Only Ten Questions!) to Learn More About How Open Access Ebooks Are Discovered and Used

Total Page:16

File Type:pdf, Size:1020Kb

Only Ten Questions!) to Learn More About How Open Access Ebooks Are Discovered and Used ONLINE SURVEY In collaboration with Unglue.it we have set up a survey (only ten questions!) to learn more about how open access ebooks are discovered and used. We really value your participation, please take part! CLICK HERE Piety in Pieces How Medieval Readers Customized their Manuscripts BY KATHRYN M. RUDY PIETY IN PIECES Piety in Pieces How Medieval Readers Customized their Manuscripts Kathryn M. Rudy https://www.openbookpublishers.com © 2016 Kathryn M. Rudy This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author (but not in any way that suggests that she endorses you or your use of the work). Attribution should include the following information: Kathryn M. Rudy, Piety in Pieces: How Medieval Readers Customized their Manuscripts. Cambridge, UK: Open Book Publishers, 2016. http://dx.doi.org/10.11647/OBP.0094 In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/isbn/9781783742332#copyright Further details about CC BY licenses are available at https://creativecommons.org/ licenses/by/4.0/ All external links were active on 12/9/2016 unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://www.openbookpublishers.com/isbn/9781783742332#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. The University of St. Andrews Library Open Access Fund supported this Open Access publication. The Leverhulme Trust has generously contributed towards the research for this volume. ISBN Paperback: 978–1-78374–233–2 ISBN Hardback: 978–1-78374–234–9 ISBN Digital (PDF): 978–1-78374–235–6 ISBN Digital ebook (epub): 978–1-78374–236–3 ISBN Digital ebook (mobi): 978–1-78374–237–0 DOI: 10.11647/OBP.0094 Cover image: Opening from a book of hours at the incipit of the Hours of the Holy Spirit with original and added parchment and decoration. The Master of Gijsbrecht van Brederode painted the historiated initial around 1465. Around 1510 the Masters of the Dark Eyes supplied the full-page miniature depicting the Coronation of the Virgin on separate parchment. The Hague, Koninklijke Bibliotheek, BPH 151, fol. 71v-72r. Published with permission from the Koninklijke Bibliotheek—the National Library of The Netherlands. All paper used by Open Book Publishers is SFI (Sustainable Forestry Initiative), PEFC (Programme for the Endorsement of Forest Certification Schemes) and Forest Stewardship Council(r)(FSC(r) certified. Printed in the United Kingdom, United States, and Australia by Lightning Source for Open Book Publishers (Cambridge, UK) Invisible threads are the strongest ties. ― Friedrich Nietzsche I dedicate this book to my father, Dr Donald J. Rudy, who taught me how to paddle, fly, and achieve more topspin. Contents Notes to the reader xiii Abbreviations used in this book xvii Introduction: A new approach to codicology 1 Types of augmentations 7 Part I: The modular method 15 A. Modular and non-modular, compared 18 B. The hierarchy of decoration 25 C. Modules and blank space 29 D. Precursors of book modules 34 E. Implications of the modular method 41 F. Adopters of the modular method 44 G. Complicated stratigraphy 50 Part II: Changes that did not require rebinding 59 A. Correcting the text 59 B. Adding text to the blank folios and interstices 62 1. Noting who owned, commissioned, and paid for items 63 2. Adding family information 67 3. Adding legal documents 70 4. Adding a gloss 75 5. Adding calendrical data 77 6. Changing a text to reflect updated circumstances 81 7. Adding text to make a book appropriate as a 84 didactic tool 8. Adding prayers 88 C. Augmenting the existing decoration 99 D. Drawing or painting images directly onto bound 105 parchment E. Adding physical material superficially 109 1. Attaching parchment sheets to blank areas of the book 109 2. Adding other objects to blank parchment 114 Part III: Changes that required rebinding 119 Rebinding 120 A. Adding leaves bearing texts 126 B. Adding leaves bearing images 135 1. Images for the most common offices 136 2. Images for indulgences 139 3. Portraits and personalizing details 147 4. Images for adding value 151 5. Images for missals 153 6. Other single-leaf miniatures 159 7. Packages of images 167 8. Images removed from one manuscript and inserted 170 into another C. Adding quires 180 1. Adding a bifolium 181 2. Adding one or more full quires 197 Part IV: Complicated interventions and complete overhauls 223 Building a book out of disparate quires 223 A. An atelier in Bruges 224 B. Unica 233 C. The convent of St. Ursula 244 1. Oxford, Bodleian Library, Ms. Rawl. Liturg. E.9* 244 2. The