Wertvolle Bücher
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Lindisfarne Gospels
University of Edinburgh Postgraduate Journal of Culture and the Arts Special Issue 03 | Winter 2014 http://www.forumjournal.org Title The Lindisfarne Gospels: A Living Manuscript Author Margaret Walker Publication FORUM: University of Edinburgh Postgraduate Journal of Culture and the Arts Issue Number Special Issue 03 Issue Date Winter 2014 Publication Date 20/01/2014 Editors Victoria Anker & Laura Chapot FORUM claims non-exclusive rights to reproduce this article electronically (in full or in part) and to publish this work in any such media current or later developed. The author retains all rights, including the right to be identified as the author wherever and whenever this article is published, and the right to use all or part of the article and abstracts, with or without revision or modification in compilations or other publications. Any latter publication shall recognise FORUM as the original publisher. FORUM | SPECIAL ISSUE 03 Walker 1 The Lindisfarne Gospels: A Living Manuscript Margaret Walker The University of Edinburgh This article questions how current and previous owners have marked the Lindisfarne Gospels, created 1,300 years ago. Their edits, which would be frowned upon today, are useful for historians to understand how the Gospels have been valued by previous owners and thus why they are so treasured today. The Lindisfarne Gospels are on display in the treasures gallery of the British Library. The eighth- century Insular manuscript is opened and accompanied by a short caption with information about the work. i It is presented as a 1,300-year-old masterpiece, which has survived to the present day against the odds of time. -
Author Summary
INSTITUTE OF ART STUDIES BULGARIAN ACADEMY OF SCIENCES Nona Krasteva Petkova TREASURE GOSPEL BINDINGS FROM THE BULGARIAN LANDS TH TH (16 – FIRST HALF OF 18 C.) AUTHOR SUMMARY OF A THESIS PAPER FOR OBTAINING A PHD DEGREE SOFIA 2019 1 INSTITUTE OF ART STUDIES BULGARIAN ACADEMY OF SCIENCES NONA KRASTEVA PETKOVA TREASURE GOSPEL BINDINGS FROM THE BULGARIAN LANDS TH TH (16 – FIRST HALF OF 18 C.) AUTHOR SUMMARY OF A THESIS PAPER FOR OBTAINING A PHD DEGREE IN ART AND FINE ARTS, 8.1, THEORY OF ART SUPERVISOR: PROF. BISERKA PENKOVA, PhD REVIEWERS: PROF. ELENA GENOVA, PhD CORR. MEM. PROF. ELKA BAKALOVA, DSc SOFIA 2019 2 The Ph.D. thesis has been discussed and approved for public defense on a Medieval and National Revival Research Group meeting held on October 11, 2019. The Ph.D. thesis consists of 332 pages: an introduction, 5 chapters, conclusion, an album, a catalogue and а bibliography of 288 Bulgarian and 70 foreign titles. The public defense will be held on 18th March 2020, 11:00 am, at the Institute of Art Studies. Members of the scientific committee: Prof. Elena Genova, PhD, Institute of Art Studies – BAS; Corr. Mem. Prof. Elka Bakalova, DSc; Corr. Mem. Prof. Ivanka Gergova, DSc, Institute of Art Studies – BAS; Corr. Mem. Prof. Mila Santova, DSc, Institute of Ethnology and Folklore Studies with Ethnographic Museum – BAS; Assoc. Prof. Pavel Pavlov, PhD, Sofia University; Assoc. Prof. Alexander Kuyumdzhiev, PhD, Institute of Art Studies – BAS, substitute member; Assoc. Prof. Konstantin Totev, PhD, National Archaeological Institute with Museum – BAS, substitute member. The materials are available to those who may be interested in the Administrative Services Department of the Institute of the Art Studies on 21 Krakra Str. -
Catalogue LXXI SOKOL BOOKS
