Bethena Scott Joplins Ragtime Waltz for Viola Ensemble Sheet Music
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272777 Summer Reading Scott Joplin #2.Indd
Missouri Road Trip 2015 Every Hero Has A Story: Points of Interest Scott Joplin Scott Joplin attended George R. Smith College in Sedalia to study music. The id you know Missouri had a king? Buoyed by success, Joplin and his wife, Belle, J college burned down in 1925. Yes, “The King of Ragtime,” a talented moved to St. Louis in the spring of 1900. musician and composer whose real While living there, he produced some J Scott Joplin was inducted into the Hall of Famous Missourians in the Missouri State Capitol in Jefferson City in 1992. nameD was Scott Joplin, spent a significant part of of his better known compositions: “The Entertainer,” “Elite his life in Missouri and it was here he composed J In 1976, Joplin was posthumously awarded a Pulitzer Prize for his some of his most famous musical works. Syncopations,” “March Majestic” contribution to American music. and “Ragtime Dance.” Scott Joplin has a star on the St. Louis Walk of Fame in the Delmar Loop As a young man, Joplin established roots in J Sedalia, where his experimentation with musical In 1907, Joplin moved to New district. Learn more at StLouisWalkofFame.org. York to increase national rhythms led him to create his first well-known The Friends of Scott Joplin organization works to preserve and promote J published work, the “Maple Leaf Rag.” The tune recognition and further his the enjoyment of ragtime within the greater St. Louis area. Visit became a national sensation – even though mass success. Sadly, the most FriendsofScottJoplin.org for an events calendar. -
Scott Joplin International Ragtime Festival
Scott Joplin International Ragtime Festival By Julianna Sonnik The History Behind the Ragtime Festival Scott Joplin - pianist, composer, came to Sedalia, studied at George R. Smith College, known as the King of Ragtime -Music with a syncopated beat, dance, satirical, political, & comical lyrics Maple Leaf Club - controversial, shut down by the city in 1899 Maple Leaf Rag (1899) - 76,000 copies sold in the first 6 months of being published -Memorial concerts after his death in 1959, 1960 by Bob Darch Success from the Screen -Ragtime featured in the 1973 movie “The Sting” -Made Joplin’s “The Entertainer” and other music popular -First Scott Joplin International Ragtime Festival in 1974, 1975, then took a break until 1983 -1983 Scott Joplin U.S. postage stamp -TV show possibilities -Sedalia realized they were culturally important, had way to entice their town to companies The Festival Today -38 festivals since 1974 -Up to 3,000 visitors & performers a year, from all over the world -2019: 31 states, 4 countries (Brazil, U.K., Japan, Sweden, & more) -Free & paid concerts, symposiums, Ragtime Footsteps Tour, ragtime cakewalk dance, donor party, vintage costume contest, after-hours jam sessions -Highly trained solo pianists, bands, orchestras, choirs, & more Scott Joplin International Ragtime Festival -Downtown, Liberty Center, State Fairgrounds, Hotel Bothwell ballroom, & several other venues -Scott Joplin International Ragtime Foundation, Ragtime store, website -2020 Theme: Women of Ragtime, May 27-30 -Accessible to people with disabilities -Goals include educating locals about their town’s culture, history, growing the festival, bringing in younger visitors Impact on Sedalia & America -2019 Local Impact: $110,335 -Budget: $101,000 (grants, ticket sales, donations) -Target Market: 50+ (56% 50-64 years) -Advertising: billboards, ads, newsletter, social media -Educational Programs: Ragtime Kids, artist-in-residence program, school visits -Ragtime’s trademark syncopated beat influenced modern America’s music- hip-hop, reggae, & more. -
The Entertainer Scott Joplin Ragtime for Flexible Ensemble Arranged by David Catherwood Sheet Music
The Entertainer Scott Joplin Ragtime For Flexible Ensemble Arranged By David Catherwood Sheet Music Download the entertainer scott joplin ragtime for flexible ensemble arranged by david catherwood sheet music pdf now available in our library. We give you 6 pages partial preview of the entertainer scott joplin ragtime for flexible ensemble arranged by david catherwood sheet music that you can try for free. This music notes has been read 4005 times and last read at 2021-09-28 11:04:45. In order to continue read the entire sheet music of the entertainer scott joplin ragtime for flexible ensemble arranged by david catherwood you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Cello, Flexible Instrument, Violin Ensemble: Brass Quartet, Brass Quintet, Chamber Orchestra, Conc Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music