Hague, Koninklijke Bibliotheek, Ms. 132 G 38 251 3. Uppsala, Universitetsbiblioteket, Ms. C 517 k 270 D. The convent of St. Agnes in Delft 282 E. The Masters of the Dark Eyes 303 1. Alongside the Master of Gijsbrecht van Brederode 304 2. Leeds, Brotherton Ms. 7 with an added booklet 320 Part V: Patterns of desire 327 A. Desire to personalize the book 328 B. Desire to commemorate a changed family situation 329 C. Desire to store small precious objects 329 D. Desire for more embellishment 330 E. Recycling and refurbishing 330 F. Desire to make foreign-produced manuscripts locally 331 relevant G. Desire to incorporate new prayers 331 H. Fear of hell 332 I. Desire to reflect wealth 333 J. Changes, social and codicological 334 Bibliography 339 List of illustrations 355 Index 387 Notes to the reader This book grew out of an Arbeitsgespräch titled Manuscripts Changing Hands: Handschriften wechseln von Hand zu Hand, held at the Herzog August Bibliothek, Wolfenbüttel, from 20–22 June 2012. It was organized by Dr Volker Schier (Arizona Center for Medieval and Renaissance Studies) and Professor Dr Corine Schleif (Arizona State University), to whom I am grateful. The study, which at that time was titled “Pimp my Manuscript,” also benefitted from helpful comments by others present at this event. This study also developed thanks to Martin Kauffmann at the Bodleian Library, who invited me to Oxford to give a masterclass on this topic. This event invigorated me intellectually and socially at a time when my batteries were running low. The work was funded by a Leverhulme Trust Research Fellowship; I thank the Trust heartily, as the fellowship allowed me to spend time in Cambridge and Oxford to conduct research and also to buy the relevant images. This work would not have been possible without their support. I also thank the School of Art History, University of St. Andrews, for supplementing the image budget for this study. The University of St. Andrews Library Open Access Fund supported Open Access publication. I thank Alessandra Tosi, Marc Mierowsky, and Bianca Gualandi at Open Book for the hundreds of small ways in which they enabled the production of this book. Years ago I held a grant from the Dutch Research Council (NWO) that allowed me to study medieval manuscripts in libraries across the Low Countries nearly every day for three years. During these stimulating years, I gathered ideas and materials that have fed into every project xiv Piety in Pieces I have subsequently done, including this one. Thank you, NWO, for making it possible for me to collect material for a decade’s worth of ideas. My gratitude goes out to Erik Geleijns, Kate Greenspan, Peter Gumbert, Marlene Hennessy, Klaas van der Hoek, Erik Inglis, Erik Kwakkel, James Marrow, Johan Oosterman, Katharina Smeyers, and Mark Trowbridge who provided images or helped shape my thinking. I thank Lisa Regan and Jeffrey Hamburger for comments on drafts and Emily Savage for her perspicacious reading. I am also indebted to individuals from manuscript repositories around Europe, the UK and North America, who have granted me access to manuscript and provided me with invaluable information, especially Karin Zimmermann (Heidelberg), Ann Kelders (Brussels), Suzanne Paul (Cambridge), and Martin Kauffmann (Oxford). Finally, I thank the two anonymous peer reviewers who made valuable suggestions, all of which I have taken up. A note about the images: I have told the story in this book with words and pictures. Words are cheap. Pictures cost. Their price varies considerably from one institution to the next. As of this writing, high- resolution digital images from the Koninklijke Bibliotheek in The Hague cost about €5, about as much as an artisanal latte. Those from the Fitzwilliam Museum in Cambridge cost £40 for the tiff, plus £35 for new photography, plus VAT. Thus, ten images from the Fitzwilliam cost more than my car. Financial considerations and not just intellectual ones have, by necessity, dictated my choice of examples. Institutions that do not allow hand-held photography make it difficult to me to develop ideas, because it often takes me weeks or months to make sense of a manuscript’s structure, and doing so usually involves building diagrams and models based on notes and photographs. Institutions that currently prohibit photography include Trinity College Dublin, the Fitzwilliam Museum, and Lambeth Palace Library. As a result of these policies, I find myself avoiding those libraries and throwing my intellectual efforts at materials held in libraries that do allow photography in the reading room. Institutions with policies that encourage and facilitate research are those that are well-represented in my study.