SOKOL BOOKS Catalogue LXXI SOKOL BOOKS SOKOL BOOKS LTD Specialists in rare and early books & manuscripts CATALOGUE LXXI Correspondence address: POB 2409 London W1A 2SH Visit our shop at: 239a Fulham Road London SW3 6HY Tuesday to Saturday, 11am to 7pm [email protected] Tel: 0207 499 5571 or 0207 351 5119 www.sokol.co.uk IMAGE ON FRONT COVER IS NO. 25 - BOTONE SOKOL BOOKS LTD CATALOGUE 71 A ROYAL COPY homeland are now clear. His main objective was to try to align 1. ADAMSON, John. Ta ton̄ Mouson̄ eisodia: The the Church of Scotland more to the Anglican Church, evident Muses vvelcome to the high and mighty prince Iames ... At in his passing of the Five Articles of Perth in the year His Majesties happie returne to his olde and natiue kingdome following. During James’s visits to the cities, towns, villages of Scotland, … and boroughs of Scotland many formal presentations of verse and addresses were given to the King. In 1618, a collection Edinburgh, [s.n.], 1618; Edinburgh, Excudebat of these poems, addresses, and a record of where the King and Andreas Hart, anno 1618. his entourage visited, was printed in Edinburgh. The first £29,500 work is a collection of poems, speeches, and philosophical discussions, mostly in Latin. It is FIRST EDITION, second found in various states and it is issue. Folio. 1) [viii], 44, [ii], frequently accompanied by the second 45-[138], 137-289, [i]. 2). Italic work, a further collection of Latin letter, some Roman and Greek, poems written by Scottish authors text within box rule. -
Volume 24 (2003)
QUIDDITAS Journal of the Rocky Mountain Medieval and Renaissance Association Volume 24 2003 ii Quidditas 24 (2003) EDITORS Editor: Sharon A. Beehler, Montana State University Associate Editor: Eugene R. Cunnar, New Mexico State University Associate Editor: Margaret Harp, University of Nevada, Las Vegas Associate Editor: Harry Rosenberg, Colorado State University Book Review Editor: Lowell Gallagher, UCLA Associate Editor/Production: Kathryn Brammall, Truman State University MEMBERS OF THE EXECUTIVE C OUNCIL AND EDITORIAL ADVISORY BOARD Susan Aronstein, University of Wyoming Sylvia Bowerbank, McMasters University (through 2003) Jean R. Brink, Arizona State University (ex-officio) Stan Benfell, Brigham Young University (through 2004) Eugene R. Cunnar, New Mexico State University (ex-officio) Paul A. Dietrich, University of Montana (ex-officio) Thomas R. Eckenrode, Fort Lewis College (ex-officio) James Fitzmaurice, Northern Arizona University (ex-officio) Lowell Gallagher, UCLA (through 2000) Phebe Jensen, Utah State University (through 2001) Jean MacIntyre, University of Alberta (through 1999) Isabel Moreira, University of Utah (through 2001) Carol Neel, Colorado College (ex-officio) Glenn Olson, University of Utah (ex-officio) Joseph Perry, Brigham Young University (through 2004) Harry Rosenberg, Colorado State University (ex-officio) Charles Smith, State University of Colorado (ex-officio) Sara Jayne Steen, Montana State University (ex-officio) Jesse Swan, University of Northern Iowa (through 2004) Paul Thomas, Brigham Young University -
HALLOWEEN NEW BROADWAY SHOWS CREEPY COCKTAILING Celebrate INPSIRED LOOKS
OCT 2017 OCT ® INPSIRED LOOKS Celebrate CREEPY COCKTAILING NEW BROADWAY SHOWS NEW BROADWAY HALLOWEEN NYC Monthly OCT2017 NYCMONTHLY.COM VOL. 7 NO.10 CONTENTS FEATURES INTERVIEWS BROADWAY SPECIAL FEATURE 36 Chicago 52 What to Fall for On Stage World-Class Hitmakers The Season's Lineup of New Shows Return to Coney Island 42 Brady Skjei LIVE ENTERTAINMENT Skating into His Second 32 Monster Mash Season with the Rangers A Frightfully Good Lineup of Live Music 50 Laurent Tourondel The Chef Chats About His DINING & DRINKS Quintet of NYC Restaurants 16 Creepy Cocktailing 62 Tricks and Treats, on the Rocks Anna Camp and Straight Bright Actress of Film & TV Returns to Broadway 46 National Pasta Month Twirl Through This Celebration at these Prime Pasta Joints 4 NYCMONTHLY.COM CONTENTS SHOPPING 20 Dapper Dress-Up Looks Inspired by Halloween Icons 28 Femme Fatales for Halloween Looks Inspired by Halloween Icons SPORTS 40 October Sports Calendar of Can't Miss