My Favorite Things For Flexible Ensemble Arranged By David Catherwood My Favorite Things For Flexible Ensemble Arranged By David Catherwood sheet music has been read 4247 times. My favorite things for flexible ensemble arranged by david catherwood arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-29 04:07:23. [ Read More ] Anything Goes By Cole Porter Arranged For 5 Part Flexible Ensemble By David Catherwood Anything Goes By Cole Porter Arranged For 5 Part Flexible Ensemble By David Catherwood sheet music has been read 4137 times. Anything goes by cole porter arranged for 5 part flexible ensemble by david catherwood arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-30 06:30:26. -
Reframing Generated Rhythms and the Metric Matrix As Projections of Higher-Dimensional La Ices in Sco Joplin’S Music *
Reframing Generated Rhythms and the Metric Matrix as Projections of Higher-Dimensional Laices in Sco Joplin’s Music * Joshua W. Hahn NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.2/mto.21.27.2.hahn.php KEYWORDS: meter, rhythm, beat class theory, syncopation, ragtime, poetry, hyperspace, Joplin, Du Bois ABSTRACT: Generated rhythms and the metric matrix can both be modelled by time-domain equivalents to projections of higher-dimensional laices. Sco Joplin’s music is a case study for how these structures can illuminate both musical and philosophical aims. Musically, laice projections show how Joplin creates a sense of multiple beat streams unfolding at once. Philosophically, these structures sonically reinforce a Du Boisian approach to understanding Joplin’s work. Received August 2019 Volume 27, Number 2, June 2021 Copyright © 2021 Society for Music Theory Introduction [1] “Dr. Du Bois, I’ve read and reread your Souls of Black Folk,” writes Julius Monroe Troer, the protagonist of Tyehimba Jess’s 2017 Pulier Prize-winning work of poetry, Olio. “And with this small bundle of voices I hope to repay the debt and become, in some small sense, a fellow traveler along your course” (Jess 2016, 11). Jess’s Julius Monroe Troer is a fictional character inspired by James Monroe Troer (1842–1892), a Black historian who catalogued Black musical accomplishments.(1) In Jess’s narrative, Troer writes to W. E. B. Du Bois to persuade him to help publish composer Sco Joplin’s life story. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
Ragtime and the Music Oj Charles Ives Judith Tick
Ragtime and the Music oj Charles Ives Judith Tick If ragtime were called tempo di raga ... it might win honors more speedily .... But neither the reproach of "reminiscence" nor the equal odium of "innovation" has ever succeeded against a vital musical idea. I feel safe in predicting that ragtime has come to stay .... It will find its way gradually into the works of some great genius and will thereafter be canonized. Rupert Hughes Musical Record, 1 April 1899 That great borrower from American vernacular culture, Charles Ives, utilized all kinds of music in his own compositions-minstrel tunes, revival hymns, and popular songs. One vernacular style that he particularly exploited was ragtime, a music popular from 1895 to 1920. Indeed, rag rhythms, along with hymn tunes and marches, are among the most commonly quoted material in his music. The hallmark of Ives's ragtime style is his use of off-beat accents and complex syncopation. According to Cowell this "category of rhythm ... [was] of especial fascination to Ives .... His humorous movements, which occur in almost all the larger works, are full of such irregular off-beat stresses."l "Humorous works" no doubt refers to the scherzos in the Piano Sonata No. 1 or to "In the Inn" from the Set of Pieces for Theater or Chamber Orchestra. These works are directly related to Ives's ragtime style. Despite its sustained presence in I ves's music, ragtime has received little critical attention as a discrete factor in the development of his rhythmic vocabulary. Most often writers attribute his use of syncopation to the in- fluence of jazz,2 which postdates ragtime and much of Ives's music. -
What Is Jazz? Concert on April 15, 2020 Symphony of Southeast Texas