Recommended publications
  • Handbook of Dutch Church History
    Herman J. Selderhuis, Handbook of Dutch Church History © 2014, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen ISBN Print: 9783525557877 — ISBN E-Book: 9783647557878 Herman J. Selderhuis, Handbook of Dutch Church History © 2014, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen ISBN Print: 9783525557877 — ISBN E-Book: 9783647557878 Herman J. Selderhuis, Handbook of Dutch Church History Handbook of Dutch Church History edited by Herman J. Selderhuis Vandenhoeck & Ruprecht © 2014, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen ISBN Print: 9783525557877 — ISBN E-Book: 9783647557878 Herman J. Selderhuis, Handbook of Dutch Church History Originally published in Dutch language as “Handboek Nederlandse Kerkgeschiedenis”, edited by Herman J. Selderhuis (© VBK|media B.V. on behalf of Uitgeverij Kok, Utrecht 2010). With 4 figures. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data available online: http://dnb.d-nb.de. ISBN 978-3-647-55787-8 You can find alternative editions of this book and additional material on our website: www.v-r.de Cover: Stichting Goudse Sint-Jan, Gouda, Netherlands © 2015, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen/ Vandenhoeck & Ruprecht LLC, Bristol, CT, U.S.A. www.v-r.de All rights reserved. No part of this work may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without prior written permission from the publisher. 1SJOUFEJO(FSNBOZ Typesetting by Konrad Triltsch, Ochsenfurt 1SJOUFEBOECPVOECZ)VCFSU$P (ÚUUJOHFO 1SJOUFEPOOPOBHJOHQBQFS © 2014, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen ISBN Print: 9783525557877 — ISBN E-Book: 9783647557878 Herman J. Selderhuis, Handbook of Dutch Church History Contents Acknowledgements .
    [Show full text]
  • The Volcanic Foundation of Dutch Architecture: Use of Rhenish Tuff and Trass in the Netherlands in the Past Two Millennia
    The volcanic foundation of Dutch architecture: Use of Rhenish tuff and trass in the Netherlands in the past two millennia Timo G. Nijland 1, Rob P.J. van Hees 1,2 1 TNO, PO Box 49, 2600 AA Delft, the Netherlands 2 Faculty of Architecture, Delft University of Technology, Delft, the Netherlands Occasionally, a profound but distant connection between volcano and culture exists. This is the case between the volcanic Eifel region in Germany and historic construction in the Netherlands, with the river Rhine as physical and enabling connection. Volcanic tuff from the Eifel comprises a significant amount of the building mass in Dutch built heritage. Tuffs from the Laacher See volcano have been imported and used during Roman occupation (hence called Römer tuff). It was the dominant dimension stone when construction in stone revived from the 10th century onwards, becoming the visual mark of Romanesque architecture in the Netherlands. Römer tuff gradually disappeared from the market from the 12th century onwards. Early 15th century, Weiberner tuff from the Riedener caldera, was introduced for fine sculptures and cladding; it disappears from use in about a century. Late 19th century, this tuff is reintroduced, both for restoration and for new buildings. In this period, Ettringer tuff, also from the Riedener caldera, is introduced for the first time. Ground Römer tuff (Rhenish trass) was used as a pozzolanic addition to lime mortars, enabling the hydraulic engineering works in masonry that facilitated life and economics in the Dutch delta for centuries. Key words: Tuff, trass, Eifel, the Netherlands, natural stone 1 Introduction Volcanic tuffs have been used as building stone in many countries over the world.