Sporting Events MUSEUMS 64 Exhibit-Worthy Wears Three Fashion-Themed Shows Focus on the Natural World, Individual Style, and Iconic Looks IN EVERY ISSUE 12 NYCM Top 10 Things To Do in October ON THE COVER: 38 Live Entertainment Halloween Townhouse Photo by Shane J. Rosen-Gould Calendar Must-see Concerts in October While it may fall on the final day of the month, Halloween is certainly celebrated the other 30 days of October in New York 24 Fashion Editors' Picks City. Brownstone homes become cloaked in decorative cobwebs, Hand Chosen by Rue La La's local watering holes start mixing up seasonal potions, and haute Fashion Editors couture turns to haute costumes. -
Magnificent Gems: Real and Imagined
Press Contacts Shaili Shah 212.590.0311, [email protected] Patrick Milliman 212.590.0310, [email protected] NEW EXHIBITION AT THE MORGAN LIBRARY & MUSEUM EXPLORES RARE LUXURY BOOKS OF THE MIDDLE AGES Magnificent Gems: Medieval Treasure Bindings September 8 through January 7, 2018 New York, NY, July 31, 2017 — Pierpont Morgan, the founding benefactor of the Morgan Library & Museum, was drawn to the beauty of gems. He acquired and later gave away large collections of valuable stones, including the legendary Star Sapphire of India to New York’s American Museum of Natural History. He also became fascinated with medieval manuscripts bound in jewel-laden covers. Magnificent Gems: Medieval Treasure Bindings brings together for the first time the Morgan’s finest examples of these extraordinary works. During the Middle Ages, treasure bindings were considered extreme luxuries, replete with symbolism. On a spiritual level they were valued because their preciousness both venerated and embellished the sacred texts held within. But the bindings were also meaningful on a more material level, as the sapphires, diamonds, emeralds, pearls, and garnets from which they were made served as evidence of their owner’s wealth and status. Jeweled Cover of the Lindau Gospels, France, ca. 875, gold repoussé Crucifixion and ten mourning figures, including personifications of the sun and moon. Workshop of Charles the Bald, grandson of Charlemagne. On: The Lindau Gospels, in Latin; Switzerland, Abbey of St. Gall, between 880 and 899. Manuscript on vellum. Purchased by J. Pierpont Morgan, 1901. © The Morgan Library & Museum, MS M.1, fore edge. Photography by Graham S Haber, 2014. -
Durham E-Theses
Durham E-Theses The Liber Vitae of Durham (BL MS Cotton Domitian A. vii): a discussion of its possible context and use in the later middle ages Rollason, Lynda Susan How to cite: Rollason, Lynda Susan (2003) The Liber Vitae of Durham (BL MS Cotton Domitian A. vii): a discussion of its possible context and use in the later middle ages, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3720/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 The Liber Vitae of Durham (Bl MS Cotton Domitian A .. vii): A Discussion of its Possible Context and Use in the Later Middle Ages Lynda Susan Rollason PhD Thesis University of Durham History Department 2003 A copyrftglltt of this thesns rests with the aanUwr. No quotation from it should be published without hns prior written conseiiTlt amll iiiTlformation derived! tfrom it should be acknowledged. -
A Brief History of Decorative Book Binding