Exploring American Music: What Is Jazz? Concert on April 15, 2020 Symphony of Southeast Texas Table of Contents Acknowledgement of the Symphony League 1 History of the SOST 2 What is an Orchestra? 3 Who is the Conductor? 4 Audience Etiquette 5 Exploring American Music—What Is Jazz?: An Overview 6 Exploring American Music—What Is Jazz?: Repertoire Duke Ellington (1899–1974): “It Don’t Mean Thing” 9 Scott Joplin (c. 1867–1917): “The Ragtime Dance” 11 Dr. Tim Dueppen: What Is Improvisation? 13 George Gershwin (1898-1937): “Summertime” from Porgy and Bess 15 Joseph Haydn (1732-1809): Concerto for Piano [Soloist: Seth Weeks] 17 Satchmo! A Tribute to Louis Armstrong: arr. Ted Ricketts 19 “A Salute to the Big Bands”: arr. Custer 21 My Concert Journal 23 Musical Terms 24 About the Teacher’s Guide 25 0 Exploring American Music: What Is Jazz? Concert on April 15, 2020 Symphony of Southeast Texas Acknowledgement of the Symphony League of Beaumont In 1955 a group of dedicated symphony supporters formed the Beaumont Symphony Women’s League Inc. Although the name changed in 1993 to the Symphony League of Beaumont, the purpose and commitment remain the same. The League’s mission is to support and promote the growth of the Symphony of Southeast Texas (SOST) and to foster and encourage musical education, participation, and appreciation of the membership and the general public. This organization provides generous financial support and essential services to the orchestra. Their annual String Competition, Youth Guild, Symphony Belles debutante program, and Junior Escorts encourage future generations of musicians, music lovers, and Symphony supporters. -
Scott Joplin American Ragtime Pianist and Composer (1867 Or 1868 - 1917)
Scott Joplin American Ragtime Pianist and Composer (1867 or 1868 - 1917) Scott Joplin was born in Texarkana, Texas around 1868, and was one of six kids. Texas is the home of long horn steer, BBQ, and everything big! Both of Scott Joplin's parents were musicians. His father played the violin at parties in North Carolina and his mother sang and played the banjo. His parents gave Scott a basic musical education, and at seven years old he began teaching himself to play the piano while his mother cleaned houses. As a boy Joplin loved to play the piano and practiced every day after school. Several local teachers helped him, but most of his musical education was guided by Julius Weiss, a German music professor who had immigrated to Texas in the late 1860’s. It wasn't too long before Joplin was performing as a pianist and singing in a quartet with three boys that lived in his hometown of Texarkana. In the late 1880's Joplin left home to become a traveling musician. He found steady work in churches and saloons. In 1893, Joplin was invited to perform at the Chicago World's Fair. The fair was attended by twenty-seven million visitors. Joplin's ragtime music was popular with the visitors and by 1897 ragtime had become a national craze. In 1895 Joplin was given his first opportunity to publish his own compositions. Four years later he published, "Maple Leaf Rag." The song quickly grew in popularity and people began referring to Joplin as the "King of Ragtime." Joplin moved to St. -
Concerto 'Still Life'
Thursday matinee 28 September 2017 CONCERTO Music Dmitri Shostakovich; Choreography Kenneth MacMillan; Designs Jürgen Rose; Lighting John B. Read First movement Miki Mizutani, Lachlan Monaghan Second movement Yvette Knight, Yasuo Atsuji Third movement Yijing Zhang Three couples Karla Doorbar, Reina Fuchigami, Yaoqian Shang, Feargus Campbell, Tim Dutson, Edivaldo Souza da Silva with Artists of Birmingham Royal Ballet Solo piano Jonathan Higgins I N TERVA L ‘STILL LIFE’ AT THE PENGUIN CAFÉ Music Simon Jeffes; Choreography David Bintley; Designs Hayden Griffin; Lighting John B. Read AIR À DANSER The Great Auk Ruth Brill PRELUDE AND YODEL Utah Longhorn Ram Samara Downs with Iain Mackay LONG DISTANCE Texas Kangaroo Rat Tzu-Chao Chou THE ECSTASY OF DANCING FLEAS Humboldt’s Hog-nosed Skunk Flea Miki Mizutani Gabriel Anderson, Feargus Campbell, Brogan McKelvey, Valentin Olovyannikov, Hamish Scott WHITE MISCHIEF Southern Cape Zebra Edivaldo Souza da Silva Samara Downs, Rosanna Ely, Elisabetta Formento, Jade Heusen, Anna Monleon, Rachele Pizzillo, Alys Shee, Daria Stanciulescu NOW NOTHING Tyrone Singleton, Yijing Zhang, Amber Cook MUSIC BY NUMBERS (by Simon Jeffes and Geoffrey Richardson) Brazilian Woolly Monkey Kit Holder with Karla Doorbar, Reina Fuchigami Contralto Rebecca Duggan Royal Ballet Sinfonia Conductor Philip Ellis; Leader Robert Gibbs I N TERVA L ELITE SYNCOPATIONS Music Scott Joplin and others; Choreography Kenneth MacMillan; Design Ian Spurling; Lighting John B. Read 1. Sunflower Slow Drag The Company 2. Elite Syncopations The Company 3. The Cascades Reina Fuchigami, Alys Shee, Daria Stanciulescu 4. Hothouse Rag Feargus Campell, Chi Cao, Aitor Galende, Kit Holder 5. Calliope Rag Alys Shee 6. Ragtime Nightingales The Company 7. -
2018-Wcrsf-Program Web-Version.Pdf