    [Show full text]
  • Inloop Document Talanta 12-02-2015 20:40 Pagina 169
    pag 169-176:inloop document Talanta 12-02-2015 20:40 Pagina 169 TALANTA XLII - XLIII (2010-2011), 169-176 GREEK POTTERY IN THE ABBEY AT EGMOND Arjen V.A.J. Bosman and Jean Roefstra * Recently a 4th-3th century BC Greek pottery sherd turned up in the collection of the Benedictine abbey at Egmond (western Netherlands), which could originate from the 1920 excavation on the abbey grounds. It is an unprovable surmise to see the sherd as an Mediterranean import in the Iron Age or a ‘pick up’ in the Roman period . As the Abbey was founded in AD 925, a monastic context is most plausible. Introduction Recently we became aware of an archaeological puzzle in the province of Noord- Holland (western Netherlands), unsolved since its excavation some 90 years ago. During the process of description and registration of finds stored in the collection of the current Benedictine abbey at Egmond (Fig. 1 ), three remarkable pottery fragments turned up 1. The second author assumed the sherds were Roman imports, had his doubts, and laid the sherds aside to be looked at by the first author who could not belief his eyes. This resulted in an earlier version of the present article (Bosman/Roefstra 2010). Two of the three fragments are marked , the marks being written on a paper stick - er on the inside of the vessel. These find numbers are a combination of a letter and a cipher : g.7 and g.19. The third sherd is unmarked. On the basis of these markings the three finds stem from the excavation on the abbey grounds in 1920 carried out by dr.
    [Show full text]
  • The Lindisfarne Gospels
    University of Edinburgh Postgraduate Journal of Culture and the Arts Special Issue 03 | Winter 2014 http://www.forumjournal.org Title The Lindisfarne Gospels: A Living Manuscript Author Margaret Walker Publication FORUM: University of Edinburgh Postgraduate Journal of Culture and the Arts Issue Number Special Issue 03 Issue Date Winter 2014 Publication Date 20/01/2014 Editors Victoria Anker & Laura Chapot FORUM claims non-exclusive rights to reproduce this article electronically (in full or in part) and to publish this work in any such media current or later developed. The author retains all rights, including the right to be identified as the author wherever and whenever this article is published, and the right to use all or part of the article and abstracts, with or without revision or modification in compilations or other publications. Any latter publication shall recognise FORUM as the original publisher. FORUM | SPECIAL ISSUE 03 Walker 1 The Lindisfarne Gospels: A Living Manuscript Margaret Walker The University of Edinburgh This article questions how current and previous owners have marked the Lindisfarne Gospels, created 1,300 years ago. Their edits, which would be frowned upon today, are useful for historians to understand how the Gospels have been valued by previous owners and thus why they are so treasured today. The Lindisfarne Gospels are on display in the treasures gallery of the British Library. The eighth- century Insular manuscript is opened and accompanied by a short caption with information about the work. i It is presented as a 1,300-year-old masterpiece, which has survived to the present day against the odds of time.
