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Module 2: CONTEMPORARY PHILIPPINE MUSIC (TRADITIONAL, NEW MUSIC and SONG COMPOSERS)

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Module 2: CONTEMPORARY PHILIPPINE MUSIC (TRADITIONAL, NEW MUSIC and SONG COMPOSERS) Republic of the Philippines Department of Education Regional Office IX, Zamboanga Peninsula 10 Zest for Progress Zeal of Partnership MUSIC Quarter 3 – Module 2: CONTEMPORARY PHILIPPINE MUSIC (TRADITIONAL, NEW MUSIC AND SONG COMPOSERS) Name of Learner: ___________________________ Grade & Section: ___________________________ Name of School: ___________________________ What I Need To Know KKKKKNOWKNOW At the end of the module, each student is expected to: Analyzes the traditonal and contemporary Philippine music and evaluate it musical characteristics. Listens perceptively to each excerpt and recognize the different musical styles of the composers. Analyze the elements of music present in the traditional and contemporary musical styles listened to. What I Know Directions: Read very carefully each statement about the Contemporary Philippine Music. Write your answer on your answer sheet. IDENTIFICATION: 1. What are the three Contemporary Philippine Music? 2. Name the 9 well-known Filipino Composers presented in the module. 3. Who composed the “The Legend of the Sarimanok”? 4. Who is this popular contemporary composer known for creating music with a mouth-blown leaf? 5. Who was this popular contemporary composer commissioned by Former First Lady Imelda R. Marcos to compose a national tribute hymn entitled Ako Ay Pilipino (I Am A Filipino)? What’s In Activity 1. Recall concepts from the past lessons. 1. What did you learn about the traditional and contemporary music in the Philippines? 2. Do you know of any famous Filipino Contemporary Composers? If yes, name them. 3. How did you learn about these traditional composers and new music composers? Activity 2. Listening and watching I want you to listen and watch presentations of the musical achievements and works of Francisco Buencamino Sr., Francisco Santiago, Nicanor Abelardo, Antonio Molina,Hilarion Rubio, Col. Antonino Buenaventura, Rodolfo Cornejo, Felipe Padilla de Leon Sr., Padilla DeLeon Sr. Lucio San Pedro, Rosendo Santos Jr., Alfredo Buenaventura, and Ryan Cayabyab. Watch the following video clips on You Tube: a. Larawan and Mayon Fantasy by Francisco Buencamino performed by Cecille Licad, International concert pianist. b. Nocturne by Nicanor Abelardo performed by Raul Sunico international concert pianist c. Serenata by Nicanor Abelardo performed by Renato Lucas, cello and Raul Sunico, pianist d. Anak Dalita by Francisco Santiago e. Sa Ugoy ng Duyan by Lucio San Pedro performed by Lea Salonga f. Kumukutikutitap and Kay Ganda ng ating Musika by Ryan Cayabyab What Is It Filipino composers of the 20th century contributed and share in introducing innovative sounds. 20th century Filipino composers have managed to retain some traditional elements in their assimilation of Western techniques. Among the major Philippine contemporary composers are Ryan Cayabyab Francisco Buencamino Sr., Francisco Santiago, Nicanor Abelardo, Antonio Molina, Hilarion Rubio, Col. Antonino Buenaventura, Lucrecia Kasilag, Ramon P. Santos, Josefino Toledo What`s More Cipriano “Ryan” Cayabyab Among his numerous compositions are the award-winning Kay Ganda ng Ating Musika (1978), as well as the modern zarzuela Alikabok (2003), the opera Spoliarium with libretto by Fides Cuyugan-Asensio, and a variety of choral pieces and song cycles. Many of his piano works have become a staple part of the Philippine repertoire of today`s young students especially Mayon, Larawan and Maligayang Bati. He also wrote several zarzuelas and kundimans. Kay Ganda ng Ating Musika Ryan Cayabyab Francisco Santiago (1889 – 1947) Francisco Santiago is known as the “Father of the Kundiman” and belongs to the “Triumvirate of Filipino Composers.” Among his famous works arePakiusap, Madaling Araw, Sakali Man, Hibik ng Pilipinas, Ano Kaya ang Kapalaran, and Kundiman (Anak Dalita). Among the films whose music he supervised are Kundiman, Leron Leron Sinta, Madaling Araw, Manileña, and the movie inspired by his own composition Pakiusap. Pilipinas Kong Mahal Francisco Santiago NICANOR ABELARDO (1893 – 1934) Abelardo developed a style that combined European romanticism with chromaticism. His compositions contain hazy tones, dissonance and unusual chordal combinations found in such works as Cinderella Overture, Panoramas, and a violin sonata. Although a 20th century modern composer in style, he is also considered a composer in the Romantic style. His best-known compositions includeMutya ng Pasig, Nasaan Ka Irog, Cavatina for Violoncello, and Magbalik Ka Hirang. MUTYA NG PASIG Music and Lyrics by Nicanor Abelardo Antonio J. Molina (Music) / Levi Celerio (Lyrics) Molina was a product of both the Romantic and Impressionist schools