The Chitrolekha Journal on Art and Design (E-ISSN 2456-978X), Vol. 4, No. 2, 2020 DOI: https://dx.doi.org/10.21659/cjad.41.v4n204 PDF URL: www.chitrolekha.com/ns/v4n2/v4n204.pdf Pages: 1-19 Art of the book: a brief history of decorative book binding Soma Ghosh Librarian and Media Officer, Salar Jung Museum, Ministry of Culture, Govt.of India Hyderabad, Telangana. Email: [email protected] Abstract This article traces the history of the fine art of decorative binding in India, Egypt, Central Asia and Europe where it was mostly prevalent during ancient and medieval times and the cross cultural influences. Early modern era too had beautiful work on binding covers. Some works have even been called ‘treasure bindings’ made for important people in high social positions. The book bindings are still available across libraries, museums and private collections. Great care was taken to make the binding of a revered text strong and look appealing. The ancient and medieval times craftsmen used various methods and materials like wood, leather to make the bindings and used ivory, metal and pigments for embellishment. The article briefly describes the technique of book binding and showcases some specimens of fine book covers from across the world. Keywords: Book binding, vellum, scroll, book cover, gilt, goatskin, papyrus, history of binding, historical bindings. Art of the book: the backdrop ‘’Don’t judge a book by its cover…’’ the adage goes. However the cover and presentation of a book helps to make an initial impact on the reader; binding has a role in giving it strength to withstand handling. -
Only Ten Questions!) to Learn More About How Open Access Ebooks Are Discovered and Used
ONLINE SURVEY In collaboration with Unglue.it we have set up a survey (only ten questions!) to learn more about how open access ebooks are discovered and used. We really value your participation, please take part! CLICK HERE Piety in Pieces How Medieval Readers Customized their Manuscripts BY KATHRYN M. RUDY PIETY IN PIECES Piety in Pieces How Medieval Readers Customized their Manuscripts Kathryn M. Rudy https://www.openbookpublishers.com © 2016 Kathryn M. Rudy This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author (but not in any way that suggests that she endorses you or your use of the work). Attribution should include the following information: Kathryn M. Rudy, Piety in Pieces: How Medieval Readers Customized their Manuscripts. Cambridge, UK: Open Book Publishers, 2016. http://dx.doi.org/10.11647/OBP.0094 In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/isbn/9781783742332#copyright Further details about CC BY licenses are available at https://creativecommons.org/ licenses/by/4.0/ All external links were active on 12/9/2016 unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://www.openbookpublishers.com/isbn/9781783742332#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
Cataloging Manuscripts, Rare Books, Drawings, Prints, & Photos
8/24/2018 Cataloging Manuscripts, Rare Books, Drawings, Prints, & Photos: Documentation, Indexing, Access with CDWA, CCO, and the Getty Vocabularies Patricia Harpring Managing Editor, Getty Vocabulary Program Revised August 2018 © J. Paul Getty Trust, author: Patricia Harpring. August 2018 For educational purposes only. Do not distribute. Images may be under additional copyright CATALOGING MANUSCRIPTS AND PRINTS Author: Patricia Harpring, August 2018, copyright J. Paul Getty Trust For educational purposes only. Images may be under additional copyright. 1 8/24/2018 Table of Contents • Which standards? CDWA, CCO, others ......3 • Materials and Techniques, Dimensions .... 114 • General information about cataloging .....15 • Depicted Subject ............129 • AAT, TGN, ULAN, CONA, IA .........38 • Inscriptions, Watermarks, etc. ........152 • Relationships: Equivalence, Hierarchical, • Events ................162 Associative ... 52 • Style and Culture .............164 • Catalog Level, Classification, Work Type ... 63 • Descriptive Note .......... 168 • Title / Name ..........73 • Edition and State ......... 173 • Creator, Related People .............83 • Other important data ..........178 • Creation Date, other Dates ..........98 • Making data accessible, Getty vocabs. ..... 