    [Show full text]
  • Author Summary
    INSTITUTE OF ART STUDIES BULGARIAN ACADEMY OF SCIENCES Nona Krasteva Petkova TREASURE GOSPEL BINDINGS FROM THE BULGARIAN LANDS TH TH (16 – FIRST HALF OF 18 C.) AUTHOR SUMMARY OF A THESIS PAPER FOR OBTAINING A PHD DEGREE SOFIA 2019 1 INSTITUTE OF ART STUDIES BULGARIAN ACADEMY OF SCIENCES NONA KRASTEVA PETKOVA TREASURE GOSPEL BINDINGS FROM THE BULGARIAN LANDS TH TH (16 – FIRST HALF OF 18 C.) AUTHOR SUMMARY OF A THESIS PAPER FOR OBTAINING A PHD DEGREE IN ART AND FINE ARTS, 8.1, THEORY OF ART SUPERVISOR: PROF. BISERKA PENKOVA, PhD REVIEWERS: PROF. ELENA GENOVA, PhD CORR. MEM. PROF. ELKA BAKALOVA, DSc SOFIA 2019 2 The Ph.D. thesis has been discussed and approved for public defense on a Medieval and National Revival Research Group meeting held on October 11, 2019. The Ph.D. thesis consists of 332 pages: an introduction, 5 chapters, conclusion, an album, a catalogue and а bibliography of 288 Bulgarian and 70 foreign titles. The public defense will be held on 18th March 2020, 11:00 am, at the Institute of Art Studies. Members of the scientific committee: Prof. Elena Genova, PhD, Institute of Art Studies – BAS; Corr. Mem. Prof. Elka Bakalova, DSc; Corr. Mem. Prof. Ivanka Gergova, DSc, Institute of Art Studies – BAS; Corr. Mem. Prof. Mila Santova, DSc, Institute of Ethnology and Folklore Studies with Ethnographic Museum – BAS; Assoc. Prof. Pavel Pavlov, PhD, Sofia University; Assoc. Prof. Alexander Kuyumdzhiev, PhD, Institute of Art Studies – BAS, substitute member; Assoc. Prof. Konstantin Totev, PhD, National Archaeological Institute with Museum – BAS, substitute member. The materials are available to those who may be interested in the Administrative Services Department of the Institute of the Art Studies on 21 Krakra Str.
    [Show full text]
  • Catalogue LXXI SOKOL BOOKS
    SOKOL BOOKS Catalogue LXXI SOKOL BOOKS SOKOL BOOKS LTD Specialists in rare and early books & manuscripts CATALOGUE LXXI Correspondence address: POB 2409 London W1A 2SH Visit our shop at: 239a Fulham Road London SW3 6HY Tuesday to Saturday, 11am to 7pm [email protected] Tel: 0207 499 5571 or 0207 351 5119 www.sokol.co.uk IMAGE ON FRONT COVER IS NO. 25 - BOTONE SOKOL BOOKS LTD CATALOGUE 71 A ROYAL COPY homeland are now clear. His main objective was to try to align 1. ADAMSON, John. Ta ton̄ Mouson̄ eisodia: The the Church of Scotland more to the Anglican Church, evident Muses vvelcome to the high and mighty prince Iames ... At in his passing of the Five Articles of Perth in the year His Majesties happie returne to his olde and natiue kingdome following. During James’s visits to the cities, towns, villages of Scotland, … and boroughs of Scotland many formal presentations of verse and addresses were given to the King. In 1618, a collection Edinburgh, [s.n.], 1618; Edinburgh, Excudebat of these poems, addresses, and a record of where the King and Andreas Hart, anno 1618. his entourage visited, was printed in Edinburgh. The first £29,500 work is a collection of poems, speeches, and philosophical discussions, mostly in Latin. It is FIRST EDITION, second found in various states and it is issue. Folio. 1) [viii], 44, [ii], frequently accompanied by the second 45-[138], 137-289, [i]. 2). Italic work, a further collection of Latin letter, some Roman and Greek, poems written by Scottish authors text within box rule.
