, Cobra is routinely played by students in colleges and universities all over the world, ensuring that the work will continue to grow and evolve in the years to come. -
Commencement Program
Sunday, the Sixteenth of May, Two Thousand and Ten ten o’clock in the morning ~ wallace wade stadium Duke University Commencement ~ 2010 One Hundred Fifty-Eighth Commencement Notes on Academic Dress Academic dress had its origin in the Middle Ages. When the European universities were taking form in the thirteenth and fourteenth centuries, scholars were also clerics, and they adopted Mace and Chain of Office robes similar to those of their monastic orders. Caps were a necessity in drafty buildings, and Again at commencement, ceremonial use is copes or capes with hoods attached were made of two important insignia given to Duke needed for warmth. As the control of universities University in memory of Benjamin N. Duke. gradually passed from the church, academic Both the mace and chain of office are the gifts costume began to take on brighter hues and to of anonymous donors and of the Mary Duke employ varied patterns in cut and color of gown Biddle Foundation. They were designed and and type of headdress. executed by Professor Kurt J. Matzdorf of New The use of academic costume in the United Paltz, New York, and were dedicated and first States has been continuous since Colonial times, used at the inaugural ceremonies of President but a clear protocol did not emerge until an Sanford in 1970. intercollegiate commission in 1893 recommended The Mace, the symbol of authority of the a uniform code. In this country, the design of a University, is made of sterling silver throughout. gown varies with the degree held. The bachelor’s Significance of Colors It is thirty-seven inches long and weighs about gown is relatively simple with long pointed Colors indicating fields of eight pounds. -
Table of Content
Table of Content God’s Grace in Retrospect Average Attendance: Comparison between Year 2016 and 2017 ………… 1 Senior Pastor ……….. Rev. Franklin Pyles ………… 2 Chairman of the Board of Elders ……….. Rev. Franklin Pyles ………… 4 Nominating Committee ……….. Rev. Franklin Pyles ………… 5 Elder’s Sharing ……….. Elder Dicken Tai ………… 6 English Ministry: ……….. Rev. Franklin Pyles ………… 7 #Stirred Small Group ……….. York Lim ………… 8 Cantonese Ministry: ……….. Pastor Pauline Hsu ………… 9 Pastoral Intern ……….. Pastor Wing Ho ………… 12 Discipleship Department ……….. Grace Leigh ………… 14 Worship Department ……….. Ada Ko ………… 16 Evangelism Department ……….. Gary Hui ………… 20 Grace District ……….. Anita Kwan-Kan ………… 22 Sonshine District ……….. Raymond Tong ………… 23 Enoch District ……….. Eddy Chan ………… 24 Isaiah Fellowship ……….. Nai-Yuen Ho ………… 25 Macedonia Fellowship ……….. Karen Kwok-Liu ………… 27 Caring Ministry ……….. Elder Eddie Chui ………… 30 Mandarin Ministry: ……….. Pastor Paul Tsai ………… 31 Worship Ministry ……….. Elder Richard Yang ………… 33 Women Ministry ……….. Abby Lin ………… 35 Student Ministry: ……….. Rev. John Mah ………… 36 Children Ministry: ……….. Rev. Faith Lee ………… 52 Sports Ministry: Ping Pong Outreach ……….. Al Chan ………… 66 Badminton Outreach ……….. Esmond Cheung ………… 68 i Table of Content Property Management Workgroup: ……….. Eddy Chan ………… 69 Refugee Ministry: ……….. Ginger Tey ………… 70 Community Service Group: ……….. Henry Luk ………… 73 Missions Working Group: ……….. Rev. John Mah ………… 75 Statistics Offerings Record Summary …………………………………………… 79 Active Members List …………………………………………… -
Tourism Economy Revamped Reason for Residents to Cheer, Forum Next Year but Developers Are Wary P7 P5 P8 Singapore
BRAZIL, ARGENTINA SHOE-BOX RULE MAY PARTNERS OF NEXT GTEF RED CHEER HOME BUYERS Argentina and Brazil will be MARKET Putting an end to “shoe-box the partner countries of the TO BE sized” apartments may be Global Tourism Economy REVAMPED reason for residents to cheer, Forum next year but developers are wary P7 P5 P8 SINGAPORE THU.25 Oct 2018 T. 23º/ 29º C H. 70/ 90% facebook.com/mdtimes + 11,000 MOP 8.00 3156 N.º HKD 10.00 FOUNDER & PUBLISHER Kowie Geldenhuys EDITOR-IN-CHIEF Paulo Coutinho www.macaudailytimes.com.mo “ THE TIMES THEY ARE A-CHANGIN’ ” WORLD BRIEFS HKZMB DAY ONE AP PHOTO People queue to cross MALAYSIA-THAILAND Malaysian Prime Minister Mahathir Mohamad met yesterday with Thailand’s leader and discussed peace talks longest sea bridge P2-3 FULL COVERAGE, OPINION in Thailand’s southern border provinces where a Muslim separatist insurgency has been raging for over a decade. MARQUES RENATO CAMBODIA A former prison chief for Cambodia’s Khmer Rouge regime who has been sentenced to life in prison has been hospitalized with serious respiratory problems. NORTH KOREA Leader Kim Jong Un’s summits with the presidents of South Korea and the United States have not changed his country’s abysmal human rights record, the U.N. independent investigator on human rights in the isolated Asian nation said. AP PHOTO INDIA Government forces killed two rebels during a gunbattle on the outskirts of disputed Kashmir’s main city yesterday, sparking violent anti-India protests by residents, police said. PAKISTAN has negotiated a USD6 billion assistance package of loans and Abe vows to bolster deferred payments from Saudi Arabia in hopes of resuscitating its flagging economy, struggling ties with China day under the weight of a whopping $18 billion deficit. -
2021-02-12 FY2021 Grant List by Region.Xlsx
New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc. -
San Francisco Lodge Survey “One Paper, Many Voices”
San Francisco Lodge Survey “One Paper, Many Voices” Chinese American Citizens Alliance Volume 21, Fall Issue Inside this Issue… President's Message 2 Education 3 Activities 4 Honoring Senior Citizens 5 52nd C.A.C.A Conven- 6 tion Much Ado About Nothing 8 What is Happening to America’s In the News 10 Chinatowns? By Melanie Chan Are America’s Chinatown disappearing? For over a hundred years, Chinatowns were a com- In Memory of Jack Low 10 munity where new immigrant families could depend on a network of friends and relatives to help ease them into their new life here in America. They were vibrant and diverse gateways that provided shelter, jobs and support to the community. Honoring Senior Citizens 11 (Chinese version) The Asian American Legal Defense and Education Fund (AALDEF) studied Chinatowns in the cities of Boston, New York and Philadelphia. They spent a year recording block by block by lot the existing land uses in Boston, New York and Philadelphia's’ Chinatown and sur- rounding immigrant areas, looking at the residential, restaurants and businesses. What they discovered is that the shrinking of the areas’ Chinatown are multi-faceted. Rising land prices has contributed to the gentrification and expan- sion of luxury buildings and upscale businesses encroaching into the Chinatowns. An example is when the New York City Council, despite protests from the Chinese community and businesses, approved the city’s third largest rezoning plan in 2008. Independent analysis by urban planners concluded that it would push luxury development into Chinatown and disproportionately impact the low income and immigrant communities.