Strange Case of Dr Jekyll and Mr Hyde and Other Stories
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Journal of Stevenson Studies
1 Journal of Stevenson Studies 2 3 Editors Dr Linda Dryden Professor Roderick Watson Reader in Cultural Studies English Studies Faculty of Art & Social Sciences University of Stirling Craighouse Stirling Napier University FK9 4La Edinburgh Scotland Scotland EH10 5LG Scotland Tel: 0131 455 6128 Tel: 01786 467500 Email: [email protected] Email: [email protected] Contributions to future issues are warmly invited and should be sent to either of the editors listed above. The text should be submitted in MS WORD files in MHRA format. All contributions are subject to review by members of the Editorial Board. Published by The Centre for Scottish Studies University of Stirling © the contributors 2005 ISSN: 1744-3857 Printed and bound in the UK by Antony Rowe Ltd. Chippenham, Wiltshire. 4 Journal of Stevenson Studies Editorial Board Professor Richard Ambrosini Professor Gordon Hirsch Universita’ de Roma Tre Department of English Rome University of Minnesota Professor Stephen Arata Professor Katherine Linehan School of English Department of English University of Virginia Oberlin College, Ohio Professor Oliver Buckton Professor Barry Menikoff School of English Department of English Florida Atlantic University University of Hawaii at Manoa Dr Jenni Calder Professor Glenda Norquay National Museum of Scotland Department of English and Cultural History Professor Richard Dury Liverpool John Moores University of Bergamo University (Consultant Editor) Professor Marshall Walker Department of English The University of Waikato, NZ 5 Contents Editorial -
Stevensoniana; an Anecdotal Life and Appreciation of Robert Louis Stevenson, Ed. from the Writings of J.M. Barrie, S.R. Crocket
——; — ! 92 STEVENSONIANA VIII ISLAND DAYS TO TUSITALA IN VAILIMA^ Clearest voice in Britain's chorus, Tusitala Years ago, years four-and-twenty. Grey the cloudland drifted o'er us, When these ears first heard you talking, When these eyes first saw you smiling. Years of famine, years of plenty, Years of beckoning and beguiling. Years of yielding, shifting, baulking, ' When the good ship Clansman ' bore us Round the spits of Tobermory, Glens of Voulin like a vision. Crags of Knoidart, huge and hoary, We had laughed in light derision. Had they told us, told the daring Tusitala, What the years' pale hands were bearing, Years in stately dim division. II Now the skies are pure above you, Tusitala; Feather'd trees bow down to love you 1 This poem, addressed to Robert Louis Stevenson, reached him at Vailima three days before his death. It was the last piece of verse read by Stevenson, and it is the subject of the last letter he wrote on the last day of his life. The poem was read by Mr. Lloyd Osbourne at the funeral. It is here printed, by kind permission of the author, from Mr. Edmund Gosse's ' In Russet and Silver,' 1894, of which it was the dedication. After the Photo by] [./. Davis, Apia, Samoa STEVENSON AT VAILIMA [To face page i>'l ! ——— ! ISLAND DAYS 93 Perfum'd winds from shining waters Stir the sanguine-leav'd hibiscus That your kingdom's dusk-ey'd daughters Weave about their shining tresses ; Dew-fed guavas drop their viscous Honey at the sun's caresses, Where eternal summer blesses Your ethereal musky highlands ; Ah ! but does your heart remember, Tusitala, Westward in our Scotch September, Blue against the pale sun's ember, That low rim of faint long islands. -
Lilia Maratovna Burganova Landysh Nurgayanovna Yuzmukhametova
QUID Nº25, pp. 135-140, julio-diciembre de 2015, ISSN: 1692-343X, Medellín-Colombia DISTRIBUTION OF R.L. STEVENSON'S WORKS IN RUSSIA AT THE TURN OF THE 19TH – 20TH CENTURIES (Recibido el 22-05-2017. Aprobado el 04-09-2017) Lilia Maratovna Burganova Landysh Nurgayanovna Yuzmukhametova Kazan Federal University, Institute of Kazan Federal University, Institute of International Relations, History and Oriental International Relations, History and Oriental Studies, Tatarstan, Russia, Studies, Tatarstan, Russia [email protected] Abstract. Relevance of the research is due to the fact that history and ways of distribution of R. L. Stevenson's works in Russia were not fully explored, although the first tries to trace how people from our country could read Stevenson's works in translation, were made in the latest fifties of the Soviet period only in a concise way, where information in the form of bibliography was carefully arranged. After that there was a lasting period of silence. Only today, thanks to new researches we can obtain extra knowledge about publication activity in the past. This article aims at a thorough analysis of the material relating to publications of Scottish writer's works in Russian print media of the past years after which certain conclusions are drawn. And these are detection of the main spreading ways of Stevenson's works in Russia that are set out in chronological order. The leading approach to the study of this problem is a descriptive approach. The names of the first translators who played the key role in popularizing Stevenson's works in Russia are also mentioned. -
