October 2010
!4!9%:),$*)!.02):% 9/52%&)2%$./77(!4s3425.'/543"52.3 7). 0!#+!'%7/24(/6%2 /CTOBER 4HE7ORLDS$RUM-AGAZINE 4(%$25--%23/& 2!--34%). #902%33(),, "2%!+).'"%.*!-). 4)03&/2 $%6%,/0).' 9/52/7. 3/5.$ '/30%,'2%!4 *%&&$!6)3 7(!4-!+%34(%7/2,$3 #//,%344)-%+%%0%24)#+ 2%6)%7%$ -/$%2.$25--%2#/- &)$/#+"%"/03%4"/30(/253/2!#,%4!9%3.!2%3,/3#!"/334)#+3$)8/."5").'!3.!2% Volume 34, Number 10 • Cover photo by Antoine Sanfuentes CONTENTS 46 26 CHAD SZELIGA He knew early on that being mediocre wasn’t acceptable. Rob Mazzella Steadfastly schooling himself on all things percussive, he took aim at fame, landed a gig with the multi-platinum band Breaking Benjamin, and became the kind of drum- mer other drummers aspire to be. 34 JEFF DAVIS When the conversation turns to modern gospel drumming, his name is the first to be mentioned, and always with deep respect. Ladies and gentle- men, the groove is here. 40 CHRISTOPH SCHNEIDER Today, German industrial rockers Rammstein sell out stadiums across Europe and beyond. But the drummer recognized by millions simply as Doom had to rebel against the classical preferences of his musician parents and roam far from home to find his true musical self. 34 46 STEVE JORDAN He has masterful command of the music he plays—and the way it sounds coming out of the speakers. But even master Paul La Raia musicians confront hurdles every day. Here, the always cutting-edge, always honest compadre of Eric Clapton, John Mayer, Keith Richards, and Neil Young schools us on achieving drumming greatness in the real world.
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