    [Show full text]
  • Wertvolle Bücher
    WERTVOLLE BÜCHER 31. Mai 2021 516. AUKTION Wertvolle Bücher Manuskripte · Autographen Auktion Aufgrund der allgemeinen Maßnahmen und gesetzlichen Vorgaben zur Pandemie-Bekämpfung bitten wir um vorherige Terminvereinbarung für Ihre Buchbesichtigung Montag, 31. Mai 2021 hier in unseren Räumen. 13.00 h Los 100 – 370 Wertvolle Bücher Ob am Auktionstag eine persönliche Beteiligung im 17.00 h Los 1 – 94 Wertvolle Bücher – Abendauktion Auktionssaal möglich ist, wird sich erst kurzfristig entscheiden. Wir bitten Sie daher in jedem Fall um vorherige Kontaktaufnahme! Vorbesichtigung | Preview Telefonisch: 040 37 49 61-14 oder per Mail: [email protected] Mi. – Fr. 19. – 21. Mai 11 – 17 Uhr Di. – Fr. 25. – 28. Mai 11 – 17 Uhr In line with legal guidelines and current measures taken So. 30. Mai 11 – 17 Uhr against the spread of Covid-19 we kindly ask you to make an appointment for your preview at our premises. We will decide on short notice if participation in the Ketterer Kunst Hamburg saleroom will be possible on the day of the auction. We strongly advise you to contact us beforehand! Holstenwall 5 Phone: +49 40 37 49 61-14 20355 Hamburg or per e-mail: [email protected] Anfahrt siehe Lageplan hinten Vorderumschlag Kat.nr. 31 Luca Pacioli, Divina proportione. Venedig 1509. Vorderes Vorsatz (doppelblattgr.) Kat.nr. 2 Aristoteles, Logica vetus. Pergamenthandschrift. Nordfrankreich um 1250. Frontispiz Kat.nr. 41 Jacob l‘Admiral, Naauwkeurige waarnemingen. Amsterdam 1774. Vorletzte Seite Kat.nr. 23 Paul Pambst, Looßbuch. Straßburg 1546. Hinteres Vorsatz (doppelblattgr.) Kat.nr. 83 Ernst Jandl, Hosi-Anna. Bad Homburg 1966. Rückumschlag Kat.nr.
    [Show full text]
  • 117 De Abdij Van Egmond En De Schilder= En Beeldhouwkunst In
    De abdij van Egmond en de Schilder= en Beeldhouwkunst in het begin der XVIde eeuw door Dom J. HOF O.S.B. Kenmerkend voor het bestuur van abt Meinard Man (1509-1526), voor zover bekend uit de bronnen, zijn vooral een ijverig bevorderen van het wetenschappelijk leven in de abdij van Egmond en een liefdevolle kunstzin bij het restaureren van de kloostergebouwen en het verfraaien van de abdijkerk. We geven het woord aan de abdijkroniek : "Abt geworden zijnde heeft hy syne voornaamste zorge laten gaan om de gebouwen te herstellen: des heeft hy de groote schuur beter en kostelyker weder doen opbouwen, dan die te vooren geweest was, benevens de rosmolen, die verbrand was. Bovendien heeft hy een nieuwe bakkery en kameren voor de vreemde gasten gesticht, van de binnenpoort af over de binnengraft tot des gravenhuis en drie deelen van 't pand, of den ommegang des convents, cierlyk laten verwelven, en met nieuwe glaasen en beelden der heyligen van onze ordre verzien. Ook heeft hy de abdye zeer verciert, weder opbouwende of voltrekkende het oude gebouw aan de westzyde van 't convent; welk gebouw een vierde van den ommegang begreep: ook heeft hy aan de noordzyde van 't pand nieuwe cellen laten maken, en in de kerk veele cieraden van goud, zyde en andere stoffen geschikt. Daarenboven heeft hy het hooge altaar verhevener gemaakt, en een groote altaarkas laten maken, waar in alle overblijfselen en laaden der heyligen vervat wierden, en de zelve met verscheidene beeltenissen doen beschilderen. Op het kruis van de kerk heeft hy een grooten toorn laten oprichten, waar in hy vier nieuwe klokken deed ophangen.