Vocative and Diminutive Forms in Robert Louis Stevenson's Fiction
International Journal of English Studies IJES UNIVERSITY OF MURCIA http://revistas.um.es/ijes Vocative and diminutive forms in Robert Louis Stevenson’s fiction: A corpus-based study MARINA DOSSENA Università degli Studi di Bergamo Received: 27 January 2012 / Accepted: 25 June 2012 ABSTRACT This paper takes a corpus-based approach to the study of vocative and diminutive forms in the prose fiction and drama of the Scottish author Robert Louis Stevenson. In such texts, the coexistence, and indeed the coalescence, of Scots and (Scottish Standard) English is one of the most important traits in their author’s distinctive style. The aim is to assess whether the use of diminutive forms together with vocative ones may constitute a syntactic unit in which semantic and pragmatic values are mutually reinforced. In addition to a specially-compiled corpus of Stevenson’s texts, the investigation will consider occurrences of the same structure in the imaginative prose section of the Corpus of Modern Scottish Writing, which will be used as a control corpus. KEYWORDS: Morphology, pragmatics, corpus linguistics, Scots, (Scottish Standard) English RESUMEN El presente trabajo adopta un enfoque basado en corpus con el objetivo de estudiar las formas vocativas y diminutivas en el teatro y en la ficción en prosa del autor escocés Robert Louis Stevenson. En estos textos, la convivencia y, de hecho, la fusión de escocés e inglés (estándar hablado en Escocia) es uno de los rasgos caracterizadores del estilo del autor. Así pues, el presente trabajo pretende evaluar si el uso de los diminutivos, junto con los vocativos, logra constituir una unidad sintáctica en la que los valores semánticos y pragmáticos se refuerzan mutuamente. -
Scotsman's Pacific
Scotsman’s Pacific Sylvie Largeaud-Ortega To cite this version: Sylvie Largeaud-Ortega. Scotsman’s Pacific: shifting identities in R. L. Stevenson’s postcolonial fiction. International Journal of Scottish Literature, 2013, p. 85-98. hal-01777635 HAL Id: hal-01777635 https://hal.archives-ouvertes.fr/hal-01777635 Submitted on 25 Apr 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. A Scotsman’s Pacific: Shifting Identities in R. L. Stevenson’s Postcolonial Fiction Sylvie Largeaud-Ortéga University of French Polynesia [email protected] international journal of scottish literature Issue 9, Autumn/Winter 2013 www.ijsl.stir.ac.uk Recommended Citation Sylvie Largeaud-Ortéga, ‘A Scotsman’s Pacific: Shifting Identities in R. L. Stevenson’s Postcolonial Fiction’, International Journal of Scottish Literature 9 (Autumn / Winter 2013), 85-98. Open Access Statement This article is ‘Open Access’, published under a creative commons license which means that you are free to copy, distribute, display, and perform the work as long as you clearly attribute the work to the author(s), that you do not use this work for any commercial gain in any form and that you in no way alter, transform or build on the work outside of its use in normal academic scholarship without express permission of the author(s) and the publisher of this journal. -
Journal of Stevenson Studies Volume 7
Journal of Stevenson Studies Volume 7 Stevenson7.indb 1 08/09/2010 16:53 ii Journal of Stevenson Studies Stevenson7.indb 2 08/09/2010 16:53 Journal of Stevenson Studies iii Editors Professor Linda Dryden Professor Emeritus Centre for Literature and Roderick Watson Writing English Studies School of Arts and Creative University of Stirling Industries Stirling Napier University FK9 4LA Craighouse Scotland Edinburgh Tel: 01786 475971 EH10 5LG Email: [email protected] Scotland Tel: 0131 455 6128 Email: [email protected] Contributions to volume 8 are warmly invited and should be sent to either of the editors listed above. The text should be submitted in MS WORD files in MHRA format. All contributions are subject to review by members of the Editorial Board. Published by The Centre for Scottish Studies University of Stirling © The contributors 2010 ISSN: 1744-3857 Printed and bound in the UK by Antony Rowe Ltd. Chippenhan, Wiltshire. Stevenson7.indb 3 08/09/2010 16:53 iv Journal of Stevenson Studies Editorial Board Professor Richard Ambrosini Professor Gordon Hirsch Universita’ di Roma Tre Department of English Rome University of Minnesota Professor Stephen Arata Professor Katherine Linehan School of English Department of English University of Virginia Oberlin College Dr Hilary Beattie Ohio Department of Psychiatry Professor Barry Menikoff Columbia University Department of English Professor Oliver Buckton University of Hawaii at School of English Manoa Florida Atlantic University Professor Glenda Norquay Dr Jenni Calder Department of -