of thought. He was fascinated by the dynamics and harmonies of Debussy, but retained much of the Romantic style in his melody. A characteristically impressionist work is his piano work Malikmata (Transfiguration). The mysteriously exotic chords of this piece gradually lead to a lyrical melody, with the traditional harmonies abruptly returning to the initial mood. Molina wrote several compositions for piano, violin, and voice as well as a Spanish-style opera form known as the zarzuela. HATINGGABI (Excerpt) Antonio J. Molina (Music) / Levi Celerio (Lyrics) LUCIO SAN PEDRO (1913 – 2002) National Artist for Music Lucio San Pedro is known as a “romantic nationalist.” He incorporated Philippine folk elements in his compositions with Western forms and harmony. His chords have a rich expressive tonality, as represented in his well-loved Sa Ugoy ng Duyan, a lullaby melody sung by his mother. SA UGOY NG DUYAN (Excerpt) Lucio San Pedro (Music) / Levi Celerio (Lyrics) COL. ANTONINO BUENAVENTURA (1904 – 1996) National Artist for Music Col. Antonino Ramirez Buenaventura was a renowned composer, conductor, and teacher. His father Lucio was the chief musician of the Spanish artillery band in Intramuros and founder of Banda Buenaventura. As a young boy, he had already demonstrated a passion for music while learning the rudiments of music and solfeggio and becoming a proficient clarinet player. PANDANGGO SA ILAW (Excerpt) Antonino Buenaventura (Music) / Levi Celerio (Lyrics) LUCRECIA R. KASILAG (1918 – 2008) National Artist for Music Among Kasilag’s many compositions are Toccata for Percussion and Winds (1959), composed for indigenous Muslim instruments and Western instruments; The Legend of the Sarimanok(1963), composed for chamber orchestra and Philippine ethnic instruments; Divertissement and Concertante (1960), compositions for piano and orchestra combining Western and Eastern forms, harmonies, and intervals; and Dularawan (1969), a musical drama combining a dance solo with a chorus and an ethnic orchestra. DIVERTISMENT (Excerpt) Lucrecia R. Casilag Edited RAMON P. SANTOS (1941 – ) National Artist for Music His works include Ding Ding Nga Diyawa, Nabasag na Banga at Iba’t iba pang Pinag-ugpong-ugpong na Pananalita sa Wikang Pilipino para sa Labing Anim na Tinig, and L’BAD. He had done extensive research on the gamelan music of Java as well as the traditional music of the Ibaloi, Maranao, Mansaka, Bontoc, Yakan, and Boholano tribes in the Philippines. present, he is the headof the UP Center of Ethnomusicologyand was appointed Professor. \ L’BAD Ramon P. Santos JOSEFINO TOLEDO (1959 – ) Josefino “Chino” Toledo is a recognized figure in the Asian contemporary art music scene. He received his Master of Musicdegree from the Cleveland Institute of Music, USA. Among his awards are the following: “Ten Outstanding Young Men”(TOYM); “International Award for the Arts”; “Civitella Ranieri Fellowship in Italy”; and the “Chancellor Awards for Outstanding Musical Works,” University of the Philippines Toledo is a Music Professor at the College of Music, University of the Philippines (UP). He is the founding music director of the Metro Manila Community Orchestra, the UP Festival Orchestra, and the Crosswave Symphony Orchestra. He is noted for conducting the premiere performances of the works of Filipino composers as well as other Asian composers. AUIT (Excerpt What’s More Task 1 Guess Who? Instructions: Identify the names of the composers. Choose your answer from the box below. Josefino Toledo Cipriano “Ryan Caybyab” Lucrecia Kasilag Nicanor Abelardo Francisco Santiago 1.___________________ 2. __________________ 3. __________________ 4. _________________ 5.___________________ Task 2: Name that Composer! Instruction: Name the composer who created the given musical pieces. ___________________ 1. Larawan ___________________2. Pilipinas Kong Mahal ___________________ 3. Mutya ng Pasig ___________________4. Hating Gabi ___________________5. Sa Ugoy ng Duyan What I Have Learned Make a journal of what you have learned so far. What I Can Do SOLO, DUET, TRIO, QUARTET, QUINTET 1. Compose a simple song. Write the lyrics and the music. 2. You may adapt a certain melody from the compositions of the traditional composers that you like. Write the new lyrics to fit the music. 3. You may include an accompaniment such as guitar, flute, recorder, keyboard, drums, tambourine, maracas or improvise musical instruments from the environment. 4. You may sing it a capella (without accompaniment) or with accompaniment. Perform your composition or your song adaptation in class. 5. What motivated you to compose or adapt the music of that song? STANDARDS Very Good Good Fair Score EXPRESSED 5 POINTS 4 POINTS 3 POINTS IDEA THE Able to express Able to express Able to express SONG, message of the song. message of the message of the CLEAR AND Able to perform and song. song. CONCISE
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