185 • Current Location, other Locations ........108 © J. Paul Getty Trust, author: Patricia Harpring. August 2018 For educational purposes only. Do not distribute. CATALOGING MANUSCRIPTS AND PRINTS Author: Patricia Harpring, August 2018, copyright J. Paul Getty Trust For educational purposes only. Images may be under additional copyright. 2 8/24/2018 Cataloging Manuscripts, Rare Books, Drawings, Prints, & Photos Which standards to use? CDWA, CCO, others © J. Paul Getty Trust, author: Patricia Harpring. August 2018 For educational purposes only. Do not distribute. CATALOGING MANUSCRIPTS AND PRINTS Author: Patricia Harpring, August 2018, copyright J. Paul Getty Trust For educational purposes only. Images may be under additional copyright. -
Administrative Daten Identnummer Identification Number Numéro D
Administrative Daten Identnummer identification number numéro d’identification numero identificativo Allegro Allegro Allegro Allegro Aleph Aleph Aleph Aleph BVB BVB BVB BVB Access Access Access Access Signatur book mark cote collocazione Objekt object objet oggetto gedrucktes Buch printed book ouvrage imprimé libro stampato Handschrift manuscript manuscrit manoscritto handschriftliches Dokument, ungebunden handwritten document, unbound manuscrit non relié manoscritto senza legatura maschinenschriftliches Manuskript typewritten script ouvrage dactylographié dispensa – macchina da scrivere Tafelband gebunden - - - Tafelband ungebunden - - - Zeitschrift newspaper journal giornale Druckgraphik Einzelblatt single leaf – graphic feuillet dépareillé – estampe carta sciolta stampa Photographie photograph photographie fotografia Zeitungsartikel newspaper article article de journal articolo di giornale Photokopie photocopy photocopie fotocopia Einzelblatt handschriftlich single leaf with handwritten remarks feuillet dépareillé avec notes manuscrits carta sciolta con note scritte Einzelblatt gedruckt single leaf – printed feuillet indépendent imprimée carta sciolta stampata Zeichnung sketch dessin disegno Malerei painting peinture pittura Erscheinungszeitraum period of publication période de publication periodo di pubblicazione vor 1400 before 1400 avant 1400 prima del 1400 1400-1499 1400-1499 1400-1499 1400-1499 1500-1599 1500-1599 1500-1599 1500-1599 1600-1699 1600-1699 1600-1699 1600-1699 1700-1799 1700-1799 1700-1799 1700-1799 1800-1899 1800-1899 -
Lessico Multilingue ______
LESSICO MULTILINGUE _______________ FRANCESE - ITALIANO _________ abimé rovinato ab.(imé) rovinato (abbreviazione) à froid a freddo agrafe graffa ais asse ancienne reliure antica legatura arabesque arabesco armoiries stemma, armi arrondir le dos arrotondare il dorso artisan artigiano assiette fondo per la doratura atelier bottega attaches legacci aumonière legatura a borsetta au pointillé puntinato au semé a seminato azuré azzurrato barbe testimone, margine intonso basane bazzana bâtonnet de tranchefile anima di capitello batteur d’or battiloro batture fondo per la doratura berceau, fer à ferro a crescente, a maniglia, a culla bigarré colorato a più colori big.(arré) colorato a più colori (abbreviazione) biseautage bisellatura bloc blocco (dei fogli) bois legno boîte custodia bordure bordo, margine, riquadro bossette borchia boucle fibbia boulon borchia br.(ochure) brossura (abbreviazione) braie carta straccia brocher fissare brochure brossura broderie ricamo brunir lucidare (l'oro) brunissoir brunitoio cabochon borchia c.(ouverture) c.(onservée) coperta conservata (abbr.) caissons cassettoni cadre cornice cahier fascicolo 1 camée cammeo candélabre candelabra cart.(onné) cartonato (abbreviazione) carton cartone cartonnage cartonato cartonnage à la Bradel coperta staccata cartouche cartella centre et coins centro ed angoli chagrin zigrino chaîne catena chaînette catenella chair carne (lato) chamois daino (pelle di) chant labbro charnière cerniera chasse unghiatura chemise sovracoperta, copertina chêne quercia chenille filo con bande di