Shifting Identities in R. L. Stevenson's Postcolonial Fiction
A Scotsman’s Pacific: Shifting Identities in R. L. Stevenson’s Postcolonial Fiction Sylvie Largeaud-Ortéga University of French Polynesia [email protected] international journal of scottish literature Issue 9, Autumn/Winter 2013 www.ijsl.stir.ac.uk Recommended Citation Sylvie Largeaud-Ortéga, ‘A Scotsman’s Pacific: Shifting Identities in R. L. Stevenson’s Postcolonial Fiction’, International Journal of Scottish Literature 9 (Autumn / Winter 2013), 85-98. Open Access Statement This article is ‘Open Access’, published under a creative commons license which means that you are free to copy, distribute, display, and perform the work as long as you clearly attribute the work to the author(s), that you do not use this work for any commercial gain in any form and that you in no way alter, transform or build on the work outside of its use in normal academic scholarship without express permission of the author(s) and the publisher of this journal. Furthermore, for any reuse or distribution, you must make clear to others the license terms of this work. For more information see the details of the creative commons licence at this website: http://creativecommons.org/licenses/by-nc-nd/4.0/ A Scotsman’s Pacific: Shifting Identities in R.L. Stevenson’s Postcolonial Fiction Sylvie Largeaud-Ortéga Robert Louis Stevenson first came to the Pacific for reasons of health: in July 1888, aged 38 and chronically ill with tuberculosis, he embarked on a South Sea cruise which, in those days, was thought to be a panacea. The Pacific proved indeed so beneficial that the cruise transformed into permanent exile and subsequent settlement in Samoa: I shall never take that walk by the Fisher’s Tryst and Glencorse; I shall never see Auld Reekie; I shall never set my foot again upon the heather. -
08.2013 Edinburgh International Book Festival
08.2013 Edinburgh International Book Festival Celebrating 30 years Including: Baillie Gifford Children’s Programme for children and young adults Thanks to all our Sponsors and Supporters The Edinburgh International Book Festival is funded by Benefactors James and Morag Anderson Jane Attias Geoff and Mary Ball Lel and Robin Blair Richard and Catherine Burns Kate Gemmell Murray and Carol Grigor Fred and Ann Johnston Richard and Sara Kimberlin Title Sponsor of Schools and Children’s Alexander McCall Smith Programmes & the Main Theatre Media Partner Fiona Reith Lord Ross Richard and Heather Sneller Ian Tudhope and Lindy Patterson Claire and Mark Urquhart William Zachs and Martin Adam and all those who wish to remain anonymous Trusts The Barrack Charitable Trust The Binks Trust Booker Prize Foundation Major Sponsors and Supporters Carnegie Dunfermline Trust The John S Cohen Foundation The Craignish Trust The Crerar Hotels Trust The final version is the white background version and applies to situations where only the wordmark can be used. Cruden Foundation The Educational Institute of Scotland The MacRobert Trust Matthew Hodder Charitable Trust The Morton Charitable Trust SINCE Scottish New Park Educational Trust Mortgage Investment The Robertson Trust 11 Trust PLC Scottish International Education Trust 909 Over 100 years of astute investing 1 Tay Charitable Trust Programme Supporters Australia Council for the Arts British Centre for Literary Translation and the Calouste Gulbenkian Foundation Edinburgh Unesco City of Literature Goethe Institute Italian Cultural Insitute The New Zealand Book Council Sponsors and Supporters NORLA (Norwegian Literature Abroad) Publishing Scotland Scottish Poetry Library South Africa’s Department of Arts and Culture Word Alliance With thanks The Edinburgh International Book Festival is sited in Charlotte Square Gardens by kind permission of the Charlotte Square Proprietors. -
Sins and Follies
Robert louis stevenson Sins and follies Robert louis stevenson ins S and Follies ASLS “A Lodging for the Night” was first published in Temple Bar 51, October 1877 “Markheim” was first published in Unwin’s Annual 1886 “The Body-Snatcher” was first published in the Pall Mall Gazette Christmas Extra, December 1884 This edition published 2016 by the Association for Scottish Literary Studies Preface © Alanna Knight 2016 Introduction © Barry Menikoff 2016 Notes © Duncan Milne 2016 Typeset in Minion and Recherche by ASLS This book has been created by Edinburgh Napier in association with Edinburgh UNESCO City of Literature Trust as part of the RLS Day 2016 campaign to celebrate the famous literary son of Edinburgh, Robert Louis Stevenson. We would like to thank everyone involved in the creation of this book and in particular Edinburgh Napier, ASLS, JUMP Marketing, City of Edinburgh Council and Creative Scotland. Our thanks to Duncan Milne, Linda Dryden, Duncan Jones, Esther Rutter and Mat Norbury. Contents Preface vii Introduction xiii A Lodging for the Night . 1 Markheim . 29 The Body-Snatcher . .53 Notes 79 Preface Alanna Knight MBE n 1877 “A Lodging for the Night”, the first of Stevenson’s Istories to be published, saw his fiction begin to supersede the essays with which his career began. The story, set in fifteenth-century Paris, concerns a dissolute evening’s drinking which ends with a murder; the poet (and rogue) Francis Villon flees the scene, finding shelter in the home of the Lord of Brisetout, who takes it upon himself to lecture Villon on his moral failings. -