    [Show full text]
  • Volume 24 (2003)
    QUIDDITAS Journal of the Rocky Mountain Medieval and Renaissance Association Volume 24 2003 ii Quidditas 24 (2003) EDITORS Editor: Sharon A. Beehler, Montana State University Associate Editor: Eugene R. Cunnar, New Mexico State University Associate Editor: Margaret Harp, University of Nevada, Las Vegas Associate Editor: Harry Rosenberg, Colorado State University Book Review Editor: Lowell Gallagher, UCLA Associate Editor/Production: Kathryn Brammall, Truman State University MEMBERS OF THE EXECUTIVE C OUNCIL AND EDITORIAL ADVISORY BOARD Susan Aronstein, University of Wyoming Sylvia Bowerbank, McMasters University (through 2003) Jean R. Brink, Arizona State University (ex-officio) Stan Benfell, Brigham Young University (through 2004) Eugene R. Cunnar, New Mexico State University (ex-officio) Paul A. Dietrich, University of Montana (ex-officio) Thomas R. Eckenrode, Fort Lewis College (ex-officio) James Fitzmaurice, Northern Arizona University (ex-officio) Lowell Gallagher, UCLA (through 2000) Phebe Jensen, Utah State University (through 2001) Jean MacIntyre, University of Alberta (through 1999) Isabel Moreira, University of Utah (through 2001) Carol Neel, Colorado College (ex-officio) Glenn Olson, University of Utah (ex-officio) Joseph Perry, Brigham Young University (through 2004) Harry Rosenberg, Colorado State University (ex-officio) Charles Smith, State University of Colorado (ex-officio) Sara Jayne Steen, Montana State University (ex-officio) Jesse Swan, University of Northern Iowa (through 2004) Paul Thomas, Brigham Young University
    [Show full text]
  • HALLOWEEN NEW BROADWAY SHOWS CREEPY COCKTAILING Celebrate INPSIRED LOOKS
    OCT 2017 OCT ® INPSIRED LOOKS Celebrate CREEPY COCKTAILING NEW BROADWAY SHOWS NEW BROADWAY HALLOWEEN NYC Monthly OCT2017 NYCMONTHLY.COM VOL. 7 NO.10 CONTENTS FEATURES INTERVIEWS BROADWAY SPECIAL FEATURE 36 Chicago 52 What to Fall for On Stage World-Class Hitmakers The Season's Lineup of New Shows Return to Coney Island 42 Brady Skjei LIVE ENTERTAINMENT Skating into His Second 32 Monster Mash Season with the Rangers A Frightfully Good Lineup of Live Music 50 Laurent Tourondel The Chef Chats About His DINING & DRINKS Quintet of NYC Restaurants 16 Creepy Cocktailing 62 Tricks and Treats, on the Rocks Anna Camp and Straight Bright Actress of Film & TV Returns to Broadway 46 National Pasta Month Twirl Through This Celebration at these Prime Pasta Joints 4 NYCMONTHLY.COM CONTENTS SHOPPING 20 Dapper Dress-Up Looks Inspired by Halloween Icons 28 Femme Fatales for Halloween Looks Inspired by Halloween Icons SPORTS 40 October Sports Calendar of Can't Miss Sporting Events MUSEUMS 64 Exhibit-Worthy Wears Three Fashion-Themed Shows Focus on the Natural World, Individual Style, and Iconic Looks IN EVERY ISSUE 12 NYCM Top 10 Things To Do in October ON THE COVER: 38 Live Entertainment Halloween Townhouse Photo by Shane J. Rosen-Gould Calendar Must-see Concerts in October While it may fall on the final day of the month, Halloween is certainly celebrated the other 30 days of October in New York 24 Fashion Editors' Picks City. Brownstone homes become cloaked in decorative cobwebs, Hand Chosen by Rue La La's local watering holes start mixing up seasonal potions, and haute Fashion Editors couture turns to haute costumes.