How You Can Help with WCRS contact info ...............2 Message from the WCRS President ............................3 WCRS Board of Directors ...........................................4 Program Editors .........................................................4 WCRS Volunteer Coordinators ...................................4 Festival Volunteers ..................................................... 5 West Coast Ragtime Society Members ........................6 Sacramento Ragtime Society ......................................7 Thanks to Our Donors ........................................... 8–9 WCRS Youth Ragtime Piano Competition ........... 10–11 Ragtime Store ..........................................................12 Recording Policy ....................................................... 12 Food ........................................................................ 13 Seminars ........................................................... 14–16 Special Events ....................................................18–25 Other Festival Features .......................................26-27 Theme Sets by Various Performers .....................28–34 Performers, Presenters and Dance Instructors ..........36 Festival Performers ............................................ 37–81 Venue Map ..............................................................40 Schedule ............................................................ 41–43 Piano Tuning ............................................................ 81 In Memoriam .....................................................82–83 -
Historic Jazz Piano Styles in Live Performance, 1900-1940
Historic Jazz Piano Styles in Live Performance, 1900-1940 An Honors Recital (HONRS 499) by Mattnew A. Wilson Frank J. Puzzullo Ball State University Muncie, Indiana April 15, 1992 Graduation Date: May 2, 1992 -------- ---._--- ---"- \ "V,''''' • ",ISS This ~ecital is dedicated to the purpose 0: outlining the evolution of Jazz piano styles prior to about 1940. The empnasis is on tne niano as a solo instrument, a unique nositinn occu~ied by the piano since it can play both melody and accompaniment to its melody. T11e;)rogram notes are designed not to give a detailed analysis of each selection, but instead to nelp gUide the membe~s of tne audience in understanding the nistorical context, tne general stylistic traits of the pieces, a~l perhaps tne significance of particular key persons in the devel o~ment of Jazz piano styles. Tne selections themselves orogress chronologically, and they are carefully chosen to provide an in:eresting and varied program. The most important factor, noweve~, in considering whicn pieces to include is tne aCcurate representat1:m of tne various styles. The pieces C.hosen are tnose tnat seem to embody tne stylistic traits in the most easily perceived manner, because tne pur:l)()se ·of the recital is to demonstrate tnese early Jazz .Jiano styles to t11e aUdience. AI]. of tne nieces ryerformed are based on transcriptions of actual recordings. Sunflower Slow Drag -1901 • • • • • • • Scott Joplin (1868-1917) - Scott Hayden (1882-1915) With the emergence of ragtime comes the first genuinely American music. This new and unique music combines elements of brass band styles, European forms, and folk traditions. -
Scott Joplin Points of Interest Id You Know Missouri Had a King? Buoyed by Success, Joplin and His Wife, Belle, J Scott Joplin Attended George R
Missouri Road Trip Every Hero Has A Story: Scott Joplin Points of Interest id you know Missouri had a king? Buoyed by success, Joplin and his wife, Belle, J Scott Joplin attended George R. Smith College in Sedalia to study music. The college burned down in 1925. Yes, “The King of Ragtime,” a talented moved to St. Louis in the spring of 1900. J Scott Joplin was inducted into the Hall of Famous Missourians in the Missouri D musician and composer whose real While living there, he produced some State Capitol in Jefferson City in 1992. name was Scott Joplin, spent a significant part of of his better known compositions: his life in Missouri and it was here he composed “The Entertainer,” “Elite J In 1976, Joplin was posthumously awarded a Pulitzer Prize for his some of his most famous musical works. Syncopations,” “March Majestic” contribution to American music. and “Ragtime Dance.” J Scott Joplin has a star on the St. Louis Walk of Fame in the Delmar Loop As a young man, Joplin established roots in Sedalia, where his experimentation with musical In 1907, Joplin moved to New district. Learn more at StLouisWalkofFame.org. York to increase national rhythms led him to create his first well-known J The Friends of Scott Joplin organization works to preserve and promote published work, the “Maple Leaf Rag.” The tune recognition and further his the enjoyment of ragtime within the greater St. Louis area. Visit became a national sensation – even though mass success. Sadly, the most FriendsofScottJoplin.org for an events calendar.