The Stevenson Circle
The Stevenson Circle Archer, William (1856-1924), journalist and critic. He was dramatic critic for Figaro, and later for the World and the Star. An admirer of Ibsen's work, he was instrumental in introduc- ing Ibsen's plays to the British public. Archer and RLS fre- quently corresponded, and Archer wrote a perceptive obituary, 'In Memoriam R.L.S.' (New Review, January 1895). Balfour, Dr Lewis (1777-1860), grandfather of RLS. RLS took his middle name of Lewis (later Louis) from his grandfather. As a boy RLS delighted in visiting Colin ton Manse, the home of his grandfather from 1823 to 1860. In his essay 'The Manse', included in MP, he gives an affectionate tribute to his recol- lections of the house and of his grandfather. Balfour, Sir Thomas Graham (1858-1929). One of RLS's many cousins, Balfour made his home at Vailima during the last two and a half years of RLS's life. His biography, published in 1901, is an extremely readable, competent and well-researched account. It suffers, however, from having been prepared so soon after Stevenson's death and is insufficiently detached from the protective influence of his widow. It remains an in- dispensable account of RLS and his circle, though inevitably some of Balfour's judgements have been superseded by later scholarship. Barrie, Sir James Matthew (1860-1937), novelist and playright. His first novel The Little Minister (1891), was much admired by RLS. Barrie was also the author of A Window in Thrums, Margaret Ogilvy, and Sentimental Tommy. His plays include The Admirable Crichton, Peter Pan and What Every Woman Knows. -
Robert Louis Stevenson His
Spezialgebiet Englisch Klaus Reitberger On Robert Louis Stevenson His And OLALLA 1 Content 1 Foreword 3 2 Robert Louis Stevenson – A Storyteller’s Tale 4 3 The Gothic Novel 5 3.1 A Genre’s History 6 3.2 Christmas Crawlers 7 3.3 Gothic Constructions 8 4 The Strange Case of Dr Jekyll and Mr Hyde 9 4.1 The Plot 9 4.2 Themes and other interesting aspects 10 4.2.1 Secret Sinners 14 4.2.2 Impure Duality 16 4.2.3 Demon Opinion 17 4.2.4 Moral Evolution 17 4.2.5 Lost Sensation 18 4.2.6 Undefined Crime 19 4.2.7 Jack 20 4.3 Characters 20 5 Olalla 22 5.1 The Plot 22 5.2 Naturally Gothic - A Tale of Atavism and Decay 26 5.3 Characters 27 6 Afterword – On Horror fiction and its Charms 28 Sources 30 2 1 Foreword Short in years his life may have been, but certainly not short of imagination. Listening to the voices in his head, or, as he used to express it, to “follow the soliciting of the little people, the Brownies”, who kept on whispering during his dreams, Robert Louis Stevenson ventured to create some stories that are unlike most tales of his time still quite prominent today. Amongst his greatest works reside the marvellous adventures the famous Scotsman bore on paper. One of these wonderful novels, every man in this world should have read as a kid, is Treasure Island . This is a tale that has to be devoured with a mind devoid of adult perspicacity and grown-up serenity but with childlike imagination still far from being rationalized. -
The Interconnection of Stevenson's Dr. Jekyll and Mr. Hyde
Studies in Scottish Literature Volume 23 | Issue 1 Article 8 1988 "Closer than an Eye": The nI terconnection of Stevenson's Dr. Jekyll and Mr. Hyde Colin Manlove Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Manlove, Colin (1988) ""Closer than an Eye": The nI terconnection of Stevenson's Dr. Jekyll and Mr. Hyde," Studies in Scottish Literature: Vol. 23: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol23/iss1/8 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Colin Manlove "Closer than an Eye": The Interconnection of Stevenson's Dr. Jekyll and Mr. Hyde One could say of many works that the more one looked at them the more complex they became, but the remark would have peculiar relevance with R.L. Stevenson's Dr. Jekyll and Mr. Hyde. The basic movement of the narrative is itself towards increasing complexity. At first it seems that Hyde has the pull of a blackmailer on Jekyll, in order to explain his ability to draw a cheque against Jekyll's name to buy off the family of a girl he injures; yet as the narrative proceeds we are to find that the relation of the two is much closer and more problematic than could ever have been imagined. Here we can start with another aspect of the narrative: the way seemingly unrelated or separate people and incidents are brought together.