    [Show full text]
  • Magnificent Gems: Real and Imagined
    Press Contacts Shaili Shah 212.590.0311, [email protected] Patrick Milliman 212.590.0310, [email protected] NEW EXHIBITION AT THE MORGAN LIBRARY & MUSEUM EXPLORES RARE LUXURY BOOKS OF THE MIDDLE AGES Magnificent Gems: Medieval Treasure Bindings September 8 through January 7, 2018 New York, NY, July 31, 2017 — Pierpont Morgan, the founding benefactor of the Morgan Library & Museum, was drawn to the beauty of gems. He acquired and later gave away large collections of valuable stones, including the legendary Star Sapphire of India to New York’s American Museum of Natural History. He also became fascinated with medieval manuscripts bound in jewel-laden covers. Magnificent Gems: Medieval Treasure Bindings brings together for the first time the Morgan’s finest examples of these extraordinary works. During the Middle Ages, treasure bindings were considered extreme luxuries, replete with symbolism. On a spiritual level they were valued because their preciousness both venerated and embellished the sacred texts held within. But the bindings were also meaningful on a more material level, as the sapphires, diamonds, emeralds, pearls, and garnets from which they were made served as evidence of their owner’s wealth and status. Jeweled Cover of the Lindau Gospels, France, ca. 875, gold repoussé Crucifixion and ten mourning figures, including personifications of the sun and moon. Workshop of Charles the Bald, grandson of Charlemagne. On: The Lindau Gospels, in Latin; Switzerland, Abbey of St. Gall, between 880 and 899. Manuscript on vellum. Purchased by J. Pierpont Morgan, 1901. © The Morgan Library & Museum, MS M.1, fore edge. Photography by Graham S Haber, 2014.
    [Show full text]
  • Famines in the Low Countries, Fourteenth to Nineteenth Centuries
    1 Famines in the Low Countries, fourteenth to nineteenth centuries Daniel Curtis Jessica Dijkman Thijs Lambrecht Eric Vanhaute Introduction Episodes of dearth and famine can be discerned in documents from the Low Countries from as early as the late Carolingian period. Though as with other parts of Europe at this time, we rely ultimately on the perception and opinion of contemporary chroniclers, making it difficult to say anything particularly quantifiable or comparative. For example, one seventeenth-century humanist writer compiled a number of medieval chronicles detailing ‘twere zeit’ (hard times) in Frisia from as early as 851, and then intermittently disrupting the eleventh century in years 1006, 1051, 1062, and 1069 (Sax 1986: 145). Medieval chroniclers further noted serious periods of dearth in the twelfth century; one in 1146-47 connected with ‘carestia’ (pestilence or disease) and the ‘darkening of the skies’, suggestive of abnormal climatic conditions, while another in 1191 apparently was noted for its wide geographical impact (Kuys 1983: nos 220, 251; De Ram 1861: II, bk. 14, no. 2). Chronicles from ecclesiastical institutions are our main evidence for harvest failures and dearth in the thirteenth century too: abbot Menko of the monastery of Wittewierum remarked in Groningen in 1250 that city officials had imported grain from unknown ‘other lands’ to compensate for scarcity (Jansen and Janse 1991: 380-1). Quantifiable data appear from the fourteenth century onwards in the Low Countries, and then with increasing frequency in the transition into the early modern period. However, it is clear that research into the interaction between food availability and mortality in the late-medieval and early modern period is still a task fraught with source limitations and methodological difficulties.
    [Show full text]